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93 views38 pages

McReele Copy

McReele script
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MCREELE by Stephen Belber aM.2W When Delaware jourmaine Rick Dayne nets deck rv inmate Dusiur McRae, the aul Bik writes lead Duis exonerstion fom &sbeen-yar murder conmztion, Daa’ aympathede past and tagocte pewonaisy make hana dating of the leture citi eading to national aenion and poi. vail. Wik his past and fae a the blace, Das wall he line, ar Rick ek odes which way bl ety fl Tr cing is bt ep dame thse das snd Spben Bele ads se deb with |MEREELE, a ueyeime andar brite spans the gama of idence, fom fore wth sah fr suet ity Be le sn end fle in pei wore ‘ach. Tage nd Math the plight soon fiir ening spare hi charac ah sin memories Bele ea fell woba wie hich diesion wd elope Ble 1 mance tr eye of hy stlons . ik ny god plearigh, es ined ix Laerining what’ elon pong what mar ion.” Time Out ‘Spon ler as hp a cole car nd en eran eon te maple power far exlymirtondinted manera meds ad is abil willy devi ie HEREELE cure. irs i snfrinae te of fiia i he fi of ate™ eomaiatlp DB @y Br : Per ORCAS f PLEASE ’ “Sten Bell nw ply, MEREEL, hs a oo ts mind rah ei omen lic and prince if, media mavipalerion fic i he jada ym she packaging of pot Sel pons, redemption rm pat dtc.” Varey thrice ll eb elm of politcal amd rel drama and pas te bind of clio end monet ramen lo se prise” SC apthewrecom “Sephon Bebe pla aay prami afr of combusilty— ete in poo action cfien oh With MEREEL, uber kt aay oe pie ny na wha 2 me — rapier send be medi.” American Theater Web Also by Stephen Belber ISBN 0-8222.2081-4 ‘THE DEATH OF FRANK MATCH TAPE ‘THE TRANSPARENCY OF VAL PEAY SERVICE “INC. DRAMATISTS PLAY SERVICE, INC. McREELE sy STEPHEN BELBER DRAMATISTS PLAY SERVICE. INC. McREELE Copyigh © 2006, Stephen Baber AL Righes Reserved SALTION Poa en ngs ht oe at ero IREELE aban permmn ofa yay hsb paced eget oh tof he Unted Seo ce and a aes ree icone Copii Un (nding ti Domina maa ol afi Bott Cerone of aust coe yee in Seppe Comrentan the Unveral Coprighe Content Bas hen a tw nel Ute See cae ‘cpp ans Al igh ntng pte ae Pete eo, erty pb lng xe ockanep ee Scr rag al ode enced acne Sass ok SEDATE IND, eta gme stl mre re i Re Ssh led ean te oe Sf wag feminine Ske sual om fe Aur po a tg ‘The Englth language stock and amateu stage performance rghs in the United sf etfs fomaton sad Caras oe MCREELS at orpeted ice bey by DRAMATISTS PLAY SERVICE, ING, £40 Pak fren Soh, New ‘ork NV 10016. No provisional or aonprofsotal performace ofthe Phy soy be gen without abeainag in advance the waiten pesuisccn of ORAMAT ISIS PEAY SERVICE INC. at paying he neque Re Inguliesconcesing all or sph hold be alien to The Gen gees 41 Milo Arena, Sed Soy, Now el NY 0016 hee Jo ea SPECIAL NOTE Anyone rcsiving permission wo prodsce MCREELE is equted to give exit co ee harorseldtad calute Nader ote Foy saa fat sen ieee rms ite linealdiont Ie which the ede apres fox purposs of adveting pabliseng of ‘berwise eploting the Pay ardor production hero? Tee oars ote ‘Aaaor nis appear on a scpratline, in which no otber parce appear inane aedy beet tule and nse of ype cq wo S08 ede a he aoe, ‘osc prominnt lees wed forthe Edt of the Pay. No peron kum ot ea ay ‘SERS SEH min aye coe hoy Tf lowing clwwledment mut appen nal programs distrib it councson wih peoraans of ea ‘The Wald Premiere of MCREELE was produced by Rouadsbout Theatre Company, Todd Haimes, Artie Drectoz LMCREELE was cuisine by Flights Horie ‘ih un poe by The Hesensh Races MEREELE was droped ate Of Pag Cones Saletign, Aste Dinca MCREELE was originally produced by Roundabout Theatre Company (Todd Haimes, Antistic Director, Fllen Richard Managing Director) ac the Laura Pels Theatre in New York City, opening on February 24, 2005, Ir was diected by Doug Hughes, she set design was by Neil Patel the coseume design was by Paul Tazewell: the lighting design was by Michael Chybows: the origi nal music and sound design were by David Van Ticghens the pro. duction manager was Kai Brothers the production stage manager was ey Adler; and the age manager Carte Meconis. The east as DARIUS McREFLE Anthony Mackie RICK DAYNE Michael O'Keefe KATYA Jodi Long OPAL Portia JIM GRAGEN, GERRY PHILLIPS «nen - Henry Stozice (CHARACTERS DARIUS McREELE RICK DAYNE KATYA OPAL JIM CRAGEN DONALD SMATHERS GERRY PHILLIPS PLACE Delaware. TIME ‘The present. The action takes:place in numerous scenes and the playing area should encompass all these setings at once so as to ensure a rapid and flaid change from one ro another, with acwrs often staying put in one location while a scene without them takes place nearby. Sct “naturalism” should not be a consideration. McREELE ACT ONE, Scene 1 A prison visiting room at the Smyrna Comecional Facility ‘Smyrna, Delaware. The room is bare bus for a table, to chairs ‘ard a small video camera in the upper corner. The deor bas @ ‘nenparent ge slo. No windows, bars, or plateglas divider. Seated are Darius McReel, mid-30% Afican-Americen, sv0- inch afro, prison garb: confident, bright as bel quicker then a whip. And Rick Days, early-40s, White, shinning hain, Osgrd and jeans: perhaps a bit chbubic; wary. guarded, wry bus genaine; speaks only what he means. Hes a man who arrives. as his pasion. Darius is speaking rapidly. deliberately confidently — DAR. Ivas out walking, Iwas high, I heard a gunshot, distinee at hell, crisp, like a muted cannon. Sounded lke it vas about a block away. Iran, in that direction — RICK. Why? DAR. ‘Cause Fim stupid. ‘Cause that's what I thought I was sup- posed ro do. Because I was seventeen. (Beat. I tummed the cornes, saw the body, heard footsteps. I swear ro God it was like a movie. ‘Only sound was footsteps. I came to the body; no doube the guy ‘was dead. (Paws) I sae the gun. Ae this point I gor a thousand things going through my head. I look: around, no one there so far as Lean see, And I'm thinking that I knew it-was Ronny, that ic ‘usta been a deal gone wrong because this is his block and this is his ime of night. [pick up the gun — RICK. Why? DAR. Because I thought it was Ronay’ RICK. You didnt know whar kind of gun Ronny cars DAR_ He carried differene ones all the time RICK. Why would he have dropped i? DAR. Because he panicked. RICK, Ronny the kind of guy to panic? DAR. Yep. RICK. ... Then what DAR. 1 take off turn the corner, sun smack into a patrol car responding to shors fired. RICK. Show? DAR. Shot RICK, Peze,) Nex thing you knot you're in jail DAR. No. Next thing I know I'm staring out the window of the cruiser wondering iT should say the name Ronny. RICK. You should've DAR. I should've. But I thought —- You don't ID your friends; that I didst have motive, chey never found the weapon, chat I was 2 juvic, Thad respectable folls... I chought there was no way I 150 down for it RICK. So why did what happened happen? DAR. Because they gor to me. RICK. Thar’sie? DAR. They hed eight guys on me in rotation, thirty-six hours, no sleep, igh on soda sugar, no food in my stomach, no parents, n0 lawyer — I was seventeen yea old. RICK. So at the wial? DAR. At the trial my lawyer didn’ want me on the stand, che jury was eight white with four black who zhoughe they were white, Thad no alibi, was high as 2 ice when it happened ... A white judges 4d got shot. They were on a warpath RICK Wouldn't you be? DAR. ... Listen'to me, at the range