Adobe Photoshop 2022 Beginner's Guide - A Complete Step-By-Step Manual For Beginners and Experts With Tips & Tricks To Learn and Master
Adobe Photoshop 2022 Beginner's Guide - A Complete Step-By-Step Manual For Beginners and Experts With Tips & Tricks To Learn and Master
A Complete Step-By-Step Manual for Beginners and Experts with Tips & Tricks to Learn and Master
All New Features in Adobe Photoshop 2022
Ernest
Woodruff
Copyright © 2022 Ernest Woodruff
All rights reserved.
It is not legal to reproduce, duplicate, or transmit any part of this document by either electronic
means or in printed format. Recording of this publication is strictly prohibited
Disclaimer
The information in this book is based on personal experience and anecdotal evidence. Although the
author has made every attempt to achieve an accuracy of the information gathered in this book, they
make no representation or warranties concerning the accuracy or completeness of the contents of this
book. Your circumstances may not be suited to some illustrations in this book.
The author disclaims any liability arising directly or indirectly from the use of this book. Readers are
encouraged to seek Medical. Accounting, legal, or professional help when required.
This guide is for informational purposes only, and the author does not accept any responsibilities for
any liabilities resulting from the use of this information. While every attempt has been made to verify
the information provided here, the author cannot assume any responsibility for errors, inaccuracies or
omission.
Contents
INTRODUCTION
CHAPTER ONE
New features of Adobe Photoshop
How to get started with image editing
How to Edit Photos Professionally Using Adobe Photoshop
Why is cropping and straightening the first step in editing?
How to Launch Camera Raw
Exposure Editing In Camera Raw
Modify White Balance In Camera Raw
Eliminate All Distractions from your Image
The Clone Stamping Tool
Configuring the Clone Stamp Tool
Eliminating Objects from a Photo Using The Clone Stamp
Adding Curves Layer Adjustment
How Curves Adjustment Operates
CHAPTER TWO
How to Make Use of Adobe Photoshop's Quick Share
How to Save an Adobe Photoshop Action Set
How to use the history panel
What is "History" in Photoshop?
How to Reach the History Panel
How to Undo and Redo in Photoshop
CHAPTER THREE
How to export Artboards using Photoshop's "Export As..."
How to export Artboards using the "Artboards to Files" Option in Photoshop
How to export Artboards using the "Artboards to PDF" option in Photoshop
How to Export Photoshop Layers to Individual Files
How to Export to Files Only Visible Layers
How to revert to the last saved
CHAPTER FOUR
About pixel art
Getting Started
How to Create a New File
Configure Photoshop for Pixel Art
Create Your Pixel Artwork
Configure the Pencil Tool
How to understand picture resolution
Printing Resolution
How to Modify Image Resolution in Photoshop
How to Understand Pixels
How to choose and manage picture and file sizes
CHAPTER FIVE
About resampling and how to resample an image
Re-sampling techniques
Resampling an image
CHAPTER SIX
How to Use a Gradient Mask in Adobe Photoshop
How to Set Up and Align Thumbnails in Adobe Photoshop on a Page
How to Use Blending Modes in Adobe Photoshop for Basic Color Correction
How to Use Panels in Photoshop
How to Use Adobe Photoshop's Black & White Adjustment Layer
How to Use Variable Fonts in Adobe Photoshop
CHAPTER SEVEN
How to begin with calibration
How to calibrate a monitor
How to adjust your display
Photoshop Image Navigation Tips, Tricks, and Keyboard Shortcuts
Accessibility Keyboard Shortcuts
Hand Tool Shortcuts
How to Use the Zoom Tool
Using tabbed Photoshop windows
Increasing efficiency using Photoshop's screen modes
CHAPTER EIGHT
Selection Tools
Rectangular Marquee Tool
Lasso Tool
Polygonal Selection Tool
Magnetic Lasso Tool
Magic Wand Tool
Quick Selection Tool
Extra Tips
Introduction to the Selection Tool in Photoshop
How to Use Photoshop's Selection Tool
Understanding Quick Selection Options
Using the Magic Wand Tool
How to Create Your Custom Photoshop Panels Using Configurator Reloaded
Creating one's panel
How to Load Selection in Photoshop
Saving a selection
CHAPTER NINE
Troubleshooting issues in Photoshop
How to Fix the "Scratch Disks Full" Error in Photoshop
What Does the "Scratch Disks Full" Error Mean in Photoshop?
How to Fix the "Scratch Disks Full" Error If Photoshop Won't Open
How to Fix Adobe Photoshop Program Error
How to Upgrade your version of Adobe Photoshop
How to Resolve Freezing Problems with Adobe Photoshop
How to Resolve Adobe Photoshop Crashes on Windows
How to Repair the Save for Web Error in Adobe Photoshop
How to Save in Photoshop for the Web
Rapid Solutions to the Save for Web Error in Photoshop
CHAPTER TEN
Using the Adobe Camera RAW filter
How to filter multiple layers
Parametric Modifications for Bitmap Images
How to convert into Smart Object
Using White Balance Tool
Using the Eraser Tool
Background Eraser Tool
How to use the Eraser Tool
How to Make a Filmstrip in Photoshop
CHAPTER ELEVEN
Layers
How to Move Layers
How to Find Layers
How to Create Groups
Types of Layers
CHAPTER TWELVE
Using the clone stamp tool
What Is the Clone Stamp Tool in Photoshop?
How to Use the Clone Stamp in Photoshop
What is the ellipse tool?
What is Elliptical Marquee Tool?
How to Make Use of the Elliptical Marquee Tool?
Photoshop Corrections for Perspective Distortion
CHAPTER THIRTEEN
Using Adobe Filters
Getting Started
Beginning to use filters
Using the Clouds filter
Using Liquify Tool
Quick Tip
Liquify Filter Tools
What is Adobe Photoshop's Modern Oil Paint Filter?
How to Use Oil Paint
CONCLUSION
INTRODUCTION
Photoshop is software for modifying or editing photos. It is a popular
image-editing application. It was created by American brothers Thomas and
John Knoll in 1987. Vector Graphic and Raster Graphic are the two forms
of graphic software. This program offers several picture editing functions
for both raster (pixel-based) and vector graphics. Photoshop is technically a
RASTER graphic program, which implies it is used to manipulate raster
images.
Adobe has already revealed its enhanced features for 2022 to its millions of
users worldwide, as it has in prior years. Certainly, it will make some
formerly difficult activities simpler.
The following is a list of the most helpful and improved features, along
with their primary functions.
To use this function, choose Layer > Mask All Objects. It will produce
masks for all the layer's objects. Also, a single click is sufficient for this.
Therefore, you do not need to utilize distinct things sequentially since you
may manipulate them simultaneously.
2. Object Finder
You can dispute that the Object Selection Tool in Photoshop has improved
above our expectations with the release of Photoshop 2022's new
capabilities. You may just hover over the desired picture item to choose it.
Your single click will locate all things simultaneously.
The new object finder method is very effective and capable of locating any
single thing in a picture. Therefore, editors no longer need to click on all the
items in a picture to alter them. Eventually, the new AI will also locate
connected things.
3. Automatic Selection
Nonetheless, if you are unsure if it can pick all items, you can rest
comfortably since it also allows you to choose things using the previous
method. When the new auto-selecting feature fails to select an item or a
portion of it, you may simply drag a marquee over the desired regions.
5. Harmonizer Filter
Using Adobe Sensei, this exceptional filter will have excellent color and
tonal match with multiple-layer images. With its sophisticated adjustment
method, this filter will initially preserve the realistic composite and time-
induced fault. It will also use luminosity by adjusting the color.
The next neural filter is the color transfer filter, which will provide you with
a suitable color palette whenever you begin a new project. Adjusting an
image's hue must be both times- and labor-efficient and easy.
To use this effect, color or gradient overlays are required. Gradient Maps
can also be used for this purpose. All of these features were accessible
before, but the addition of the color transfer filter in the beta version makes
it far more helpful.
In the beta version of neural filters, the last innovation is the landscape
mixer filter. You must have grown weary of the earlier, tedious landscaping
modes. From now, you can combine numerous landscape filters to create a
new filter.
