Dialogue and Role Play
Dialogue and Role Play
Colloquial communication is a casual, informal, and conversational style of speech that is used in
everyday interactions. It is also known as colloquial language, everyday language, or general
parlance.
Gotta/Gonna – shortened forms of “got to” and “going to” (e.g. “I gotta get to work” or
“We gonna be late”)
Wanna/Woulda/Coulda – shortened forms of “want to”, “would have”, “could have”
Hey/Whaddya know – used as casual greetings
Buddy/Pal/Friend – informal terms to refer to a person
No prob/No sweat – meaning “no problem” or “don’t worry about it”
Kinda/Sorta – indicating something is somewhat or partly true
Y’all – a southern colloquialism meaning “you all”
Take a rain check – to postpone or cancel existing plans
Chill/Chill out – relax or calm down
Dude/Bro – used to address a male friend informally
Wicked/Cool – expressing enthusiasm or approval
My bad – admitting fault or apologizing
Peace out/Later – casual ways to say goodbye
Cray/Crazy – very or extremely (e.g. “I’m so cray tired”)
Lit/Fire – expressing excitement or enthusiasm
Types of Colloquialisms
Following are the types of colloquialisms:
Colloquial language can make communication more relatable and natural. Understanding
colloquial language can improve comprehension in informal interactions and help assess regional
dialects.
What Is Dialogue Writing?
The term ‘dialogue’ is something all of you would be familiar with. As social beings, people
(irrespective of being young or old, male or female) communicate with each other. Such a
communication where both parties involved in the conversation have something to say about the
topic being discussed can be said to be dialogue. A dialogue can be on any topic – a very simple
talk about a daily chore, a serious talk about a social or medical problem, a discussion about what
has to be done for an event and so on. The only point that you should remember is that a dialogue
isn’t just any conversation but a conversation between two people specifically.
The Collins Dictionary defines the term ‘dialogue’ as “a conversation between two people in a
book, film, or play”. Transcribing a dialogue in writing or presenting a conversation in text is
referred to as dialogue writing.
Having dialogues along with stage directions instead of just narrations can be said to be a better
writing technique as it gives the readers a clear picture of the characteristics of the various
characters in the story, play or movie. It also gives your characters life, and above all, a voice of
their own. Dialogues portray the emotional state, mindset, background information and attitude of
the speakers. This will always be more effective as it would let the readers connect with the
characters on a more personal level.
Dialogue writing is also one area where the writers get to be creative even to the extent of breaking
some conventional grammatical rules. For instance, elongating a word or writing the whole word
in capital letters or using multiple question marks or exclamation marks to stress on whatever is
being said. For example: YESSSS!!
Another component of dialogue writing is adding stage directions. Stage directions are
short phrases written in brackets that give the reader an idea of what the character is doing as they
engage in the dialogue. For example: Dan (rubbing his eyes): I am still tired.
Types of Dialogues
Dialogues can be classified into two main types namely,
Inner Dialogue
Outer Dialogue
Inner Dialogue
The term ‘inner dialogue’ refers to the individual character’s thoughts which are not spoken aloud;
in other words, said to anyone else. They can be something a character is thinking as the other
character is speaking and their thoughts about what is going on or what the other character is doing.
These inner dialogues are not placed within quotation marks.
Outer Dialogue
As the name suggests, ‘outer dialogues’ are thoughts that are spoken aloud. They refer to
everything the two characters involved in the dialogue say to each other. Outer dialogues are
usually placed with quotation marks.
The first thing you have to do before you write a dialogue is to decide who the characters
are.
You should also have a clear idea of the plot of the story, or in general, the context of the
dialogue.
Dialogues can be just a sentence, two or three lines or even a short paragraph. Whatever be
the case, always remember that each character’s dialogue, no matter how short or long, has
to be written on the next line. In other words, no two dialogues should appear on the same
line. Also see to it that you indent each dialogue.
If the dialogues are one-liners, you can write them one after the other. On the contrary, if
each of your characters are speaking in chunks (short or long paragraphs), it is mandatory
that you show the difference by using an optimum line spacing.
Be very careful with the tense used in the dialogue.
It is better to skip the small talk (including greetings) and start off with the point of
discussion unless the small talk is crucial to setting the mood of the conversation.
Punctuation
In every form of writing, punctuation is an important factor that makes it sensible. In the same
manner, dialogue writing also would not make any sense without proper punctuation. Learn how
to punctuate dialogues by going through the following points.
The first rule would be adding a colon after the name of the character to indicate that the
particular character is the one speaking at the moment. Sometimes, a hyphen is used
instead of a colon.
The name of the character should always start with a capital letter as it is a proper noun.