at which tha kid was shot there would've been sparter on my clothes and powder sesidue on, ‘ny hands — neither of which were. RICK. 1 thoughe there was poder residue. DAR. No powder residue. None. (Pause) I went to church s00 days before the murdes, president of my class, a fucking 3.7 GPA Tm not murderer and I don! deserve to die RICK. No alibi? DAR. No alibi. You wanna know my alibi? — Two Negro hairs 6 and skin fiber found on the coat ofthe victim. sixteen years ago all they knew is thatthe fiber wamtt mine and the hait might be: But they re-test it now with the new science, and theyil ind Ronny — 1 guarantee you they'll have their man. RICK. Why do you think I'm here, Darius? DAR. Because you feel uncomfortable watching this play oue “while you possess the power ofthe journalistic word. RICK. Is that right? DAR. (More honest) 1 dontt know why youre here. RICK. I read your — your treats. Ie was good. Not alot of pris- ‘one le inmates post something like that. DAR. Not a lot of people browse prison websix RICK. (Beat,) 'm thinking about writing something. DAR. On my innocence oF my essay? RICK. Essay. DAR. Can you help me publish? RICK. Tel be mote persuasive if we just mention some of your ideas. Prison reform’ mote legitimate when the preachers not in prison. DAR. Which paper you fiom? RICK. News-journal. DAR. You all do 2 reform story every year; nothing ever happens. RICK, ... Hopeflly this one be berce. (Pause.) Well credit your ideas fall. DAR. You find health care forall che three strike prisoners about 10 become geriatric, you can have all my ideas. RICK. You have alot? DAR. Some. RICK, (Pease, Like what? DAR. .... Like you wanna know the first thing they should do to fix prisons in this country? — Pair ema up with welfare ceform, so instead of kicking single moms off the rolls and making ‘em sell fudge a the mall you sed em to Your lea cocina ity and have ‘em teach the inmates the necessary survival skils for their release. RICK, Twould think the problem is thar they'e both lacking proper job sills, DAR. Firs off — you divide the moms and the prisoners into the ‘ones who can rad and the ones who can’ which is probably fy fifty, meaning every single illiterate one now has their own tutor, segardless of whether the mom’ teaching the prisoner or the pris. 7 sees one’s teaching the mom. Point is, you come our the other end ‘with & hundred percent increase. Moms get their six-ffty an hous, prisoners gec their fifty cen. RICK, Who takes care ofthe single moms’ kids during all this? DAR. Correctional officers. You offer the guards —who make shit ‘wages to begin with —- you offer the guards overtime to babys the welfare kids. The reason forall these welfare moms is cause the dads are in jail, so you symbolically link up the C.O.'s with inmates’ ids — and suddenly ther’ lire humanity in the whole process. RICK. What about the reason all these people are in jail and on swelfare in the fist place? DAR. I got 2 plan for thar, oo. A onc-idea shor that'll reduce poverty, prevent crime and conserve encrgy. RICK. Is char right? DAR. Its right and it’s simple: A twenty-five cents per gallon rax bike on gas for cars thar cost more than twenty-five thousand dollars. RICK. Thar’ your plan? — DAR. Twenty-five at ewenty-five Every American who can afford thar kind of car can afford this kind of eax, especially when you make ‘em understand the immediate benefit — RICK. Which DAR. —an estimated twenty billion dollar infusion direct into their local urban sectors — all for simple stuff — schools, rec cen- ters, libraries, job creation — RICK. How? — Job creation’ che single biggest — DAR. Tax breats for corporations that relocate o the urban sector. RICK. And this'll conserve energy? DAR. Higher prices at the pump means reduced consumption, means less greenhouse emissions, means a berter global image, ‘means less people hate us. RICK. ... There's a part of me that actually wants to believe you. DAR. You dont think any of i makes sense RICK. 3 not my job to say what makes sense. (Pawse.) But you ‘want my privaze opinion, most of i scems a liede far-fetched, DAR, IF wasnt wearing a jumpsuit, youd be all over it RICK. (Bear,) You happy with your lawyer these days? DAR. He barely knows my name. RICK. Fle gor me in to see you. DAR. The man lacks passion and power. RICK. To do whae with? DAR. Leapfiog che back-log. There's abou ewo hundred cases ahead of me, too few labs, too many bad guys who might be good. RICK. Thea whae? ge cees cence DAR Ronny. After tha, all you need is Ronny. Scene 2 A small apartment kitchen: Ricks ginfiend, Kasya — early 40s, Asian-American, corporate lathes: aserive, smooth, bip — sits on counterion sipping scorch. She and Rick know each cher well and speak in a quick, contemporary urban patter shat is actually quite genuine: they are sharp but deliberate, as ‘wary of rom a they are prone toi KAT. Nice guy? RICK. He is acwally. KAT. Smare RICK. More than youd expect. KAT, Scary? RICK. Less so, KAT. How old was he? RICK. Seventeen. KAT, You think he did ie RICK. No. KAT. Why? RICK. A hunch. KAT, T wouldnt bet ona hunch The faking Bay of Pig was 3 RICK. Either way. KAT. You should ask his parenes RICK. They died. KAT. Thad a hunch, RICK Gtr) The aces not abou his innocence is abou KAT, Right, Buc I thought you were doing a follow-up — RICK Tam— KAT. —on the need for increased testing. RICK. Prioritized testing, Iam. (Beat) The guy's scheduled to die : t in two months and he’s writing articles about prison reform. (Puce) 1 mean ... ifs sort of extraordinary. went in dhere expect ing to find KAT. Ta Pac RICK. I dunno. Somebody. And its not what I got. (Pause) He's he’ definitely on the special side. (Bea) Twouldn’tbe doing my jab if dido atleast look into KAT. (Pause) I cant believe youre RICK. Tm not falling. KAT. Of couse youre falling, This is why I fll for you, because ou fall for guys lke this. (Beas, Tm just saying its not the firs time youve interviewed a Killer with 2 GED. Theyre often duplicizous — RICK. T know — KAT. So try to keep your panes on — RICK. My pants are on — KAT, Good. RICK. Good. (Bear...) Do you wanna now what else 'm work- ing on this week? The Delaware Soil Instiuce Conference, the National Guard’ purchase of a new helicopter, and the Boy Scout scandal in New Cascle Couney, (Bear...) This story could have a huge effect. _ aa KAT... So youtre prepared to go to bat for him? RICK. Tm not going to bat, I'm looking into things. KAT. Are you looking for someone else who could've committed the crime? — RICK. Yes KAT So shouldnt you frst find that person? RICK. ... Talready did. (To Davis.) Maryland. Twenty-five-to-life for rape/murder. ling for this guy. Scene 3 The visitor’ room DAR. Ronny? Pause; Rit nods) So his blood’s in the system? (Rick rods.) Then { need wo call my lawyer. RICK. Assuming Mr. Dershowitz is unavailable. DAR. ... So youe writing the article? 