This mixing tool will be a breakthrough tool for creative editors to create an
altogether different scenario from an ordinary one. You will discover a large
number of presets for photographs, which you may use for any
customization, and it operates almost automatically.
You may either share your work with certain individuals or make it
accessible to everyone. You can then finally send it by email to others.
Additionally, to make it public, you must build a public link to your work
and then distribute it to everyone. Initially, others will remark on your work
as they watch it.
This feature will allow you to enjoy the usage of those helpful programs
without a doubt, as it is much more practical and convenient. The AI files
on the layers and other fields will allow you to continue working on the
project and simply make any required adjustments.
In terms of Photoshop's most recent features, the colorize option is the most
recent. It is not precisely a new feature, but it is a significant improvement
over the previous one. Additionally, it is more beneficial than a new feature.
With the newest version of Photoshop, you may easily discover a greater
variety of preset colors that appear nicer than before. Its user interface is
finally reorganized extraordinarily, providing you with more manual
controls. And you will only be able to appreciate all of these activities since
Photoshop's enhanced features now include a colorized function.
Obviously, you will need to upload your picture into Photoshop before
doing anything else. Depending on where your photos are saved, you may
do this in one of two methods.
The first approach is to open the image in Photoshop straight from your PC.
Simply hit Command + O (Mac) or Control + O (PC) on your keyboard
to do this. Optionally, you may click "Open" on the Photoshop welcome
screen.
Since this method imports a picture from your computer immediately into
Photoshop, you must remember to save your work afterward. Without using
an application like Lightroom, Photoshop will want you to choose a
location on your computer to store your project. This will be requested
when you attempt to save your project.
This has no disadvantages, but it makes it easy for project files to get
chaotic. When saving Photoshop creations, ensure that you have a folder to
keep everything organized.
If your image has already been imported into Lightroom, you may modify it
in Photoshop. Simply right-click on the relevant image and pick Edit In >
Photoshop from the context menu.
Your picture will then instantly open in Photoshop and be accessible for
editing. The difference with this technique is that the new picture will
display in Lightroom when you save your project.
If your picture is slightly crooked or you need to change the frame, the crop
tool will solve all your problems.
You may easily access the crop tool by hitting C on your keyboard or by
locating it in the toolbar.
Once chosen, a white box will appear around your picture, and your tool
settings will appear in the top bar. Make sure your crop preset is set to "W
x H x Resolution" for general usage. While using this crop preset, you
have complete control over the crop size.
However, you can also select the "Original Ratio" setting if you need to
maintain the original aspect ratio when cropping.
To crop your picture, click and drag on any of the crop overlay's
outside boundaries. This will realign your crop and darken any parts
that are no longer visible.
The purpose of cropping is to sharpen the emphasis on your topic or
swiftly eliminate distractions from the frame's edges. If you do not
feel the need to crop your shot, that is also OK.
In the early phases of any edit, it is essential to determine whether
or not cropping is necessary.
3. Using the Straighten Tool
Next is the straightening tool. This tool is ideal for swiftly correcting tilted
horizons and aligning photos with a certain edge. Typically, you will use
this tool along horizon lines.
Access the straighten tool using the crop tool's options bar at the top of the
screen. The symbol is a little bubble level topped by a dotted curving line.
Once engaged, just click and drag along the horizon line outwards. As you
drag, a guideline for straightening adjustments will be formed. Make every
effort to align this with the incline of your horizon or edge. Thus,
Photoshop will know just which edge should be straight.
After releasing the mouse button, the picture will be automatically adjusted
to fit the drawn line. If your picture was skewed, you may find that a large
portion of it has been clipped. In certain instances, adjusting for major
changes in angle will only be possible by cropping and dodging, and
burning.
Adjust the sliders for highlights, shadows, whites, and blacks. Instead of
affecting the full exposure, these sliders only impact certain exposure
ranges. Since it separates everything, it is much simpler to focus on
individual aspects of your photo.
Continue adjusting these sliders to bring out the brightest and darkest
portions of your image. The final product will likely seem rather flat and
lacking in contrast, but this is the desired effect.
To adjust the white balance, drag the temperature slider to the left or right.
Moving to the left will result in a more blue-white balance while moving to
the right will result in a more yellow one.
Click on the eyedropper tools above the white balance sliders if you
require a specific part of your photograph to seem 100 percent white. Using
this tool, you may sample any color in your image, and Camera Raw will
alter the white balance to match.
When altering the white balance, your best judgment will be enough in the
majority of instances. After adjusting the color temperature, your photo
may seem somewhat purple or green. Especially when photographing with
an ND filter or polarizer, this is a regular occurrence. Fortunately, this may
be readily corrected using the tint slider. Simply slide left or right to adjust
the color of an image.
Once you are satisfied with your changes, click OK to quit Camera Raw.
Eliminate All Distractions from your Image
Now that the fundamental improvements have been made, it is important to
eliminate any distracting elements. This might be anything from a single
sensor location to a whole structure. Photoshop has two easy-to-use tools
for removing unwanted elements from a picture.
Not every item must be deleted using the clone stamp tool. In the majority
of your photos, you will discover that the objects you must eliminate are
little. Since you do not need to be as precise with your sample, the spot
healing brush can automatically eliminate these little things.
To access the spot healing brush, press J on the keyboard or locate it on the
toolbar. If not, click and hold the healing brush symbol to see further tool
choices.
For tool settings, ensure that the brush hardness is between 0 and 25
percent, the brush spacing is 25 percent, the mode is set to normal, and the
type is set to content-aware. Additionally, choose "sample all layers" to
make this tool simpler to use.
Again, you can adjust the size of the brush with the left and right bracket
keys [or].
Repeat this procedure on the same "Clone" layer until all minor
distractions are eliminated.
Now that the picture has a balanced exposure and the distractions have been
removed, it's time to add your artistic flair. Using a Curves Adjustment
Layer, we will increase the exposure and contrast of the image.
The white line shows your cumulative exposure in each of these parts. By
clicking anywhere on the line and dragging upward, the whole exposure
range will be brightened.
In contrast, dragging down will darken the entire exposure. You may
continue to fine-tune the exposure and contrast by clicking on various
regions of the curve and adding additional anchor points. For instance, you
may decrease the shadows and increase the brightness to increase contrast.
CHAPTER TWO
Share
Long ago, sharing a high-resolution photo with a client or posting to social
media required producing a duplicate of the flattened file and then resizing
it, a time-consuming process. The new Quick Share option enables
instantaneous sharing of either a high-resolution or low-resolution picture
through email, social media, and cloud services. It doesn't get any easier.
Simply enter a caption, and you're good to go.
An intriguing observation is that when you use the Undo or Redo function,
it coincides with the History Panel's statuses. For instance, if we used
Command/Control + Z to undo Modify Hue/Saturation Layer, it would also
be reflected in the History Panel.
The History Panel in Photoshop is an excellent feature that gives you even
more control over the editing process. The historical snapshot function is
extremely useful for huge projects that need numerous modifications, which
may happen to anybody. The History Panel may save you time and effort
during Photoshop sessions, although it is hardly ever used to its maximum
capacity.
CHAPTER THREE
"Export As..."
Pick the Artboard in the "Layers" panel (Window > Layers), then go to
the "File" menu and select "Export," followed by "Export As...". Select
the format and options for exporting the artboard in the new window, then
click "Export."
You can export one or several artboards simultaneously. After artboards are
complete and export-ready, pick the artboard you want to export in the
"Layers" tab. Right-clicking will open the menu. Choose "Export As..."
and a new window will appear. The second method to launch the "Export
As..." window is by selecting "File" from the main menu, then "Export"
from the drop-down menu, then "Export As..." from the fly-out menu. If
you want to use keyboard shortcuts, use Alt + Shift + Control (CTRL) +
W (Windows) or Option + Shift + Command () + W (MAC).
Check the settings on the left side of the window before clicking the
"Export" button. This part allows you to scale a picture by 0.5x, 1.25x, 2x,
etc. Choose the desired scale, add a suffix to facilitate the management of
exported files, and then export the file.
