The New Yo rk

Times
Font
Catalogue

i
ii
The New York Times

1
 The New York Times
VOL 1...NO.1 NEW-YORK, THURSDAY, SEPTEMBER 18, 1851 PRICE ONE CENT

“We publish today the first

issue of the New-York Daily
Times, and we intend to issue
it every morning (Sundays
excepted) for an indefinite
number of years to come.”
- Henry Jarvis Raymond, George Jones (founders) in the first
2 edition of The New York Times
 Table of Contents
HISTORY....................................... 6

USAGE...........................................10

CHARACTER SETS........................15

CHARACTERISTICS......................18

STYLES/VARIATIONS....................22

FAUX GRAPHICS...........................26

3
 Cheltenham was int
typeface was for disp
created in 1896 use. Or
by architect named
Bertram Good- ton Old
hue and Ingalls In the e
Kimball, the di- 1900‘s
rector of Chel- was re
tenham Press. Morris
Inspired by Benton
the emerging Americ
Arts and Crafts Founde
movement, pany. T

this
ial this typeface first appeared The initial
Cheltenham was
ham was intended in The New
for
e was for display York Times in typeface was
use. Originally 1906 in front created in 1896 use
in 1896 nam
itect named Bos- page headlines, by architect
ton Old Style. and in 2003, Bertram Good- ton
m Good- hue and Ingalls In t
d Ingalls In the early Cheltenham
190
l, the di- 1900‘s the face Bold Italic offi- Kimball, the di-
was refined by cially became rector of Chel- was
of Chel- tenham Press. Mo
Press. Morris Fuller the paper‘s
Ben
d by Benton of the font for feature Inspired by
the emerging Am
erging American Type headlines, as
Founders Com- well as major Arts and Crafts Fou
d Crafts pan
ent, pany. The font news headlines. movement,
this typeface first appeared The initial this t
ial in The New Cheltenham was
was intended
ham York Times in typeface was for d
for display
e was 1906 in front created in 1896 use.
use. Originally
in 1896 page headlines, by architect nam
named Bos-
itect and in 2003, Bertram Good- ton O
ton Old Style.
m Good-4 Cheltenham hue and Ingalls In th
In the early
d Ingalls Bold Italic offi- Kimball, the di- 1900
1900‘s the face
l, the di- cially became rector of Chel- was
was refined by
 tended in The New Cheltenham was intended in T
play York Times in typeface was for display York
riginally 1906 in front created in 1896 use. Originally 1906
d Bos- page headlines, by architect named Bos- page
d Style. and in 2003, Bertram Good- ton Old Style. and
early Cheltenham hue and Ingalls In the early Che
the face Bold Italic offi- Kimball, the di- 1900‘s the face Bold
efined by cially became rector of Chel- was refined by ciall
s Fuller the paper‘s tenham Press. Morris Fuller the
n of the font for feature Inspired by Benton of the font
can Type headlines, as the emerging American Type head
ers Com- well as major Arts and Crafts Founders Com- well
The font news headlines. movement, pany. The font new
The initial this typeface first
Cheltenham was intended in T
typeface was for display York
use. Originally 1906
s typeface first appearedcreated in 1896
named Bos- pag
s intended in The New by architect
ton Old Style. and
display York Times inBertram Good-
In the early Che
e. Originally 1906 in front hue and Ingalls
Kimball, the di- 1900‘s the face Bold
med Bos- page headlines,
was refined by ciall
n Old Style. and in 2003, rector of Chel-
Morris Fuller the
the early Cheltenham tenham Press.
Inspired by Benton of the font
00‘s the face Bold Italic offi-
American Type hea
s refined by cially becamethe emerging
Founders Com- well
orris Fuller the paper‘s Arts and Crafts
movement, pany. The font new
nton of the font for feature
merican Type headlines, as
unders Com- well as major
ny. The font news headlines.

typeface first appeared

intended in The New
display York Times in
Originally 1906 in front
med Bos- page headlines,
Old Style. and in 2003,
5
he early Cheltenham
0‘s the face Bold Italic offi-
refined by cially became
 VOL 1...NO.1 NEW-YORK, THURSDAY, SEPTEMBER 14, 1851 PRICE ONE CENT

Imperial
Imperial was all of its varia- Times as its pri-
designed in tions at Inter- mary text face
1954 by Edwin type, originally and remains in
W. Shaar, a entitled “Ga- place today. The
type designer zette,” with font used is based
who worked intention for on in-house scans
with several it to become a of the old metal
typographic news typeface. Imperial (an Inter-
groups such To his luck, type design from
as Monotype in 1967, the 1954), not on the
and Intertype. type face was digital versions
He created the picked up by from Intertype.