10 RICK, (Pause) Tuesday. (Pause) Front page. DAR. (Darius nods, impresed .. ) This mean you believe me? RICK. es about the backdog of DNA testing for the entite sate, Paae.) Bur it might push the DA co sun char agains Ronay DAR, (Beat) Thanks. For doing this. RICK. Its an imporrant issue. DAR. (Beat) So you're a reporter for what — the front section? RICK, (Counter, Ym actually an editor. One of many. DAR. Buc youte writing articles? RICK, Is small paper DAR. (Light) You a ltdle bored, decide you wanna write about the bad guys? RICK. Tes for ana, acualy, Pause.) “Middle-aged white male seeks ince Hal ous br mcg gassing icon DAR. Hey. I was just kidding, I inow is not the New York Times. RICK. It definitely nor che New York Time. DAR. Just so long 2s the people with the prison keys read ie .. (Beat, 80 how long you been & journalist, Rick? RICK. Bightocn years next May. Pause; wry.) is this the pare where we get to know each other? DAR, Sure. (Beat.) You martied? RICK. (4 smile) Nope. DAR, (With a hand later) Bilingual? RICK. ve been with a woman for chree years. Its good. (Beat) We drink aloe of ta DAR. Bur you love her? RICK. Quite bit, actully. DAR. That’ good; its good to have that. (Darius watching Rick clcely ....) want you to believe me, About the crime RICK. I'l believe the science. DAR. Good. (Pase,) Bur I want you to believe me too, Because I didnt shoot that kid. (He looks deel ineo Ricks sex and speaks swith simple, inscapable honest.) didn’ shoot him. | swear to God above, Rick: I did not shoot that man. (Rick lizens if’ impresed, dnd nor showing it; bet...) Te been wanting to thank you for ev. ting my letter in. Even though they rook out the curse words. RICK. I gor a good response. Eighteen lewters-to-the-editor on someone’ leter-to-the editor. (Darius lean forward and speaks qui- chy, devoid of bombase,) DAR. I'm not gonna lc, Rick. I wanna get outta here. (Beat) I go ul t ie to bed and I dream about walking down the stcet. Is all wanna do — walk down the seeet and talk to people. (Pause) Ask 'em Shar they had for breakfast. Pause.) And honestly, if Twas allowed to do that... (Beat) I dunno. (Beas.) 1 think ies possible 10 com- manicate in this country. That beneath all the bullshit there's = place where each of us identifies wich all of us; whete person-10- eson comprehension is posible. And that if we can find a way to Speak to chat place, even Shrough jus lettc-to-the-editor ..chat ite possible ro make a difference. (Pewse.) Because when I think about this country I dont think about the Grand Canyon or the facking hills of New Englands I think about basically idealistic peo- ple, walking around, seeking co understand each ot RICK. ... You always been lke thist DAR. No. The fase ten years I was fall of hate RICK. So howd you get che hope? DAR. Usual staf Few too many beatings, a suicide fire, some Ielam, some born-again. Then my brain kicked in. Scene 4 The kitchen; Rick stands at the door, having just entered. RICK, The haits are Ron's KAT. What RICK. The haics are Ronay’s the skin is Ronny’. Everything was positive against his blood work. KAT. Willi be enough to get your guy a new tral? RICK. He doesnt need one. Ronny confessed. He was told of the results, two hours lar he asks eo see the warden, he confesses 0 the crime. Fully. KAT. Shit RICK. Yeah, KAT, (Honest) Power of the press. (Rick smile, embarrased but happy.) What bappens now? Legally? RICK. Its on the governor's dese with request for Darius imme- diate release, They think itll happen quick. Apparently the gow's been reading my articls. 2 Scene 5 Rick and Katy kitchen; Rick, Darius and Opal — soci dec ims vated cand 7 Katya stands atthe stove working « wok. The ‘mood is a bs iff, but convivial enough tae ATL... And this prison guard — correctional fier — whatever — this cki’ bouo-meachead i ating at me— actually he’s sear ing at my breass, and granted [was wearing my power push-up clenage-booses, bur be looks at my breasts and says, "Well how about we go back to my officer beter nego the sue” Like an idiot. But then I think, “OK, Pm gonna see how fr Team ake this ‘without geting raped” So Igo bacco his office which is acwally then eb and he gu cs he dor behind me and i literally —T kid you not — doling and he sys, "Flows this for guna? —anieigolisme ne me DAR. Tell me you whacked him across the face — KAT. I whacked this guy across the face, slapped him with a per- sonal assul charge, slapped the fiility with a lawsuit, fled my seory, gt the place pus on probation and received a sit thousand gol ihe olloing ment (Dri gs end ran ge ber abi “i berber, Dif Ge ym ae — Tm not, I fucking bate journalism — who needs a beer? RICK. Fluke one osc bes — KAT. Opal? — OPAL, All ight — KAT. Darius? DAR. Ti god with he ie CT. (Distributing bers) Thope you guys like sy savce DAR. Why iy ace be nee (Cracking up.) Ha! — no, its wha T'm cooking with, i Tftickin? ‘tel (Sbcand Daria finding tha bilanowe 7 RICK, Anyway Dasa waking me mh hi he hold KAT. Tn terms of — 13 Kew F L RICK. I dunno ~ he’s gor some exposure, some momentum — KAT. He should sue people — no question; the DA, cops, states attorneys — RICK. Be serious — KAT. Tm sous — DAR. [es nor really my style — RICK. His op-ed ren in today’s paper and the phones Hew off the hook. KAT. (To Dar) Go for a book deal. DAR. Like what? KAT, Memoir, creative non-fiion — people ext that scuff up — DAR. I dunno — KAT. You don’t wanna write a book? DAR, Yeo ehiak I wanma wt a book RICK. Twas saying maybe he sie jouralsm. KAT. Does he wanna? — do you warns do journalism DAR. I dont really wanna do journalis RICK. Why noe? oe DAR. Thave too many opinions. Journalism’s a lie voyeuristic. RICK, Excuse me, journalists have opinions. Ie’ just that we hap- pen ro use agnostic vesbs DAR. (Tb Katya.) Its 2 lide voyeuristic. i KATVA. Totally. ukward pase: everyone acknowledges i .. To Opal) Wha do you think? OPAL. (Pans, Abour what? : KAT. About what Darius should do with himself now. OPAL. dunno. : RICK You think he should go into journals ‘OPAL. fhe wants. (Beas) KAT. What do you do, Opal? OPAL. Nothing. RAT. Noching like what? OPAL, Nothing like nothing KAT. You're unemployed? OPAL. Nope. : KAT. So you dont like your job? OPAL. dont bave one. KAT. (Pause.) Are you on welfare? OPAL, Nor anymor ‘ DAR. (To Opal) Why/se you giving them a hard time? OPAL. Ti not giving anyone a hard time DAR. (Z others) She works off the books, babysits — OPAL. Deals drugs — DAR. No you dont — OPAL. How do you know? DAR. Because you dori deal drugs — OPAL. Yes 1.do— DAR. No you don't — OPAL. Yes Ido— DAR. What kind? OPAL. I dunno. DAR. (Te other.) She doesn't deal drugs. KAT. Its fine with me ifshe docs. DAR. She doesnt deal drugs. (To Opal) You dortc deal drugs. OPAL. ‘Whatever you say, Darius, DAR. She doesi* deal drugs. KAT. (... To Opal) So you don't deal drugs? OPAL. T guess not. KAT. Tes too bad. T like drugs. OPAL. Me too. (... Rick ying to be inclusive: o Opal) RICK: So how long were you guys together? Before prison, OPAL. A year DAR. A year and a halé ‘OPAL, A year and three months. RICK. And you got married after how long? DAR Opal agreed to marry me right before my tral, But ie didn't actually happen until — what —a year and a half later? — OPAL. A year— DAR. — about a year after that KAT. (To Opal.) Was ichard to say marred the whole time he was in there? OPAL. Who said I sayed martied? DAR. Let's be honest: Opal mattied me out of sympathy: she was honoring our past; bur nobody, searing with me, expected her to sit home and sew socks. For me it was just being able to say that T hada wife. Even just ro say it. Most guys in prison dontt gee any- where near thar. And guys on death row ... (Shaking his bead.) She's a remarkable woman. OPAL, (To others) Ihave a boyfciend. DAR. She likes to say that. OPAL. Its rue. DAR. Tes true bar its noe good, Opal, because Jackie told me what