Select several artboards from the "Layers" panel. Hold Control (CTRL)
(Windows) or Command () (Mac) when choosing artboards to pick
several artboards. To access the window for saving artboards as a file,
choose "File" from the main menu. Choose "Export" from the drop-down
menu, followed by "Artboards as Files," and a new window will appear.
2. Modify the parameters/settings
Select the intended location for your file from the option that appears. Next
is the "File Name Prefix" step. This prefix will be applied to the file you
export. If you want to print the exported files, such as business cards or
flyers, choose "Include Overlapping Areas" in the next section. Select the
second option, "Artboard Content Only," if you want to use these
artboards only for online reasons.
in Photoshop
Select the Artboard, go to "File" and select "Export", then choose
"Artboards to PDF" from the choice that appears. In the new window,
pick the folder for saving the file, make the necessary adjustments, and then
hit the "Run" button to complete the process.
To export Photoshop layers to separate files, choose File > Export >
Layers To Files. Set the File Type to JPEG or PNG in the dialogue box that
displays, then choose an export location. Click the Run button to export all
of your layers to separate files on your computer.
In this export dialogue box, there are other file possibilities beyond PNG
and JPEG. If you do not want to export everything, you may also tailor your
export to export just the visible layers in your project.
1. Select File > Export > Layers To Files from the menu bar. Once
your project has layers, choose File > Export > Layers to Files in
the menu bar.
2. Choose a file type. Now you will see a dialogue window with many
export choices.
Through the "File Type" option in the export box, you must first pick the
file format in which you want to export the layers. Here is a list of the most
prevalent file types supported by Photoshop.
BMP: Microsoft created the BMP file format, which holds raster graphics.
Its full name is Bitmap Image File.
JPEG: Along with PNG, this is the most prevalent picture format. It
compresses your images significantly for smaller file sizes, although this is
normally imperceptible to the human eye. This is your greatest option for
sharing picture files over the Internet.
PDF: PDF stands for Portable Document Format, which Adobe invented.
Best of all, these files are very portable and do not alter the picture data.
These are often used for legal and commercial papers, and they are suitable
for multi-page documents.
TIFF: The Tag Image File Format (TIFF) is mostly used to store high-
quality graphics intended for modification. It is seldom used on the web,
although it aids with the export of uncompressed images. After editing a
RAW picture file, exporting to TIFF is advantageous since it preserves all
file information.
PNG: This is one of the most widely used file formats on the Internet and
on websites. This makes your photos high-quality by storing them without
compression. It may also be used to export drawings or cuts with
transparent backgrounds.
In addition, note that the menu has two PNG alternatives, PNG-8, and
PNG-24.
PNG-8 differs from PNG in that it supports 8-bit color depth. In brief, an 8-
bit picture may represent a lesser spectrum of color information.
In contrast, PNG 24 supports 24-Bit colors and can show more than 16
million colors! It is ultimately your decision, although exporting to PNG
will be adequate in the majority of circumstances.
Now that a file format has been selected, choose a place to store the
exported layers. Select a place on your computer by clicking the 'Browse'
option.
4. Create a name for the exported layers
Select "File Name Prefix" next to change the names of exported layers.
This prefix will be added to all layer names, and Photoshop will add 1, 2,
and 3 if there are several layers.
To export your layers, click "Run" now. Photoshop will convert all of your
layers to the desired file format and store them in a designated folder on
your computer.
Check your save location after exporting to locate your exported files.
Verify that everything was exported correctly, and you're ready to go.
To determine this, you need to examine the layers panel. If an eyeball icon
appears next to your layer, it indicates that it is visible on your page.
If a layer cannot be seen, the eyeball symbol will not appear. Instead, an
empty box would be shown. By clicking the eyeball symbol next to the
selected layer, you may quickly alter the visibility of that layer.
To export just visible layers, choose File > Export > Layers to Files and,
in the resulting dialog box, pick the option labeled 'Visible Layers Only'.
By selecting this option, Photoshop will export just the visible layers of the
project, keeping the unseen layers intact. This may save you a great deal of
time since you won't have to filter through unnecessary layers in your final
output.
Photoshop's choices for storing and exporting files reflect over three
decades of evolving needs, so there is redundancy that might be perplexing.
Even while the TIFF and Photoshop PDF formats can also maintain
Photoshop layers and features, apps that can manage Photoshop layers often
need a Photoshop format document.
Many users learn just one or two of Photoshop's several methods for
producing web and mobile graphics. Knowing all available solutions may
help you tackle more web graphics problems.
GIF and JPEG Options That May Not Be Necessary
JPEG (Save As): The JPEG format option in the Save As dialog
box is handy when you wish to save a file in JPEG format that is
just meant for printing and will not be published to a website.
Convert to a PDF?
It may surprise you how many ways there are to convert a Photoshop file to
a PDF.
To create:
A one-page PDF file: Select File > Save As, then Photoshop PDF.
When you click Save, the Save Adobe PDF dialog box is shown.
You have access to the same Adobe PDF Presets used by other
Adobe programs.
A display of several pictures: Select File > Automate > PDF
Presentation to generate a multi-page PDF file from the selected
files. Then, you may pick between Multi-Page Document and
Presentation (a self-running, full-screen slide show when opened in
Acrobat).
This will reverse any modifications you've made and restore your file to its
original state when you initially accessed it (or the last time it was saved).
CHAPTER FOUR
Getting Started
Pixel art is a quick and simple approach to generating 2D pictures for
games or other projects.
There are several tools for generating pixel art, but we will focus on the
most common 2D picture program accessible on the Internet. Adobe
Photoshop is the most used program for creating pixel art. Its various
functions facilitate the creation of stunning pixel art.
When Photoshop is initially opened, all pictures are made using Automatic
Bicubic Image Interpolation. This is wonderful for typical photos because
scaling an image up or down helps blur pixels so that they seem "smooth"
and less pixels. Nonetheless, this is the total opposite in pixel art. When
creating pixel graphics, they must seem uniform. To do this, we must
modify this setting to Nearest Neighbor.
Now, when you scale pixel art in Photoshop, the hard edges will be
preserved, giving your artwork a clean, crisp appearance.
The Grid is the next key setting we will enable. Pixel art uses an invisible
2D grid. By activating this, it will become enabled and you can see
precisely where pixels are being placed. To activate the grid, select View >
Show > Grid.
When you click Grid, you should see something like this on your Canvas.
Remember that this grid is only a guide and will not appear when you
export your artwork.
Occasionally, the grid will not seem to be the correct size. This is because
grid lines are not correctly fixed. If you need to modify this or want to, you
will need to return to the Preferences window for a second look. Also, click
Guides, Grid & Slices... this time from the list of alternatives.
Upon menu opening, ensure that the Gridline Each: the property has a value
of 1 pixel. Ensure that Subdivisions is 1 as well. This will ensure that your
grid is the appropriate size.
Select the Pencil tool from the toolbox to get started. It may be found on the
right side It looks just like a pencil. Once the Pencil has been picked, we
will modify its settings.
Click the down arrow in the upper left corner of the Photoshop window. It
should be accompanied by a number. This value indicates how many pixels
the pencil's width will be when it is clicked on the canvas. Since we are
creating pixel art, we need this to be very precise. To do so, change the size
to 1.
This will enable us to draw pixels individually. Next, set the Difficulty to
100 percent. Remember that pixel art must be clear and precise. This
building will prevent anti-aliasing and sharpens our pixels.
To draw a pixel, just click anywhere on the canvas. Since we have done all
the laborious setting up, you should do nothing because Photoshop should
be as simple as populating cubes on a grid. We will use the black color to
outline the head.
To modify colors, click the Color box at the bottom of the toolbox. A pop-
up will open where you may adjust the color by dragging the slider. Press
the OK button when you are finished.
To add a pixel, just click inside the newly-created grid. With the current
parameters, just one cell will be filled.
Now that we have the outline for our pixel art figure, we can go on to the
next step.
Start adding additional inside detail to the head. Using the same approach as
the outline, continue to add more details.
When you alter the resolution of a picture, you specify the number of pixels
per square inch that you want. For instance, a picture with a resolution of
600 pixels per inch would have 600 pixels per inch. 600 is a large number
of pixels to fit in a single inch, therefore 600ppi graphics will be
exceptionally clear and detailed. Compare this picture to one with 72ppi,
which has much less pixels per inch. As you may have anticipated, it will
not be quite as crisp as the 600ppi picture.