Karnak
typeface and The New York

The original 1930s. It was this bolder ver-

Karnak font later digitized sion, with the stu-
is a slab serif by Steve Ja- dio Font Bureau,
typeface ori- ckaman and for the New York
ginally desig- Ashley Muir Times. The Times
ned by Robert and given the now uses “Karnak
Hunter Midd- name Karnak Pro Black” for its
leton for the Pro. In the website, for its
Ludlow Typo- 21st century special headlines
graph compa- though, Matt- like book reviews,
ny in the hew Carter and for its ads.
6 redesigned
 VOL 1...NO.1 NEW-YORK, THURSDAY, SEPTEMBER 14, 1851 PRICE ONE CENT

Cheltenham
The initial this typeface first appeared
Cheltenham was intended in The New
typeface was for display York Times in
created in 1896 use. Originally 1906 in front
by architect named Bos- page headlines,
Bertram Good- ton Old Style. and in 2003,
hue and Ingalls In the early Cheltenham
Kimball, the di- 1900‘s the face Bold Italic offi-
rector of Chel- was refined by cially became
tenham Press. Morris Fuller the paper‘s
Inspired by Benton of the font for feature
the emerging American Type headlines, as
Arts and Crafts Founders Com- well as major
movement, pany. The font news headlines.

Engraver’s
Old English
Engraver’s Old in 1851 with the however, was
English is the release of the designed by
commercial paper, and was Morris F. Ben-
font most simi- then redesigned ton, head of
lar to The New by letterer Ed the American
York Times’ Benguiat in Type Founders,
logo. The logo 1967. Engrav- in 1901.
was publicized er’s Old English 7
 Cheltenham was inte
typeface was for disp
created in 1896 use. Ori
by architect named B
Bertram Good- ton Old
hue and Ingalls In the ea
Kimball, the di- 1900‘s t
rector of Chel- was refi
tenham Press. Morris F
Inspired by Benton
the emerging America
Arts and Crafts Founder
movement, pany. Th

this t
al this typeface first appeared The initial
Cheltenham was
ham was intended in The New
for d
was for display York Times in typeface was
use. Originally 1906 in front created in 1896 use.
n 1896 nam
ect named Bos- page headlines, by architect
ton Old Style. and in 2003, Bertram Good- ton O
Good- hue and Ingalls In th
Ingalls In the early Cheltenham
1900
the di- 1900‘s the face Bold Italic offi- Kimball, the di-
was refined by cially became rector of Chel- was
Chel- tenham Press. Morr
Press. Morris Fuller the paper‘s
Bent
by Benton of the font for feature Inspired by
the emerging Ame
ging American Type headlines, as
Founders Com- well as major Arts and Crafts Foun
Crafts pany
nt, pany. The font news headlines. movement,
this typeface first appeared The initial this ty
al in The New Cheltenham was in
was intended
ham York Times in typeface was for di
for display
was 1906 in front created in 1896 use. O
use. Originally
n 1896 page headlines, by architect name
named Bos-
ect and in 2003, Bertram Good- ton O
ton Old Style.
Good- 8 Cheltenham hue and Ingalls In the
In the early
Ingalls Bold Italic offi- Kimball, the di- 1900‘s
1900‘s the face
the di- cially became rector of Chel- was r
was refined by
 ended in The New Cheltenham was intended in Th
play York Times in typeface was for display York
iginally 1906 in front created in 1896 use. Originally 1906
Bos- page headlines, by architect named Bos- page
Style. and in 2003, Bertram Good- ton Old Style. and i
arly Cheltenham hue and Ingalls In the early Chelt
the face Bold Italic offi- Kimball, the di- 1900‘s the face Bold
ined by cially became rector of Chel- was refined by cially
Fuller the paper‘s tenham Press. Morris Fuller the p
of the font for feature Inspired by Benton of the font f
an Type headlines, as the emerging American Type head
rs Com- well as major Arts and Crafts Founders Com- well a
he font news headlines. movement, pany. The font news
The initial this typeface first a
Cheltenham was intended in Th
typeface was for display York
use. Originally 1906
typeface first appearedcreated in 1896
named Bos- page
intended in The New by architect
ton Old Style. and i
display York Times inBertram Good-
In the early Chelt
Originally 1906 in front hue and Ingalls
Kimball, the di- 1900‘s the face Bold
med Bos- page headlines,
was refined by cially
Old Style. and in 2003, rector of Chel-
Morris Fuller the p
he early Cheltenham tenham Press.
Inspired by Benton of the font f
0‘s the face Bold Italic offi-
American Type head
refined by cially becamethe emerging
Founders Com- well
ris Fuller the paper‘s Arts and Crafts
movement, pany. The font news
ton of the font for feature
erican Type headlines, as
nders Com- well as major
y. The font news headlines.

