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MATH 8 LECTURE NOTES
XIN ZHOU
Abstract. This is the set of lecture notes for Math 8 during Spring quarter
of 2018 at UC Santa Barbara. The lectures follow closely [1, 2].
Contents
1. Sets 2
2. Proofs 8
3. Quantifiers 13
4. Number systems 17
5. Decimals 20
6. Inequalities 24
7. Mathematical Induction 25
7.1. Guessing the answer 27
7.2. The Σ notation 27
7.3. Principle of Strong Mathematical Induction. 27
8. Integers 29
9. Prime factorization 32
10. Equivalence relations 37
11. Functions 41
12. Infinity 45
References 50
We will cover Chapter 1-3, 8, 10-13, 17-19, 21 with additional topics as time
permits. This includes the following topics:
• Sets
• Number systems, decimals
• Proofs
– Direct proof
– Induction
– Proof by contradiction.
• Inequalities
• Prime number
– Prime factorization
• Equivalence relations
• Functions
• Infinity
Remark 0.1. For this class, reading the textbook and doing the homework is
more important than previous math classes you may have taken. Also, you are
expected to write homework proofs neatly and clearly, using complete sentences.
This course covers set theory, logic, functions and equivalence relations, and
techniques of proof, including induction. We will also cover topics in number
theory relating to integers and primes. The goals of the course are to introduce
fundamental mathematical concepts and definitions and to be able to use them
to write clear, logically correct proofs.
1. Sets
A set is just a collection of objects, we call those objects the elements of the
set.
Remark 1.1. Actually, this simple definition for sets is inadequate and gives
rise to contradictions. “The set of all sets” cannot exist. But we will not talk
about this. If you are really interested, you may read any set theory textbook.
How to describe a set?
• the first way is just to make a list of all the objects in the set and put
curly brackets (braces) around the list. For example,
– {1} is a set consisting of the objects 1.
– {π, U CSB, math8} is a set consisting of three objects.
– {1, 2, 3} is a set consisting of the objects 1,2, and 3.
MATH 8 SPRING 2018 UCSB 3
– Here is a tricky one. {1, {2}} is the set consisting of two objects,
one is just the number 1, and the other one is the set {2}. We can
make a really complicated set,
{1, {2}, {3, {4, 5}}}.
• But the first way is not that convenient to describe a set in some cases.
For instance, if we have infinite number of objects, like all positive
integers, or if there are no explicit expressions for the objects, like the
solution of the equation xπ + x2 − 8 = 0. So we use the following form
{x|P (x)},
where P (x) is a condition or property of x. This is to be read “the set
of all x such that x satisfies the condition P (x)”. Sometimes, we also
use {x ∈ X|P (x)} to denote a set, where X is the domain of x. For
example,
– {x|x is a positive integer}.
– {x|x is a real number, x2 < 2}.
– {x|x is a real number and xπ + x2 − 8 = 0}.
Let me introduce some notations.
• N = {x|x is a natural number} = {1, 2, 3, . . .} (ellipsis indicates that
the list continues in the obvious way). The set of all natural numbers
• Z = {x|x is an integer} = {. . . , −3, −2, −1, 0, 1, 2, 3, . . .}
• Note that in many other textbooks, 0 is also a natural number.
• R = {x|x is a real number}. The set of all real numbers
• Q = {x|x = pq , p, q ∈ Z, and q 6= 0}. The set of all rational numbers.
Definition 1.2. We also define the empty set to be the set consisting of no
objects, and denote by the symbol ∅.
and say x belongs to S. If some other object y does not belong to S, we write
y∈
/ S.
For example, consider the set
{1, {2}, {3, {4, 5}}}}.
We know that
1 ∈ S, {2} ∈ S, {3, {4, 5}} ∈ S,
but 2 ∈
/ S, {4, 5} ∈
/ S.
Definition 1.5. We say that two sets are equal when they consist of exactly
the same elements.
For instance A = {1, 2, 3} = {2, 1, 3}. But here is another set B =
{1, 1, 2, 3}. Since this set contains the same elements with the set A, it is
equal to the set A. Indeed, the definition of a set requires that it contains
distinct objects, so you cannot express a set like that. Consider the following
set
C = {x|x ∈ R, x2 − 2x + 1 = 0} = {1}.
For numbers, we have operations like addition and multiplication. For sets,
we also have set operations. Next, we will introduce some set operations.
Definition 1.10. Let A and B be two sets. The union of A and B, written
A ∪ B, is the set consisting of all elements that lie in either A or B (or both).
That is,
A ∪ B = {x|x ∈ A or x ∈ B}.
The intersection of A and B, written A ∩ B, is the set consisting of all
elements that lie in both A and B. That is,
A ∩ B = {x|x ∈ A and x ∈ B}.
B − A = B \ A = {x|x ∈ B and x ∈
/ A},
where \ is backslash.
Lemma 1.12. Let A and B be two sets. Then by Venn diagram, it is easy to
see that
A ∪ B = (A − B) ∪ (A ∩ B) ∪ (B − A),
and A − B, B − A, A ∩ B are mutually disjoint.
6 XIN ZHOU
Remark 1.15. What about set operations involving more than two sets? We
know that for numbers, there is a default order of operations. For example
2 + 3 ∗ 5,
we know that we should do the multiplication first.
But for set operations, union, intersection, and difference operations are all
equal in the order.
For example, the expression
A∪B∩C
does not make any sense because we do not know which operation we should
do first: should we take the union first, and then the difference, or should we
take the difference first and then the union?
So if we have more than one of these at a time, we have to use parentheses
to indicate which of these operations should be done first.
In order to make this clear, we need to either write
(A ∪ B) ∩ C or A ∪ (B ∩ C).
Definition 1.18. We say that A and B are disjoint sets if they have no
elements in common, i.e., if A ∩ B = ∅.
