English Language Composition 1
English Language Composition 1
Genuinely
novel creations are hard to identify, however, since they usually conform to standard
phonological rules of English and so will always be suggestive of some source or other,
and many neologisms (new coinages of words) are formed from other existing
words. Literary and science fictional texts are good sources for creative neologisms,
but the origins of ‘warp-drive’, ‘raygun’, ‘flying saucer’ and ‘cyborg’ are plain or
Heinlein’s wide-ranging term for mutual empathy), and Philip K. Dick’s very useful
‘kipple’ (the bits and pieces of detritus that accumulate and multiply over time in
Of course, all the various types and combinations of word-formation can be extended
by grammatical inflection as well. So the verb ‘to grok’ can be inflected to produce
‘I grok’, ‘she groks’, ‘we grokked’, ‘they are grokking’, and the noun ‘raygun’ can be
Over the course of the development of English, most new words in the language
have been free morphemes borrowed from other languages or adapted from existing
words as set out above. Innovation in new grammatically bound morphemes is very
rare: the Old English third-person verb-ending ‘-e2’ lasted into Middle English
(spelled as ‘-eth’, as in ‘my cup runneth over’), but the northern dialectal ‘-s’ ending
eventually replaced it (‘runs over’). There have to be very powerful, long-lasting and
widespread forces to sustain a new grammatical morpheme. For example, the pro-
noun ‘it’ (from Old English ‘hit’) was originally a useful option between ‘he’ and ‘she’
(originally ‘he’ and ‘heo/seo’ in Old English), but today ‘it’ has a sense of inanimacy.
It would be very useful in modern English to have a less clumsy neutral option other
than ‘he or she’ or the written ‘s/he’ or the increasingly common but odd non-
agreement of ‘they’ in a sentence like, ‘when the reader gets to this point, they will
have finished the unit’. Perhaps you might try to invent or import a useful alternative
pronoun?