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PROGRAMMING WITH
MICROSOFT® VISUAL BASIC® 2015
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Seventh Edition
PROGRAMMING
WITH MICROSOFT®
VISUAL BASIC® 2015
DIANE ZAK
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Programming with Microsoft® Visual Basic® © 2016 Cengage Learning
2015, Seventh Edition
WCN: 02-200-203
Diane Zak
Product Director: Kathleen McMahon ALL RIGHTS RESERVED. No part of this work covered by the copyright
herein may be reproduced, transmitted, stored or used in any form or by
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v
Brief Contents
Pref ace . . . . . . . . . . . . . . . . . . . . . . . . . xv i i
Read T h is B ef o re You Begi n . . . . . . . . . . . . . . . . xxi i
O verview An In t ro du ct io n to Programmi ng . . . . . . . . . . . . . . . 1
Chapter 1 An In t ro du ct io n to V i sual Basi c 2 0 1 5 . . . . . . . . . . . . . 9
Chapter 2 Des ig n in g Applicati ons . . . . . . . . . . . . . . . . . . 59
Chapter 3 U s in g Var iables and Constants . . . . . . . . . . . . . . . 111
Chapter 4 T h e Select io n Structure . . . . . . . . . . . . . . . . . . 179
Chapter 5 M o re o n t h e Selecti on Structure . . . . . . . . . . . . . . 247
Chapter 6 T h e Repet it io n Structure . . . . . . . . . . . . . . . . . 315
Chapter 7 Su b an d F u n ct ion Procedures . . . . . . . . . . . . . . . 389
Chapter 8 St r in g M an ipu lati on . . . . . . . . . . . . . . . . . . . . 449
Chapter 9 Ar r ays . . . . . . . . . . . . . . . . . . . . . . . . . 499
Chapter 10 St r u ct u res an d Sequenti al Access Fi l es . . . . . . . . . . . 559
Chapter 11 Clas s es an d Obj ects . . . . . . . . . . . . . . . . . . . 609
Chapter 12 Web Applicat io ns . . . . . . . . . . . . . . . . . . . . . 671
Chapter 13 Wo r k in g w it h Access Databases and LI NQ . . . . . . . . . . 723
Chapter 14 Acces s Dat abases and SQL . . . . . . . . . . . . . . . . 777
A ppendix A F in din g an d F ixing Program Errors . . . . . . . . . . . . . 821
A ppendix B GU I Des ig n Gu idel i nes . . . . . . . . . . . . . . . . . . 839
A ppendix C V is u al B as ic Co nv ersi on Functi ons . . . . . . . . . . . . . 845
A ppendix D V is u al B as ic 201 5 Cheat Sheet . . . . . . . . . . . . . . 847
A ppendix E Cas e Pro ject s . . . . . . . . . . . . . . . . . . . . . . 865
A ppendix F M u lt iple F o r m s and Di al og Box es . . . . . . . . . . . . O nl i ne
Index . . . . . . . . . . . . . . . . . . . . . . . . . . 869
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vi
Contents
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vii
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viii
Contents
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ix
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x
Contents
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xi
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xii
Contents
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xiii
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xiv
Contents
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xv
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xvi
Contents
I n dex . . . . . . . . . . . . . . . . . . . . . . . . . . 869
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xvii
Preface
Programming with Microsoft Visual Basic 2015, Seventh Edition uses Visual Basic 2015, an
object-oriented language, to teach programming concepts. This book is designed for a beginning
programming course. However, it assumes students are familiar with basic Windows skills and
file management.
Approach
Programming with Microsoft Visual Basic 2015, Seventh Edition teaches programming concepts
using a task-driven rather than a command-driven approach. By working through the chapters,
which are each motivated by a realistic case, students learn how to develop applications they
are likely to encounter in the workplace. This is much more effective than memorizing a list of
commands out of context. The book motivates students by demonstrating why they need to
learn the concepts and skills covered in each chapter.
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xviii
P r e fa c e Organization and Coverage
Features
Programming with Microsoft Visual Basic 2015, Seventh Edition is an exceptional textbook
because it also includes the following features:
READ THIS BEFORE YOU BEGIN This section is consistent with Cengage Learning’s
unequaled commitment to helping instructors introduce technology into the classroom.
Technical considerations and assumptions about hardware, software, and default settings are
listed in one place to help instructors save time and eliminate unnecessary aggravation.
YOU DO IT! BOXES These boxes provide simple applications that allow students to
demonstrate their understanding of a concept before moving on to the next concept. The YOU
DO IT! boxes are located almost exclusively in Lesson A of each chapter.
VISUAL STUDIO 2015 METHODS The book focuses on Visual Studio 2015 methods rather
than on Visual Basic functions. Exceptions to this are the Val and Format functions, which are
introduced in Chapter 2. These functions are covered in the book simply because it is likely that
students will encounter them in existing Visual Basic programs. However, in Chapter 3, the
student is taught to use the TryParse method and the Convert class methods rather than the
Val function. Also in Chapter 3, the Format function is replaced with the ToString method.
OPTION STATEMENTS All programs include the Option Explicit, Option Strict, and Option
Infer statements.
START HERE ARROWS These arrows indicate the beginning of a tutorial steps section in
the book.
DATABASES, LINQ, AND SQL The book includes two chapters (Chapters 13 and 14) on
databases. LINQ is covered in Chapter 13. SQL is covered in Chapter 14.
