clarinet textures

BY E M E R G E N G E AU D I O

QUICK GUIDE

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 Thank you for your purchase of Clarinet Textures by Emergence Audio!

Add depth and emotion to your music with our Clarinet Textures sample library. Whether you’re
looking to create hauntingly beautiful pads, ethereal soundscapes, or emotive drones, our
collection has everything you need to bring your compositions to life. Clarinet Textures employs
our renowned Non-static Sampling™ method and Infinite Motion Engine™.

Instrument Overview:

Powered By The Free Kontakt Player 6.7 Or Later

Fully Compatible With Native Instruments Hardware

• Infinite Motion Engine™

• Non-Static Sampling™
• 120+ presets
• 100+ parameters to customize your own sound
• Convolution reverb with 50+ top-shelf impulse responses
• 10 effects and randomizer
• 20 uniquely performed evolving articulations for organic soundscapes and pads
• 24bit 48kHz samples
• Midi learn/automation for all controls
• Free Kontakt Player Included
• Free Updates For Infinity

Preset Concepts:

“INIT_Clarinet Textures.nki” Is a start-from-scratch patch from which all presets were

created.

INFINITE PADS: These presets have a much more experimental approach.

CORRELATED: The Theory of our universe is the foundation for the Infinite Motion Engine™. This
is a concept on how something can exist acoustically in two different places, but still be a part of
the same source and generate something entirely new and intricate.

PULSES: Creates a pulsing or swelling sound using our LFO component. A great tool for
enhancing your compositions’ dynamic range and movement.

MULTIS: Various presets have been mixed in unusual and experimental ways to create these
multi patches. You can experiment with countless combinations and ideas.

SWELLS: The ADSR parameters can create crescendos and decrescendos in music. Increase the
attack parameter for a crescendo, and increase the release and decay parameters while setting
the sustain value to zero for a decrescendo. These parameters shape the dynamic range and add
emotion to compositions.

DIMENSIONS: Our individual patches explore our source material in a much more minimalistic
form.

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 INFINITE MOTION ENGINE MAIN PAGE

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10. 9. 1. 2. 5. 3. 7. 11.

*IME SUPPORTS CC LEARN. RIGHT-CLICK A MIDI CONTROLLER KNOB OR FADER TO ASSIGN IT.

1. ON/OFF LFO SWITCH: When this button is 7. LFO LINK BUTTON: Connects the selected
clicked, the LFO modulation is turned on or parameters to the master LFO to control the
off. intensity of the depth individually.

2. RATE: Left-click and hold the horizon- 8. LFO TEMPO SYNC: This option lets you
tal infinity symbol left or right to adjust the Quantize to the Tempo of your session and
rate/speed of the sinewave LFO. select from a variety of divisions.

3. DEPTH: To change the depth of the cross- 9. ATTENUVERTER: Sets an LFO percentage
fade, left-click and hold before moving the relative to the master LFO by click/hold and
mouse up or down. dragging the button up or down.

4. LFO SELECT TOOL: This section gives you 10. EXPRESSION: Controls the overall
the option of selecting one of five different master volume of the patch (CC#11)
LFO shapes/modulation types.
11. RANDOMIZER: The randomizer will only
influence the low pass, high pass, pan knobs,
and attenuverter underneath them, as well
5. WAVEFORM WINDOW: Displays a visual as the source material on both layers.
representation of the currently selected LFO.

6. CROSSFADE: Crossfades between both

selected layers (CC#1)

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 INFINITE MOTION ENGINE MAIN PAGE

16.

15. 17.
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18.

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19.

20.

12.

12. LFO BYPASS: This button locks each 17. WAVEFORM: Is a graphical depiction of
parameter’s RELATIVE VALUES to the master the sound source.
LFO.
18. ADSR: Attack, decay, sustain, and
13. VOLUME FADER: Controls the volume of release of the layer.
each layer; the lower the volume, the
lighter the color, and the more transparent 19. FILTER LINK: When enabled, this causes
the fader. both filter link layers to work in unison. You
can also double-click the link button to
14. FINE TUNE KNOB: Lets you change the ensure that both the LP or HP filters are
pitch of the entire layer by one octave up or shown without having to click the other layer.
down or anywhere in between.
20. LOW AND HIGH PASS FILTERS: This
15. PURGE LAYER BUTTON: Deactivates the button alternates between filters, allowing
layer by removing it entirely from the you to fine-tune the prospective bandwidth.
interface. This is useful if you want to
preserve RAM space or hear the second layer 21. POLARITY FLIP: Allows you to reverse
on its own quickly. the direction of the LFO by changing its
polarity.
16. LAYER MENU: Left-click the layer text to
bring up the dropdown box where you can
choose which source material to use.

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 INFINITE MOTION ENGINE EFFECTS PAGE

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3 7 9.

1.

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2. 10.

11.

4. 12. 8.

1. CONVOLUTION REVERB: 50+ top-tier 7. ROTATOR: The Rotator effect realistical-

impulse response reverbs, ranging from real ly simulates the sound of rotating speaker
rooms to the iconic Lexicon reverbs, includ- cabinets
ing the L480, L300, and L96. With tails
ranging from 1 to 31 seconds. 8.CHORUS: This module thickens the audio
signal by splitting it into two versions and
2. DELAY: Delay provides sync choices detuning one of them in relation to the
ranging from full to 1/256 as well as dotted original.
notes. To generate a ping pong effect, turn
the pan knob all the way up. 9. LO-FI: This effect module adds numerous
digital artifacts to a clean signal, such as
3. PHASER: With an all-pass filter, this effect quantization noise or aliasing.
alters the phase relationship in your signal.
10. TAPE SATURATION: Gives a sound analog
4. WIDTH: This is a stereo imager; rotating warmth and presence.
the knob to the right will broaden the sound.
Turning it all the way to the right will make it 11. SYNC: Locks the delay to the session’s
mono. tempo and provides rhythmic possibilities.

5. DISTORTION: The signal is affected by a 12. MAIN & FX PAGE BUTTON: You can
transistor effect. switch between the main and effect pages by
left-clicking this area with your mouse.
6. SATURATION: This effect brings warmth
to the signal and emulates a classic analog
tone.

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 SNAPSHOTS / PRESET CONCEPTS

Anything labeled “INIT” will be

a start from scratch option. Snapshot ICON, click here to access the presets.

Our preset concepts use snapshots. You will find all the presets in the Infinite
Motion Engine™ Initial (INIT) Patch and creating your own User presets will
also be located in this section.

SINGLE LAYER PAGE

Dimensions are our single layer patches they consist of every layer in the library individually.

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 CLARINET TEXTURES: CREDITS

Concept
Michael Vignola

Preset Design
Michael Vignola with contributions from Arttu Silvast, Martin Heidenreich,
Theo Chatzilamprou, Mark Smith

Recording Engineer
Fraser A. Campbell

Mixing and Mastering

Michael Vignola, Fraser A. Campell

Sample Editing
Michael Vignola, Fraser A. Campbell

Kontakt Mapping
Michael Vignola

Recording Studio
Emergence Audio/Remote Session

GUI Design
Michael Vignola, Erica Vignola, Will Bedford

Kontakt Scripting
Theodore Chatzilamprou, Will Bedford

Musician
Fraser A. Campbell

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EMERGENCE AUDIO