ypeface first appeared

ntended in The New
isplay York Times in
Originally 1906 in front
ed Bos- page headlines,
Old Style. and in 2003,
9
e early Cheltenham
s the face Bold Italic offi-
refined by cially became
VOL. CLXXIII....No. 59,930 • NEW YORK, THURSDAY, OCTOBER 3, 2023

Headline 1 Style:
Cheltenham Bold
Italic
Headline 2 Style:
Cheltenham Medium
Main text Style:
Imperial Regular

NYT BOOK REVIEW • NEW YORK, THURSDAY, MARCH 26, 2017

Title 1: Karnak
Pro Bold
Headline 1
Style: Chelten-
ham Light
Main text
Style: Imperial
regular

10
 NYTIMES.COM • NEW YORK, WEDNESDAY, DECEMBER 6, 2023

Headline style: Cheltenham Bold

Text style: Imperial Regular

NYTIMES.COM • SPECIAL FEATURES •WEDNESDAY, DECEMBER 6, 2023

Special feature title style:

Karnak Pro Black

11
 The initial this type
Cheltenham was inte
typeface was for disp
created in 1896 use. Ori
by architect named B
Bertram Good- ton Old
hue and Ingalls In the ea
Kimball, the di- 1900‘s th
rector of Chel- was refi
tenham Press. Morris F
Inspired by Benton
the emerging America
Arts and Crafts Founder
movement, pany. Th

al this typeface first appeared The initial

was intended in The New Cheltenham
ham
was for display York Times in typeface was
use. Originally 1906 in front created in 1896
n 1896
ect named Bos- page headlines, by architect
ton Old Style. and in 2003, Bertram Good-
Good- hue and Ingalls
Ingalls In the early Cheltenham
the di- 1900‘s the face Bold Italic offi- Kimball, the di-
was refined by cially became rector of Chel-
Chel- tenham Press.
Press. Morris Fuller the paper‘s
by Benton of the font for feature Inspired by
American Type headlines, as the emerging
ging Arts and Crafts
Crafts Founders Com- well as major
nt, pany. The font news headlines. movement,
this typeface first appeared The initial this ty
al in The New Cheltenham was in
was intended
ham York Times in typeface was for dis
for display
was 1906 in front created in 1896 use. O
use. Originally
n 1896 page headlines, by architect name
named Bos-
ect 12 and in 2003, Bertram Good- ton O
ton Old Style.
Good- Cheltenham hue and Ingalls In the
In the early
Ingalls Bold Italic offi- Kimball, the di- 1900‘s
1900‘s the face
 eface first appeared The initial this typeface first a
ended in The New Cheltenham was intended in Th
play York Times in typeface was for display York
iginally 1906 in front created in 1896 use. Originally 1906
Bos- page headlines, by architect named Bos- page
Style. and in 2003, Bertram Good- ton Old Style. and i
arly Cheltenham hue and Ingalls In the early Chelt
he face Bold Italic offi- Kimball, the di- 1900‘s the face Bold
ined by cially became rector of Chel- was refined by cially
Fuller the paper‘s tenham Press. Morris Fuller the p
of the font for feature Inspired by Benton of the font f
an Type headlines, as the emerging American Type headl
rs Com- well as major Arts and Crafts Founders Com- well a
he font news headlines. movement, pany. The font news
The initial this typeface first a
Cheltenham was intended in Th
typeface was for display York
created in 1896 use. Originally 1906
by architect named Bos- page
Bertram Good- ton Old Style. and i
hue and Ingalls In the early Chelt
Kimball, the di- 1900‘s the face Bold
rector of Chel- was refined by cially
tenham Press. Morris Fuller the p
Inspired by Benton of the font f
the emerging American Type head
Arts and Crafts Founders Com- well a
movement, pany. The font news