FIGURES Figures that introduce new statements, functions, or methods contain both the
syntax and examples of using the syntax. Including the syntax in the figures makes the examples
more meaningful, and vice versa.
CHAPTER CASES Each chapter begins with a programming-related problem that students
could reasonably expect to encounter in business, followed by a demonstration of an application
that could be used to solve the problem. Showing the students the completed application before
they learn how to create it is motivational and instructionally sound. By allowing the students to
see the type of application they will be able to create after completing the chapter, the students
will be more motivated to learn because they can see how the programming concepts they are
about to learn can be used and, therefore, why the concepts are important.
LESSONS Each chapter is divided into three lessons—A, B, and C. Lesson A introduces
the programming concepts that will be used in the completed application. The concepts are
illustrated with code examples and sample applications. The user interface for each sample
application is provided to the student. Also provided are tutorial-style steps that guide the
student on coding, running, and testing the application. Each sample application allows the
student to observe how the current concept can be used before the next concept is introduced.
In Lessons B and/or C, the student creates the application required to solve the problem
specified in the Chapter Case.
APPENDICES Appendix A, which can be covered after Chapter 3, teaches students how to locate
and correct errors (syntax, logic, and run time) in their code. The appendix shows
students how to step through their code and also how to create breakpoints. Appendix B
summarizes the GUI design guidelines taught in the chapters, making it easier for the student to
follow the guidelines when designing an application’s interface. Appendix C lists the Visual Basic
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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
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xix
Organization and Coverage
conversion functions. Appendix D contains a Cheat Sheet that summarizes important concepts
covered in the chapters, such as the syntax of statements, methods, and so on. The Cheat Sheet
provides a convenient place for students to locate the information they need as they are creating and
coding their applications. Appendix E contains Case Projects that can be assigned after completing
specific chapters in the book. Appendix F, which is available online at CengageBrain.com, covers
multiple-form applications and the FontDialog, ColorDialog, and TabControl tools.
GUI DESIGN TIP BOXES The GUI DESIGN TIP boxes contain guidelines and
recommendations for designing applications that follow Windows standards. Appendix B
provides a summary of the GUI design guidelines covered in the chapters.
TIP These notes provide additional information about the current concept. Examples
include alternative ways of writing statements or performing tasks, as well as warnings
about common mistakes made when using a particular command and reminders of related
concepts learned in previous chapters.
SUMMARY Each lesson contains a Summary section that recaps the concepts covered in
the lesson.
KEY TERMS Following the Summary section in each lesson is a listing of the key terms
introduced throughout the lesson, along with their definitions.
REVIEW QUESTIONS Each lesson contains Review Questions designed to test a student’s
understanding of the lesson’s concepts.
EXERCISES The Review Questions in each lesson are followed by Exercises, which provide
students with additional practice of the skills and concepts they learned in the lesson. The
Exercises are designated as INTRODUCTORY, INTERMEDIATE, ADVANCED, DISCOVERY,
and SWAT THE BUGS. The DISCOVERY Exercises encourage students to challenge and
independently develop their own programming skills while exploring the capabilities of Visual
Basic 2015. The SWAT THE BUGS Exercises provide an opportunity for students to detect and
correct errors in an application’s code.
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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
xx
P r e fa c e MindTap
Instructor Resources
The following teaching tools are available for download at our Instructor Companion Site.
Simply search for this text at sso.cengage.com. An instructor login is required.
INSTRUCTOR’S MANUAL The Instructor’s Manual that accompanies this textbook includes
additional instructional material to assist in class preparation, including items such as Sample
Syllabi, Chapter Outlines, Technical Notes, Lecture Notes, Quick Quizzes, Teaching Tips,
Discussion Topics, and Additional Case Projects.
TEST BANK Cengage Learning Testing Powered by Cognero is a flexible, online system that
allows you to:
•• author, edit, and manage test bank content from multiple Cengage Learning solutions
•• create multiple test versions in an instant
•• deliver tests from your LMS, your classroom or wherever you want
POWERPOINT PRESENTATIONS This book offers Microsoft PowerPoint slides for each
chapter. These are included as a teaching aid for classroom presentation, to make available
to students on the network for chapter review, or to be printed for classroom distribution.
Instructors can add their own slides for additional topics they introduce to the class.
SOLUTION FILES Solutions to the Lesson applications and the end-of-lesson Review
Questions and Exercises are provided.
DATA FILES Data Files are necessary for completing the computer activities in this book.
Data Files can also be downloaded by students at CengageBrain.com.
MindTap
MindTap is a personalized teaching experience with relevant assignments that guide students to
analyze, apply, and improve thinking, allowing you to measure skills and outcomes with ease.
•• Personalized Teaching: Becomes yours with a Learning Path that is built with key student
objectives. Control what students see and when they see it. Use it as-is or match to your
syllabus exactly–hide, rearrange, add and create your own content.
•• Guide Students: A unique learning path of relevant readings, multimedia and activities
that move students up the learning taxonomy from basic knowledge and comprehension to
analysis and application.
•• Promote Better Outcomes: Empower instructors and motivate students with analytics
and reports that provide a snapshot of class progress, time in course, engagement and
completion rates.
The MindTap for Programming with Microsoft Visual Basic 2015 includes videos, study tools,
and interactive quizzing, all integrated into a full eReader that contains the full content from
the printed text.