i he does and thar shits no good, Tim elling you. (Pesce 29 osbers) 1 qove this woman. This womans the reason T dist chink abou any- fons else forall those years in prison: she's the reason I didt put dsty piceres on my wal (To er) Its cause yout a jewel, Opal: because Peale my optlescent gem and you fier our the bad and insulate the ood Youre my erptocrytlline sweetheart. (To ater) She makes see a better man. (Fae,) She dacs ike ane anymore and I had © ibe her to come out with me tonight... but che woman makes me beter man. (To Opal Love you, Opal. (Ne answer) Hove you. You dont believe me yee bux I do. (Nothing. To others) I bad ee pice fon may Wall the whole time. Tye been waking up to chis besucful serene, once in-a-cenrury face for the last stteen years. Pause — a ‘hopish mile) She dont love me back yer, bur she wil (To ber) T kencwe you will, Opal. And Fn gonna wait here ‘ih you do. (Ta others) ‘Nor herein your aparument, bux hee in genera. RICK. We gor that. (Opal jst loks at hin, not giving in- Beat) KAT. So you know what Z would do? 1 were released fom jail after siteen years and dida't know what I wanted? Td move to Minnesota and start a wid farm. RICK. No you woulda. KAT. Yeah I would. RICK. You cart even water flowers in a pot in your window sil Kasya, you've got no business talking about wind fms. KAT. OK, my uncle was a fuer. RICK. What uncle? KAT. My uncle Quon, he had tice and chickens on a frm ourside Guanzjo. RICK So that makes you think you could sun a wind farm? KAT, Ie in my blood, Rick, I know how to work the land. RICK, You buy fren spinach a dhe mini-mart. KAI Whatever, Thats what I would do. (Ric watcher ber with arene septicioms slene ..-) SOAR. fe ecems to ine thatthe thing about wind energy is exther~ ize Wind energy could alter the entire course of this county: “Stange consumption, diminish corporsee influence, preserve the Sinitgamenr, zeconstitute completely che design of our incerna- Sonal selations. [mean — Windustr’s where its at, Kat. Bur che thafor impediment scems tobe that people dink sheyte ug Like they dont like to lok 2t windmills on their horizon, So Tsay its just a mavier ofa PR campaign to convines Joe-tskey-farmer that srSngle pid-connecte, residenial-sized rwelve-megavwar generat 6 ing wind turbine is actually a work of fucking are. That is acual- pict eee tc Pt 'm romanticizing i, but wo me theyre gorgeous, like the Delaware Brea he Hore Danner an cers wha to create usiiaran structures of strength and absolute beau KAT. (... Eramored) Flow the hell did you come up with tha? DAR. Books ie force KAT Lerme gus, yout one ofthese inpiraona prion zm DAR. (Daviw just regards her.) Sure, OPAL. He’ one of those guys who can tak our his ass and make his lipe move. (The others raged her am instant.) AR (Simple) You dnt sink el he she hink you say che only things you know fou to Deceit marc ifthe math oro Pee inatitind ‘What aboue wit I jase sid wasn’ eruthful, Opal? PAL ene eon agi Tan never seen 4 win " p sdmil, baby, lke I ju sid, “cept in OPAL. So that’ what Jal talkin’ out your as. DAR. You doat chink books are ral? OPA. Nota enough fo yo kik ha AR. I gota go sit in a field in Minnesota to have an opini about turbines? oo OPAL. Hrvmmm hmm. DAR. Meaning I gor be fre wo tale about feedom? OAL. Nerifioduedeste kee sie DAR. Do I gotta have seen Jesus to belive in God? OPAL. fost goa prac ou im den lan yi pe you've seen Him or spoke with Him or a least mothedfuckin betnd lim on the sree. nd DAR. All sight chen, al sighe, O; &s your opinion, Prager ip ea a a A OPAL. Good. i DAR. (Beat. To others) Now you ste why Love cis gil? 17 Scene 6 ATV studio, et for one of those Sunday morning new danabjsis shows, only this one is called This Week in Delaware, meaning ileal rarer than national and has @ slightly more down-home feel. Its bast is none other than Katya, who actually manages to infuse ber job with credible conviction. Her guest this morning is none osber than Darius. They are mid-inverview KAT. We've been talking with recently-exonerared prison inmate Darius McReele about the correctional system in this country — (fs Darius,) — and I have to say that 1 knew what you. were say- ing buc T never really knew it, so V'm detighted ro have had your take on it, but Fd love now, without sounding the violin ene, 0 hear a ltt bit abouc who you are and how you found yourself so thoroughly immersed in the Delaware Srate correctional system. DAR. Like what in particular? KAT. Ler's stare with where you grew up, what your family was like and chen get your view a3 %0 Whether Our overflowing prison sys- ain is soon ult or if black people in this country are just .. DAR. Gerting progressively laier? KAT. Ob, well — DAR. Tim just kidding with you — KAT. Right — good — kidding is good. DAR. T grew up in Wilmington, on Rosemont Avenue. Went £0 MLK elementary, Dupont Middle School and Howard High. I'm an only child. My father was a poseal administrator, actually assis- fant postmaster general for the city, and my mother ran 2 little greeting card service out of our house. KAT. Your mother made greeting cards? DAR Thats igh KAT. Were you folks normal? DAR. (A smile.) 1 dunno, I have different memories throughout; my Dad voting foc Reagen, my Mom talking up Bobby Seale, so maybe not. KAT. Tall me about your ancestry DAR. Aftican, alittle Lesh KAT. Thus the name? DAR. So 'm wid. KAT. Was ita nice house, where you lived? DAR. Prety nice, KAT. So you‘te talking about a pretry solid family? DAR. We had a nice car but no savings; that kinda thing. KAT. So then what Aggpened?— to put you near the crime that night? DAR. I screwed up. In with the wrong crowed. Wanting to be what T though was "black.” Seeking the life ofa gangster. KAT, Do you regret it? DAR. OF course. (Paue,) Now the confession was coerced — which is 2 chronic blind spot our system has 10 deal with. And T was a kid — but even Bids have petsonal responsibilty. From very carly on. we know in our bones the difference between sight and ‘wrong. So-yeah — sociery’s gor problems, bur it’s not all society's _faule. asthe one who landed me in the interrogation room diat night. I was aware ofthe blind spots I should've known beter. KAT: Lees tall more about society's blind spors DAR. (A small mile.) Pm not sute L KAT. (ue ofthe ble.) What do you think about our welfare sytem? DAR. (A shy chuckle) I would say Tm not a big far of the way it currently works KAT: Flow docs ic curcently work? — With the sesule thar you're not the head of its fan ub? DAR. (Slow at fist) I would say that it tends to be more helpfl to whites han it actually isto blacks. KAT. Dont stop shere. DAR. Every time a black person is “helped” by a white person, it shoves the blac person farther into victim role, which only brosd- «ns the problem. Nor to mention its an approach that has more £0 ddo.with white redemption than black reparation. It lip service — KAT. Why?