Printing Resolution
Professional Publications
Display Resolution
Screen pictures vary from printed images in that we must consider the pixel
size of monitors, TVs, projectors, and displays, rather than just PPI. Use
PPI for printed pictures, but the pixel dimensions of the image are what
define its size and quality when shown on the web or devices.
Web
It has been believed for many years that photos should be kept at a 72 PPI
resolution. However, a popular fallacy is that this resolution or PPI number
is the determining factor of picture quality for online photos, whereas in
reality pixel dimensions are the determining element.
Projector / Powerpoint
Similar to online pictures, projector images must match the pixel size of the
projector. Projectors, like computer displays, have their display dimensions.
For instance, most 4:3 aspect projectors have a display of 1024 × 768
pixels, thus a picture with a resolution of 1024 x 768 pixels and 72 PPI
would be appropriate for projection on a projector.
You will see that when you enter a value into the Resolution field, the width
and height of the document also change.
You undoubtedly heard a great deal about pixels when you purchased your
camera. This is one of the most accessible and "priced" specifications on
the market, so I will begin with it.
A digital photo is not indivisible. If you zoom in close enough, you'll see
that your picture is composed of pixels, which resemble little tiles in a
mosaic.
Pixel count
The first kind of resolution relates to the number of pixels that make up
your photo. To compute this resolution, you just multiply the length by the
height, as you would get the area of any rectangle. For instance, a photo
with 4,500 pixels on the horizontal dimension and 3,000 pixels on the
vertical size has a total of 13,500,000 pixels. Since this quantity is
impractical, it may be converted to megapixels by dividing it by a million.
Obviously, we are speaking in broad terms, as each monitor and printer will
have somewhat different resolutions. In order to print an 810 picture at
300dpi, the image must have 300dpi x 8′′ = 2400 pixels and 300dpi x 10′′ =
3000 pixels (thus 24003000). Anything larger than that will just consume
hard disk space.
CHAPTER FIVE
Re-sampling techniques
Nearest Neighbor, Bilinear, Bicubic, Bicubic Smoother, and Bicubic
Sharper are the five resampling options available in Photoshop; the latter
two were added in Photoshop CS. You may choose which you wish in the
Image Size dialog box or the General section of the Preferences dialog box.
Resampling an image
Your camera's capture size, measured in megapixels, or scanning resolution,
determines the largest picture you may have. Naturally, a lower pixel
density (PPI) results in a lesser-quality image but a bigger overall image.
Each square becomes larger and more irregular as you stretch it. Each
square grows smaller and finer as you shrink it (if it is feasible with the
screen, try it sometime).
You may enlarge the size of your pixelated window screen as much as you
want, but the quality and resolution will only become worse. However,
there is a fix. Photoshop will produce new pixels to fill in any gaps when
the image is stretched using an interpolation process. The program's best
judgment as to what it should look like, assuming that the past is indicative
of the future, is based on what was previously present.
Resampling a picture usually isn't a good idea since it degrades its quality.
However, you do sometimes.
Color Correction
Blending modes are a useful tool of the Layers Panel and may be used for
simple color adjustment in addition to being utilized with the Brush Tool
for retouching. The instructions that follow demonstrate how to use
blending modes to brighten an image—a color correction that is often
required with digital photography—by using blending modes.
1. Open the Layers Panel. Drag the Background layer to the New
Layer button by clicking and holding the layer. This makes the
layer duplicated.
2. Select Screen from the Blending Mode option by clicking. In the
menu, you'll see that the blending modes are organized into groups
by horizontal lines.
3. The Screen Blending Mode enhances an image's highlights, giving
the impression that it is brighter. The layer's opacity can now be
used to change the brightness. Go to the Opacity box and enter the
required value when the Background copy layer is selected.
To control what is shown on the Panel Dock and Toolbar, Photoshop offers
several pre-configured default workspace options depending on jobs. You
can use the Panels in Adobe Photoshop by following the instructions below.
1. The icon next to the font name in the Fonts menu indicates if a font
is variable. The symbol has a little "VAR" on it.
2. You may adjust variable typefaces at the text or layer levels. Also,
you can use the Move Tool to modify all the text on the layer. Use
the Type Tool to highlight the text if just certain words or characters
need to be changed.
3. Access the Property Panel. Weight, width, and slant adjustments are
available.
4. Weight enables you to change the text's boldness.
5. The text will either be compressed or expanded.
6. The slant will provide an artificial italic.
CHAPTER SEVEN
Consider this example: Consider that your monitor is not calibrated since it
shows everything with a yellow tinge. Therefore, anytime you examine
your picture, you believe that the white balance is incorrect and attempt to
adjust it to the blue side. Once completed, the white balance will seem
correct on your display, but the picture will have a blue tinge. Now, every
time you print a picture, it will have a blue tinge.
Almost all modern displays and laptops have an internal calibration tool. If
your gadget is a little outdated, you should purchase a new display. If you
use Windows, you should search for new Dell displays. It will cost less than
$150. Ensure that you do not get a monitor with a resolution of less than
1920 by 1080 pixels. A photographer must get a device that increases
productivity and displays correct and clear pixels. If you're seeking
perfection, get an iMac. They cost more than $1000, but they are well worth
it. The latest model iMac with Retina 5K display boasts an incredible 5K
resolution.
There are alternatives if you do not want to purchase a new display. You can
buy colorimeters. What then is a colorimeter? A colorimeter is a device that
measures the color's intensity. Photoshop features an integrated calibration
system to calibrate the colors for your convenience. Simply go to Edit >
Color Settings.
In the color options menu, Adobe RGB, sRGB, and CMYK may confuse.
Adobe RGB: RGB stands for Red, Green, and Blue. These are the main
colors used to create all-digital colors. If you modify images shot with your
camera, you should do this. If you are a wedding photographer, Adobe
RGB may be the best option.
sRGB: Use this if you submit photographs to the Internet or if you are a site
designer.
CMYK is an abbreviation for cyan, magenta, yellow, and black. Yes, 'K'
stands for black. Use this setting if you print often. This mode may be
useful if you are developing a flyer.
The basic approach needs a hardware colorimeter for color profiling your
monitor for daily picture editing and image viewing, but professional-grade
color profiling requires precise calibration of all display and output devices,
including printers.
How to adjust your display
Before beginning the process of hardware calibration, you must reset your
monitor's settings to factory defaults. You want to do this because you don't
want to calibrate a monitor that has had too many manual adjustments done
before. On certain displays, you may reset to factory settings through a
menu option, whilst on others, you must click a series of buttons. If you
cannot find a means to reset the monitor to factory settings on the monitor
itself, see the monitor's manual.
1. If your monitor and video card have Display Port (DP) connections,
use this cable instead of DVI or HDMI to connect them.
2. Place your monitor in a place where direct sunshine or other light
sources cannot reach it.
3. Allow the monitor to warm up for at least 15 to 20 minutes with the
power on.
4. Ensure that the screen's resolution is adjusted to its best level. If you
have an LCD, set the screen resolution to its maximum value, often
known as "native resolution."
5. Ensure your visual card is operating in the highest bit mode.
6. Uninstall any color calibration tools and software currently
installed.
7. Install the color-calibration software that comes with the
colorimeter.
8. Use the program and adhere to the directions.
After the calibration procedure has been completed, you should only use
color-managed software tools to view or modify your photographs.
The Zoom In and Zoom Out commands are Photoshop's most fundamental
means of zooming in and out of a picture. Both are accessible via the View
menu in the Menu Bar. To use the Zoom In keyboard command on a
Windows PC, press and hold the Ctrl key and then hit the plus symbol (+).
On a Mac, hold down the Command key while pressing the plus symbol.
To use the Zoom Out command using the keyboard on a Windows PC,
press and hold the Ctrl key while pressing the "-" symbol. On a Mac, hold
down the Command key while pressing the "-" symbol.
Fit on Screen
The 100 percent command is accessible via the View menu in the Menu
Bar. To use the keyboard to choose 100 percent, use Ctrl+1 (Windows) /
Command+1 (Mac). You may also pick the Zoom Tool by double-clicking
its icon in the toolbar.