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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
xxi
Acknowledgments
Acknowledgments
Writing a book is a team effort rather than an individual one. I would like to take this
opportunity to thank my team, especially Alyssa Pratt (Senior Content Developer), Heidi Aguiar
(Full Service Project Manager), Serge Palladino and John Freitas (Quality Assurance), Jennifer
Feltri-George (Senior Content Project Manager), and the compositors at GEX Publishing
Services. Thank you for your support, enthusiasm, patience, and hard work. Last, but certainly
not least, I want to thank the following reviewers for their invaluable ideas and comments: Cliff
Brozo, Monroe College; Anthony Cameron, Fayetteville Technical Community College, and
Tatyana Feofilaktova, ASA College. And a special thank you to Sally Douglas (College of Central
Florida) for suggesting the YOU DO IT! boxes several editions ago.
Diane Zak
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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
xxii
Technical Information
Data Files
You will need data files to complete the computer activities in this book. Your instructor may
provide the data files to you. You may obtain the files electronically at CengageBrain.com and
then navigating to the page for this book.
Each chapter in this book has its own set of data files, which are stored in a separate folder
within the VB2015 folder. The files for Chapter 1 are stored in the VB2015\Chap01 folder.
Similarly, the files for Chapter 2 are stored in the VB2015\Chap02 folder. Throughout this book,
you will be instructed to open files from or save files to these folders.
You can use a computer in your school lab or your own computer to complete the steps and
Exercises in this book.
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xxiii
Technical Information
To start and configure Visual Studio to match the figures and tutorial
steps in this book:
1. Use the steps on Page 11 to start Visual Studio.
2. Use the steps on Pages 12 and 13 to configure Visual Studio.
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content Scribd suggests to you:
Catalogues. Catalogo Real Armeria de Madrid.
” The Imperial Collection at Vienna.
” Königliche Historische Museum, Dresden.
” Musée d’Artillerie, Paris.
” Königliche Zeughaus, Berlin.
” Sammlungen des Germanischen Museum, Nuremburg.
” Guida Officiale della Reale Armeria di Torino (Turin).
” Porte de Hal Collection, Brussels.
” National Museum, Munich.
” The Wallace Collection, London.
” The Armouries of the Tower of London.
Caxton’s Book of the Order of Chyvalry and Knyghthode.
Chastelain’s Chronique de Jacques de Lalain.
Chaucer’s Knight’s Tale.
Chronicle of Tours.
Chronicles of: William of Malmesbury. Wace. William of Newbury.
Roger of Hoveden. William Fitzstephen. Matthew Paris. Robert
of Gloucester. Matthew of Westminster. Père Daniel. Trivet.
Thomas of Walsingham. Jocelin of Brakelond. Hardyng.
Monstrelet. Jean le Févre de S. Remi. Hist. de Charles VI. de
Flandres. de Charlemagne (in the Burgundian Library at
Brussels).
Clark’s History of Knighthood.
Clephan, R.
The Defensive Armour, Weapons and
Coltman.
Engines of War of Mediæval Times
and of the “Renaissance.” 1900.
Ducange. Glossarium.
Dugdale’s Origines Juridiciales.
Du Guesclin, Bertrand, La Vie de.
Hall’s Chronicles.
Harleian MSS.
” Miscellany.
Hefner’s Tractenbuch.
Hewitt’s Ancient Armour and Weapons.
Histoire Des Ducs de Bourgogne. Barante.
” de Bretagne.
Hohenzollern Jahrbücher.
Holinshed’s Chronicles.
Pisan, Christine de. Le Livre Des Fais et Bonnes Meurs Du Sage Roy
Charles.
Pluvinal, De. Maneige Royal.
Pollock and Maitland. History of English Law.
Weisskönig.
THE TOURNAMENT
CHAPTER I
I
is impossible to trace the beginnings of these martial exercises,
t
mention of which first appears in history in chronicles of the
eleventh century; but they doubtless grew out of earlier forms of
the rough games and sports engaged in by the noble youth of the
period as practice for actual warfare.
Du Cange in his Glossarium, under the heading “Torneamentum,”
cites Roger de Hoveden, who defines tournaments as being military
exercises carried out in a spirit of comradeship, being practice for
war and a display of personal prowess.[3] Their chief distinction from
other exercises of a kindred nature lies in the fact that they were
actual contests on horseback, carried out within certain limitations,
of many cavaliers who divided themselves into contending troops or
parties, which fought against each other like opposing armies.
Mention of rules for observance in the conducting of these
martial games is made by more than one chronicler of the period as
having been framed in the year 1066, by a French Seigneur, Geoffroi
de Preuilli of Anjou, and it is stated that he had invented them and
even been killed in one of them;[4] and the very names
“tourneamentum” and “tournoi” would imply a French origin. These
designations would seem to have been derived from “tournier,” to
wheel round; though Claude Fauchet, writing in the last quarter of
the sixteenth century,[5] expresses the opinion that the word
“tournoi” came about from the cavaliers running par tour, that is by
turns at the quintain: “fut premièrement appellé Tournoy pource que
les Cheualiers ŷ coururent par tour; rompans premièrement leur bois
et lances contre vne Quintaine....”