— DAR. Because that kind of gultdriven urge — as profoundly as it mighe be fle — ie eakes away our power. KAT. How? DAR._By killing our desive o live. I mean look ar the average feinale welfare recipient: Poor, black, single teenage mother, the state gives her housing, food stamps, health care, day care — no ‘wonder the gid doesn't get married, shes beter off single. All she's ota do is make some babysitting money, borrow some cash and Sits good to go. All her energy gocs into finagling instead of mak RE hd ha te ad fe T And thats he sae fale? — ders it Kaya. Te rakes away her motivation. : KAT. Soam [to assume youre agains affirmative action’ DAR. Parelly — : KAT. Meaning you think this countrys beyond slavery DAR. No, bur dont chink tha salt and pepper grad school classes ite gonna make America rn again. Your average Black American oeent give a lick if Pfizer Drigs puts more black people on iss board, Because atthe end ofthe day — is sill Pet KAT. Innit it moze just a matter of balancing the sale? — DAR. Its a mater of white people expecting fom w the sane Sng hy exes fom het um. Ten wold you sly ont acid going vo Harvard just because somcone felt soy for het? Jie ae dee you admit thatthe vicumizing effects of slavery sill resonate? —~ : SOA They resonate but they don’t beat out ignorance, lack of self confidence, poor realityassessment — o you are sayng blacks are lary — ERE re ankle ga ‘Rention, be responsible for our Families. Tim not asolving the white face Tin jus saying that she cycle of blame does no ene any goed KAT, So what’ your solution, Ms. McReele? You can't complain if 1 dont have answers. i Pee iain: Haw dome nai The inervention? Maing a diference is more than jut some white tid losing his sembly line jb toa Black Kd. Fm clking moncy weer cnety needing to be redirected to the core. We need toilet paper andl pencils in grade schoo a Tor more chan we need some Fie yela blacker in law school. Ther’ ikea ity percent drop- aaa cre for college-level affirmative action babies anytay because Rove unprepased for whac they face. say leysate SAT prep vues inthe ghee, Is mandate «corporate matching dons Sono a rc cone for every campaiga comtibution in this country vise tobucco companies 10 replace all those nigger-aimed ciga~ rede ads with billboards of Zora Neale Huston quotes! Money ‘Shore the mouth is, Katy, sats what Lsayt (Kaya regards him a Imomont then turns tothe camer.) 20 | | | | | | i | KAT. OK then — I've been talking to Delaware native Darius MeReele. Tis Katya Braunne, join us again next week for, This Week in Delaware. (Exit music is beard as the camera light fade and Kazya takes off ber body mic. Darius waiches and does the same. To Dar) Well beep out the ‘niggee” reference — DAR. Sorry — KAT. Nota problem, it was good. You taka lor — DAR. Yeah — KAT. Is good — DAR. lejos what do — XT. It's good, i's good. We like talkers. DAR. OK. KAT. Youre provocative. 'm assuming ifs on purpose. DAR. Why would ic be? cages KAT. Provocation is fun DAR. Tesjuse what I think. (She myards him, « mix of erigue and skepticism. Rick enters) ie a RICK. What the fack was thao You'e against affirmative action? DAR. Seems like ic — : RICK. You never told me. DAR. Irnever came up — RICK. 7 mean I'm all for restructuring wellue, but scrapping the ‘whole fucking thing is like the richese country in the world calling its own poor people to essentially srew off. DAR. You didutt hear me say “screw off” You heard me say te- imagine the intervention. There are more than two horses in the KAT. [es true, Rick, there ae a lot of horses. (Rick ger the surnkle in herepe, then turns to Dari, then back to Kasya. Hes not mack just curious) Uhave to stat editing, 30... (Te Darius) Nice work. DAR. ‘Thanks. (Katya leaves; Rick watches Darius for a moment. Rick nods dubioush; bea; he bends Darius a note) RICK. So listen, I gota cal calir today. Some guy's been reading your stuff and wants you to speak to a bunch of Catholics. DAR. (Offnote) “The Association of Lay Catholics of Delaware"? RICK. Theyre anti-death penalty, theyre reformed, they do good deeds around the state. He sid thy pad well (A man appears Fi Gragen, 603, White, quier, sromg-wiled.) JIM. Excuse me RICK. Yes? JIM. (To Darius) You're Darius McRecle. a4 DAR. ‘That ah JIM. (Pause,) How does it feel? Te ow tos wha el JIM. Your freedom. Baa seen IM. You're happy- : JM, Nau HBP) Do we ame oh the PAR gad yous bor DAR. Thank you. FE eng show yo. DAR. Well ... that's thanks 0 Rick here. OAR ea dee esa im) eon neck obe JIM, Tjuse wanted ro look at you. << Pa be we whale ut os ae heaeainl a er aR ai rik, Up de. Bez) You dn know ‘me, do you : BR Fay PA vty DAR. OK. e : JIMe 1 followed your cate, (Pew. Since the beginning, Pete) Ys lon gen bim nw geting) Baar Te a norma dis CS se do ane tbo 0 ail Tim not hereto kil. Ijuse wanted 10 lool eS Fane ay aeceied «legal pardon, st (No ane) Avot Oa Ged be cine SIM, You think Pn here to-hure you? Pao Tk tion Bi hee ; DAR Neha hw my mind wo TM, aw ow won rouble. . set Jost ane mero ge yo wuble DAR. No. ee oT eaters Fe fies) Tim nor sure whac youre talking about, sc I just done want any 2 JIM, Should T give you a hug? Can P Should 2 DAR. Why would you do that? JIM. Make you feel beter. Make us both feel beer. About every- thing. DAR. (Pawe,) OK. TIM. OX, (Jim slowly walks towards Darius, who i now rather nero- us abous what this might ental: im finally ges there, but sop only inches from Darius’ ce. Darius des not finch, us ust and shee, sealing for something shat never comes,) Maybe I'l just stand here (Silence) Is that good? Does that make everyone fel beret? He remains standing jrghteninly clse 9 Darius. Bea Davis speaks genil end ft) DAR. 1 did nor tll your son, si. didnt do is. JIM. Ofcourse you did DAR. No— JIM. Of course you did. Everything about you killed him. Brerything about you ripped oue his heart. (Pause) But Tex not ‘mad. I'm nor even sad. Tm just. Ijust wanted to look atyou. (He looks at Darius a moment, emotional bu reercining i. Rick watches, st als for whos 19 do. Daria stars t0 ty and embrace Jim — Strong) Dose ouch me DAR. ... OK JIM, Dont ever... ever touch me ... (Silence as Darius just sands there allowing Jim ro be before bon; Rick watches, swmed, moved ‘Muffed) 1 hope you dic .. (fier another moment, Jom seps bach, turns end sats 1 walk awry: Darius waits, then spe) DAR. I knew Patsick. (fom saps, hi back sill Dartus) Ukncw him, from easier thar year. He been coming around for several, months. So Iknew hiss, Pause.) He was a very good kid. Pause.) He was a very good kid, sit. remember his face, He had those lit- de dimples. They were like holes iz a tsee, When he smiled. (Paus,) Hie was avery sweet kid (fm sche his alin silent oats a.moriens... then exit.) RICK: (Beat; to Darius) We should go. DAR. Right. Bur be doesnot move. They stand there Scene 7 Rick and Karya in their kitchen. RICK. Artic gave me a special ule today KAT. About what? RICK. Getting to0 close to my story: KAT, ... Lwould say he has a point. I mean, how much money have yor alieady loaned Darius? (Rick sakes this, no argument. ) RICK. Tim not gonna pull back from this just because Artie sud- Genly cares that F care. (Pes) Twas listening to Datius speak the other day — he was talking to a group of ex-cons about jabs — oh | fle lke 1 was watching something real forthe frst rime in renty years It made me absoluey not give a fuck about. “Fair Mea balanced coverage.” “Measured objectivity” doesn hol a ean- dle co someone speaking their mind, Tm sorry just — KAT. Its a lie precious, dees — RICK. Good! KAT, Artes right — The paper ges accused of having an agenda when — RICK, 1 wanna have an agenda. Agendas imply passion. Neutrality implies comatose. KAT. So chen write for the edicorial page RICK. Theyre pro-death penalty. KAT, Fine — then dont be a journalist next time. RICK. The season I became