Question 1.19. Let A and B be two sets. If A and B are disjoint, i.e.,
A ∩ B = ∅, then
A − B = A, B − A = B.
MATH 8 SPRING 2018 UCSB 7
2. Proofs
Let us talk about mathematical proofs. One of the goals of this course is to
learn how to write proofs.
Why we need proofs? There are many math questions and mathematicians
are trying to find answers to those questions. They can do experiments; they
can use computers to simulate; they can also guess and try. Sometimes they
may use those methods to get the answer, but for mathematicians, they are
not convinced unless they can prove it. For many other subjects, in order to
explain something, people propose a theory and this theory can explain 99%
of the cases, but fails the 1%. Later, a new theory will come up and replace
the old one.
we only have two situations: we can prove it or we can’t. Once it is proved,
then it will be always true and will not be replaced.
Example 2.1. There is a very famous conjecture about prime numbers named
Goldbach’s Conjecture: every even n > 2 is the sum of two primes. For
example,
4 = 2 + 2, 6 = 3 + 3, 8 = 3 + 5, 10 = 5 + 5, 12 = 5 + 7, . . . .
People verified that this is true up to 4 × 1017 . Numerical results suggest that
this is almost true and mathematicians also believe that it is true. But since
there is no proof, we cannot use it as a theorem to prove other results.
Before we talk about proofs, we need to introduce some notations. Let P
and Q are statements or mathematical statements. For example, (we always
use x to denote some real number, and n to denote some natural number):
P1 : x = 2;
P2 : 2 < 3;
P3 : x > 3 and x < 2;
P4 : n is an even integer;
P5 : n = m2 for some integer m.
For P1 , P4 , P5 , we do not know whether it is true or false before we know the
values of x or n. P2 is true, but P3 is false.
Definition 2.2. A mathematical statement is a mathematical sentence that is
either true or false (but not both).
Definition 2.3. We write
P ⇒Q
MATH 8 SPRING 2018 UCSB 9
For example,
x = 2 ⇒ x2 < 6.
For instance, let us take the negation of all the examples on the previous
page:
P1 : x 6= 2;
P2 : 2 > 3;
P3 : x ≤ 3 or x ≥ 2;
P4 : n is not an even integer;
P5 : n 6= m2 for all integer m; n cannot be written as n = m2 for some
integer m.
Note that P ⇒ Q does not mean that Q ⇒ P . This is easy to understand.
For example, x > 1 ⇒ x > 0, but x > 0 ; x > 1.
Definition 2.11. Direct proofs: starting with any basic axioms or given as-
sumption, use a series of implications to conclude that the desired result is
true.
Remark 2.13. We could have written as this proof as the following series of
implications:
n is odd ⇒ n = 2m + 1 ⇒ n2 = 1 + 4(m2 + m) ⇒ n2 is odd.
But, this is too terse and somewhat strange. We are writing proofs so that
people can understand; we are human beings, not computers. We need to use
some English words to make the proof smooth and readable. For example, we
can use “then”, “ therefore”, “hence” and so on. (Certainly, you guys know
English better than I).
We also have indirect proofs, for example, proof by contradiction is a form
of indirect proof. Sometimes, it is almost impossible to give a direct proof, for
instance, if we want to prove the following statements:
• there exists infinitely many prime numbers. If we want to prove this
directly, our only choice is to list infinitely many primes or give a gen-
eral formula for infinitely many primes. But this is almost impossible
or very hard. However, we can easily prove this using proof by contra-
diction.
Definition 2.14. Proof by contradiction: Suppose we want to prove a state-
ment P is true. We first assume that P is false, that is, P̄ is true. We then
start with P̄ to deduce a statement Q which is impossible or contradict our
assumption. Hence, P must be true.
If P̄ is true, then Q is true. Q is false. Hence, P is true.
This uses P̄ ⇒ Q is equivalent to Q̄ ⇒ P . That is, an implication and its
contrapositive are propositionally equivalent.
Example 2.15. There is no greatest even integer.
Proof. Suppose the conclusion is not true. (We take the negation of the the-
orem and suppose it to be true.) Suppose there is a greatest even integer N .
(We must deduce a contradiction.)
Then for every even integer n, N ≥ n.
Now let M = N + 2. Then, M is an even integer. (Because it is a sum of
even integers.) Also, M > N since M = N + 2. Therefore, M is an integer
that is greater than the greatest integer.
This contradicts the assumption that N ≥ n for every even integer n. This
completes the proof.
Example 2.16. Let n be an integer such that n2 is a multiple of 3. Then n
is also a multiple of 3.
12 XIN ZHOU
3. Quantifiers
Next, we introduce two symbols. In mathematics, we will often see two types
of statements. They are so common and important that we will introduce some
symbols to denote them.
Let us consider the following examples:
• There is an integer x such that x3 = 27.
• For some integer x, x2 = −1.
• There exists a positive integer that is not equal to the sum of two
integer squares.
You can see that all the statements have the form: there exists some integer
with a certain property. This type of statements is everywhere in math. So
we will introduce a symbol ∃ (the backward E) to denote “there exists”.
Definition 3.1. The existential quantifier is denoted by the symbol ∃, and
is read “there exists”.
So we can rewrite the above statements as follows:
(1) ∃x ∈ Z such that x3 = 27.
(2) ∃x ∈ Z such that x2 = −1.
(3) ∃x ∈ Z and x > 0 such that x is not equal to the sum of two integer
squares.
They all have the form:
∃x such that P (x),
or simply
∃x(x ∈ X) P (x).
It means that there is at least one value of x for which P (x) is true.
To prove an existence statement is true, we only need to find just one object
satisfying the required property. There might be many objects satisfying the
property, but just one object is enough to conclude that the statement is true.
To prove an existence statement is false, we need to show that no such object
satisfying the required property; that is, for all x, P (x) is false or P (x) is true.
For (1), we know x = 3 satisfies the property. For (2), since there is no such
x, the statement is false. For (3), x = 3 has the required property.