Continuous Zoom
To zoom in continually on the same location, click and hold the Zoom Tool
on the picture. Photoshop will progressively zoom in until the mouse button
is released. To constantly zoom out, press Alt (Windows) or Option
(Mac).
Hand Tool Shortcuts
Choosing The Hand Tool
In Photoshop, we use the Hand Tool to scroll or pan photos. Press the H
key on the keyboard to pick the Hand Tool. Or, press and hold the spacebar
to temporarily switch to the Hand Tool while any other tool is active. Click
and drag the picture inside the document window to move it, and then
release the spacebar to return to the previous tool.
To scroll all open photos simultaneously, press and hold the Shift key while
dragging one of the images with the Hand Tool selected.
Release the H key after dragging the rectangle over the area you want to
magnify, then release the rectangle. Photoshop will quickly magnify the
chosen region, and you'll return to the tool you were using earlier.
To return the picture to its upright posture and reset your perspective, use
the Esc key on your computer. Alternatively, double-click the Rotate View
Tool on the Toolbar.
To work well with Photoshop, you will need to know how to zoom in and
out of your picture. Changing the zoom level enables precise selection and
painting, as well as the visibility of otherwise-overlooked elements. The
zoom feature covers a range from a single pixel to a 3,200 percent
magnification, giving you a great deal of viewing freedom.
You will begin by using the View option to shrink and expand the
document view, and you will conclude by fitting the full document into the
screen.
1. Click on the picture tab to activate the file. The Tools panel and
other panels vanish when you press the Tab key, leaving much more
workspace.
2. To restore the Tools panel and other panels, press Tab again.
3. To conceal the panel docking area while leaving the other panels
visible, use Shift+Tab. Shift+Tab will restore the hidden panels.
The panel docking area and the Tools panel should now be visible.
4. To conceal the panels, press Tab. Then, place the mouse on the
narrow gray strip where the Tools panel was, and pause. The Panel
of Tools returns. Note that the Tools panel only displays while the
pointer is inside the Tools panel region and vanishes when the
cursor leaves that area. Try this with the panel docking area on the
right side of the screen, and see how it likewise appears and
vanishes as you move the pointer over the gray boundary on the
right.
5. By modifying the screen modes, you may discover overextended
anchor points and make more precise selections up to the image's
edge. Changing settings might also help you show your image in a
tidy workstation to customers.
6. Press the Tab key once again to see every panel.
7. Press F to go to the next display mode, Full-Screen Mode with
Menu Bar. This view shows just one picture at a time, centered
inside the work area, without tabs, and with the image extending to
the edge of the work area (including behind the docking area). You
may view other open pictures by selecting the image from the
Window menu's bottom section.
8. You may also alter the mode of your display by choosing View >
Screen Mode.
9. Observe that the gray backdrop (pasteboard) now fills the full
screen and that your picture is centered inside it. (NB: This mode
gives a larger workspace for editing photos, which is one of its
advantages).
10. Press F again to return to the previous screen mode, Full-
Screen Mode.
Full-Screen mode
This mode is Full Screen. It enables you to display your content in full-
screen mode without any distracting screen components, making it a
popular option among multimedia users. In this mode, all menus and panels
are automatically hidden; however, they may still be accessed by hovering
the mouse over the place where they would usually be shown. The panels
resurface momentarily to facilitate entry. Simply use the Tab key to show
and conceal the panels while in this mode.
CHAPTER EIGHT
Selection Tools
When you pick an area, any changes you make affect just that region and
not the remainder of your work. This is why choices are vital, and why
Adobe has provided numerous distinct tools for creating anything from
broad to minute selections.
All of these tools can not only pick, but also deselect, conduct intersections,
and more after the initial selection has been made to assist you to choose
the ideal area.
The relevant tools are located at the top of your toolbar. If you do not have a
toolbar in your setup, go to Window in the menu bar and choose Tools.
Case Examples
Select huge, rectangular portions of your work. It cannot catch a great deal
of information, but it is a basic and rapid tool.
Elliptical Marquee Tool
The elliptical marquee tool performs the same function as the rectangular
marquee tool, but with an oval shape. To get a flawless circle selection, hold
SHIFT.
Lasso Tool
Generates More Organic Selections and Can Be Hard To Control
The lasso tool and its family of tools need you to use the mouse to outline
your selection. There is just one line of mouse dragging, making it difficult
to make a precise selection.
Case Examples
Case Examples
A more systematic tool that needs you to click out your vertices is suitable
for non-round forms with edges and form (because creating a round edge
means you have to click through more vertices)
You may manually click vertices as you would with the polygonal selection
tool (and hit DELETE if you mistakenly construct a vertex you don't like)
to guide the tool, but it handles the majority of the work in high-contrast
areas where the computer can distinguish edges.
The brush is used by the Quick selection tool to paint out specified
locations. Because the Quick Selection Tool now detects edges and makes
more informed choices, the areas you pick seem to be drawn with a wand.
This tool is incredibly versatile since, similar to a standard paintbrush, you
may adjust the brush's hardness, size, and even brush itself (to a different
shape) to get the precise selection you need.
Extra Tips
Selections can snap to rulers, so if you drag a selection near to a
ruler, the selection will run along the ruler rather than pass over it.
Use OPTION/ALT to construct a rectangular or elliptical selection
centered on a point. This method may be used with shift
(OPTION/ALT + SHIFT) to produce a square or circle from a
central point.
Shift + F7 inverts the current selection. When the item you want to
pick occupies the majority of the image yet is difficult to select, this
feature is useful. Simply make choices of adjacent chunks and
reverse your selection to choose the required location.
Note that the key for the selection tool, SHIFT +, cycles between
the tools in that group. The selection instruments are categorized as
follows:
The ESC key terminates a selection and returns you to your prior selection.
"Sample All Layers" is the first option shown next to the Add and
Subtract from Selection choices. The tool is intended to generate a
selection from all layers, not just the presently chosen ones.
Sample All Layers allows you to combine selections from various layers of
an image into a single selection for editing purposes.
2. Auto-Enhance
Next is the Auto Enhance function. It is the ideal technique for choosing
objects in Photoshop that results in jagged edges. The tool raises the
roughness and blockiness of your selection's borders automatically. If you
are not making all of your choices using a stylus, you may use the tool.
There are no customization options available for the software-based editing
system.
3. Refine Edges
If you are dissatisfied with Photoshop's automatic results, you can use the
Refined Edge option to manually adjust the contrast and radius settings to
make your choices seem flawless.
You may use a small brush to paint inside the selected area. Simply drag
along the selection inside to continue smoothing. You may alter the menu's
Edge Detection settings to minimize the level of sharpness and make your
pick seem much softer.
Tolerance: This option affects the color range of all pixels that have
been chosen. You may provide a pixel value between 0 and 255.
The Sample All Layers and Refine Edge options are also accessible with
the Magic Wand, and their functionality is identical to that of the Quick
Selection Tool.
Configurator Reloaded
Adobe Photoshop is an immensely potent application that is frequently used
for a multitude of purposes. How do you create a custom panel in Adobe
Photoshop? The huge array of tools made available to you by Adobe
Photoshop might be occasionally daunting. These tools are organized into
several panels that you may move, reposition, or conceal.
It is a guarantee that you will not always use all the features that Photoshop
provides. In this vast library and multitude of diverse tools, there are those
that you will virtually always use consistently. Whether a project is basic or
big, some tools will always be used. It may be laborious to travel to each of
them individually, particularly if you must do it again. Using Configurator
Reloaded, you may construct and configure your own Adobe Photoshop
panel. You may rearrange these panels and add any desired tools so that
your most critical and often used settings are always accessible.
Getting Started
After creating a container, you may begin dragging and dropping the
desired tools. As you can see, Configurator Reloaded has already classified
the various Photoshop tools. You may explore through them to locate the
ones you choose. Once you have them, just click and drag them into the
newly-created container area.
How can you also copy and paste a selection in Photoshop? This is how:
Begin by selecting the place where you want to put the pixels. Then copy
the picture to be pasted. And choose Edit > Paste Special > Paste Into (or
use the shortcut Ctrl+Shift+Alt+V (Windows) /
Command+Shift+Option+V (Mac).