Military games of a similar nature are often stated to have been
practised in Germany earlier than this, and Favine in Theatre of
Honour and Knighthood[6] prints a list of rules and ordinances for
observance at a “tournament” to be held at Magdeburg, as having
been issued by the Emperor of Germany Henry I, surnamed the
Fowler, 876-936, a century and a half earlier than the date of the
promulgation of the rules of Pruilli. The German text, however, bears
the impress of a later period than early in the tenth century, and this
view is expressed by Claude Fauchet, who gives the rules, which are
curious enough for insertion here; and he mentions the authority
from which Favine drew his statement.[7]
“Sebastien Munster au troisiesme liure de sa
Geografie, certifie que Henry premier de ce nom viuant
enuiron l’an VCCCCXXXVI fit publier vn Tournoy, pour
tenir en la ville de Magdebourg qui est en Saxe, lequel
fut le premier, & tenu l’an VCCCCXXXVIII. Le mesme
Munster recite douze articles de loix de Tournoy:—
1. Qui fera quelque chose contre la Foy.
2. Qui aura fait quelque chose contre le sacré
Empire, et la Cesarce Majesté.
3. Qui aura trahy son Seigneur, ou sans cause
iceluy delaisse fuyant en vne bataille: tué, ou
meurdry ces compagnons.
4. Qui aura outragé fille, ou femme, de fait ou de
parolles.
5. Qui aura falcifié vn seel, ou fait vn faux
serment. Qui aura esté declaré infame, &
tenu pour tel.
6. Qui en repost (c’est secrettement & en
cachette) aura meurdry sa femme. Qui d’aide
ou de conseil, aura cósenty la mort de son
Seigneur.
7. Qui aura pillé les Eglises, femmes vefues, ou
orphelins: ou retenu ce qui leur appartenoit.
8. Qui avant esté offensé par aucun, ne le
poursuit par guerre, ou en Iustice; ains
secrettement & par feu ou rapines. Qui gaste
les bledz & vignes dont le public est
substanté.
9. Qui mettra nouuelles impositions sans le sceu
de l’Empereur: ou ie croy qu’il entéd parler
d’vn Seigneur qui surchargera sa terre.
10. Qui aura cómis adultere, ou rauy vierges &
pucelles.
11. Qui fait marchandise pour reuendre.
12. Qui ne pourra prouuer sa race de quatre
grands peres, soit battu & chassé du
Tournoy.”
Jousts and Tournaments were classed under the heading of
Hastiludia or spear-play: as also was the behourd or buhurt,
Bohordicum in Mediæval Latin,[8] a military exercise of a similar
nature; though in what respect it differed from the joust or
tournament is nowhere stated. That it was an exercise with lance
and shield is clearly shown in a passage in Concilium Albiense.[9]
That the behourd was practised continuously for long after the
introduction of the joust and tournament is known by the fact of the
issue of royal edicts for the prohibition of these exercises, as late as
the reign of King Edward I.[10]
The origin of the joust does not appear to be less ancient than
that of the tourney itself,[11] which it gradually almost supplanted;
and it may have been suggested by the quintain. William of
Malmesbury thus defines it:—Justa, jouste. Monomachia ludicra,
hastiludium singulare.[12] The Bayeux tapestry shows a kind of
combat with spears.
The terms “tourney” and “joust” are often confounded with each
other, but they are sharply different, the former being a battle in
miniature, an armed contest of courtesy on horseback, troop against
troop; while the other is a single combat of mounted cavaliers, run
with lances in the lists; though jousting was by no means confined
to these enclosures; indeed, such contests were sometimes run in
the open street or square of a town. Jousts were often included with
the tourney, though frequently held independently; and as the lance
was the weapon of the former so was the sword greatly that of the
latter. The lance was to be directed at the body only, otherwise it
was considered foul play. The joust more especially was run in
honour of ladies. These martial games were much practised in all the
countries of chivalry.
The chroniclers are vague in their definitions of the Round Table
game, the Tabula Rotunda, or as Matthew Paris calls it “Mensa
Rotunda.”[13] He expressly distinguishes it from the tournament,
though in what respect it differs from it he does not enlighten us. He
describes a tabula rotunda, held at the Abbey of Wallenden in the
year 1252, which was attended by a great number of cavaliers, both
English and foreign, and states that on the fourth day of the meeting
a knight named Arnold de Montigney was pierced in the throat by a
lance “which had not been blunted as it ought to have been.” The
lance-head remained in the wound and death soon followed. We see
from this incident that already in the middle of the thirteenth century
it was customary to joust with blunted or rebated lances! In 1279 (8
Ed. I) a Round Table was held by Roger Earl of Mortimer, at his
castle of Kenilworth, which is thus described in Historia Prioratus de
Wigmore[14]:—“He (Mortimer) invited a hundred knights and as
many ladies to an hastilude at Kenilworth, which he celebrated for
three days at a vast expense. Then he began the round table; and
the golden lion, the prize for the triumphant knight, was awarded to
him.” Dugdale states that the reason for the institution itself was to
assert the principle of equality and to avoid questions of precedence
among the knights.
In some “Observations on the Institution of the Most Noble Order
of the Garter,” printed in Archæologia of the year 1846,[15] it is
stated that in 1343, King Edward III in imitation of King Arthur, the
traditional founder of British Chivalry, bent on reviving the fabled
glories of a by-gone age, determined to hold a Round Table at
Windsor on the 19th of January, 1344. The intended meeting was
proclaimed by heralds of the king, in France, Scotland, Burgundy,
Hainault, Flanders, Brabant, and in the German Empire, offering
safe-conducts to all foreign knights and esquires wishful to take part
in it.[16] King Edward fixed the number of the tenans at forty,
enrolling the bravest in the land; and he appointed that a “Feast”
should be kept from year to year at Windsor on every following St.