Sometimes, you will have characters such as villagers, student 1, student 2, etc. In these
cases also, you will have to use a capital letter.
Dialogues are to be placed within quotation marks.
If you are including a character’s dialogue in another character’s dialogue, it has to be
placed within single quotation marks. For example: “Don’t you think Rakesh saying ‘I will
take the lead’ has some hidden agenda?”
Also remember that any punctuation mark corresponding to the dialogue should always be
placed within double quotation marks. For instance, if the dialogue is an interrogative
sentence, the question mark has to come first marking the end of the sentence followed by
the double quotation marks marking the end of the dialogue.
A dialogue can be separated using dialogue tags like ‘he said’ to attribute the dialogue to a
speaker.
When you insert the tag in the middle of the dialogue, make sure you close the
quotation marks before the tag. The tag is preceded and followed by a comma.
When you open quotation marks to continue the dialogue, see to it that you use a
small letter to begin with if it is the continuation of the dialogue, and close the
quotation marks once the dialogue is complete. For example: “Do you know”, he
shouted to everyone, “who the new manager is?”
If the dialogue tag is positioned in the beginning of the sentence, see to it that you
start it with a capital letter as you are starting a new sentence. Place a comma after
the dialogue tag followed by open quotation marks, the dialogue starting with a
capital letter followed by the punctuation mark of the quote and close quotation
marks. For example: Josh mumbled, “Nobody understands the main problem here.”
A dialogue can also appear at the end of the sentence. In this case, the quotation
comes first. Once you punctuate the quote and close the quotation marks, place the
dialogue tag. Note that the dialogue tag is not capitalized. For example: “Are you
coming with us?” Sarah asked.
If a character’s dialogue is being interrupted by another character, use a dash to indicate
the interference. For example: “I was wondering –”
“Are you ready to go?”
Actions and body language of characters can be described in sentences and they can appear
in between dialogues. For example: “I am not interested.” She shrugged her shoulders.
“But, I will do it just for you.”
Using dialogue tags does give some clarity about the action and body language of the
characters, but see to it that you do not use dialogue tags with every single dialogue. Also,
make sure you don’t use too little.
Using colloquial language is allowed in dialogue writing, but use them only if it matches
the context.
Dialogues need not be grammatically correct all the time. That does not mean you can write
structureless sentences. You can have individual words or phrases as a dialogue. For
example: “What?”, “Of course!”, “She started the fight?”
A few examples from ‘The Crocodile and the Monkey’ are given below. Go through them and try
to analyse how the description and dialogues are written.
The crocodile’s wife thought to herself, “If the monkey eats only these sweet rose-apples,
his flesh must be sweet too. He would be a delicious dinner.”
When they reached, the monkey climbed up the tree to safety. He looked at the crocodile
and said, “Now you can go back to your wicked wife and tell her that her husband is the
biggest fool in this world. Your foolishness has no parallel. You were ready to take my life
because of an unjust demand from your wife. Then you were stupid enough to believe me
and brought me back to the tree.”
Example 2:
Here are a few examples from the short story, ‘The Gift of the Magi’ by O. Henry. Check them
out.
“Twenty dollars,” said Mrs. Sofronie, lifting the hair to feel its weight.
“Give it to me quick,” said Della.
“Jim, dear,” she cried, “don’t look at me like that. I had my hair cut off and sold it. I couldn’t
live through Christmas without giving you a gift. My hair will grow again. You won’t care,
will you? My hair grows very fast. It’s Christmas, Jim. Let’s be happy. You don’t know
what a nice—what a beautiful, nice gift I got for you.”
Role play
Role play is an initiative undertaken for oral communication in classrooms or public speaking
improvement oriented groups in order to improve the oral and the (English Speaking) the
communication skills of a learner. It provides the learner to
Communicate freely
Spontaneously
Confidently in different situations.
Most interactions in our day to day lives are not engaging. As a result the audience i.e., the
speaker and the listener tend to loose interest in the conversation. Thus to make a conversation
interesting, a role play conversation methodology is adopted in order to make the
communication more informative, and amusing.
Dialogue follows a flow of prompt responses, reactions as well as the audience seems to get
surprised resulting in a memorable conversational experience.
There are various kinds of role plays for children that a teacher needs to engage for a better
communication E.g., pushing a doll in a pram, becoming a super hero, having an adult
conversation on a toy phone.Acting out these role plays may enhance the capability and
intellect of a child.
There are four types of role plays:
1. Literate
2. Semi literate
3. Literate
4. Advanced literate.
Role play is like creating a story with two or more people. The only difference is that one
character explains all the characters. It also helps in writing skills as well as creativity.