ypeface first appeared

ntended in The New
splay York Times in
Originally 1906 in front
ed Bos- page headlines,
Old Style. and in 2003, 13
e early Cheltenham
s the face Bold Italic offi-
Imperial Regular
ABCDEFGHIJKLMNO
PQRSTUVWXYZ
abcdefghijklmnopqrs
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Cheltenham Medium
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
abcdefghijklmnopq
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Karnak Pro Black

ABCDEFGHIJKLMN
OPQRSTUVWXYZ
abcdefghijklmnopq
r s t uvwxyz
Engraver’s Old English
ABCDEFGHIJKLMNOP
QRSTUVWXYZ
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14
Imperial Regular
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Engraver’s Old English

1234567890
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15
 Cheltenham was inten
typeface was for displa
created in 1896 use. Orig
by architect named B
Bertram Good- ton Old S
hue and Ingalls In the ear
Kimball, the di- 1900‘s th
rector of Chel- was refin
tenham Press. Morris Fu
Inspired by Benton o
the emerging American
Arts and Crafts Founders
movement, pany. The

l this typeface first appeared The initial

was intended in The New Cheltenham
am
was for display York Times in typeface was
use. Originally 1906 in front created in 1896
1896
ct named Bos- page headlines, by architect
ton Old Style. and in 2003, Bertram Good-
Good- hue and Ingalls
ngalls In the early Cheltenham
he di- 1900‘s the face Bold Italic offi- Kimball, the di-
was refined by cially became rector of Chel-
Chel- tenham Press.
ress. Morris Fuller the paper‘s
by Benton of the font for feature Inspired by
American Type headlines, as the emerging
ging Arts and Crafts
Crafts Founders Com- well as major
t, pany. The font news headlines. movement,
this typeface first appeared The initial this typ
l in The New Cheltenham was int
was intended
am York Times in typeface was for disp
for display
was 1906 in front created in 1896 use. Or
use. Originally
1896 page headlines, by architect named
named Bos-
ct and in 2003, Bertram Good- ton Old
ton Old Style.
Good- 16 Cheltenham hue and Ingalls In the e
In the early
ngalls Bold Italic offi- Kimball, the di- 1900‘s
1900‘s the face
he di- rector of Chel-
 nded in The New Cheltenham was intended in The
ay York Times in typeface was for display York T
ginally 1906 in front created in 1896 use. Originally 1906 in
Bos- page headlines, by architect named Bos- page h
Style. and in 2003, Bertram Good- ton Old Style. and in
rly Cheltenham hue and Ingalls In the early Chelte
he face Bold Italic offi- Kimball, the di- 1900‘s the face Bold It
ned by cially became rector of Chel- was refined by cially b
uller the paper‘s tenham Press. Morris Fuller the pa
of the font for feature Inspired by Benton of the font fo
n Type headlines, as the emerging American Type headli
s Com- well as major Arts and Crafts Founders Com- well as
e font news headlines. movement, pany. The font news h
The initial this typeface first ap
Cheltenham was intended in The
typeface was for display York T
created in 1896 use. Originally 1906 i
by architect named Bos- page h
Bertram Good- ton Old Style. and in
hue and Ingalls In the early Chelte
Kimball, the di- 1900‘s the face Bold I
rector of Chel- was refined by cially
tenham Press. Morris Fuller the pa
Inspired by Benton of the font fo
the emerging American Type headli
Arts and Crafts Founders Com- well a
movement, pany. The font news h

peface first appeared

tended in The New
play York Times in
riginally 1906 in front
d Bos- page headlines,
d Style. and in 2003, 17
early Cheltenham
the face Bold Italic offi-
 Hop
2.High contrast in
stroke width

