Jekyll and Hyde Revision Booklet - Compressed
Jekyll and Hyde Revision Booklet - Compressed
Strange Case
of Dr Jekyll
and Mr Hyde
Revision Guide
AQA English
Literature
Text guide and
practice exam questions
Glossary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Who’s Who
Here, you’ll find information on each of the key characters and their role in the
novella, as well as key words you could use when describing them. If you hover
over each character’s picture, you’ll find a question to prompt you to think
about the character in greater depth.
Summary
This section gives a chapter-by-chapter summary of the novella. It is important
to have a solid understanding of the plot; this summary contains all key details
but you can test your own knowledge by writing your own summary or by
creating a pictorial mind map.
Themes
These sections cover the main themes of Jekyll and Hyde. Literature exams
demand that you think thematically; in other words, to write primarily about
the writer’s bigger ideas rather than just what happens in the plot. Each theme
is divided into sub-sections to help you develop a thorough understanding.
Context
Within each theme is relevant contextual information. Context refers to the
circumstances (what was happening in the author’s life; what was happening
in the wider world; prevailing ideas and influences) that shaped the text. This
information will give you a fuller understanding of the novella and its themes.
For each theme, create a context poster that will help you to remember
critical information.
Key Quotes
The more quotations you are able to remember, the easier you will find it to
answer whatever question comes up in the exam. These key quotes come with
language analysis, demonstrating what can be done with a few well-chosen
words. Wherever possible, they are also taken from a range of characters
and chapters – it is useful to do the same in your own exam answer to show
understanding of the whole text.
Mini Exams
These questions test your understanding of the theme and encourage
deeper thought. You could discuss in a small group of friends to compare
and contrast ideas, then either plan a response or write a full answer. It’s
important to get used to working under timed conditions so give yourself a
set time to write, say 15 minutes. Then have a partner read your response
and identify where Assessment Objectives (explained in About the Exam)
have been met.
Exam Question
The exam questions are written in the same style and format as the one
you’ll answer in the real exam. Practise by setting yourself a timer of 45
minutes to plan and write a response.
Sample Answers
For each exam question, there are two sample answers provided. The first is
a ‘good’ response and the second is a ‘great’ one. Each is colour coded and
annotated to explain where different Assessment Objectives have been met.
Remember, the examiner wants to see your personal interpretation of the
text so these are not ‘right’ answers, merely ones to learn from. Try applying
annotations to your own practice responses, reinforcing what you’ve done
well and giving tips for improvement. This can be difficult to do so don’t be
shy in asking friends and teachers for help.
Glossary
Being academic sometimes means saying relatively simple things in more
impressive terms! Throughout this guide you will find gold highlighted words
that might impress your examiner. The glossary tells you what these words
mean, just in case you didn’t already know. A hover function also reveals the
definitions so that you don’t have to go back and forth to the glossary while
reading.
Jekyll and Hyde is also an Edexcel, EDUQAS and OCR exam text. There are variations in
approach but all of the exam questions revolve around the themes of the novella so much of
the information in this revision guide could be applied to all four exam boards.
Whichever one you sit, you won’t be allowed to have a copy of the novella with you so it’s really
important that you revise thoroughly.
The Assessment Objectives also remain the same across all exam boards, although they are
weighted differently.
In this revision guide, there are sample answers to GCSE-style questions. These have been
highlighted with the colour code above to show where they have met the AOs.
The story is so well-known that most modern-day readers come to the text with
at least a vague idea of what’s going on, especially since the titular characters
have become a synonym for split personalities. Nevertheless, the narrative
puzzle of this strange case is secondary to what it teaches us about repressive
Victorian codes of behaviour and the duality of human nature.
As well as turning away from the family trade, the adult Stevenson
also rejected his devout Presbyterian upbringing. The strict
religious teachings of his childhood nanny were, in fact, an early
source of nightmares, though the sickly child and his nurse also
cherished each other and his collection of poetry for children, A
Child’s Garden of Verses (1885), is dedicated to her. Stevenson’s
parents were devastated by their son’s profession of atheism but
he was relieved to tell them rather than continue living a lie; ‘O
Lord, what a pleasant thing it is,’ he wrote to a friend, ‘to have
just damned the happiness of probably the only two people who
care a damn about you in the world.’