one is because I wanted to have an efece (Pause for fe) 1 don't have an effect anymore KAT. Here we go— RICK. Tm secious. All Ido is “offer up sides of the equation.” Ies the problem with our profession: You have opinions but you cant aor Ee hem because you're coo wotried about being “fa” — about being accused of liberal agenda’ — or being a “pawn of Corporsce entities”... tothe point where your acral identity ges ootin the shuffle, (Beas) 1 mean, I have fricads atthe paper who ddosit even vote anymore because they're too worried about raking a positon. (Pate,) es like were all turning into ‘Tom fucking Brokaw: "We dort disclose our own opinion because we cant actue Meemember wher ii? Pause; light) You know what your problem ist Deat. Youre ol ae ink youre eupposed to go around, rotepad in i or the next big thing. Buc you need ro relax, Because the media isthe thing. Meaning guys like Darius dont even begin to exist without us. Is a givens They need ws more than swe need them. So you wanna believe in journalism again? Then do your job: “Offer up sides of the equation, Because if you build i, the motherfuckers will come.” (A small smile) : Scene 8 A small meeting room: Rick and Darius sit with Donald ‘Smathers, Whit, late 50s, a rapid and: meade power broker. Ta be played by same actor who played fim Cragen DON. 1 missed your Lay Catholics 5 DAR You dite aug DON. Wall Tsead the copy and liked it. DAR "Thank you— ‘This was afer I saw your speech atthe prosecutors’ ag ea ar i re rr uate cpaglnt red whe Ti you he plone DON. You've gor a great fad wor vega ere en DON. You like to tall DAR. I guess — DON. No, dont be shy about, ite terifie quality its what we' Shore on these days; ae tha back, wete short on people who alk Serton ee days a aback eso on pope who a RICK. (fo Dex) Donan . That's why I was there, atthe prosecutors hing, alt: doa’ like to admit it because I don' sang inwyer os Me adi itbecee dot aly He being er DON. Because lawyers never mean whet ’ ial be Fal lease ohana ne ‘nous that so theres no need to pretend otherwise. RICK. (To Dar) Done et him fool you, Tve seen Don in court and he’ a foree to be reckoned with DON. Thats because I was a bullsives, Rick RICK. You were a bullshinec in pursuit of ruth — DON: Thats te — RICK, You used words to get at what you believed in — DON. Sometimes thats what you have to do — RICK. (To Dar.) He was great to watch — DON. Aref bullshit — as we cll it at che club, T also saw you on the show, Darius, che Sunday show — RICK. This Week in Delaware — DON. This Week in Delaware, you were fantastic — DAR. Thank you — DON. Youive got integrity you cant buy. DAR. Thanks — DON. As T aid, I missed the Catholic thing — DAR. Right — DON, But [went back and read your other work — the essays, the articles, the ants — they're not rants, well they ave but they#e good rants, cheyse meaningful rants. DAR. Somesimes J get carried away. DON. Well chink thar's why were here, (Ls flashy) I chink thats sohy we here. (Paneer grain.) Did Rick tll you why were here? DAR, No. DON, Tasked him not to, (Genuine, no more bullsbit.) 1 want v0 plane a seed in your head, Darius. Paws.) Did Rick ell you what Tdo? DAR, You're a lawyer DON. Imun the state Democratic commisees, Dasius, (Pause) ‘And Lwant to know if youd consider running for senator. DAR. (Beat) Stase senator? DON. No. Senator frovn che state, DAR. (Beas) Are you fucking with me? DON. Tim far from fucking, Darius, Pm far ftom fucking. RICK. He’ far from fucking. DAR. (To Rick, Does he know who I am? DON. What does that mean? — DAR. ‘That I've been in prison for the last sixteen years — DON. Of course I know that — DAR. Oh.so that’s part of he —? DON, Pare ofthe what? — part ofthe reason Id want you to run? 26 | | i i | | | | DAR. Yeh — BON. "yah ye, bly but on DAR tasers eee DON. Ti pot of the reon, Daru, because itm guy quid sek 0 «lg prion af his wae ens wh dott below counay lbs for whom li cakewalk. Your life hasn't been a cakewalk, Darius, pd acpi never gave up, youre not — (Te Rick.) — how do I say this? — (To Feta s) Yodie . — ged poblic ple gel opi ae dapper 0 coincide with and acually eludes a growing wend a Ze oe democratic apparatus in which were seeking to cur own ideny in utposion wo te died Ek ade cami igh dan dal aoe sy tt ov a ght oy pose thet you already now? ae Bake font unt know DON, Wallyoudelom' maybe cin plc but yu inwine ate dean. What Tet tuyng ofa stat youre every. thing we've ever wanted, Darius. Is that too romantic? — You're cg we nn snd sad ne Xo or, you now he imc your Hraperence i cence ny. you can speak Oth auboy i tym Ob ee an youre = Phot fas genic — what ee can 1a? Aad | dost drat yousounoer ign Le wanna puttin yo herd Sone aa CK. As you know, Gerry Phillips is 2 powerful incumbent and the thinking seems to be that is going fo take a slighty tadica steatégy to knock him out. eae DON. State Democrats have no one. We no ae eee fe have no one of inverest CK. (Beat,) Can you tell him a litele bit about wh Hc nae yor litle bit abc rhat he'd have to DON Nod his ead. The moment ke nods hea I put nto oti he many nay og Bone alloc fom sa mater of sng wth out feopi und caecousng oa local ae bay start rp aking him around the lecture crete a mnt of se and rational capoure "mow of is fading wl aes from out-of-sate; the wiole thing'l be very high profile (75 arias.) I's really just a matter of you aiming your passion in this direction. If you do that — we'll guide you on the specific naviga- thon: (ei) Yecould bee hind thing ae changes age 7 DAR, (Beat...) Ids alot w throw ar someone, DON. Iris, and as I said — I don't want an answer now. DAR. (1b Rick) You knew this was about thst RICK. He outlined the idea; I wanted you so hea it from him. DAR” You dont think it sounds a litle insane? A guy with my background would get tipped apart. RICK. [dont think ies any more insane than a lot of stuff thac goes down in policies these days. just look around. So I think Don fs eight: I think you should just think about it. Scene 9 Darius and Opal sit ogerber,perbaps at a restaurant; Beat DAR, [es nice here. OPAL, Yeah. DAR... Except for che chili. I mean, ic wasn bad, but it was nothing like your Mom's chil. You remember your Mors chili? (... She node) This is gonna sound funny, but when I was im, Vd soy chat about once a month I'd dream of your Moms chili, You now bow she made that chili? | used to dream ofthat chili once a ‘month. (Pause) Lused to love that fucking chili. OPAL. (Quiet) Ie was good chil DAR. Ie was phenomenal fucking chili, Opal. Phenomenal fucking chil, Beet.) You remember thar time back when we were kids and ‘ee went ro chat place? What was thas place? OPAL. Pause.) Red Lobster DAR. Red fucking Lobster — and we ate so much food I thought swe were gonna pass out We had like deep fred shrimp, deep fied ounder deep fried cams, decp fred squid... deep fied red lobar... OPAL. (Quiet) Deep ftied mushrooms — DAR. Deep fied mushrooms, decp fried, ike, buster biscuis — (Hes gosen a small laugh out of her) OPAL. Deep fried spinach — DAR.” Deep fried oysters oa the half shel, deep fried Peps. (Beat) And that time [borrowed my unck’s az and we went down to Ocean City? (She nadi,) We went on those rides on the board- |r nrrat ate em ce RRR vwalk and you dew up on that brand new shire Thad? saan ” new shite Thad? DAR. What the hell were you thinking, gil? OPAL Tesh mean nnn BP — DAR. — that