George’s Day. Walsingham, writing about half a century after
Froissart, states that in 1344 the King began to build a house in
Windsor Park, which should be called the “Round Table”; that it was
circular in form, and 200 feet in diameter. It is also stated that a
circular table, made of wood, was constructed at Windsor sometime
before 1356; and that the Prior of Merton was paid L26-13-4 for 52
oaks, taken from his woods near Reading, for the material.[17]
Walsingham relates that Philip of France, jealous of the fame of our
king, had a table made on the Windsor model.
Matthew of Westminster chronicles that a round table was held in
1352, which had a fatal ending.
There is an actual round table of ancient provenance hanging on
the eastern wall of the hall of the royal palace at Winchester, the
reputed “painted table of Arthur,” and there are some remarks
concerning it in the Winchester volume of the Archæological
Institute, 1846, telling all that is known concerning it. The hall itself
may have been standing in the reign of Henry III; and in the
sixteenth century, and probably long before, a round table was an
appendage to it; but as to the approximate date of its make there is
no reliable evidence. The earliest historic reference to the table is by
Hardyng, late in the reign of Henry VI or early in that of Edward IV,
who alludes to it as “hanging yet” at Winchester; and Paulus Jovius
tells us that the table was shown to the emperor Charles V in 1520,
when it had been newly painted for the “last” time, but that the
marginal names had been restored unskilfully. In the reign of Henry
VIII a sum of L66-16-11 was expended in repairing the “aula regis
infra castrum de Wynchestre, et le Round tabyll ibidem.” John Lesley,
bishop of Ross, said that he saw the table not long before 1578, and
that the names of the knights were inscribed on its circumference;
and a Spanish writer, who was present at the marriage of Philip and
Mary, thus describes the painting on the table:—
“Lors du mariage de Philip II. avec la reine Marie,
on montrait encore à Hunscrit la table ronde fabriquée
par Merlin: elle se composait de 25 compartemens
teintés en blank et en vert, lesquels se terminaient en
pointe au milieu, et allaient s’elargissant jusqu’à la
circonférence, et dans chaque division étaient écrits le
nom du cavalier et celui du roi. L’un de ces
compartemens appelé place de Judas, ou siége
périlleux, restait toujours vide.”
The forms of the lettering and general decoration of the table
point to a date in the reign of Henry VII or early in that of Henry
VIII, but this, of course, only applies to the painted enrichment.
Whatever may be the date of this table and its painting, they are
both undoubtedly of considerable antiquity, probably from five to six
centuries old.
The fête d’armes held by Boucicaut at St. Ingelbert in 1389
(which is described in Chapter III), is called in the account of the
meeting a “table-ronde”; and the text would imply that the holding
of a round table meant a hastilude at which the challengers or
tenans kept open house to all comers, as well as meeting them in
combat in the lists; and the institution is thus coupled with the
banquet. The passage runs:—
“Ainsi feit là son appareil moult grandement et très-
honnorablement messire Boucicaut, et feit faire
provisions de très-bon vins, et de tous vivres
largement, et à plain, et de tout ce qu’il convient si
plantureusement comme ‘pour tenir table rond à tout
venans’ tout le dict temps durant, et tout aux propres
despens de Boucicaut.”[18]
The same lavish hospitality was extended here as at Kenilworth
in 1279, Windsor in 1344.
It is clear from various records that the tenans at a round table
of the thirteenth and fourteenth centuries sometimes fought under
the names of King Arthur’s knights, indeed, “Sir Galehos” appears
among the names of the knights inscribed on the actual round table
at Winchester; and they also sometimes adopted the names of other
legendary heroes, for at a round table held at Valenciennes in 1344,
at which the prize was a peacock, victory was achieved by a band of
cavaliers which fought under the names of King Alexander’s knights.
[19] The accounts given of King Edward’s tournament at Windsor,
and that of the later Boucicaut’s pas d’armes, both of which are
called round tables, may be said to define sufficiently what a “Round
Table” of the fourteenth century really was; and we fail to find any
material difference from other meetings of the kind and period.
Favine in Theatre of Honour and Knighthood[20] refers to
“Hastiludia Rotunda” as being practice for cavaliers “to sit well their
horses, to keepe themselues fast in their saddles and stirups. For, if
any man fell, and his Horse upon him, at these encounterings with
their lances, lightly worse did befall him before he could any way get
forth of the Preasse. But others came to heauior fortune, their liues
expyring in the place, being trod and trampled on by others”—but all
this would apply to the ordinary mêlée. This form of tourney was
much in favour during the thirteenth and fourteenth centuries, but
we hear no more of round tables after that.
The Quintain (quintana) and Running at the Ring (Ringelrennen,
Corso all’ Annello) were closely allied with the joust, and were
practised in preparation for it; the chief objects for attainment in the
former being a correct aim, to remain steady in the saddle after
impact with the figure, and deftly to get rid of the stump of the
broken lance. The quintain was a more ancient game than the joust,
and indeed, not improbably, it gave rise to it; and being free from
the risk of personal danger, was a sport and pastime of the people.