Saving a selection
Choose Select > Save Selection to save this selection. In the Save Selection
dialog box, provide a name for the selection in the Name area. To exit the
Save Selection dialog box, click OK. If you no longer need the current
selection, press Command+D (MacOS) or Control+D (Windows) to
deselect it. Press the shortcut key on the keyboard. Use the global keyboard
shortcut to quickly pick the whole image: Ctrl+A on Windows and
command+A on a Mac. Some applications additionally give a keyboard
shortcut to deselect all items. Press Ctrl+D (Windows) or command+D
(Mac) in Elements (Mac).
CHAPTER NINE
It is also possible that these files have exceeded the RAM allocated to
accomplish some of Photoshop's fundamental tasks, resulting in poor
overall performance or the dreaded "scratch disks full" message.
When you get the "scratch disks full" error, you may need to do one of
two things; in certain cases, you may need to do both. Space must be
emptied so that Photoshop can work; you may also need to generate more
space by adding scratch disks or an external hard drive.
1. First, defragment/clean up the hard drives on your computer
Always begin by cleaning the hard drives on your computer. Mac and
Windows users may use their native disk cleanup programs, such as the
space-freeing Disk Cleanup utility for Windows.
This step is included first because it may eliminate interference from your
computer's operating system and any background processes.
Here is a list of common files that disk cleaning tools will remove:
In most circumstances, the default location for your scratch disk is the drive
where Photoshop was installed, which is often the C Drive.
This approach allows you to clear the clipboard, history, video cache, or all
three.
When using the Crop tool, there is a Clear box for erasing the aspect ratio
settings. If you click it, any prior entries will be removed.
As with temporary files and clipboards, removing the aspect ratio values
will not affect any of Photoshop's basic settings; they are just superfluous
files that have been saved from past editing sessions and may be safely
deleted.
Open
In severe circumstances, Photoshop may not launch at all, instead of
displaying a pop-up window with the "scratch disks full" error message.
When this occurs, you must run Photoshop while holding Ctrl + Alt on
Windows or Cmd + Option on a Mac. This will enable you to enter
Photoshop via a backdoor and resolve the problem.
From there, you can access forums established around Adobe products,
including Photoshop, where you can ask any Photoshop-related questions
and get assistance from other Photoshop users.
The Photoshop Save Function Isn't Functioning: Here's How to Repair
It
How to Fix It
The previous, superior option has simply been renamed. To achieve the
intended functionality from the Save dialog, you'll now need to choose Save
A Duplicate. This interface exposes the complete collection of file types
and still creates a distinct copy of the file.
While you may save a copy by selecting File > Save A Copy, if you're like
me, you use the shortcut Control + Shift + S, which in the most recent
version opens the inferior Save As box.
How to Fix Adobe Photoshop Program Error
Adobe Photoshop is an image-editing program designed for professional
and creative use. Photoshop includes a variety of editing tools that make
working on projects easier.
Although Adobe Photoshop works well most of the time, this does not
imply that the program is error-free. A problem you may encounter with
Photoshop is the program error.
If you are a professional who adheres to strict deadlines, you must address
this problem quickly.
Windows users may refer to the advice below to restart their computers:
For Mac users, verify your system permissions to confirm that Adobe
Photoshop has access to your storage; to be certain, we suggest allowing
Photoshop full system access.
If you have speed difficulties with Adobe Photoshop, one of the first steps
you can do is to restart your system. This clears your system cache and
removes any mistakes that might be hurting Photoshop's performance.
Press the Windows key on your keyboard to enter the Start Menu.
Next, go to the tab for Power Options.
The last step is to click the Restart button.
Return to Photoshop to see whether its performance has improved.
Third-party applications are the most typical reason for Adobe Photoshop
freezing. As you work on your projects, Photoshop's utilization of your
system's resources rises. If your system runs out of memory or threads,
performance difficulties will occur.
After a time, Adobe Photoshop will gather temporary data on your system,
which will hinder the speed of your system if you're using mid-range or
low-end hardware. To resolve this, just stop Photoshop and reopen your
project. Save your work, exit Adobe Photoshop, and wait at least one
minute before relaunching the program on your computer. Using it
normally, see if its performance has improved.
For heavy workloads, Adobe Photoshop uses your graphics card to generate
pictures and layers more quickly; if the software freezes, it may be a sign of
a problem with your graphics card.
To open the Quick Menu on your computer, hit the Windows and X
keys simultaneously.
Afterward, click Device Manager.
Look for and expand the Display Adapters tab.
The last step is to right-click your graphics card and choose Update
Driver.
Once complete, restart your machine and test Photoshop's
performance by working on your projects.
You must update your Adobe Photoshop if you haven't done so in a while,
since there may be a problem with the version you're using or some of its
files have been corrupted.
Although Adobe Photoshop has been for decades, it is far from flawless, as
is the case with every tool or application. If you're a frequent user, you're
likely aware that Adobe Photoshop has its share of problems.
Click the Windows symbol in the Taskbar to launch the Start Menu
on your computer.
Next, go to the Power Options tab.
Click the Restart button to restart your device.
Relaunch Adobe Photoshop after restarting your computer and
watch whether it continues to crash.
You may have tinkered with Photoshop's options and made changes that
caused it to crash. If this is the case, it will take you an eternity to identify
the faulty setup.
To rule out the possibility that your version of Adobe Photoshop has a bug
that causes it to crash when you access a feature or execute an action, check
for available upgrades.
You can use Windows' built-in program to examine your hard drive for
damaged or missing system files; Adobe Photoshop may be experiencing
troubles due to compromised system resources.
When you choose to Save for Web, you can export your photos in a variety
of file formats, including JPEG, PNG, GIF, and BMP.
1. Select File > Export > Save for Web from the menu bar (Legacy).
2. Select the format you want to save in, and the other settings will be
modified appropriately.
3. Adjust the picture quality and compare the outcomes; the image
quality, speed, and size are shown at the bottom of each image.
4. (Optional): Modify the image's size; the percentage difference
between the new and original sizes will be displayed.
5. If you're satisfied with the appearance, click Save, then name the
picture and choose a location for it.
Rapid Solutions to the Save for Web Error in Photoshop
If you have followed the same processes and are still experiencing
difficulties, please review the following solutions.
Save your picture in.psd format before restarting Photoshop if you lose the
original file.
Select Photoshop > Preferences > General and then click the Reset
Preferences on Exit option.
3. System/Software Upgrade
4. Save as a JPEG
Some may claim that Camera Raw editing is already accessible for non-raw
photographs, however, this is restricted to flattened TIFF and JPEG files.
And, to be honest, the preference selections may make this procedure quite
complex. Consequently, the Camera Raw filter may be a far easier choice.
In some aspects, the Camera Raw filter is comparable to Lightroom's non-
raw file editing capabilities; however, in Photoshop, the Camera Raw filter
may also be used to target particular layers or picture channels.
The Camera Raw filter may only be applied to RGB or grayscale photos
whose dimensions do not exceed 65,000 pixels. To make Camera Raw
modifications in Photoshop, choose Camera Raw Filter from the Filter
menu (Command+Shift-A [Mac], Control+Shift-A [PC]). Ideally,
Camera Raw modifications should be applied non-destructively by
converting the picture or image layer to a Smart Object (Smart Filter) layer
beforehand. This enables you to change the Camera Raw settings similarly
to how you would edit a raw picture. This may be useful for certain
operations. For instance, while dealing with scanned photos, the Camera
Raw filter may be used to add capture sharpening. Or if you feel more
comfortable editing an image's tone with the Camera Raw Basic panel's
tone settings as opposed to Levels or Curves? The ability to make
additional Camera Raw-specific modifications, such as Clarity to modify
mid-tone contrast or Camera Raw-style black-and-white conversions, is
also advantageous.
There is nowhere to store photos, thus you cannot save them. There are no
Crop, Straighten, or Rotate tools, and there are no lens-profile correction
choices since Photoshop already has a Lens Corrections filter. There is also
the overhead associated with creating a Smart Object, which leads to larger
file sizes when stored. Camera Raw is most successful when used to edit
raw photographs, so if you're concerned about image quality, you shouldn't
miss the raw image processing step. You cannot anticipate the same level of
editing flexibility on a non-raw picture when, for example, tweaking the
Highlights slider to recover excessive highlight detail.