Despite his ill health and the strong connection he felt to his native
Scotland, Stevenson led a largely itinerant life, globetrotting
between London, France and the United States, where he led a
slightly more debased existence than the one he was used to
in the upper class circles of Edinburgh. It was in France that he
met his future wife, Fanny, a liberated American who had left her
adulterous husband to immerse herself and her children in a life
of European art. She and Stevenson married in 1880.
Jekyll and Hyde was published to great acclaim and sold 40,000
copies in six months, cementing Stevenson’s fame as a writer. It
slotted into the popular Gothic tradition of the nineteenth century
that also included Frankenstein (1818), Wuthering Heights (1847),
The Picture of Dorian Gray (1890) and Dracula (1897). Gothic
literature is defined by sinister settings, psychological turmoil
and supernatural or inexplicable events.
Mr Edward Hyde
“I mauled the unresisting body, tasting delight from every blow.”
Eponymous character number two, Hyde is the physical
manifestation of Jekyll’s dark side: a small, deformed,
malevolent creature described as ‘pure evil’ by his
creator, who was at least successful in his attempt
to separate the duality of man.
Key Words: abnormal, diabolic, primitive
Mr Richard Enfield
“No sir, I make it a rule of mine: the more it looks like Queer Street,
the less I ask.”
Utterson’s cousin who witnesses Hyde’s initial crime and
accompanies Utterson in walking past Hyde’s mysterious door.
Key Words: mannerly, discreet, gallant
Mr Poole
“He’s shut up again in the cabinet; and I don’t like it, sir – I wish I
may die if I like it.”
Jekyll’s faithful butler, he provides an insight into the
peculiar habits of his master’s domestic life.
Key words: apprehensive, dedicated, confidant
Mr Guest
“There’s a rather singular resemblance; the two hands are in
many points identical; only differently sloped.”
Utterson’s clerk revels in unravelling the secrets of Dr
Jekyll by comparing his handwriting to Mr Hyde’s.
about a will that he had always regarded Gothic qualities into the
That evening, Utterson shares the letter with his trusted clerk,
Mr Guest, who just so happens to be an expert on handwriting.
Comparing the letter with one of Jekyll’s own, Guest asserts
that ‘the two hands are in many points identical; only differently
sloped’. Utterson is alarmed by the idea that Jekyll would forge a
letter for a murderer!
Dr Lanyon’s Narrative
Lanyon’s letter recounts the strange directive from Jekyll to
forcibly procure a drawer of chemicals from his upper chamber
and await its collection at midnight. Despite obvious misgivings,
For the reader, it is not until the end of the book that the duality theme
is fully made clear, when we finally hear about Jekyll’s experiments.
This then may cause us to ponder on the events of the narrative and
re-evaluate them with the knowledge that Jekyll and Hyde are actually
the same person. It could increase our shock at Hyde’s actions.
Was this man, who seems to delight in immoral acts, really
a part of the friendly and respectable Dr Jekyll?
This shook Victorian society. First of all, it denied the notion that
God created mankind as distinct and different from animals. To think
humans may share an ancestor with apes was shocking and led to
ideas of humans having an ‘animal side’ to them.
Then to suggest that all humans were of the same species, none
‘better’ or ‘worse’ than another, knocked white European men off the
top spot status-wise and cast a very dark shadow over the fairly recent
activities of enslaving millions of Africans.
Stevenson plays on all of these ideas in Jekyll and Hyde. We see the
progress of science serving only to ‘unleash’ the dark side of human
nature. And that dark side, in the person of Mr Hyde, is often described
in animalistic terms, as if this part of Jekyll’s personality is less evolved
than the rest of him.