The game assumed many forms, though it was chiefly a means of
practice with the lance, sword, baston and battle-axe, indulged in by
the young aspirants for knighthood as well as by the citizens and
yeomanry. The original quintain was merely a post set up, against
which the strokes were directed or against a shield hanging from it,
with the same object in view. Later, the post developed into a
human figure, usually fashioned as a Turk or Saracen, who held a
wooden sword in his hand. The objective of the lance was the space
between the eyes; and the figure was placed on a pivot, and so
constructed that a misdirected stroke, that is a hit too much on one
side or the other, would cause it to spin round with great velocity,
dealing the tyro a smart blow with the sword. Another form was a
bag of sand, from which the clumsy operator was apt to receive a
buffet as it swung round or to have the contents expended over his
horse and person; and there were other similar varieties of the
game. The water quintain was practised from a boat, rapidly
propelled by rowers; while the player stood at the bow, his lance
couched and directed towards a shield, hung from a post standing in
the water. The quintain continued to be a popular game right
through the seventeenth century, and could be played on foot as
well as on horseback. A picture of a quintain is given on a miniature
in the Chroniques de Charlemagne, in the Burgundian Library at
Brussels, and is reproduced by Lacroix in Military and Religious Life
in the Middle Ages and Renaissance.
Running or Tilting at the Ring was merely a later form of the
quintain. An upright shaft or post was holed at intervals for the
reception of a rounded bar, socketed into it at right-angles, from
which hung the ring placed on a level with the player’s eye; and the
horseman, couching his lance, rode towards it at full gallop with the
object of transfixing it. When fairly hit the ring became detached by
the action of side springs and remained on the head of the lance.
Pluvinal gives particulars of the game as practised at the beginning
of the seventeenth century; it was much in vogue at the court of
Louis XIV. For running at the ring the lance was much shorter than
that employed in jousting, its length was 10 ft. 7 in. and weight 7
lbs. There is a specimen at Dresden, tipped with a cone to hold the
ring when hit, and there is naturally no vamplate. It will be realised
what excellent practice these sports afforded for the joust and
tourney. Both games are described in Strutt’s Sports and Pastimes.
MS., Ashmole 837, fol. 185, furnishes an instance of the game:—
“These persons here vnderwrytten / beinge one the
kinges parte the playntyff / And the other wt therle of
Rutland defendant / dyd Run at ye Rynge iiij course
every man / at wch tyme none toke the Ryng but only
Mr hayward / and Mr Constable beinge wt the
defendant / whome are apoynted when yt shall please
his grace / for them to Rune agayne / he wch shall
take the Ring furst shall have the prysse /
wt the kynges matie wt therle of Rutland
the lord marques of Northampton the lord Fyzewater
therle of Worcester the lord hastynges
therle of wormewood the lord chevers (?Chandos)
the lord admyrall Sr Ambrows Dudley
the lord lyle Sr jorge hayward
the lord Strange Mr norrys
Sr thomas Wroughton Sr William Stafford
Mr Barnaby Sr Anthony Sturley
Mr throughmorton Mr Pownynge
harry nevell Mr Clement paston
Sr harry gates Sr William Cobham
Sr harry Sydney Mr Constable
Mr Chetewood Mr payne (?prynne)
Mr phylpott Mr. warcope
This beinge done came VI one ether partye to the
tourney whose names are hereafter named
The Kynges syd Therle of Rutland
therle of Worcester lord Fyzewater
the lord lysseley Sr Ambrows Dudley
Mr harry nevell Sr George hayward
Mr Sydney Mr pownynges
Sr thomas wroughton Mr paston
Sr harry gates Mr payne (?prynne).”
Probably written by Sir Gilbert Dethick, Garter King of Arms.
Judicial Combats are also properly classed under the general
heading of the Tournament, and these duels, on foot and on
horseback, were fought greatly subject to its rules and regulations.
An account of this singular institution follows after the tournament
proper.
CHAPTER II
J
of Peace, Hastiludia pacifica, were those of sport, military
ousts
exercises and courtesy; while Jousts of War, Joûtes à Outrance, or
as Froissart calls them “Justes Mortelles et à Champ,” were
combats to the death, though subjected to the intervention of the
umpire at any stage, by the casting of his bâton, by which a serious
wounding or death was often prevented. The term “à outrance,”
however, was used not infrequently in Chapitres d’Armes or articles
of combat where no fatal ending was in contemplation; they were
encounters of courtesy in fact, though contests in which battle-axes,
sharp swords and pointed lances were employed.
The chroniclers of the joust and tournament of the earlier
centuries exhibit a lack of technical knowledge, and the terms they
employ are often mixed and conflicting; and, indeed, this confusion
continues throughout later centuries also, to an extent making any
exact definition of terms extremely difficult.
Whatever information we possess regarding tournaments of the
twelfth and thirteenth centuries is greatly derived from the Mediæval
Latin chronicles of the Anglo-Norman monks; but the material they
furnish requires to be used with discretion, owing to the frequent
unhappy blending of fact and legend, a lack of professional
knowledge, and a way of reporting things of half a century or more
ago in harmony with the environment of the time of writing. Among
the chroniclers of the tournament of the period we are immediately
dealing with, are William of Malmesbury, whose History of the Kings
of England finishes at the year 1142; Wace, who wrote the Roman
de Rou, on Rollo and the succeeding Dukes of Normandy, in 1160;
William of Newbury, 1197; Roger of Hoveden, 1201.[21] William
Fitzstephen was an eye-witness of the events he relates; the prolific
and illuminating Matthew Paris, 1259; Robert of Gloucester, who died
in 1290; and Matthew of Westminster, 1307.