Once all layers are combined as a Smart Object, expanding these levels is
as simple as double-clicking the Smart Object layer to show the nested
layers, which are now displayed in a distinct, new picture document.
The Camera Raw filter is not a substitute for the Camera Raw plugin, which
is needed to process Raw photographs originally. It does not convert a
picture that is not raw into a raw image. A handful of the choices are
unavailable when the filter is applied. If the bulk of modifications is made
before opening a file in Photoshop, you will still get the greatest quality
adjustments.
The Camera Raw filter allows you to use the same important Camera Raw
features later in your process. The filter has many impressive features:
Once in the Camera Raw interface, you have almost all the tools that you
typically have in Camera Raw, but the possibilities are limitless due to the
abundance of tools, adjustment sliders, and presets. Use the Camera Raw
filter whenever you are more comfortable with the Camera Raw tools and
sliders. (NB: This will allow you to make picture alterations more quickly
and with more satisfaction).
After making edits in the Camera Raw interface, click the OK button in the
lower-right corner. This button applies the modifications and returns you to
the Photoshop interface.
You can use the Eraser Tool as either a Brush, a Pencil, or a Block.
For the Brush and the Pencil, you may adjust the brush's size,
hardness, and transparency.
A single click will erase whatever is under the pointer (though a big
brush will delete more than a small brush, of course).
Ensure that both the layer you're working on and the transparent
pixels are unlocked.
The Background Eraser Tool instead samples the region underneath the
center of the cursor (shown by a plus sign) and deletes sections that match
the sampled color.
You may modify how the Background Eraser Tool samples pixels.
Continuous Sampling indicates that the sample will be updated as you move
the cursor. Change the sampling mode to Once, and the Background Eraser
will remove everything with the color it sampled on the first click. The
Background Swatch sampling mode will erase everything that matches the
current Background Color in Photoshop. This technique works best with
solid colors since a graded blue, such as the one in the sky, will leave many
places untouched.
The Background Eraser Tool is only accessible as a brush, but you may
alter the Limits and Tolerance settings to meet your specific requirements.
Magic Eraser
The Magic Eraser functions similarly to the Magic Wand selection tool,
only it erases pixels instead of choosing them; with a single click, any
pixels that match the color beneath the cursor are erased.
Adjusting the Tolerance enables you to remove more or fewer shades of the
sampled color. You may also choose whether you want to eliminate simply
surrounding portions or everything with that hue, independent of its
placement in the picture. If you want to reduce jagged edges, use the Anti-
alias option.
1. Unlock the layer that you want to delete. Ensure that transparent
pixels are also unlocked.
2. Select the appropriate Eraser Tool (regular Eraser, Background
Eraser, or Magic Eraser).
3. Personalize or customize the tool. Depending on the kind of Eraser
you've chosen, you will have access to several customizing options.
4. Click and drag the desired area to delete it.
5. Check for any leftover pixels. If required, return and overwrite
regions again.
6. Save the picture as a PNG file to maintain the transparency of
pixels that have been erased.
Follow along if you want to make something creative with your images:
Create your canvas as the first step. Use the keyboard shortcut Ctrl + N, or
go to File > New. A little window will appear; here is where you will enter
the specifications for your blank canvas. You may name your canvas, and
define its width, height, resolution, etc.
2. Create One Filmstrip
Initially, we simply need to construct a single film strip; there are various
phases to follow.
By default, every new canvas will have one backdrop layer. Create a copy
of that layer as your initial step. You may do this by hitting Ctrl + J or by
right-clicking the layer and selecting Duplicate Layer.
Color the Layers
Both levels should be white by default, however, the bottom layer must be
made black. To do this, select the Background layer and press Ctrl + I. You
may also apply color to the layer using the Paint Bucket Tool, which is
located in the left panel.
To enable the Free Transform Tool, select the layer on top and click Ctrl +
T. Additionally, you may choose Edit > Free Transform.
After activating the tool, you may freely change your canvas by dragging its
edges. Click and drag the upper-middle portion of the canvas while holding
down the Shift and Alt keys. This will cause the top and bottom borders to
shift.
Reduce the height of the top border to around 75 percent. Repeat on the left
side until the width reaches about 90 percent.
Select the layers while holding Shift and press Ctrl + E to merge them.
Additionally, you may pick the layers, right-click on one of them, and
choose Merge Layers.
3. Combine the Filmstrip
Once the layers have been merged, hit Ctrl + A (or Select > All) followed
by Ctrl + C (or Edit > Copy). Create a new canvas that is about 2300 by
1000 pixels. Press Ctrl + V twice (or Edit > Paste twice) once you are on
the canvas.
This will duplicate the recently-created filmstrip on the new canvas. You
will now perform everything on this new canvas, so you may dismiss the
other one. Each filmstrip may be moved by clicking and dragging with the
mouse or by using the arrow keys on the keyboard. Transfer the two layers
to create a longer filmstrip. Then, combine the layers.
Now, press Ctrl + J again to duplicate the layer twice, then one more to
combine the layers to create a filmstrip that is even longer. Then, combine
the three layers once again.
As you may already be aware, filmstrips have small holes at the top and
bottom of each strip. The Eraser Tool is the simplest technique to generate
these holes in Photoshop. However, you must first personalize it.
Begin by selecting the Eraser Tool. By default, all the brushes have
a circular form. To transform them into square forms, click the tiny
arrow at the top, then click the options icon and choose Legacy
Brushes.
Select Window > Brush Settings or click the F5 key on the
keyboard. Set the size to 14px and the spacing to roughly 300
percent by clicking on Brush Tip Shape and adjusting the size and
distance settings, respectively.
After customizing the Eraser Tool, you must now make the holes.
Before adding any images to your filmstrip, you must eliminate the white
areas. Start by concealing the backdrop layer so you can see your work
clearly. To conceal a layer, just click the eye symbol next to that layer.
Click and hold the Eraser Tool until a menu of choices appears. Click on
the white squares inside the filmstrip using the Eraser Tool. This should
remove the background color.
To add images to the filmstrip, just drag the images from your PC
onto the canvas. The filmstrip layer must be placed above all other
layers. You may modify the location of any layer by dragging it
with your mouse.
Select the layer on which the picture will be imported and click Ctrl
+ T to enable Free Transform. You may now resize the picture so
that it fits inside the filmstrip.
After importing, placing, and resizing the photos, combine all the
layers except for the background layer.
6. Make It Look 3D
If you just want a straightforward filmstrip, you may skip this step.
It is easy for people who like to add a 3D effect to your filmstrip.
Select the newly combined layer and then go to Edit > Transform
> Warp. (NB: This will enable you to manipulate the form of the
filmstrip as you see fit).
The form of the filmstrip may be altered by clicking and dragging
the edges.
CHAPTER ELEVEN
Layers
Simply said, layers are pictures or effects that are placed on top of other
images or effects. Imagine taking five sheets of plastic wrap, painting a
little image on each one, and then stacking the painted sheets. When
layered, the five separate images would form one new image. Exactly, this
is what a layer is. You may apply effects to a picture, modify an image, or
create a new image using layers.
Once additional layers have been created (on top of the background layer),
you may remove the background layer by selecting it in the Layers Panel
and then double-clicking the trash can in the panel's bottom right corner.
Choosing a Layer
To conduct the majority of tasks in Photoshop, at least one layer must be
chosen.
1. Simply click on the layer in the Layers palette to pick it. (NB: The
layer will become blue after it has been chosen).
2. To select several layers, hold down the CMD (Mac) or CTRL
(Windows) key on the keyboard and click on each desired layer. To
pick many layers in succession, choose the first layer, and then
while holding SHIFT, select the final layer.
1. Select whether you want to search for layers by Type, Name, Effect,
Mode, Attribute, or Color from the Search Dropdown.
2. After choosing a search technique, use the options to the right of the
Search drop-down menu to provide further search criteria.
1. Click the "Create a new group" option at the bottom of the Layers
panel to create a new folder.