Actually, many math statements are very complicated and they have more
than one quantifiers. For instance, (6) can be rewritten as
(6) ∀x ∈ Z and x > 0, ∃m, n ∈ Z such that x = m2 + n2 .
This means that the negation of an existence statement is just “for all”
statement.
Example 3.7. For the statements containing more than one quantifiers, we
just do negations step by step as follows:
(7) For any integer x and y, there is an integer z, such that x2 + y 2 = z 2 .
⇔ ∀x ∈ Z, ∀y ∈ Z, ∃z ∈ Z, such that x2 + y 2 = z 2 ;
⇔ ∃x ∈ Z, ∃y ∈ Z, such that ∀z ∈ Z, x2 + y 2 6= z 2 .
4. Number systems
We will introduce three number systems: the real numbers, the integers and
the rational numbers.
In the past, maybe 2000 or 3000 years ago, people were using integers and
they were also familiar with the fractions. Fractions are just rational numbers.
But it then turned out that the rational√ numbers are not enough to describe
every length. A simple example is 2. Suppose we have a right triangle
with sides a, b, c Pythagorean theorem implies that a2 + b2 = c2 . So people
discovered the irrational numbers.
What are the real numbers? They are just all the rational numbers and
irrational numbers. We can also view the real numbers as follows: If we draw
an infinite straight line and choose a point on this line as the origin. We also
choose a unit of length and label the whole numbers. Real numbers can be
thought of as points on an infinitely long number line.
Obviously, the real numbers have a natural ordering, that is, we can compare
the values of any two real numbers. For instance, suppose x and y are two
real numbers. If x is to the left of y on the real line, then x < y.
Definition 4.1. The integers are just whole numbers, denoted by Z.
Definition 4.2. A real number of the form m n
(m is the numerator and n is
the denominator) where m, n ∈ Z, n 6= 0 is called a rational number, denoted
by Q.
An irrational number is a real number that is not a rationals number.
Note that different fractions can represent the same rational numbers. We
say that the rational m
n
is in lowest terms if no canceling is possible - that is,
m and n have no common factor except 1 or m and n are coprime to each
other.
Definition 4.3. If two integers a and b are said to be relatively prime, mutually
prime, or coprime if the only positive integer that divides both of them is 1.
That is, the only common positive factor of the two numbers is 1. This is
equivalent to their greatest common divisor being 1.
For real numbers, we can do addition and multiplication.
Fact 4.4. (Rule 2.1) For all a, b, c ∈ R,
(1) Commutative law for addition and multiplication: a+b = b+a, ab = ba.
(2) Associative law for addition and multiplication: a+(b+c) = (a+b)+c,
a(bc) = (ab)c.
18 XIN ZHOU
These rules are axioms for real numbers and they cannot be proved or de-
duced from other facts.
Proposition 4.5. (Proposition 2.1) Between any two distinct rationals there
is another rational.
Proof. Let r and s be two rationals. We can assume r < s, otherwise the proof
processes the same way by flipping r and s. Let t = 12 (r + s). We now prove
that t is a rational, and r < t < s (this is the mathematical meaning of saying
t is between r and s).
We first prove that t is a rational. Since r, s are rationals, r = m
n
, s = pq for
some m, n, p, q ∈ Z and n 6= 0, q 6= 0. Then
1 1 m p mq + np
(r + s) = + = .
2 2 n q 2nq
Since mq + np, 2nq ∈ Z and 2nq 6= 0, we know t is a rational.
r s
Next we prove r < t < s. Since by assumption r < s, we have 2
< 2
.
Therefore
r r r s
r = + < + = t;
2 2 2 2
similarly one can prove t < s.
So we finish the proof.
√
Proposition 4.6. (Proposition 2.3) 2 is not rational.
√
Proof. Let us prove by contradiction. Assume by contradiction that 2 is a
rational. Then
√ m
2 = , for some m, n ∈ Z and n 6= 0.
n
m
We can assume that n is in its lowest terms.
Take the squares, we have:
m2
2= =⇒ m2 = 2n2 .
n2
Therefore m2 is an even integer. Next we prove the statement:
(P): if m ∈ Z and m2 is even, then m is even.
MATH 8 SPRING 2018 UCSB 19
5. Decimals
We introduce the decimal notation. Decimal notation is the writing of num-
bers in a base 10 numeral system.
We know that every point on the real line represents a real number and
we can write out some of them, for example, the whole
√ numbers, the rational
numbers, and maybe some irrational numbers, like 2. But how about other
irrational numbers. We need to find a way to express all real numbers. So
we use decimal notation which is the writing of numbers in a base 10 numeral
system.
Example 5.1. Suppose a real number has decimal expression:
a0 .a1 a2 a3 ,
where a0 is an integer and a1 , a2 , a3 are integers between 0 and 9. We know
that this number equals to
a1 a2 a3
a0 + + 2 + 3.
10 10 10
For example,
1
100, 1.5, = 0.5,
2
1
(one third) = 0.3333 . . . , π = 3.14159265358979323846264338 . . . .
3
123.456: the 3 is in the Ones position, meaning 3 ones (which is 3); the 2
is in the Tens position meaning 2 tens (which is twenty); and the 1 is in the
Hundreds position, meaning 3 hundreds; the 4 is in the Tenths position; the
5 is in the Hundredths position; the 6 is in the Thousandths position.
What if a decimal has an infinite (non-terminating) fractional part? What
does that meaning? In order to make it a little bit more precise, we need the
following lemma. Given
a0 .a1 a2 . . . ,
this equals to the sum of the series
∞
X ak
a0 + k
.
k=1
10
Proposition 5.2. Let x be a real number.
1. If x 6= 1, then
x(1 − xn )
x + x2 + x3 + . . . + xn = .
1−x
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MATH 8 SPRING 2018 UCSB 21
and
x ≤ 0.a1 a2 . . . ak−1 bk 9999 = 0.a1 a2 . . . ak−1 (bk + 1)000.
