Never Let Me Go Themes Issues Motifs and Symbols
Never Let Me Go Themes Issues Motifs and Symbols
2. the paradox of Madame’s behavior; inherent irony in her and Miss Emily’s fight on the donors’ behalf:
her apparent disgust at the sight of them is more complicated than it first seems to the children: on
the one hand, she does seem to see them as different than “regular people”; on the other hand, she
is dedicated to fighting for their rights and is clearly moved by them—so part of her “disgust” reflects
her sense of horror (and perhaps guilt) at how her society is cruelly exploiting them
for all of their good intentions and sense of self-righteousness, they have accepted the practice of
creating organ donors; what they crusade for is simply improved conditions for the donors, not an
end to the practice
3. the question of “soul”: what “soul” really means is consciousness, a subjective awareness that feels
and experiences—an “inner life”
things that demonstrate its existence through the richness of an apparent inner life (the artwork
reflects many of these things):
- imagination
- creativity
- complex reasoning
- passion
- emotional attachment
- the capacity for love
- new ideas
- the capacity to question and seek answers
- conflict within oneself
- mental initiative: generating ideas and desires on one’s own as opposed to simply reacting to
prompts like an automaton
- dishonesty and manipulative behavior
- goals and sense of the future
- capacity for morality and self-discipline
- a desire for redemption: e.g. Ruth’s desire to right her wrongs at the end of her life
- behavior that indicates self-consciousness: e.g. awareness of others’ perceptions of oneself
5. historical/social/ethical parallels:
slavery: also justified with the argument that those enslaved were less than human, as well as the
unwillingness to sacrifice the easier life slavery provides
the exploitation of the underclass: those who benefit are reluctant or completely unwilling to let go
of the benefits they derive, so they avoid facing the fact of the suffering of working class and poor
people throughout the world
animal research/animal agriculture: also justified by some people with the argument that animals do
not have “souls”
elitism and segregation: the notion that different standards are acceptable for different groups of
people
the cost of comfort: most things that extend our lives have some kind of ethical, environmental, or
social cost, yet we accept these improvements without thinking much about the consequences—our
lives now are very different than the lives that humans evolved to live within a natural ecosystem
(we and our world aren’t “designed” for the way we live now)
Symbolism:
3. lost corner: cast off/abandoned by society, the donors are like the things left there
reflects the human tendency to want to hold on to things, resist change, avoid death (thus the title is
about more than Kathy and Tommy’s relationship and their desire to remain together)
could be seen as “heaven” in a certain sense: the possibility of continued existence
imagery in last scene is especially important: donors are like the cast-off things and rubbish she sees
appropriate that they should search for Ruth’s “possible” in Norfolk
4. forest behind Hailsham: future realities of which the donor children have a vague awareness