Key Quotes
“The two hands are in many points identical: The comparison of Hyde and
only differently sloped.” Jekyll’s handwriting foreshadows
Mr Guest, Incident of the Letter the fact that they are two aspects
of the same person. The only
difference between the writing
is that one leans one way, and
one leans the other. A literal and
metaphorical difference showing
one leans towards good and the
“I concealed my pleasures; and that when I other towards evil.
reached years of reflection, and began to look
round me and take stock of my progress and
Jekyll acknowledges that he was
position in the world, I stood already committed aware of his dark side even before
to a profound duplicity of me. Many a man the experiment. Even though
would have even blazoned such irregularities his ‘bad’ deeds were not so bad
as I was guilty of; but from the high views that that someone else might have
I had set before me, I regarded and hid them been honest about them, he still
with an almost morbid sense of shame.’’ felt the need to hide them. This
Dr Jekyll, Henry Jekyll’s Full Statement shows that Jekyll is restrained by
the expectations of society, not
of the Case
necessarily that Jekyll is a good
person to the core.
Mini Exams
Question 1
Question 2
Who is responsible for the death of Sir Danvers Carew? Explain your answer.
Question 3
Exam Question
Read the following extract from Chapter Five (Incident of the Letter) of The Strange Case of Dr
Jekyll and Mr Hyde and then answer the question that follows.
In this extract, Utterson visits Henry Jekyll, who he fears is entangled with the murderer,
Edward Hyde.
It was the first time that the lawyer had been received in that part of his friend’s
quarters; and he eyed the dingy, windowless structure with curiosity, and gazed round
with a distasteful sense of strangeness as he crossed the theatre, once crowded
with eager students and now lying gaunt and silent, the tables laden with chemical
apparatus, the floor strewn with crates and littered with packing straw, and the light
falling dimly through the foggy cupola. At the further end, a flight of stairs mounted to
a door covered with red baize; and through this, Mr. Utterson was at last received into
the doctor’s cabinet. It was a large room fitted round with glass presses, furnished,
among other things, with a cheval-glass and a business table, and looking out upon
the court by three dusty windows barred with iron. The fire burned in the grate; a
lamp was set lighted on the chimney shelf, for even in the houses the fog began to
lie thickly; and there, close up to the warmth, sat Dr. Jekyll, looking deathly sick. He
did not rise to meet his visitor, but held out a cold hand and bade him welcome in a
changed voice.
“And now,” said Mr. Utterson, as soon as Poole had left them, “you have heard the
news?”
The doctor shuddered. “They were crying it in the square,” he said. “I heard them in
my dining-room.”
“One word,” said the lawyer. “Carew was my client, but so are you, and I want to know
what I am doing. You have not been mad enough to hide this fellow?”
“Utterson, I swear to God,” cried the doctor, “I swear to God I will never set eyes on
him again. I bind my honour to you that I am done with him in this world. It is all at an
end. And indeed he does not want my help; you do not know him as I do; he is safe, he
is quite safe; mark my words, he will never more be heard of.”
The lawyer listened gloomily; he did not like his friend’s feverish manner. “You seem
pretty sure of him,” said he; “and for your sake, I hope you may be right. If it came to
Write about:
• how Stevenson presents duality in this extract;
• how Stevenson presents duality in the novella as a whole.
Sample Answer
Good Response
Stevenson presents the struggle to separate the
two sides of his personality as one that has engulfed
and destroyed Henry Jekyll and, despite his scientific
success in creating Hyde, he is unavoidably tied to
this other part of him so the struggle can also be
seen as futile.
Sample Answer
Great Response
Stevenson uses the theme of duality, and the struggle
Both
to separate the different sides of personality, to
introductions
show a firm grasp explore the dangers of constraining one’s true self
of meaning and in a repressive Victorian society. This is portrayed
the candidates’
in Dr Jekyll’s struggle, as well as in other characters
ability to
synthesise their and the setting of Victorian London.
own thoughts.
Stevenson demonstrates Jekyll’s increasing struggle
to separate his two sides through the choice of
setting in this extract. For the first time Jekyll receives
Utterson in the “part of his quarter’s” where only
Hyde is permitted. This shows the inability of Jekyll
to keep his component identities apart. He has
revealed to Utterson the ‘Hyde’ sphere, the space
where Hyde has been manifested and enabled to
exist, usually locked and kept separate from his
‘Jekyll’ persona.