Hence, all the inequalities are indeed equalities. It follows that ak = bk + 1
and
x = 0.a1 . . . ak 000 = 0.a1 . . . (ak − 1)999 . . . .
We know that real numbers include rational numbers and irrational num-
bers. So we want to know what are the decimal expressions for rationals and
irrationals? Certainly, they should be different. So what is the difference?
Example 5.5. Let us first consider some rational numbers.
1 1 7 8
2, = 0.5, = 0.333 . . . , = 1.16666 . . . , = 1.142857142857 . . . .
2 3 6 7
You can see that they are either finite or infinite, and if it is infinite, then
there is a sequence of digits that eventually repeats forever. We call such a
decimal expression periodic.
If a periodic decimal has the form (repeating decimal with b1 . . . bl repeating)
a0 .a1 a2 . . . ak b1 b2 . . . bl b1 b2 . . . bl . . . ,
then we write it as
a0 .a1 . . . ak b1 . . . bl .
That a rational number must have a finite or recurring decimal expansion
can be seen to be a consequence of the long division algorithm, in that there
are at most q − 1 possible nonzero remainders on division by q, so that the
recurring pattern will have a period less than q.
Rational numbers have finite or infinite repeating decimal expressions while
irrational numbers have infinite non-repeating decimal representations.
Proposition 5.6. The decimal expression for any rational number is (finite
or) periodic.
Proof. Consider a rational number m n
(m, n ∈ Z). Think about how we get
the decimal expression for a fraction.
m = a0 n + b0 , 0 ≤ b0 ≤ n − 1.
10b0 = a1 n + b1 , . . .
If some bi = 0, then we get a finite decimal. Suppose for all bi 6= 0. Note that
bi is an integer between 0 and n−1, so at most after n steps, bi will repeat.
MATH 8 SPRING 2018 UCSB 23
6. Inequalities
An inequality is a statement about real numbers involving one of the symbols
“>, “≥, “< or “≤; for example, x > 2 or x2 − 4y ≤ 2x + 2. In this chapter we
shall present some elementary notions concerning manipulation of inequalities.
Here are the rules concerning the ordering of the real numbers.
Rules: given x, y ∈ R:
(1) either x > 0, x < 0 or x = 0;
(2) if x > y, then −x < −y;
(3) if x > y, c ∈ R, then x + c > y + c;
(4) if x > 0, y > 0, then xy > 0;
(5) if x > y, y > z, then x > z.
Note that (3) =⇒ (2), since if x > y, then x + (−x − y) > y + (−x − y), and
this implies −y > −x.
7. Mathematical Induction
Mathematical induction is a mathematical proof technique. It is a very
powerful tool to prove a statement involving positive integers.
Let us first consider the following statements:
(1) The sum of the first n positive odd integers is equal to n2 . That is
∀n ∈ N, P (n).
Here, P (n) is “the sum of the first n positive odd integers is equal to
n2 ”.
(2) If p > −1 then (1 + p)n ≥ 1 + np.
We can easily check that statement (1) is true for many positive integers.
1 = 12 ; 1 + 3 = 22 ; 1 + 3 + 5 = 32 ; 1 + 3 + 5 + 7 = 42 .
In order to prove this “for all” statement, we need to show it is true for
all positive integer n. There are infinitely many positive integers, and it is
impossible to verify all of them. So how can we prove this statement for all n?
The answer is just the principle of mathematical induction. It is the follow-
ing.
Theorem 7.1. (Principle of mathematical induction) Suppose that for each
positive integer n we have a statement P (n). If we prove the following two
things
(1) P (1) is true.
(2) for all n ∈ N, if P (n) is true then P (n + 1) is also true.
then P (n) is true for all positive integers n.
Remark 7.2. The first step is called the base step and the second second step
is called the inductive step.
Example 7.3. The sum of the first n positive odd integers is equal to n2 .
Proof. The base step: this is trivial, since 1 = 1.
For the inductive step, we first assume that P (n) is true, where n is any
fixed natural number, we need to prove that P (n + 1) is true. Since P (n) is
true, we have
1 + 3 + 5 + . . . + (2n − 1) = n2 .
This implies that
1 + 3 + 5 + . . . + (2n − 1) + (2n + 1) = n2 + 2n + 1 = (n + 1)2 ,
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handwriting have been developed from the Roman capitals.
Roman books and correspondence were written in such hands,
and Dr. Haverfield has pointed out, as such scribblings on tiles were
obviously in many cases by labourers in the brickfields, it follows
that the common people in British towns had come to talk Latin. Dr.
Haverfield went on to question whether town workmen even spoke
Celtic. “Had they known Celtic well, it is hardly credible that they
should not have sometimes written in that language. No such scrawl
has been found in Britain. This total absence of Celtic cannot be
mere accident” (Romanization). This argument overlooks a
probability that Latin was a written language, while Celtic was not.
We hardly realise our direct and full classical inheritance, and the
fact that Londinium was a Roman city for three and a half centuries.
Here the Latin Pantheon must have been completely absorbed into
the common texture of traditional thought; here boys would have
carried texts of Virgil in their satchels, and here, again, the story of
the Gospel must have been brought in its first westward expansion.
Inscriptions.—In the notes which follow, I am more than ever off
my proper ground, and, moreover, they are likely to be very dreary
to any one who does not feel the romance of early London and
Britain through all the dryasdust detail in which we have to work.
An important inscription was found in 1850 under St. Nicholas
Lane. It was described in the same year (Gent. Mag. xi. p. 104): “A
large slab with the following Roman inscription in well-cut letters 5
in. or 6 in. in length:
NVMC
PROV
BRITA
“My dear Fairholt,—I have given Richards £10 for you.... In the
Guildhall is a fragment of a large inscription from Nicholas Lane which we
should give rather large. It lay just within the lower door of the Library.
