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Painting Troll

Painting Troll

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Mathieu Boucherat
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21 views

Painting Troll

Painting Troll

Uploaded by

Mathieu Boucherat
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
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JORD& THE FELLOWSHIP OF THE RING ‘With so many evil models released In this issue, Space McQuirk asked ‘our ‘Eavy Metal team how they” painted the massive Cave Troll and the Uruk-Hal Captain, Lurt ASSEMBLING THE MODEL The first stage was to pin the model's body to its legs and the head to the body. The arms were double pinned for extra support. Green stuff was then applied to any gaps where the ‘components met. Chaos Black undercoat was sprayed over the entire model, followed by watered down ‘Chaos Black being painted into any area the spray didn't cover. PAINTING THE MODEL “—y Abase tone mixture of equal parts Shadow Grey and ‘Chaos Black, plus a small amount of Dwarf Flesh, was painted over the ‘whole model. Concentrating on the largest part of the model. which on the Cave Troll is the skin, it was highlighted by simply adding a small amount of Dwarf Flesh (o the original base tone. This highlight stage was painted by following the skin lines on the model, continuing to add more Dwarf Flesh RINGS Gs eee ee PAINTING MASTERCLASS The Cave Troll and Lurtz, Uruk-Hai Captain to the mix and painting on successive highlights four or five times. By the final highlight, the mix had turned from a dark bluish grey to a light grey simply by adding Dwarf Flesh. ~ colour for the chest and inside skin sections of the Cave Trol’s arms was painted with a mixture of equal parts Dwarf By Flesh and Shadow Grey This base tone colour was blended where it met with the skin areas which ‘had been painted earlier ‘This colour was also used to paint the larger rocesses between the scales on the Troll’s back, A small quantity of Bleached Bone ‘was added for the next highlight stage and this was painted on by following the folds of flab. More Bleached Bone ‘was added to the mix for each successive highlight. slaze the hands, feet and head of the j ‘model, blending the ankin where itmet | with the skin. This : was done by simply watering the ink down {0 approximately five parts water to one part ink before applying it | to the area to be blended. FINE DETAIL ‘The cracked leather skin was initially ‘painted with an equal quantity mn of Codex Grey and Chaos Black. This ‘was carefully drybrushed over the cracked skin, without going into the ccaacks. A small quantity of Bleached Bone was added to the mix which was then painted onto the ‘edges of the shan. Finally the very edges of the skin were highlighted wath ‘Skull White ‘The loincloth was painted with a Dasecoat mix of, Bestial Brown po mee BS tare sore aaa iptine Aes s of equal parts Dove ek wn Bytes cope Tact ining ea naw et a. Sechatencaies Satin yet alias Bcc iecectvet LURTZ & - pl . 4 ; | PAINTING THE MODEL | After attaching the shield, the model * was sprayed with an undercoat of 5 Caos Black. and watered down ze Chaos Black was painted over any " areas missed by the spray ‘A mix of equal parts Scab Red, Scorched Brown, Chaos Black and Dark Flesh was painted onto the ‘model’s skin as a basecoat. Highlights to the skin were added using equal parts of Scab Red and Dark Flesh for the first stages, then small amounts of Bleached = Bone were added to Ez this mix forthe final highlights, The skin a areas were given a ‘wash with a watered MEP) down mix of equal ‘ith parts Brown Ink and (Chestnut Ink. watered down Chestnut Ink and Black Ink mix ‘Some of the links fon the chain were siven a highlight of Burnished Gold, FINISHING TOUCHES The eyes were painted with Chaos Black first. This was then painted over with Bleached Bone, leaving a thin outline of| black around the edges of the eye, Next, a thin line of Chaos Black was painted down the centre and a second line was painted inside this with a mix of Regal Blue and Bleached Bone All the metal parts ofthe model were ‘painted with a base coat of Tin Bitz ‘When painting the Tin Bitz, on some areas the Chaos Black undercoat was left showing through. ‘The armour sections were painted by picking out the edges very imprecisely With Boligun Metal Fr The shield and sword [dita id ser tie nex pats to &® be painted. These were N sidan Boligun Meta, leaving areas where the under- coat and basecoat showed through using the same technique used o pam the metal sections earlier Chainmail vwas painted on as final highlight stage, before givin the shield a laze with a watered dowa mix of equal parts Black Ink, Brown Ink and Dark Grova Ink ‘The leather armour on the model was painted with a mix of Scorched Brown and ‘Chaos Black, high- Lighting these wit Scorched Brown on its own and then adding a small amount of Bleached Bone to Scorched Brown for the final highlight. The leather sections were given a glaze with a watered down mix of equal ‘parts Black Ink and Brown Ink. FINE DETAIL ‘The gloves, sandals, straps and quiver ‘were painted with an equal parts mix Thema we pod vaie ccereeee highlighted with an equal mix of Bestial Brown and Bleached Bone before being given a final highlight of Bleached Bone. These were then given a Brown Ink wash and, while the ink was still wet, a highlight of Bleached Bone was painted on to create a blended effect, The Troll’s teeth were painted with Bleached Bone on its own. Sand was glued onto the base with PVA and then, once dry. given a Brown Ink wash. This was drybrushed with a mix of Snakebite Leather and Fortress Grey and finally flocked with static grass of Scorched Brown and Chaos Black, adding small quantiues of Bleached Bone to the mix for the highlights ‘The bow was painted with a base coat of Codex Grey and Chaos Black. The tip of the bow was painted with Codex Grey, blending it into the base coat along the curve of the bow: ‘The arrows were painted with Bleached Bone, then given a watered down wash vith an equal I arts mx of Flesh Wash and Black Ink. The feather fletchings were given a second coat of Bleached Bone. Lurta’s hair was painted with an equal pats mix of Codex Grey and Chaos Black, using Codex Grey on its own to paint any highlights, FINISHING TOUCHES Finally the mark of Saruman, the white Gags [hand on his face. was AB DeME painted with Skull ‘White. Five thin lines were painted in a hand shape and then the

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