Much information concerning the body-armour of the twelfth and
thirteenth centuries has been derived from seals, and particularly
from those of the kings of England; also from illuminations in
chronicles, representations on tapestry and carvings in ivory. Military
effigies and brasses have also proved of immense value, for they
enable us to fill in many of the gaps left in the recitals of chroniclers,
and afford precise information as to the knightly equipment for
battle, as far as least as the presence of the surcoat will permit. We
have, indeed, been favoured among the nations in the preservation
of so many of these monuments. There are but few brasses of the
thirteenth century existing, though effigies are very numerous. Sad it
is that so many of these priceless memorials have been lost or
thoughtlessly mutilated; but their very important bearing upon
history was but faintly recognised much before the nineteenth
century began. Many of them had been thrown on the rubbish heap
to make way for some trivial and often mischievous alteration, or
lost when some of our finest churches were spoilt by what is so
often miscalled restoration; and many even of the effigies left to us
have been exposed to a process of tinkering by thoughtless hands.
Not a detail is missing on many of those monuments that remain,
and even colours are indicated.
William of Newbury states that tournaments first appear in
England in the troubled reign of King Stephen, 1135-1154; and that
they were introduced from France by the Norman nobles is clear
from the expressions employed by Matthew Paris concerning them,
viz.: “Conflictus Gallicus” and “batailles francaises.” Lombarde[22]
states that “the kings of this realm before King Stephen, would not
suffer it to be frequented within their land; so that, such as for
exercise in that feate in armes, were driven to passe over the seas,
and to performe in some different place in a foreigne countrie: but
afterwards King Stephen in his time allowed it.”[23] It was the
Norman knights who introduced the employment and couching of
the lance in England. Of that age we have the remarkable
description of the martial sports of London by William Fitzstephen.
He tells us ‘that every Sunday in Lent, immediately after dinner it
was customary for great crowds of Londoners, mounted on war-
horses, well trained to perform the necessary turnings and
evolutions, to ride into the fields in distinct bands, armed “hastilibus
ferro dempto,” with shields and headless lances; where they
exhibited representations of battle, and went through a variety of
warlike exercises: at the same time many of the young noblemen
who had not received the honour of knighthood, came from the
King’s court, and from the houses of the great barons, to make a
trial of their skill in arms; the hope of victory animating their minds.
The youth being divided into opposite companies, encountered one
another; in one place they fled, and others pursued, without being
able to overtake them; in another place one of the bands overtook
and over-turned the other.’
Robert of Gloucester, in his Chronicle in verse, which ends shortly
before the accession of King Edward I, writes concerning William
Rufus:—
Hardyng died about the year 1465, nearly two centuries after the
events he narrates.
The lance, or glaive as it is often called, of the eleventh and
twelfth centuries[41] was quite straight and smooth; a vamplate was
added in the fourteenth, small at first but larger later, for the
protection of the right arm. The lance for jousting was made of soft
wood, so as to splinter easily.
A manuscript in the Record Office, transferred from the Tower
about 1855, entitled Emptiones facte per manum Adinetti Cissoris et
visu Albini & Roberti de Dorset contra Torniamentum de Parco de
Windsore, nono die Julii anno Sexto (a Roll of Purchases made for
the tournament held at Windsor Park in the year 1278), is copied in
Archæologia of the year 1814.[42] This document is of rare value in
giving particulars of the equipment of the cavaliers engaged in
tournaments of the last quarter of the thirteenth century, besides
mentioning other matters of interest. Thirty-eight cavaliers took part
in the tournament at Windsor Park, twelve of the highest rank being
styled digniores. Among these were the Earls of Cornwall,
Gloucester, Warren, Lincoln, Pembroke and Richmond;[43] and there
were several foreign knights present. Many of the cavaliers whose
names appear on the roll had been with King Edward in the Holy
Land. Both arms and armour[44] were provided for the occasion for
all the cavaliers taking part. Thirty-seven of the outfits ranged in cost
from 7s. to 25s. each; that for the Earl of Lincoln, however, was
much higher than any of the others, being 33s. 4d. The equipments
must thus have differed widely in quality and embellishment. The
armours were of leather gilt, each suit consisting of a coat-of-fence
(being a “quiretta”[45] of leather), brassards of buckram, a surcoat
(the material for the majority of these garments being carda,[46] but
those for the four earls were of cindon silk), a pair of ailettes, of
leather and carda,[47] two crests (one for the man, the other for the
horse), a shield of wood heraldically ensigned, a helm of leather, and
a sword of whalebone and parchment, silvered over. The shields of
wood cost 5d. each, without emblazonment; the swords 7d. each,
and 25s. was paid for silvering the blades, and 3s. 6d. for gilding the
hilts. The helmets for the “digniores” were gilded at an expense of
12s., the others silvered. Each helmet cost 2s., and the ailettes 8d.
the pair. Eight hundred little bells (grelots) were provided, to be used
in necklets for the horses; sixteen skins for making bridles; twelve
dozen silken cords for tying on the ailettes;[48] and seventy-six calf-
skins for making crests. The cuirasses and helmets were made by
Milo, the currier; and the cost of carriage for the whole of the sets
from London was 3s. The sum total for all these outfits provided in
England was £80 11s. 8d.; but some other purchases were made in
France, and in the list are items for saddles and horse furniture.