The letters are deeply cut and should be shown clear. Can you see if the
stone be broken? [Sketch.] Note if letter 4, line 1, be a C, and please
measure it. It is most important. I suppose it is half the original length.—
Yours sincerely,
“C. R. Smith.”
Fig. 130.
Fig. 131.
The stone had disappeared and has never been heard of since.
The size was recorded by Birch as 2 ft. 4 in. high, and 3 ft. wide on
the face. V.C.H. says 6 ft. long, but this is a mistake. Fortunately a
careful drawing of the stone was made by Archer, which is preserved
in the British Museum (Fig. 130). Archer’s drawing confirms Roach
Smith’s reading of C at the end of the first line next a vertical joint.
My sketch by Roach Smith seems to be the only other record (Fig.
131). In Illustrations of Roman London, he says: “It was found close
to a wall, and there is reason to think other stones having the
remainder of the inscription were not far off from the one excavated.
In the present year (1859), being desirous to compare it with my
sketch, I ascertained it was not to be found. The stone was between
2 and 3 ft. in length. The fourth letter in the first line appeared to
me when I made the sketch more like a C (which I considered it to
be) than it seems to be in the woodcut. From the magnitude of the
stone and the character of the letters it is clear that the inscription
surmounted the entrance of some public edifice, apparently a
temple. It is probably the commencement of a dedication which
occupied two or four stones. The wider distance from the top than of
the third line from the bottom weighs in favour of the belief that we
have only the first quarter. There can be no doubt that NVM should
read Numini, and that PROV BRITA should be read Provincia
Britannia; the supposed equal length of the second stone and the
number of letters required, render this reading obvious. Seneca and
Tacitus concur as to a temple having been erected in Britain to the
Emperor Claudius; the latter locates it at Camuludunum. This temple
was probably erected soon after the subjugation of the Trinobantes.
It may be readily conceived that Londinium possessed some edifice
dedicated to that emperor. Although it is impossible to decide
positively, we cannot avoid associating the historical evidence with
an inscription which must have been of an early period, of a rare
class, and almost unique in this country.” This idea that there were
formerly four stones is now much strengthened by the fact that a
curiously similar temple dedication is illustrated by Espèrandieu (iv.
p. 126) from D’Yzeures. This inscription begins Numinibus
Augustorum and is on four equal stones with joints meeting at the
centre, thus +. Hübner (C.I.L. vii. No. 22) gives the boundary to the
right of the London stone as a fracture, and restored the inscription
with Num. Caes. et Genio in the top line. It is at once apparent that
this would not space out properly with the single words of second
and third lines. Haverfield leaves out Genio and reads, “To the
Divinity of the Emperor and to the Province of Britain.” This, I
suppose, might be possible in a contracted inscription, but I am
drawn back to Roach Smith’s view, and would venture to suggest the
possibility of some such restoration as:
NVM·C|L·AVG·
PROV|INCIA
BRITA|NNIAE
etc. etc.
Fig. 132.
Fig. 133.
The explanation of Hübner adopted in the new British Museum
Guide is that P. in (a) and (b) both “represent the publicani who
farmed the taxes (the ‘publicans’ of the Gospels) of the province of
Britain in London.”
Nothing is so expert a matter as Latin inscriptions, and it would be
absurd for one who is entirely ignorant to pretend to a difference of
opinion. I may, however, venture to point out that Hübner himself
does not seem very certain, and that the difference of the two forms
seems to coincide with the historical fact that earlier Britain was one
province and that later it was subdivided. Variety (a), I have little
doubt, is a second-century inscription (similar labels are found on
pigs of lead of the time); while form (b) is quite late (probably end
of fourth century). The first variety I should like to suggest
represents the governor of the undivided province, and the second
the subdivided province with its centre at London. If I am not
entirely outside the possibilities of the case there is some
confirmation of Wright’s view in the fact that other tiles bear the
stamps of high authorities; thus a tile at Silchester has the name of
the Emperor Nero in a circle, and other tiles are known stamped
with the marks of army and navy commands.
3. At the British Museum is a silver ingot (found on the site of the
Tower of London), stamped with an inscription given as
EXOFFL
HONORINI
THE CRAFTS
I
N his account of Roman London, the late Dr. Haverfield writes
(J.R.S., vol. i.): “The citizens appear to have been Roman or
definitely Romanised. Of Roman speech in London we have an
isolated but sufficient proof. A tile dug up in Warwick Lane, in 1886,
bore an inscription, meaning, apparently, ‘Austalis (Augustalis) goes
off on his own every day for a fortnight.’ It seems to follow that
some of the bricklayers [makers] of Londinium could write Latin. In
the lands ruled by Rome, education was better under the Empire
than at any time since until about 1848. The occupations of these
Roman or Romanised civilians are unknown to us. Articles
manufactured on the Continent were certainly imported. There were
also exports of grain, cloth (or wool), and lead, and so forth. We
may believe that Roman London devoted its time to financial rather
than industrial activity.”
Evidence for the practice of arts in Londinium is really
considerable. It was doubtless first of all a port, and probably
originated as the seaport of the pre-Roman city of Verulamium; but
it became the largest city in Britain, the chief distributing centre and
the artistic capital. We are apt to think of Dover, or rather
Richborough, as the chief port of the country, but London itself was
the largest consumer, and the line of traffic was rather to the mouth
of the Rhine than to Boulogne. Londinium was a little Alexandria in
the West, and represented Britain as the other did Egypt. The
building of such a city called together many able craftsmen—
builders, sculptors, painters and mosaic workers. There must also
have been shipbuilders and a due proportion of craftsmen-
producers, potters, bone- and metal-workers, shoemakers, clothiers
and the rest. An enormous quantity of pottery has been found, much
of fine imported wares, but the most part varieties of native fabric,
of which a large proportion was doubtless made of local clay. The
site of St. Paul’s Cathedral was covered with “pot-earth,” and the
town potteries seem to have been here.