2. To add layers to the group, just drag them into the group folder
layer.
3. Rename the Group by double-clicking the Group Name in the
Layers palette.
Types of Layers
There are several kinds of layers. Some layers are the components of the
final picture that you are assembling, while others are form or text layers
(generated automatically) and fill or adjustment layers. Fill or adjustment
layers enable you to experiment with various colors or effects without
altering the primary picture. You may erase or modify the fill or adjustment
layer if you change your mind, while the original picture layer remains
intact.
Background Layer
Adjustment Layer
Adjustment Layers are very adaptable in that they may be quickly modified,
masked, or deleted. You may make adjustments to the Adjustment Layer by
double-clicking the Layer Thumbnail.
Fill Layer
Shape Layer
To modify a shape layer, choose the shape layer and the Shape Tool.
CHAPTER TWELVE
It is ideal for removing defects from a picture, and since you may Clone
Stamp as little as one pixel (and as many as 5,000), it enables highly precise
raster editing.
Open the image you want to clean up and zoom in on the desired region.
Not too near, so that you can still see the action. Click the clone stamp tool
in the left-hand toolbar.
Always duplicate the background layer before beginning your work. Thus,
you may always return to the original image. Select 'Duplicate Layer...' by
right-clicking the background layer.
Select a gentle brush. Adjust the size of the clone stamp to include the item
you want to delete. It takes experience to determine the appropriate size and
density of your brush. A medium-soft brush is a decent starting point for
achieving clean edges.
Move the pointer to the region from which you want to extract pixels. The
pointer will transform into crosshairs. The minute you click, the pointer will
shift to display the cloned pixels.
Now begin painting over the undesirable thing. Ensure that it is not evident
that you are copying another portion of the image. If it is visible, clone
more pixels and continue painting.
Repeat until the results seem natural. Photoshop's undo function allows you
to revert many steps. Mac OS: Command + Z; Windows: Control + Z.
You must be on the lookout for trends. Patterns will reveal that you have
copied pixels and eliminated an item.
(NB: Please note that this tool can only create forms of the oval family.
For forms with numerous sides or straight sides, such as rectangles and
polygons, you must use a separate Shape tool).
Using the Ellipse tool, it is possible to construct a filled-in shape. Use the
tool in Vector Shape mode or Pixel-based Shape mode to do this.
When scaled, vector forms maintain their clean appearance, but pixel-based
shapes may be degraded. However, since Photoshop is designed for dealing
with pixel-based images, the Pixel-based Shapes technique may be
preferred at times.
With the Ellipse tool, there is a third accessible choice. Instead of being
firmly filled in, the ellipse will show as an outline when it is chosen.
If your project needs more than one ellipse, you can determine how these
forms interact. Each shape may be created in its layer, or ellipses can share
a layer if desired. When two shapes in the same layer overlap, they can:
Join with the first form to combine the two ellipses into one huge
shape.
Subtract from the first shape: In this scenario, the new ellipse is
created by subtracting from the initial form.
This option eliminates portions of both ellipses where they cross.
Only the space where the two forms overlap remains.
Create negative space in the intersecting region. This option is the
inverse of the preceding one. The overlapped area is eliminated.
Only the areas where the two forms are independent of one another
survive.
By stacking ellipses in one of these four ways, the Ellipse tool may be used
to generate new forms for your project.
The Marquee tool is the most frequent and generally the most effective
selection tool. This instrument is used to create alternatives based on
geometric forms. In particular, the marquee tool enables you to draw
rectangle- and elliptical-shaped options. To create the selection, just click
and drag the mouse.
Position the crosshair near the region to be selected, and then drag
around the desired element. The selection marquee emerges as you
drag. You may find it easier to create an elliptical selection by
holding Alt (Option on the Mac) and dragging from the center to
the outside. First, click the mouse button, and then, before moving
the mouse, hold down Alt (Option on a Mac) and drag. When you
have the appropriate selection, release the mouse and then press the
key. If you want to draw from the center out and a complete circle,
you must additionally hold down the Shift key. When you have
reached your desired option, remove the mouse button and then
press Shift+ Alt (Shift+ Option on a Mac). This method is also
effective for creating squares.
When you are pleased with your choices, release the mouse button
on your computer. Your elliptical choice is also alive and well.
You may be acquainted with this effect, such as when snapping a structure
while walking and tilting your camera upward. This may be your objective,
but you may not always desire or want this distortion. Using tilt-shift lenses
or a large-format camera, you may certainly rectify this problem.
Nevertheless, many individuals lack access to this technology. Photoshop is
useful for correcting perspective in post-production.
CHAPTER THIRTEEN
Getting Started
The Filter menu provides access to available filters. When specific filters
are selected, the Filter Gallery opens. When other filters are chosen, their
respective dialog boxes are shown. Some, such as the Clouds filter, have no
dialog box at all.
Filters are always applied to the currently chosen layer and cannot be
applied to pictures in Bitmap mode or indexed color. Note that many filters,
such as Brush Strokes and Sketch, only function in the RGB mode and are
unavailable in the CMYK mode.
1. Select File > Browse. Open the file found in the file.
2. You can keep this file open for reference or close it by selecting
File > Close.
Using the Clouds filter
Here, you will create a smoky backdrop using the Clouds effect. Using
random values derived from the foreground and background colors, the
Clouds filter produces a cloud pattern.
Quick Tip
While working with the Liquify tool, there are many keyboard shortcuts
available. Below is a brief list of the most prominent:
The "Forward Warp" tool is one of the first tools that might be beneficial
to learn about. As you drag the "Forward Warp" tool, the pixels of a picture
are pushed forward. To control the pixels you push, alter the size of the
brush. To alter the size of the brush, choose "Brush Options" from the
toolbar on the right.
"Reconstruct" Tool
"Pucker" Tool
The "Pucker" tool is another Photoshop Liquify filter dialog box to learn
about. The "Pucker" tool pushes the pixels toward the brush's center. Drag
the picture to move the pixels toward the center.
"Bloat" Tool
The "Bloat" tool is an extra tool in the Liquify filter dialog box that may be
used to edit your wedding photos. The "Bloat" tool shifts the pixels away
from the brush's center. Drag the picture to move the pixels away from the
center.
Brush Pressure
In the Liquify dialog box, the brush pressure may also be adjusted. The
brush pressure option enables you to determine the rate at which the brush
changes as it is dragged over an image.
Brush Rate
A brush rate is an option inside the Liquify dialog box in Photoshop. The
brush rate option enables you to define the speed of the brush while a tool is
kept stationary in an image.
Stylus Pressure
Adjusting the stylus pressure is the last option available for your wedding
photos. Only when using a stylus tablet is the stylus pressure option
accessible, and this tool makes use of the stylus pressure measurements.
Now that we have reviewed the Photoshop tools and choices, we will
demonstrate how to utilize the Liquify effect to modify your photos.
To distort the photos is one of the first steps in optimizing the Liquify tool
in Photoshop and adjusting your work. When you follow the steps to distort
a picture, you might alter, twist, or exaggerate it to make it seem different
from the original. Follow these steps in Photoshop to distort an image:
1. Select the layer you want to distort. Select the desired region of the
layer if you want to distort just a portion of it.
2. Select "Liquify" from the Filter menu.
3. Release any sections of the layer that you do not want to modify.
4. Select one of the aforementioned Liquify tools to create the
appropriate distortion.
5. Click "OK" to dismiss the dialog box and apply the distortion
effect.
Brush
Stylization
Changes the style of the strokes in a slider from daubed (value 0) to smooth
(value 10) strokes.
Cleanliness
Bristle Feature
The bristle detail regulates the overall ridges left by the bristle in wet paint.
Lighting
Angle
Shine
This guide will open your eyes to Adobe Photoshop including discussing
different topics like how to undo and redo in Photoshop, how to export
artboards in Photoshop, how to use layers, how to export layers to
individual files in Photoshop, how to export only visible layers to files, how
to revert to the last saved, about Pixel art, how to fix several
troubleshooting issues and so much more.
Get into gear and obtain this Adobe Photoshop 2022 guide for both
beginners and professionals and master the art of organizing and editing
photos with Adobe Photoshop.