Religion functions as a lens through which to view good and evil but
the ‘law of life, which lies at the root of religion,’ as recognised by
Jekyll in his confession, is inherently more complex than it initially
appears. Adam and Eve bore a third child, Seth, and mankind can
theoretically be separated into descendants of Cain (those of a
wicked nature) and descendants of Seth (good, principled people).
Yet this ignores the notion of original sin, which suggests that the
whole of humanity inherited a tainted nature
and tendency to sin. For all Hyde’s hinted- What’s in a Name?
at debauchery, the greatest sin on show is
Utterson’s Christian name is Gabriel,
Jekyll’s attempt to usurp God by meddling
which means ‘God is my strength’
with creation for his own selfish ends and
and has biblical associations with the
disconnecting the duality that lies at the
archangel Gabriel who operated as
heart of mankind.
God’s messenger.
Key Quotes
‘It was his custom of a Sunday, when this Utterson’s routine shows the organising
meal was over, to sit close by the fire, a principles of religion on daily life.
volume of some dry divinity on his reading However the adjective ‘dry’ suggests that
desk, until the clock of the neighbouring even divine works can prove tedious and
church rang out the hour of twelve, when distasteful reading, presenting Christian
he would go soberly and gratefully to bed.’ living as a sober chore that even the
conscientious Utterson ‘gratefully’
Search for Mr Hyde
escapes from.
Mini Exams
Question 1
Question 2
Question 3
“By the time Jekyll and Hyde was written, God was essentially
dead.” Discuss.
Exam Question
Read the following extract from Chapter Eight (The Last Night ) of The Strange Case of Dr Jekyll
and Mr Hyde and then answer the question that follows.
In this extract, Poole reports to Utterson that Jekyll has locked himself away and the butler
suspects ‘foul play’. They go together to Jekyll’s quarters.
“Well, sir,” he said, “here we are, and God grant there be nothing wrong.”
“Amen, Poole,” said the lawyer.
Thereupon the servant knocked in a very guarded manner; the door was opened on
the chain; and a voice asked from within, “Is that you, Poole?”
“It’s all right,” said Poole. “Open the door.”
The hall, when they entered it, was brightly lighted up; the fire was built high; and
about the hearth the whole of the servants, men and women, stood huddled together
like a flock of sheep. At the sight of Mr. Utterson, the housemaid broke into hysterical
whimpering; and the cook, crying out “Bless God! it’s Mr. Utterson,” ran forward as if
to take him in her arms.
“What, what? Are you all here?” said the lawyer peevishly. “Very irregular, very
unseemly; your master would be far from pleased.”
“They’re all afraid,” said Poole.
Blank silence followed, no one protesting; only the maid lifted her voice and now wept
loudly.
“Hold your tongue!” Poole said to her, with a ferocity of accent that testified to his
own jangled nerves; and indeed, when the girl had so suddenly raised the note of
her lamentation, they had all started and turned towards the inner door with faces
of dreadful expectation. “And now,” continued the butler, addressing the knife-boy,
“reach me a candle, and we’ll get this through hands at once.” And then he begged
Mr. Utterson to follow him, and led the way to the back garden.
“Now, sir,” said he, “you come as gently as you can. I want you to hear, and I don’t
want you to be heard. And see here, sir, if by any chance he was to ask you in, don’t
go.”
Mr. Utterson’s nerves, at this unlooked-for termination, gave a jerk that nearly threw
him from his balance; but he recollected his courage and followed the butler into the
Write about:
• how Stevenson presents religious beliefs in this extract;
• how Stevenson presents religious beliefs in the novella as a whole.
Sample Answer
Good Response
Stevenson’s representation of religion fits in with the
beliefs of the times, which were that Christians were
good honest people while anyone not conforming to
the standard morals of the day, such as the scientific
heretic Dr Jekyll, were sinners.
Sample Answer
Great Response
The extract is littered with allusions to religious
Incisive summary
beliefs, yet Stevenson seems almost to be mocking
of extract.