Native Pottery.—In the British Museum
are some valuable MS. notes made in the
years 1674-79, “by Mr. John Conyers,
apothecary, at the ‘White Lion,’ in Fleet
Street” (Sloane, 958, 816, 937). In
mentioning St. Faith’s Chapel, at St. Paul’s,
he says that his father and mother were
there married forty-five years since (from Fig. 134.
1677). Incidentally, he speaks of two
brothers, and of being “at Epping Forest hunting ye hare, but ye
frost prevented the scent.” This is a late example of the sporting
customs of ancient London. His observations refer to excavations on
the site of St. Paul’s and along the Fleet. In regard to the former it
appears certain that there were a number of Roman rubbish pits on
the site, similar to those recently excavated on the Post Office site.
Here also were found pottery-kilns and glass furnaces with pottery,
bone and other objects. This seems to have been a manufacturing
quarter of the city unoccupied by dwellings. Some sketches show
that the pottery kilns were circles of small diameter, having a raised
floor supported on a central post, like a table, all of clay and broken
stuff roughly formed; the lower stage or fire chamber was thus a
ring around the central prop, and in the raised “floor” were several
small holes. There must have been an external pit with a stoke-hole,
and also a flue from the fire chamber. Four such kilns were found
close together, forming a quatrefoil group. The dome of the kiln
seems to have been roughly new formed over the pottery to be fired
(Fig. 134). Conyers, in the account of finds on the site of St. Paul’s,
gives sketches of the kilns found at St. Paul’s with several kinds of
pots: “Figures of two kinds of kilns or furnaces of various pots, jugs,
etc., of different kinds of earth and pottery. One kiln in loamy ground
about 26 ft. deep, near the place where the Mercat-house stood in
Oliver’s time. The discovery made in 1677 on digging the foundation
of the north-east cross part of St. Paul’s amongst gravel-pits and
loam-pits.... Coffins lay over this loamy kiln, the lowest coffins made
of chalk, and this supposed to be about Domitian’s time. This kiln
was full of ye worst sort of pots, lamps, urns, and not many were
saved whole. Four of these [kilns] had been made in the sandy-loam
in the fashion of a cross on the ground; the foundations of these left
standing 5 ft. from top to bottom, and better, and as many feet in
breadth, and had no other matter for its form or building but the
outward loam crusted hardish by the heat burning the loam red like
brick. The flooring in the middle, supported by and cut out of loam
and helped with old-fashioned Roman tiles, sherds, but very few,
and such as I have seen used for repositories for urns in ye fashion
of little ovens, and they plastered within with a reddish mortar; but
here was no mortar, but only ye sandy loam for cement.... A censer
or lamp, whitish earth; one great earthen dish; earthen lamp gilded
with electrum,” etc. etc.
Again, Conyers says the labourers under part of the place where
St. Paul’s Cross stood, 25 ft. or 30 ft. deep, as the earth ceased to
be black and came to the yellow sand, found earthen potsherds as
red and fine as sealing-wax, and upon some inscriptions, “De
Ovimini,” “De Parici,” “De Quintimani,” “Victor,” “Janus Ricino.”
[These were Samian, but he goes on to describe very accurately
native pottery.] “And pots like broken urns, which were curiously laid
on the outside with like thornpricks of rose trees, in the manner of
raised work. Other were of cinnamon colour, urn fashion, and as if
gilded with gold but faded. Some of strange fashion, jugs bent in so
as to be six-square, raised work upon them pricked as curious
raisers of paste may imitate; some like black earth for pudding pans,
on ye outside indented and crossed quincunx fashion. They had
some odd colours (not blue) in these times and a way of glazing
different to what now; the red earth bare away the bell.”
“Now, besides red pots,” says Conyers, “such as have inscriptions
in the bottoms [i.e. Samian], there were black pots with inscriptions
and part of white earth and the glazing black, and both these might
be made in ye places, as well as a gilded sort of earthenware. There
was a brownish sort inclining to yellow, and the gilding easily coming
off. Now, whether this was a thin wash of gold colour or foliated, I
know not, yet I think foliated [really mica]. Other pots and urns of a
whitish yellow and a soft kind of earth and shells strewed at the
bottom inside. Now, other pots as thin as glass with raised work,
and these as of a silvered or bell-metal coloured glazing. The
imagery, hounds, hares, stags, thorns, trees and branching,
flourishings—all raised work. Then I have lamps of gilded British-
work [local] and coarse whitish-yellow colours, and bottles and pots
for dropping, of the same colours.” In one of his repetitions, Conyers
mentions “great potsherds and ears of six-gallon pots.” He also gives
sketches of many of the vessels. Doubtless those drawn were in
most cases whole vessels and they are of the coarser wares, other
than Samian. It is probable, therefore, that they were pottery made
on the spot. Dr. Harwood, describing the excavations in the site of
St. Mary Woolnoth in 1724, says that “Roman foundations were
found made of offal of brick kilns and furnaces” (Soc. Antiq.
Minutes).
It would be an easy thing to identify in our collections vessels
which conform to the types sketched by Conyers and then to form a
group of actual pots which presumably were made in London. This
coarse and ordinary ware is usually classed as “Roman,” but it was in
a large degree a Celtic inheritance. The black wares of “carinated”
profile (Figs. 135 and 136) and more or less “cordonned”
decorations are very like Marne pottery of the Celtic period. It seems
quite likely that the potteries of Londinium may have existed before
the Roman Conquest.
Fig. 135.
Fig. 136.
Fig. 139.
Fig. 140.
After having identified the pottery actually made in London, and
the other native sources from which other wares were brought, we
might go on to determine how far this native pottery is Celtic and
how far Roman. Fig. 140, restored from a large fragment of very
coarse make in the London Museum, and said to have been found at
Mortlake, must have been made long before the Roman invasion.
