Sample syllabus for Arranging instrumentation (1)
Sample syllabus for Arranging instrumentation (1)
Fall 2018
School of Music
Kennesaw State University
SYLLABUS
Instructor
Dr. Laurence Sherr, Professor of Music, Composer-in-Residence
Office: Music Building 116
Phone: 470-578-3406
E-mail: [email protected]
Class Meetings
Tuesday and Thursday, 12:00–12:50 pm
WB 119
Course Website
KSU D2L Brightspace: http://d2l.kennesaw.edu/
Course Communication
I am available to speak with you in person or on the phone, and to communicate by email. In-
person communication is preferred, and the other specified modes are also completely viable.
Office Hours: to be announced
Electronic Communications
“The University provides all KSU students with an “official” email account with the address
“students.kennesaw.edu.” As a result of federal laws protecting educational information and
other data, this is the sole email account you should use to communicate with your
instructor or other University officials.”
Required Materials
The required books are The Study of Orchestration (Fourth Edition) and the accompanying
Workbook for The Study of Orchestration (Fourth Edition), both by Samuel Adler. The textbook
is needed every class to follow the demonstration of musical examples. Textbook listening
examples are at: https://digital.wwnorton.com/orchestration4. Also required are manuscript
paper (12 staff recommended) and a straight edge (triangle recommended). An USB flash
drive (for storage and class sharing of project files) is required.
Purpose/Rationale
The understanding of instrumental and vocal capabilities, and the art of combining performers
in arrangements and compositions, are musical proficiencies that are an important part of
professional training. This upper division course builds on the techniques of SATB vocal
scoring utilized in the first two years of music theory. After gaining knowledge in the idiomatic
use of instruments and voices, students will achieve skill in arranging music for groupings of
individual instruments and for the sections of instruments playing together in a large ensemble.
At a higher level, students will expand basic choral arranging techniques to master the
encompassing principles of scoring and arranging applicable to ensembles such as orchestras,
wind ensembles, choirs, and jazz bands. Gaining experience in instrumentation and arranging
provides knowledge and abilities important for success in a broad range of musical disciplines.
3. TESTS: There will be two exams, one at mid-term and the other at the end of the term. To
be eligible for a make-up test, students must notify the instructor of their absence and desire to
take a make-up, by phone or e-mail, NO LATER THAN THE TIME OF THE TEST.
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4. ATTENDANCE: Class includes live demonstrations of instruments and the explanation of
materials not in the text. There is no substitute for exposure to the playing and insights of live
performers. Regular attendance is thus crucial for success in this course, and is expected at
every class. There is an allowance of three absences for illness or emergency. Each additional
absence results in the loss of a letter grade from the student’s final course grade. Three late
arrivals count as an absence. Arriving more than 15 minutes late for a regular class, or late at
all for an in-class reading session, counts as two late arrivals.
5. PROJECTS: For the three class projects, each student will create arrangements for the
following ensembles:
• Instrumental: 1) string quartet, 2) woodwind quintet, 3) brass quintet
or
• Vocal: 1) women’s choir (SSA or SSAA), 2) men’s choir (TTB or TTBB), 3) a cappella
mixed chorus
The final project is an arrangement for full orchestra or wind ensemble. Scores and parts for
each project will be notated in a standard software program (Finale or Sibelius recommended).
The full version of Finale v25 is available in our Music Lab. We will seek to have live readings
of student projects in class. For all projects, on-time submission is required to pass the course.
6. EVALUATION PROCEDURE
Preparatory Homework 10% (lowest grade dropped)
Graded Homework 15% (lowest grade dropped)
Class Projects 30% (10% each)
Final Large Ensemble Project 15%
Exam 1 15%
Exam 2 15%
COURSE WITHDRAWAL
The last day to withdraw without academic penalty is October 5.
ACADEMIC INTEGRITY
§ Every KSU student is responsible for upholding all provisions of the Student Code of
Conduct, as published at http://scai.kennesaw.edu/codes.php.
§ Section 5C, the “Code of Academic Integrity,” addresses the University’s policy on
academic honesty, including provisions regarding cheating and plagiarism. Incidents of
alleged academic misconduct will be handled through the established procedures of the
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Department of Student Conduct and Academic Integrity, which include either an informal
resolution by a faculty member, or a formal hearing procedure, that may subject a student
to the Code of Conduct’s minimum one semester suspension.
§ From section 5C: Core Values and Honor Code Pledge:
“Kennesaw State University students accept the pledge below by virtue of their
acceptance into the institution and enrollment in courses…As a member of the
Kennesaw State University community of scholars, I understand that my actions are
not only a reflection on myself, but also a reflection on the University and the larger
body of scholars of which it is a part. Acting unethically, no matter how minor the
offense, will be detrimental to my academic progress and self-image. It will also
adversely affect all students, faculty, staff, the reputation of this University, and the
value of the degrees it awards. Whether on campus or online, I understand that it is
not only my personal responsibility, but also a duty to the entire KSU community that
I act in a manner consistent with the highest level of academic integrity. Therefore, I
promise that as a member of the Kennesaw State University community, I will not
participate in any form of academic misconduct."
§ Please read the full text of Section 5C at the website above.
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display works in the course of face-to-face teaching activities.
The University System of Georgia facilitates compliance with copyright law and, where
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A. The USG informs and educates students, faculty, and staff about copyright law,
including the limited exclusive rights of copyright holders as set forth in 17 U.S.C. § 106,
the application of the four fair use factors in 17 U.S.C. § 107, and other copyright
exceptions.
B. The USG develops and makes available tools and resources for faculty and staff to
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assist in determining copyright status and ownership and determining whether use of a
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Questions about this policy should be directed to the KSU Equal Employment Opportunity
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encouraged to report and seek assistance regarding incidents of sexual misconduct. A student
who is under the influence of alcohol or drugs in violation of the KSU Student Code of Conduct
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reason. In order to encourage students to come forward, disciplinary violations against a
student (or against a witness) for his or her use of alcohol or drugs will not be enforced if the
student is making a good faith report of sexual misconduct.
Getting Started With Technology Services - Steps that will help you meet the technological
requirements of the University.
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number received from ITS when the problem was reported to them. The ticket number will
document the time and date of the problem. You MUST e-mail your instructor within 24 hours
of the technical difficulty if you wish to request a make-up.
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determined in the new university.
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