Relevant subject religious piety, which offers no defence to what is
terminology and on the other side of the cabinet door as science
context neatly
has effectively usurped religion. Exclamations and
integrated.
interjections such as “God grant there be nothing
wrong”, “Amen” and “Bless God!” show an instinctive
resort to old-fashioned ways of thinking, as if there is
a higher power capable of providing protection and
answers. Yet Utterson is a rational man who knows
that falling to his knees in prayer is insufficient.
Key Quotes
“I feel very strongly about putting Enfield uses the metaphor of a rolling
questions; it partakes too much of the stone to explain the problem with asking
style of the day of judgment. You start questions: ask one, another follows and the
a question, and it’s like starting a stone. answer keeps moving away. A quieter life
You sit quietly on the top of a hill; and can be had by minding one’s own business
away the stone goes, starting others…” and not quizzing others, especially in sordid
matters such as those being discussed
Story of the Door
here. He also opines that questioning
implies judgment, which encroaches on the
role of God and religion.
‘Ay, it must be that; the ghost of some
old sin, the cancer of some concealed Jekyll’s hidden wrongs are imagined to have
disgrace.’ festered and taken on a new life, personified
Search for Mr Hyde first as a ghost come back to haunt him and
then as a tumour that has infected and
threatens to destroy him.
Mini Exams
Question 1
Question 2
Question 3
Exam Question
Read the following extract from Chapter Two (Search for Mr Hyde) of The Strange Case of Dr
Jekyll and Mr Hyde and then answer the question that follows.
In this extract, Utterson is pondering the connection between his friend Henry Jekyll and
the monstrous Edward Hyde, whom he has recently encountered and whom Poole has just
informed him Jekyll’s servants are under instruction to obey.
“Poor Harry Jekyll,” he thought, “my mind misgives me he is in deep waters! He was
wild when he was young; a long while ago to be sure; but in the law of God, there is
no statute of limitations. Ay, it must be that; the ghost of some old sin, the cancer of
some concealed disgrace: punishment coming, pede claudo, years after memory has
forgotten and self-love condoned the fault.” And the lawyer, scared by the thought,
brooded awhile on his own past, groping in all the corners of memory, least by chance
some Jack-in-the-Box of an old iniquity should leap to light there. His past was fairly
blameless; few men could read the rolls of their life with less apprehension; yet he was
humbled to the dust by the many ill things he had done, and raised up again into a
sober and fearful gratitude by the many he had come so near to doing yet avoided.
And then by a return on his former subject, he conceived a spark of hope. “This Master
Hyde, if he were studied,” thought he, “must have secrets of his own; black secrets, by
the look of him; secrets compared to which poor Jekyll’s worst would be like sunshine.
Things cannot continue as they are. It turns me cold to think of this creature stealing
like a thief to Harry’s bedside; poor Harry, what a wakening! And the danger of it; for
if this Hyde suspects the existence of the will, he may grow impatient to inherit. Ay, I
must put my shoulders to the wheel—if Jekyll will but let me,” he added, “if Jekyll will
only let me.” For once more he saw before his mind’s eye, as clear as transparency,
the strange clauses of the will.
Starting with this extract, explore how Stevenson presents the power of
secrecy.
Write about:
• how Stevenson presents secrets in this extract;
• how Stevenson presents secrets in the novella as a whole.
Sample Answer
Good Response
Stevenson tells the reader that lots of characters
have secrets in the novella Jekyll and Hyde. In
Chapter Two, Utterson does not know who Hyde is,
or why Jekyll has made him the beneficiary of his
will, and decides to find out. Utterson is presented
as an honourable gentleman who wishes to protect
his friend Jekyll. He believes Hyde is blackmailing
Sound
understanding Jekyll for an ‘old sin’ or a ‘concealed disgrace’ that
supported could ruin his friend’s public reputation. Utterson
by neatly
also decides to reveal what Hyde’s own ‘black
integrated textual
references. The secret’ could be. This implies that all people have
final sentence secrets that could ruin them.