Figs. 135 and 136 are urns of Upchurch ware, carefully made and of
lustrous black surface. The forms of these are not Roman. The
“spirit” of all is of Bronze Age and Mycenæan character. The black
pottery with “carinated” profiles found in London, and now in our
museums, may be Upchurch ware, but from Conyers’ account and
sketches it seems probable that black and grey pottery was made
locally. In the museums, there are a few examples which seem to be
clearly Celtic, as, for example, a large fragment at the British
Museum with white stripes over a grey fabric. There seems,
however, to have been a curious disinclination to recognise Celtic art,
and a desire to call all Roman.
Samian.—The early prosperity of London is well shown by the
great quantity of Samian ware which has been found of the period
about 60-85, and by the examples of the work of the best makers,
such as Vitalis, Rubricius, Saturnus and Rufinus. Of the first-named
there are some excellent vases in the collection at South Kensington;
he distributed his pottery from Carthage to Carlisle, and from
Pompeii to London. Saturnus has half a chapter to himself in a big
book on the Roman pottery found in Trier. The Samian question is
too vast for me to attempt to deal with it here, and I can merely
note one or two details. In Fairholt’s sketch-books at the Victoria and
Albert Museum there are several drawings of Samian fragments. One
of these, which I have not seen elsewhere, is an excellent example
of animals running under trees—a scheme taken over into our
Castor-ware, which Dr. Haverfield thought might be a Celtic tradition
(Romanization). (Fig. 141, and compare Fig. 138.) At the Guildhall
are nearly a dozen fragments of a rare kind of Samian vase, in which
the ornament of figures and foliage was applied in separate units,
the leaves, etc., being linked up by stalks skilfully done by the
“barbotine” method. Three larger and some smaller fragments come
from a vase of rather globular shape which was very similar to a
vase found at Cornhill, one of the chief treasures of the Roman
Room at the British Museum. The latter is well described in Mr.
Walter’s Catalogue of Roman Pottery, which is the best account
available of pottery found in London. It is not observed that the
Guildhall fragments contain a figure which is half lost in the restored
vase at the British Museum. On the other hand, comparison with the
latter would make it easy to restore the Guildhall example. The
details of both were formed by the same stamps. I give in Figs. 142
and 143 the scheme of the decoration: B was the general shape of
the pot.
Two or three other sherds at the
Guildhall belonged to a somewhat
similar but smaller urn which had
Bacchic subjects—a satyr with goat
legs, and a faun before whom is a
wine jar into which he seems to be
Fig. 141. dropping grape juice. These figures
were evidently also set between
scrolls of vegetation, and this
also can be restored. Again
there is a sherd of a vine pattern
similar to Fig. 142, but, I think,
from a third pot. There is also a
figure from a dark-grey pot,
which must have been yet
another of the same kind. (For
the last word on Samian pottery,
Fig. 142.
see Oswald and Price’s Terra
Sigillata.)
A volume on the pottery found in London by a specialist, like that
on Silchester, would be certain to bring out valuable historical results
on the existence and persistence of Celtic wares, on importations
before the Claudian Conquest, and on the large quantity of imports
in early Roman days.
Glass.—Much broken glass is
usually found on Roman sites,
vessels, window-panes, etc., and
it was probably wrought, in
many centres, from imported
material. Evidence of this has
been found at Silchester and
elsewhere (see Mr. T. May’s
Warrington). Some window
glass was described by Price as
Fig. 143. “plate polished on one side and
ground on the other”; this
probably means that it was cast
and that the rough side came next the mould.
Conyers, describing the finds on the side of St. Paul’s in 1675,
says: “The labourers told me of some remains that were found up
and down near the place of the other pot-kilns, and these had a
funnel to convey the smoke, which might serve for glass furnaces.
For though not any pots with glass in them whole in the furnaces
were there found, yet broken crucibles, or tests for molting of
glasses, together with boltered glasses such as are to be seen
remaining at glass-houses amongst the broken glass, which were
glasses spoilt in the making, were there found, but not plenty, and
especially coloured and prepared for jewel-like ornament, but mostly
such as for cruets or glasses with a lip to drop withal of a greenish
light blue colour. Of any sort of glass there was but little; so that the
glasswork might be scarce, for I think a hundred times more of pots
was found to one of glass....
“Now doth appear the Romans had excellent mechanics, pot
makers, stampers of coins, and excellent workers in glass, for
amongst those Roman pots were found glass beads as big as could
be put on your little finger, and these hollow within and of blue glass
wrought or enamelled with yellow glass, and blue beads of the
colour of a Turkoise stone. Divided were these beads with threads as
big as pack thread. Amongst the rest, great pins made of bone or
ivory, etc., heads of many like the great brass-pins, and others
vermicular or screw-head, others like the Pope’s triple crown; of
these fell to my share as many as a pint-pot would hold.... Taken up
a speculum of metal to show the face, of fine bell-metal. There were
also found brass embossments with glass set instead of better
jewels, which I keep, and glass drops that were loose, and the
bottom of an old-fashioned crucible which had glass melted in it, and
there were also pieces of necks of glass cruets to pour out by.”
Much of the large number of plainer glass vessels in our museums
was doubtless made in the London glass works from imported metal,
and probably some ornamental pieces were also manufactured.
Thomas Wright thought that glass itself was made in Roman days on
the coast near Brighton where “pebbles of glass” have been found;
but from comparatively late records of glass making about Rye, etc.,
the Roman origin of the “pebbles” seems unlikely.