was my brand new Ra ‘was my brand new Ralph Lausen or whatever — OPAL. Tewas ‘cause you made me eat DAR oes en or eet OPAL, did wane en — DAR. I made you eat em? — NOW you'e drunk, Opal youte just talkin’ drunk — es a OPAL Thad ie sven aa! pple, Das — know you had seven caramel apples, Pm not dis AR, De ale sl dein ing hse apple — You we like — (ning) — "Ob00 — Obits Tatiana De Ct DAR. "Hell yeah ies ru, gil, you ate chem apples quicker chan a sie ents nas Tea © god You wr ike — HMMM — Simme some apples, gimme some apples”... = area 0 oul dating i or wha ee °AL. How many times you gonna ask me that? DAR. Every day uneil I gee the anser I Tike. OPAL. Well shen yon beer gt wed sing, R. Ohi Can, Opal, I know you dont mean OPAL, Hl att tno so dont mean hs DAR. Because T know: OPAL. How? — DAR. Because I have contacts, I know this Latte , [know things, private things, DAR. You're dam tight it’ right — OPAL. So whatayou know? DAR. I know you don realy se him thar much. [know you like to tell me youre seeing im, but that reality is you'te not And T ‘ow that inthe four mes weve ben on se got ont aon three of those occasions youve been more than tempted to accom: uy ms home, is ‘ PAL You can tell char just by loki ae js by looking? OPAL, Howe DAR. Because I know you Opal Ovens, I know DAR Bere Eno you Op Oven 1 ow Jo bee dat OPAL. No you dont — DAR Yer Ido — and I know that inside of you there's special spot sill on ice for me, chilled and waiting, maybe even secrecy doping that Pl ell you on your prevaricacions and we cat cut t© the chase and hit the sack. Which is what I'm doing now. OPAL. You got three square a day fr sixteen years while L was ou here tying to get by. L gor all Hind: of shit on ice, Darins, but most ofem you dont wanna see. DAR. (Sugar) T wanna see ‘em all, Opal. (She watohes him moment.) OPAL. (Gentle) [think you just like having me around. DAR I da OPAL. But it don't mean you serious. DAR. So what’ it mean? OPAL. Te means you wantta keep i ra. DAR. Keep what real? OPAL. I duano, your image, in case you decide to do the politics. Pe) So that way you have your «rue black gil by your side DAR. What? — OPAL. You heard me. DAR. *Cause I want a black gir bry may sdet — OPAL. Yeah — DAR. Why would I want — OPAL. So that everybody says to themself that Darius McRecle (Gide rarn ineo an Uncle Tom even though he’ trying to run for office — DAR. Waita minute, wait a minure — OPAL, — oreven though he’ taking certain stands on certain shit thar he’s sill rue "gherto" ‘cause he's a got a black girl for his girl friend — DAR. Please cll me you not serous — OPAL. ‘Course Tm serious — DAR. You think T wana love the gitl Im alseady marred to because I'm trying to please the brothers? — OPAL, No---you wanna dare a black gil “cause you want please the woes DAR. OK, shar doesn't make any sense — OPAL. Of course it does — i your lise mind you think that if you end up funning for office i’ gonna be ber to be with a black. DAR. Why? — 30 pagans somes OPAL. °Cause you chink is more authentic DAR.” According ro who? — ae OPAL. According to what you shink they chink — DAR. "Was I od choy thinks thai Lot eer so voe fora wit 4 white woman than for 4 black man whos PAL. dont think thas what you think — DAR. Well i s— foce OPAL. Fine — then maybe youre just OPAL, Bae — -youte just eying to convince yourelf OPAL, OF the iden that youte nor an Unce Tom. Maybe ye Wot thar you ae and so youte ying wo hep il by gis «DAR. All right — now youre crazy — on ect DAR. Twanna be with you beeause I Jove you, Opa ale ey cay ca ae ere er © OPAL. OK then dow sun, DAR. ... Wha? OPAL. Dont run. DAR. Why not? OPAL. ’Canse I don't want you ro. DAR. Why no OPAL. Because I don't DAR. Why noe © OPAL. ’Cause ifm gonna be wi lost OPAL. "Cau 8 th you, I donit wanna be in that DAR. Which whole world? /SOPAL. The whole word of whatver tha worl is don wanna F beim and I don't want you to try and make me. And i wee -DAR. Opal sen ome got no deseo deg some yon Mont wannabe, or make you ino someting pou not. Llove you (> justlike you are. And its nos because youre black. Tes cause you'e omy opalescenc jewel. And itl be the same if| become a plumber or Yen poses Bom aie ou, Opal yo Toe ‘Opal (ae, Which s why Yvan us havea Emily DAR, 'T evo — the mores you ke me ale You be anna. st ying 0 make a family. I wanna have lee ‘Opal/Dariuses runnin’ around populatin’ the earth. You want kids? 31 OPAL. No— DAR. Yes you do, I know you do — OPAL. How? — DAR. ‘Cause my sources told me — OPAL. Bullshit — DAR. And yow told me — OPAL, When? — DAR, When we were seventeen yeats old, you said you wanted «0 trove outta the towers and have ten kids and live like the Queen of Sheba of Delaware. (Sh takes this ins Darius knows hes goe bers beat Ligier) "Sides, f wanted a gheco gi, I think I coud go a bit rougher than you. (He ger a all smile) Buc Tm eling you, the lst thing your average Delawate voter ans is heir senator hanging wth yg, We may be al sha these days, bur were sil along way fran Ail shee. (She has stopped fghsig hi om this; beat .. bead don.) OPAL. Then maybe it’s something else DAR. Maybe whats something clic? OPAL. ‘The reason you wanna be with me. DAR. (Pause) Like whae OPAL. (Paus,)T dunno. DAR. Yeah you do. You said chat for a reason. OPAL. No! didsit — DAR. (Srrong)) Opal. (She looks xp ax him.) Tell me what youTe talking about. PAL, Tin just saying ic could be another reason why you want sme by your side. DAR. Having to do with what? OPAL. With other suff DAR. Like what? OPAL. Like suffyou chink | might know that you don't want me to elk about DAR. Pause) Like what? ‘OPAL, Like seuff I dont fee like talking abou right now. DAR. Gear) If youre edlking about what I shink youre elking about, then we should tae abour it OPAL, We ate. (Beat) All'm saying is, Po all ighe with who you tue, Darius; 0 you should be too. (Beat) Most people who grt putea jail cry to buy 2 cer, not run for senator. DAR. I dont get what youre — OPAL. Tim saying buy a fucking ear, D. Le’ just be happy with hae. Beat as Darius absorbs this. and then.) 32 DAR. Tm gonna take care of care ofyou. No master what, Im gonna take ders ntoncsd ig ort are Bags My rein. PY iseing DAR. Because T love you. And the reasor you. yn T want you back is ies ou make me emenber wha my ile wsike Kelacine edly ‘me stare breathing again. (Peuse,) OK? DAR. Nou love me back? Opal? BAR. ig ove me ack Opa DAR’ Cimon, gimme a lle more than that. OPAL. (Gemuine,) I love you, ae me ae Scene-10 “Darina now. 8 “Darncno sending ait nbs Khe, reg DAR. ‘Chanks,for,sceing-me so late, RICK, ‘Nop.a problem, Eve ‘OK? Dale eablatsnhinkabou ae dae RUCK, Tessie 1 prey ameing aly Tonk okt eset prima isa prey lame field out thee, a east Joc lop, Gary Eilips has ben wing he fo with ‘thesnominees = bur its mosey because the Democrats hay ‘put forth anvone.scrongslf you do cis... and ople off = pocforthanyone,rong.! -. and ean earch poople off ‘oad eee chineyou havea chance of taking a shor a this oe "0 hance of taking a shot at this guy. |) RICK, There's a moderatiberal base here. IE you i Abllngyet ‘wouldnt even have to play c0 the cor pono oe atic ‘em without-taking off their heads, gee the blue collar vote, nt alienate-theblacks. The vote’ therefor the taking : BAR: So.you think shoul doi ie ICN forme man, Tmean Tj wre are nd (Beat) You leaning in a particular way? eae eee ymehow thet docsrit