edges towards
analysis but Utterson assumes that Hyde is an evil character,
needs to explicitly based on his appearance and how he acts. The Awareness of
comment on Victorians believed someone’s looks could reveal context but
the effect of relevance needs
their character; if someone looked bad, it meant
language. to be more clearly
they probably were. True Victorian gentlemen were
explained.
polite, neat and respectful at all times, whereas Hyde
is rude and blunt. Utterson calls Hyde a ‘thief’ who is
trying to steal Jekyll’s fortune. This tells the reader
that Hyde is associated with crime and bad behaviour
by other characters. Utterson also calls Jekyll ‘poor
Harry’, which tells the reader that he believes Jekyll
is Hyde’s innocent victim. Utterson also believes
that even if Jekyll did have secrets they would be
like ‘sunshine’ compared to the horrible secrets
Hyde probably has. Utterson considers Jekyll to be
Considers
meaning of a perfect gentleman based on his public reputation
language choices as a doctor of the sciences. Furthermore, Stevenson
but on quite a establishes with Hyde’s name, which sounds like the
simplistic level.
verb ‘hide’, that he will be a character who is both
Sample Answer
Great Response
Stevenson presents secrets as dangerous and toxic
in the extract from Chapter Two, as well as the rest
of the novella. As Utterson vows to discover the
connection between Jekyll and Hyde, Stevenson
uses powerful religious language such as ‘sin’ to
explain what secret could connect a monster like
Hyde to a proper Victorian gentleman like Jekyll.
Stevenson uses the metaphor of ‘cancer’ to create
Subject
terminology and the emotive effect that this secret is destroying
consideration Jekyll’s life. Utterson assumes that it is Hyde who is
of audience the dangerous monster, based purely on his hideous
response.
appearance. This is ironic as Stevenson implies that Thoughtful and
Jekyll is not as innocent as he first appears – Utterson developed.
remembers that Jekyll’s past was ‘wild’, implying that
Jekyll did get up to mischief but that is long forgotten
now he is a respectable doctor of the sciences. The
threat of past secrets ruining one’s future disturbs
Utterson; he pities ‘poor Harry Jekyll’ and wonders
what ‘ill things’ he also could be ‘humbled’ by, even
though Stevenson tells the reader that Utterson’s
Developed and past is actually fairly ‘blameless’. The adjective ‘ill’
linked.
continues the metaphor that secrets are diseases,
which threaten the life and reputation of the decent
Contextual
Victorian man. Utterson quickly contradicts himself reference could
when it comes to Jekyll’s past; he acknowledges that be further
developed.
Jekyll was ‘wild’ when he was younger, but there is
no ‘statute of limitations’, meaning that anything
Jekyll did as a young man is now forgiven.
Gothic horror exploits the tension between these two realms. This dark
genre of literature is often assumed to revolve around supernatural
beings such as vampires and ghosts. However, original Gothic texts
like Horace Walpole’s The Castle of Otranto (1764) and Ann Radcliffe’s
The Mysteries of Udolpho (1794) preyed on the nerves of their audience
by using supernatural ingredients to whip-up a tense, melodramatic
atmosphere before ultimately restoring order with a rational
explanation of their mysteries. The narrative structure of Jekyll and
Hyde partly subverts this convention; Chapters One to Eight follow
Utterson’s rational attempts to explain events, with the third-person
narration and his characterisation as a fair, educated man marking
him as a reliable reporter, whereas the final two chapters descend into
the first-person madness of Lanyon and Jekyll, in which explanations
are offered but the melodrama is cranked ever higher.
Hyde joins Dracula and Frankenstein’s monster on the roll call of classic
Gothic creatures. He is intimidating and dangerous but perhaps the
most unsettling feature of Mr Hyde is that he is all too human. Before
the monsters took centre stage, human duplicity was at the heart of
Gothic storylines and that is where Stevenson returns it to; Jekyll is
revealed to be the true villain of the piece and Hyde merely the fearful
manifestation of what humans are capable of. His monstrousness is
reflected in his appearance: human, definitely, but deformed in a way
that nobody is able to adequately describe or explain.