In the British Museum are some fragments of glass vessels having
moulded reliefs of chariot races and combats, with the names of the
competitors above them. T. Wright illustrates “a fragment of a very
remarkable cup in green glass found in the Roman Villa at Hartlip in
Kent.... Roach Smith possessed two similar fragments found in
London, one of which is identical with the Hartlip fragment in its
design and appears to be from the same mould; the other is from a
vessel of a different shape and has a quadriga in bas-relief. We have
before had occasion to observe how popular gladiatorial contests
and the games of the circus were among the Roman inhabitants of
this island, and how often we find them represented on the pottery
as on the glass.” If a glass vessel found in Kent is exactly like
another found in London, it is probable that the former was itself
obtained in London, where both may have been made. One of the
fragments in the British Museum is from Colchester. We have seen
before how that some of the Castor-ware pots were decorated with
similar racing chariots, and one of these was found in London and
the other in Colchester. Racing chariots also decorate a leaden box
found in London and described below.
Glass vessels having reliefs of racing chariots have been found on
the Continent, and in the British Museum Guide it is said that our
examples “probably came from a Belgian workshop, as a glass of the
same kind has been found at Couvin, in the province of Namur,
bearing two of the same competitors’ names in a four-horse chariot
race. Race cups of this kind date about A.D. 100, and have been
found in France, Belgium and Germany. The six cups or fragments
found in Britain were no doubt imported across the Channel.” There
is, I think, room for some doubt. In any case there seems to be
ample evidence that glassware was made in Britain and in
Londinium.
Much glass of finer quality was imported.
There is in the Guildhall Museum a
fragment signed by a maker of Sidon, and
fragments of several small plaques in the
British Museum having patterns wrought in
the substance are of a kind found in Egypt.
At the Egyptian exhibition of the Burlington
Club, 1921, similar plaques were shown,
some having sprigs of flowers, and one a
single rose petal pattern in yellow, white
Fig. 144. and red on the dark ground (cf. Fig. 145).
The three pieces at the British Museum are
all different and all can be restored. Fig.
144 is from Roach Smith. Fig. 145 is a
rough indication of the pattern of another,
and the third is a variant of Fig. 144. These
interesting and beautiful little fragments are
obscure from age; they might with great
advantage be partially repolished, laid out
on restored drawings, and be made much
of. The recent rearrangement of the
contents of the Roman Room at the British
Fig. 145. Museum, and the admirable new Guide,
have so greatly increased the interest of the
objects that I want still more. I also wish
that the London things in the collection could be shown together.
Roach Smith never intended his objects to be separated.
Enamels.—Conyers’ phrases about coloured glass “prepared for
jewel-like ornament,” and “the brass embossments with glass set
instead of jewels,” apparently refer to enamels and seem to imply
that enamelled objects were made at the London glass works.
A large number of small enamelled
objects, from little bowls to brooches, have
been found in Britain. The art of enamelling
was known here before the Roman age, but
objects having several colours seem to be
“Roman,” although there are Celtic
characteristics in the patterns, and it is
agreed that there was a native manufacture
(British Museum Guide, p. 95) of such
enamels. The finest piece is a “casket” in
the form of a little vase with a handle. This
handle has turned-up ends of a kind
frequently found in Alexandrian silverwork.
Fig. 146.
One of the bands of enamel is a
meandering stem and vine leaves. This
beautiful object was found in Essex, and there is in the British
Museum another little enamelled bowl also found not far from
London, at Braughing, Hertfordshire. The details in these two pieces
are very similar, so are those of a little enamelled cock found near
the Royal Exchange. Notice the use of long triangular forms and
narrow saw-edged fillets. It seems probable that all were made in
London, and further evidence is found in a remarkable enamelled
plate taken out of the Thames (Fig. 146). This “being an unfinished
piece, was probably made in this country”—and city, I would add. In
colouring and technique this plate (probably part of a memorial) is
very like the objects already mentioned. A leaf form on it which ends
in a tendril is found also on the
Braughing bowl; both these
pieces might have come from
one shop. The type of ornament
is remarkably Celtic. In the
Guide it is said that “debased
Amazon shields can be
recognised, and Riegel has
pointed out that the panel is not
Fig. 147. a unit, but belongs to a larger
all-over pattern which could be
repeated indefinitely, and
reveals an artistic tendency of the later Roman Empire.” I do not
agree with either of these statements. The pattern seems to me to
have been designed as a reversed scroll pattern, subdivided by
setting down oval forms in the spaces to counterchange the colour in
a typically Celtic manner. In the diagram (Fig. 147), A is the pattern
type; B is the application to the space; C is the subdivision of the
spaces completing the design. In D and E, I have made an original
design on the same principle. Other details in the filling of the space
at the top are Celtic. Notice again a heart-shaped form at X. This
form is frequent in small seal-boxes, several of which have been
found in London, of which F is from one lately added to the Guildhall
collection. It is probable, I think, that such enamels were made in
London by Celtic artists. An enamelled harness plate found in
London and illustrated by Roach Smith is like others found in
Somersetshire (see G). A small brooch in the form of a fish at the
London Museum may be early Christian.
Leadwork.—Britain was the chief source for lead in the later
Roman era. Of about a hundred and twenty Roman pigs of lead in
the museums of Europe, about half were of British origin, as appears
from the inscriptions. Cast sheet lead was used for coverings. Some
actually in position was found lining the bottom of the hot bath at
Bath in 1864. It was afterwards sold for £70! Mr. Irvine, in an article
on the Corinthian temple at Bath, assumes that the roof was covered
with lead. He says that the sheet lead found in Bath was about
three-eighths of an inch thick and showed that it was cast on a
sand-bed. Melted lead was found at St. Albans under conditions
which suggested that it had come from the roof of the Basilica. We
may be satisfied that lead was used for important roofs. Lead pipes
are also found.
Many lead coffins have been found in and about London—about a
dozen in all—and they were doubtless made in the city. The fashion
of using lead coffins seems to have originated in the Romanised East
about the time of the recognition of Christianity, and those found in
London follow the general type very closely. I give in Fig. 148 a
rough sketch made in Constantinople twenty-five years ago of a lead
coffin found at Sidon. Another coffin from Sidon has recently been
acquired by the British Museum. Figs. 149, 150 and 151 are from
coffins found in London.
Fig. 148.
Fig. 149.