surprise me. cyssineesrteetense eee segment to abouts, RICK. What is ie DAR. Iovas there the night Patrick Cragen gor sho RICK. (Bear) What do you mean you wets ther? Dan Toa esae eo DAR, What about you? RICK. About me tbat? : DAR. You ever think about being part of i RICK. Of the —-? DAR. The effort. Helping me our. Advising. RICK, Are you ashing me? RIGK -Acthe rourder? DAR. Yeah. DAR Yeah, RICK. Thave ajob. IGK (Passe) You werent 2 block away? DAR. Quicit DAR. Nowtwas there, RICK. Tear just quit my job — RICE hehe go: shoe sh (Beat 1 was with Ronny. I was standing next ik ee . ding next to him RICKS, OK, swaica minute — you were there? “DAR Yeah. (Bause,) None of us had any idea it was gonna hap- DAR. Sure you can. RICK. No— DAR. You dose like your jab, Rick. You havent liked isin ten years RICK. Says who? — os cag |] Bengt ushappened, Ie yas an argument, a misunderstanding 0 Rae ire abvious, and its nor “anse youre bored is ‘se HS ‘hiteVeriand Ronpy.plled. his gun and shot eS Oa en abougt ie would Te doe equip you GE ew wham fuck todo. J ith what you need to do what you watt E RICE eed nee denaet RICK. Which is whe | DARGRinny handed:tco me and old me to dow ein a dumps DAR Be effective. Aft change. Pause.) | BCR falcons per DAR. Oe ec ie oe ant me w aut and work on your J DAR He stiuvasetecsbat vay awe ws feaking out, Risk, RICK: So-phen,she,cops. picked you up campaign? . DAR. You don't have to act all surprised — ') DAR. When they picked:me up it all. went down like I said RICK, Tim not— vethg path 4 Bgphadine pegged for fee helene and Tid ave the RICK. ot agora “Who ating gion — gor Liat bere Eat ight geen Ronayne RICK. Not dont— { RIGK: 1 (Binae}S0hen you xy “none of us” had any idea —? DAR. You didnt think Pd want you to help? — © DARI fatarme, Ronny or the kid RICK. Irhadnie realy erossed my mind — ee RICK so! Whavabour at.the trial? When you retracted? DAR. Wall de. © DAR, Plats when Yao em Tas a block aay RICK: Why dida’eyou rel chem the truth? DDAR, Because I as rol the aw worked was dha il inlrder: Accomplice abil. If youl there partakin nsiysule sll gly. nae tend RICK. Burwasst-armed robbery or was it just a fighe berween ont a, Gragen? RICK, (Psu) OK then. Thats good to know. PEGE reaeuldafbe He it was she fre me ajourmais switched sides. RICK. Right RGR Bibs) I wanoa ge back to Don by the end ofthe wee If ina ange, ge sa 00 on RICK. Tagree. | DARs Ldonisknows whae the fuck ie was, Rick. Ie was like een sec- DAR. Theres something else we should alk about. )ondsiof chaos. I couldnt rell who was trying ere: ee RICK. Ob yeah? jefe was'éther shit betwreen them I didnt know about, or if Ronny DAR, Ye. (ea es eal a bicoF big ing ‘| jus lasthis cool or if the kid was provoking him. Ar chat poiot in Sen thy lifed-was just doin’ whatever Ronny told me ro do. And I Roe Le ay much the only pon on ert Lean lk bate ldo him since that night [sll doi know. 34 35 “cc nt cst EE TEED ES COCA LLL TELL LEE EOL RICK. Jesus, Darius — DAR. { know. I know. Im sorry — RICK. 1 mean what the fick? Ie like — DAR. Fm sorry — RICK. Imean T wite these articles to get you released — DAR. What else could I tll you, Rick? IF Td told you I was there what would you have done? Your whole perception of me would've Changed, when the fat of the macter is — I'm sill not guilty of the Crime. I happened to be standing nex: ro aman when he shot Soother man. I didnt pull che rigger. And when the police bit me for the crime I didat rat out Ronny. Thar’ alli all is. Seventeen years old and I'm trying to find my way through shit have no idea phere i leads. Te was all instinc (Peus.) I pat in sbmeen years for XT murder I didn't commie. I think T'm paid up. (Beat, So I wanted to tell you thar. Before this whole thing goes any further. And I oat know ifit means I should come clean about it, ot bucy it now that Ronny’s doing the time. I dorit know, Rick. I really don't RICK. ... [dont know either, Dat. DAR. Yinow Ihave something. to sayin my life, bur if don't have the right to say it, then so be it Tl wall away fom che whole ching tight now Honestly TL wall away. (Beat as Rick absorbs ial fora ‘noment ...) Tea sorry Tm spilling this on you lke this. RICK. Right. DAR. Right. (Pawe,) Allright? RICK. All right, DAR. (Beat) You gonna give me your reaction? RICK, My reaction is nothing right now, Dazius. Tm pissed disappointed ...| dont know. (Beat) So dont sally know what 0 well just think ie over. (Beat) But I guess what Tin celling you, a5 of nov is char Pm sal thinking. pout doing this. The cempaiga. And chat Ym sell thinking abour ‘alling Don on Friday. And that I sill want you to help me. Because I dont think I could do it alone, (Pause) Which T guess means Yu not gonna ... Tm not gonna do ie — unless you do it teith me, (Beat) So wil you lee me know what youte thinking? RICK. Iwill. DAR. All ight then. Il be waiting, ser DAR Allright awe) 8 End of Act One 36 ACT TWO. Scene 1 Avo 7m pup-ten et up in @ worn-down public rie ie ors one ad th an Fone inking cafe fom a cardonerd cup. He peas ith é ens cofiplying the part of quence RICK. Me MeRel you ed abot ou cou fartin,” we have 24,5 mil oastine inh leas ake 24, iles of coastline in chis stare and an Don't kiss ass — AR. “Linds! — apni takes so ide money to make his shit work — tls so de 0 take aif thi cme rn juesi oy a senator —— wor ape Tha Biodiversity and water quality are the peti plbeanl RICK, Which is wha — YAR. Phesteria Piscici i PAR, Mesa Pca a ni dinoaglere — DAR. Fuck if] know — RICK. So we need to gon tha The point is its associated wi AR, The pio ist sociated with fh lions and dents in RICK Sowyatimporans Cen — AR. (Homes) ee bs Ds s imporant bocaus nobody starting wis criterion RICK. ‘Good, esta sbout your expen 7 DAR, Ted Kennedy war thisty when he was alerted tothe Senate, lenry Clay was cwengy-nine, Males me look like an eld man. RICK. Good. (Offnoter) Me. McReele, your agenda is decidedly liberal, so Tm curious as to ee FoRPland on issues like defense Bait Es dhe So ching Ya doi indie drat — RICK. Noyou wouldnt — ‘727%... DAR. Yes I would because a volunteer atinyii' joke; it’s a man- date (o our government to send.che troops wherever it feels lke because everyone figures theypoonbascatdssigite upifor ic anya. Buc if thes a draft, suddeniyest5eoundeepering tossed around the plabe to “protecr ol-nationalinterestoe whatever other facked up thing the NSC comespsmith+2\~ RICK. Cant say fucked DAR. Sure I can — RICK. You really cante— tb : DAR. —a draft would holdcoltrfcking leaders accountable RICK. Iwas talking more on a local level28 0 DAR. Ona local eve lets sare with Doverrihieteiourdéad come ome from war and whichithitsmeedsnotbetirelkepr place DAR. — money sucker RICK, — airforce base— wrasse s DAR. — debiltared military facili: RICK. Beat.) The thse: Danis, abouirbietanguages there are just cortain things you can sy ebsit'ordo; evs youcan' act, You sorta keep it consisencly.. senatorial-(Disriuitkesthis in, includ ing its ubtext,) tt DAR. Right ae onus i baad 2 RICK, You should lee me call the papersaboutiyout encampment thing here. nN DAR. No. nt oar sagea b RICK. Why not 2 wsusicog 2a a DAR. Because its just somedhing ewnmacdTdonit need 10 advertise. rsvp RICK. Bue no one's noticed yer : DAR. Yeah they have. Police care 67'an-houtagosT told ’ema I ‘wasn't moving from the lot untilnore-

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