1. Swash
on upper
case letters 3. Slanted
beak on
descender

Hop
1. Higher contrast
2. Vertical Axis

3. Transitional
Serif

18
 1. Lower contrast

Hop
2. Vertical Axis

3. Slightly
rounded
wedge Serif

Hop
1. Low contrast
2. Narrow
counter

3. Slab
Serif

19
 Cheltenham was inten
typeface was for displa
created in 1896 use. Orig
by architect named B
Bertram Good- ton Old S
hue and Ingalls In the ear
Kimball, the di- 1900‘s th
rector of Chel- was refin
tenham Press. Morris Fu
Inspired by Benton o
the emerging American
Arts and Crafts Founders
movement, pany. The

l this typeface first appeared The initial

was intended in The New Cheltenham
am
was for display York Times in typeface was
use. Originally 1906 in front created in 1896
1896
ct named Bos- page headlines, by architect
ton Old Style. and in 2003, Bertram Good-
Good- hue and Ingalls
ngalls In the early Cheltenham
he di- 1900‘s the face Bold Italic offi- Kimball, the di-
was refined by cially became rector of Chel-
Chel- tenham Press.
ress. Morris Fuller the paper‘s
by Benton of the font for feature Inspired by
American Type headlines, as the emerging
ging Arts and Crafts
Crafts Founders Com- well as major
t, pany. The font news headlines. movement,
this typeface first appeared The initial this typ
l in The New Cheltenham was int
was intended
am York Times in typeface was for disp
for display
was 1906 in front created in 1896 use. Or
use. Originally
1896 page headlines, by architect named
named Bos-
ct and in 2003, Bertram Good- ton Old
ton Old Style.
Good- 20 Cheltenham hue and Ingalls In the e
In the early
ngalls Bold Italic offi- Kimball, the di- 1900‘s
1900‘s the face
he di- rector of Chel-
 nded in The New Cheltenham was intended in The
ay York Times in typeface was for display York T
ginally 1906 in front created in 1896 use. Originally 1906 in
Bos- page headlines, by architect named Bos- page h
Style. and in 2003, Bertram Good- ton Old Style. and in
rly Cheltenham hue and Ingalls In the early Chelte
he face Bold Italic offi- Kimball, the di- 1900‘s the face Bold It
ned by cially became rector of Chel- was refined by cially b
uller the paper‘s tenham Press. Morris Fuller the pa
of the font for feature Inspired by Benton of the font fo
n Type headlines, as the emerging American Type headli
s Com- well as major Arts and Crafts Founders Com- well as
e font news headlines. movement, pany. The font news h
The initial this typeface first ap
Cheltenham was intended in The
typeface was for display York T
created in 1896 use. Originally 1906 i
by architect named Bos- page h
Bertram Good- ton Old Style. and in
hue and Ingalls In the early Chelte
Kimball, the di- 1900‘s the face Bold I
rector of Chel- was refined by cially
tenham Press. Morris Fuller the pa
Inspired by Benton of the font fo
the emerging American Type headli
Arts and Crafts Founders Com- well a
movement, pany. The font news h

peface first appeared

tended in The New
play York Times in
riginally 1906 in front
d Bos- page headlines,
d Style. and in 2003, 21
early Cheltenham
the face Bold Italic offi-
Cheltenham
Light
Medium
Medium Itallic
Bold Itallic
Bold
Imperial
Regular
Italic
Bold
Karnak Pro
Medium
Book
Book Itallic
Bold
Pro Black
22
 Imperial
Size 18 We seek the truth and
help people under-
18 pt line
space

stand the world.