There is no mention of lances, and many of the items scheduled are
only open to conjecture. Sir Roger de Trumpington, whose effigy lies
in Trumpington Church, Cambridgeshire, was among those taking
part in the tournament. If one can imagine this passage of arms, its
participants armed with swords of whalebone and parchment, with
their arm-defences of buckram, it does not seem a very dangerous
affair, though a rough enough sport.
There is another document of about the same period of the
highest importance, viz. the Statuta de Armis, or Statutum Armorum
in Torniamentis. This was drawn out at the request of the earls and
barons of England and by the king’s command, and affords much
information as to the equipment for the tourney late in the
thirteenth century, the usages to be observed, and the regulations
as to the heralds, esquires, and varlets. There are several copies
extant, one of which, and that perhaps the most reliable, may be
seen in the Bodleian Library. Part of the text is reproduced by Hewitt
in his invaluable work on ancient armour,[49] and the document is
referred to in Archæologia of the year 1814.[50] These statutes
provide that:—
No “conte,” baron or other chevalier shall
henceforth be attended by more than three armed
esquires, who shall all bear the cognizance of their
master.
No knight or esquire taking part in any tournament
shall bear a pointed sword or dagger, a staff or baston,
but only a broadsword for tourneying. All should be
armed with “mustilers;”[51] “quisers;”[52]
“espaulers;”[53] and “bacyn,”[54] and no more.
If any “conte,” baron or other chevalier break any
of the rules of the tourney, he shall, with the assent
and command of the Seigneurs, Sire Edward, fiz le
Rey; Sire Eumond, frère le Rey; Sire William de
Valence; Sire Gilbt de Clare; and Cunto Nichole,[55]
lose horse and armour and be imprisoned at the
discretion of the said court of honour, and all disputes
shall be referred to it for settlement.
Any esquire to a knight breaking the regulations in
any way should lose horse and armour and be
imprisoned for three years; and none was allowed to
raise up a fallen knight but his own appointed esquire,
bearing his device. Spectators were prohibited the
wearing of armour or the carrying of arms. Etc.
May we see in the comparative mildness of these rules, and the
control exercised by the court of honour, some results of King
Edward’s own dangerous experiences at the Chalôns tournament.
It is an interesting fact that the effigies of two of the members of
this distinguished committee have been preserved, viz.: those of
Edmund Crouchback, whose sword-belt is enriched with heraldic
bearings; and William de Valance. Both are in Westminster Abbey.
The figure of the former wears the coif or hood of mail; the body is
covered by a surcoat with long sleeves and reaching nearly to the
ankles; but poleynes or knee-kops can be discerned. In the case of
the other effigy the surcoat is sleeveless and shorter than the other,
reaching down to just over the knees. Poleynes are present, but
there are no coudes. A concave triangular shield hangs by the belt.
Chain-mail; quilted stuffs, often reinforced with rings or studs of
iron, bone or horn; ordinarily dressed leather and cuir-bouilli, which
is leather boiled or beaten—were all quite capable of resisting an
ordinary sword-stroke or lance-thrust.
An effigy of the twelfth century in the Temple Church, London,
that of Geoffrey de Mandeville, Earl of Essex, dating in the year
1144, in the reign of Stephen, exhibits the knight completely
encased in mail, wearing a coif of mail of the same fabric, and over
it is the tall cylindrical, flat-topped helm. It was found, however, that
certain vital and more exposed parts of the body required further
protection, for the mail, far from presenting a glancing surface
towards the strokes and thrusts from weapons of attack rather
afforded them a lodgment. The mail therefore became gradually
reinforced over the most vulnerable places with pieces of leather or
plates of iron until a full panoply of metal plating had been attained,
a process which had not been quite completed before the first
decade of the fifteenth century. The course of transition can best be
followed by a study of brasses and effigies. The Crouchback and de
Valence effigies show us that but little progress in the direction of
plate-armour had been made up to the end of the thirteenth
century, though after that time the transition became rapid.
The usual knightly panoply was a coif of mail and beneath it a
cap of cloth, worn in battle with or sometimes without a
surmounting helm; the tunic; the gambeson or pourpoint, of quilted
cloth; the hauberk, of chain-mail; the chaussons, which covered the
upper part of the leg; the chausses, the lower; and the surcoat.
Chain-mail is probably a fabric of Eastern origin, consisting of
forged iron rings, each ring interlinked with four others. This web
must have been somewhat of a rarity even as late as the eleventh
century, and, indeed, until the process of wire-drawing had been
invented, owing to the laborious and costly nature of its
manufacture. Each ring required to be cut from a long strip of wire,
hammered-out from the solid, then interlinked, riveted, forged or
butted together. The Romans employed chain-mail, as shown by the
compressed masses which have been found, but whether it was
interlinked in the manner just described is doubtful. Hauberks of
quilted stuffs, reinforced with rings or studs of iron, bone or horn,
were much in use; and so were those of ordinarily dressed leather;
or of cuir-bouilli, which is leather prepared by boiling and beating. All
these defences were quite capable of resisting an ordinary sword-
stroke or lance-thrust.
The arming of the horse with a bard of chain-mail or its
substitutes did not take place before the third quarter of the
thirteenth century; the trapper came into use somewhat earlier,
though probably not painted or embroidered with heraldic bearings
before the reign of Edward I.