Stevenson also gives his settings a Gothic twist. The smart façade
of Jekyll’s townhouse contrasts with the unsightly back door used
by Hyde which carries the signs of corrosion and decay typically
found in creepy Gothic castles and mansions. Inside, the laboratory
should be a clean, sterile space but is equally weathered by Hyde’s
malign influence. And then there is the weather itself. Stevenson uses
pathetic fallacy to cast a dark cloud over meteorology and inject the
weather with a paranormal sense of menace. For example, between
the Carew murder and Guest’s handwriting analysis linking Jekyll
to the murderer, Stevenson describes how ‘The fog still slept on the
wing above the drowned city’. The fog shrouds the city in a cloak of
hazy gloom just as Utterson’s own thoughts are clouded by sorrow,
apprehension and ambiguity.
Perhaps the most radical scientific developments of all during the late
nineteenth century were in the field of psychology. Concerned with the
study of mind and behaviour, conscious and unconscious phenomena,
psychology was like a scientific commentary on the Gothic novels
that so fascinated ordinary people. Sigmund Freud (1856-1939) was
beginning to question how a person could put their belief in a divine
being or an afterlife through means of faith rather than science and
reason. Though Jekyll and Hyde came before Freud’s theory of The Ego
and the Id (1923), it is a prophetic example of it. Freud reasoned that
the human psyche could be separated into three constituent parts: the
ego, the id and the super-ego. The ego is the rational part of the mind,
responsible for organising thoughts and making sense of the world, as
represented by Jekyll and Utterson. The id is the primitive, instinctive,
purely emotional part of our personalities. It stands in contrast to the
ego and is represented by Hyde. The super-ego fulfils the critical and
moralising role, a part played by Stevenson and the reader.
Key Quotes
“Such unscientific balderdash,” added the
doctor, flushing suddenly purple, “would
Lanyon has several choice words for
have estranged Damon and Pythias.”
Jekyll’s ideas but ‘unscientific balderdash’
Search for Mr Hyde neatly summarises his own view. The
‘purple’ complexion exposes his passionate
strength of feeling, as does the reference
to the Greek legend of Damon and Pythias
– friends who would gladly lay down their
lives for each other. For Lanyon, Jekyll’s
“God bless me, the man seems hardly ‘scientific heresies’ are reason enough to
human! Something troglodytic, shall we cancel their friendship.
say?”
Search for Mr Hyde Utterson’s exclamation refers to Darwin’s
devolution theory, which was itself seen as
regressive and ‘troglodytic’ by some in the
scientific community. Hyde is those fears
brought to life and the rationale of Utterson
has difficulty comprehending him.
“No, sir, that thing in the mask was never
Dr Jekyll – God knows what it was, but it
Hyde’s appearance in Jekyll’s chamber,
was never Dr Jekyll; and it is the belief of
pretending to be Jekyll still, is baffling to his
my heart that there was murder done.”
staff but Poole and Utterson continue to
The Last Night seek logical explanations such as a ‘mask’
and even ‘murder’ – the transcendental
nature of Jekyll’s experiments are beyond
their conception.
Mini Exams
Question 1
Question 2
Are the scientific characteristics of Jekyll and Hyde scarier than the
supernatural ones?
Question 3
Exam Question
Read the following extract from Chapter Nine (Dr Lanyon’s Narrative) of The Strange Case of
Dr Jekyll and Mr Hyde and then answer the question that follows.
In this extract, Dr Lanyon has received a visitor who has come to collect the drawer from
Jekyll’s cabinet and who now offers to reveal the secrets of its contents.
“Sir,” said I, affecting a coolness that I was far from truly possessing, “you speak
enigmas, and you will perhaps not wonder that I hear you with no very strong impression
of belief. But I have gone too far in the way of inexplicable services to pause before I
see the end.”
“It is well,” replied my visitor. “Lanyon, you remember your vows: what follows is
under the seal of our profession. And now, you who have so long been bound to the
most narrow and material views, you who have denied the virtue of transcendental
medicine, you who have derided your superiors—behold!”