We seek the truth and help peo- Size 12
14 pt line
ple understand the world. space
Size 16
19 pt line
We seek the truth and
space
help people understand
the world.
Cheltenham
Size 18
18 pt line We seek the truth and
space
help people understand
the world. Size 12
We seek the truth and help people 14 pt line
understand the world. space
Size 16
19 pt line
We seek the truth and help
space people understand the world.
Karnak Pro Black
Size 18
18 pt line We seek the truth
space
and help people un-
derstand the world.
We seek the truth and help Size 12
14 pt line
people understand the world. space

Size 16 We seek the truth and

19 pt line
space help people understand
the world.
23
 Cheltenham was intende
typeface was for display
created in 1896 use. Origina
by architect named Bos-
Bertram Good- ton Old Sty
hue and Ingalls In the early
Kimball, the di- 1900‘s the f
rector of Chel- was refined
tenham Press. Morris Fulle
Inspired by Benton of th
the emerging American T
Arts and Crafts Founders C
movement, pany. The fo

this typeface first appeared The initial

was intended in The New Cheltenham
s for display York Times in typeface was
use. Originally 1906 in front created in 1896
896
named Bos- page headlines, by architect
ton Old Style. and in 2003, Bertram Good-
od- hue and Ingalls
alls In the early Cheltenham
di- 1900‘s the face Bold Italic offi- Kimball, the di-
was refined by cially became rector of Chel-
el- tenham Press.
ss. Morris Fuller the paper‘s
Benton of the font for feature Inspired by
American Type headlines, as the emerging
g Arts and Crafts
afts Founders Com- well as major
pany. The font news headlines. movement,
this typeface first appeared The initial this typef
in The New Cheltenham was inten
was intended
for display York Times in typeface was for displa
s 1906 in front created in 1896 use. Orig
use. Originally
896 page headlines, by architect named Bo
named Bos-
and in 2003, Bertram Good- ton Old S
ton
24Old Style.
od- Cheltenham hue and Ingalls In the ear
In the early
alls Bold Italic offi- Kimball, the di- 1900‘s th
1900‘s the face
di- rector of Chel-
 ed in The New Cheltenham was intended in The N
York Times in typeface was for display York Tim
ally 1906 in front created in 1896 use. Originally 1906 in f
- page headlines, by architect named Bos- page hea
yle. and in 2003, Bertram Good- ton Old Style. and in 20
y Cheltenham hue and Ingalls In the early Cheltenh
face Bold Italic offi- Kimball, the di- 1900‘s the face Bold Ital
d by cially became rector of Chel- was refined by cially bec
er the paper‘s tenham Press. Morris Fuller the pape
he font for feature Inspired by Benton of the font for f
Type headlines, as the emerging American Type headline
Com- well as major Arts and Crafts Founders Com- well as m
ont news headlines. movement, pany. The font news hea
The initial this typeface first app
Cheltenham was intended in The N
typeface was for display York Tim
created in 1896 use. Originally 1906 in f
by architect named Bos- page hea
Bertram Good- ton Old Style. and in 20
hue and Ingalls In the early Cheltenh
Kimball, the di- 1900‘s the face Bold Ital
rector of Chel- was refined by cially be
tenham Press. Morris Fuller the pape
Inspired by fontappe
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the emerging American Typeinheadline
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Arts and Crafts Founders Com-York wellTime
as m
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in The New
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page headlines,Cheltenha
and in 2003, Bold Italic
face first appeared Cheltenham cially bec
nded in The New Bold Italic offi- the paper
ay York Times in cially became font for fe
ginally 1906 in front the paper‘s headlines
os- page headlines, font for feature well as m
Style. and in 2003, headlines, as 25
rly Cheltenham well as major
he face Bold Italic offi- news headlines.
 T
The Crossword
2
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1 4
I i C
m n u
p e r
1
N e w s r
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3 5 6
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2
a C h e l t e n h a m
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4
S p o r t s
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1 Down: Imperial 3 Down: Serif

1 Across: News 4 Down: Current Events
2 Down: Line Spacing 4 Across: Sports
2 Across: Cheltenham 5 Down: Ink
6 Down: Pages

26
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27
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T