He put the glass to his lips and drank at one gulp. A cry followed; he reeled, staggered,
clutched at the table and held on, staring with injected eyes, gasping with open mouth;
and as I looked there came, I thought, a change—he seemed to swell—his face became
suddenly black and the features seemed to melt and alter—and the next moment, I
had sprung to my feet and leaped back against the wall, my arms raised to shield me
from that prodigy, my mind submerged in terror.
“O God!” I screamed, and “O God!” again and again; for there before my eyes—pale
and shaken, and half fainting, and groping before him with his hands, like a man
restored from death—there stood Henry Jekyll!
What he told me in the next hour, I cannot bring my mind to set on paper. I saw what I
saw, I heard what I heard, and my soul sickened at it; and yet now when that sight has
faded from my eyes, I ask myself if I believe it, and I cannot answer. My life is shaken
to its roots; sleep has left me; the deadliest terror sits by me at all hours of the day
and night; and I feel that my days are numbered, and that I must die; and yet I shall
die incredulous. As for the moral turpitude that man unveiled to me, even with tears
of penitence, I cannot, even in memory, dwell on it without a start of horror. I will say
but one thing, Utterson, and that (if you can bring your mind to credit it ) will be more
Starting with this extract, explore how Stevenson presents the mysteries
of science.
Write about:
• how Stevenson presents science in this extract;
• how Stevenson presents science in the novella as a whole.
Sample Answer
Good Response
Dr Lanyon represents an orthodox, rational
scientific view whereas Dr Jekyll stands for mystical,
transcendental ideas of what science is capable of.
This difference is shown in the contrast between
their language at the start of the extract. Lanyon’s
vocabulary choices reflect the formal ‘coolness’
that is typical of him but that he is having to affect
when faced with the strangeness of this mysterious
situation: ‘enigmas’ and ‘inexplicable’ both show
Clear comment
on author’s the difficulty he is having comprehending what’s
language choices. happening but also the scientific mind trying to
make sense of it, to resolve the enigmas and
make it explicable. Jekyll’s opinion of this rational,
common-sense approach is that it is “narrow and
material”. The word ‘material’ gives the impression
that Lanyon is concerned with ordinary physical
objects whereas he, Jekyll, is exploring ideas that,
Clear comment
in his mind at least, go far beyond this mundane
on author’s
view and are otherworldly. Indeed, he even refers language choices.
to himself as one of Lanyon’s ‘superiors’ and talks
of the ‘virtue of transcendental medicine’, implying
that his experiments are ethical and virtuous, when
Lanyon and most sane people would take the
opposite view. This points to the opposing views of
Contextual
relevance is
science and where it was headed that existed in the
implied but not 19th century.
explained.
Despite the title Doctor, when he says ‘behold’ at Compelling
the end of the second paragraph the exclamation interpretation
makes Jekyll sound more like a showman performing supported with
reference to
a magic trick than a man of science. And, as with
language.
some magic acts, this trick certainly carries an
Sample Answer
Great Response
Throughout Dr Jekyll and Mr Hyde Stevenson
presents the mysteries of science as complex,
divisive and destructive. We see this through the
portrayal of the breakdown of the life-long friendship
between Lanyon and Jekyll. Lanyon states that Jekyll
‘became too fanciful’ with regards to his scientific
interests and justifies their estrangement with an
exaggerated comparison to the Greek legend of
Damon and Pythias. Lanyon’s example illustrates
him as an educated man, calling upon classical
Judicious use of literature to support his point and also seeks to
textual reference.
prove he is entirely justified in his dispute with Jekyll
as the legend is about an ideal friendship.
Contextual Concepts
Age of Enlightenment territory. twins, paranormal
Period of intellectual devolution phenomenon or
and philosophical The backward harbingers of ill fate.
development that movement into a lower ego
changed European or worse state; the The ego is the rational
societies across the opposite of evolution. part of the mind,
seventeenth and responsible
dominant ideology
eighteenth centuries. for organising
The views or beliefs
atheism that are mostly widely thoughts and
The belief that there is shared within a making sense of
no God. society. the world.
Acknowledgements
Many thanks to the Beyond English department for their
writing and checking of the contents of this publication,
to the Beyond Illustration Team for their artwork and
illustrations, and to the Beyond Design Team for their
editorial design work.