1951

SINCE
Film

FILM EQUIPMENT’S FOR ARCHIVES

> Film scanner PERENITY p.2
> Viewing table + Scanner SCANTABLE p.6
> Processing machine MINIPLEX p.10
> Cleaning machines ULTRACLEAN p.11
> Rejuvinating machines CLARA p.11
> Inspection tables Series TR3 & M Series p.12
> Rewinding tables RT & EV Series p.12
> Viewing and comparison tables HDC & DUAL Series p.13
> Splicer, cleaver & accessories p.13
> MAM, Storage, LTO p.14
> CTM, a unique global offer p.15
> Our References p.16

125 Avenue Louis Roche • 92230 Gennevilliers-France • +33 1 40 85 45 40 • www.ctmfilm.fr • [email protected]

 SCANNER

PERENITY 5K
Film scanner PERENITY 5K
Designed especially to treat the archive materials. The PERENITY perfectly combines the rendering
quality, speed of execution and preservation of materials not to mention the ease of use.

The best solution in the archive world

Dedicated for archive materials
PERENITY scan any type of 8 to 35mm film. 6 exchangeable film gates: 8/S8 – 9.5mm – 16/S16mm – 17.5mm – 28mm – 35/S35 mm.
With a continuous motion capstan drive system, tension regulation is variable and smooth, with two tension arms electronically controlled by
a potentiometer to protect your film. It can handle with any type of damaged films and it can perfectly operate with a large amount of missing
or damaged perforations.

Ballistic Following Scanning (BFS®) vs standard flash capture

Unique Ballistic Following Scanning (BFS ®) system developed by CTM.
PERENITY ensures a high technology and performance capture by oscillating mirror, tracking each
frame to capture it, fixed on the sensor.
The mirror system is giving back all the intensity of your film. It increases exposure time compared
to flash scanners. A longer time of exposure during the scanning gives a better ratio signal / noise.

Laser Detection
Perforations are detected by laser. It permits an accurate positioning of the picture. Combined
with KOLIBRI software, the Laser detection ensures excellent results even with your damaged
films.
No sprocket for detection: non-aggressive solution for your film.
With laser detection, PERENITY can handle with any type of shrinkage (up to 5%).

Picture Stabilization High-power LED sphere

Algorithm (PSA®) The diffuse, high-power LED illumination of the
Associated to the Laser detection, CTM has
PERENITY reduces the visibility of scratches. LEDs NOW IN 5K
ALL IN ONE !
are characterized by low power consumption, high
developed picture stabilization through a efficiency, excellent color separation and long-life
perforation analysis. durability.
The sensor captures the whole frame, The integrating sphere gives an uniform illumina-
Multi format film scanner for 8/S8, 9.5, 16/S16, 35/S35mm, HD / 2K / 4K / 5K
including the perforations. tion. This cool LED light source protects film from
An algorithm adjusts in real time the posi- heat damage.
tion of each frame.

Color Correction station KOLIBRI® 4.0

Fast and easy operation KOLIBRI is the dedicated workstation for PERENITY, simple and easy to use. It gives you intuitively access to primary and secondary color
correction, automatic motorized zoom and focus. KOLIBRI ensures PERENITY control and file and/or video output.
PERENITY simultaneously generates DPX and H264.
Equipped with its trackball panel support option for deported color command, it becomes a color grading station: faster and more efficient.
PERENITY to make your life easier: loading and unloading a film, calibrate the Laser detection
are really easy. When changing film formats PERENITY automatically adjusts the optical magni-
fication-format changes. It requires less than 2 minutes.
KOLIBRI is both a remote control of the scanner, and a software control-
No special air conditioning is required to use PERENITY and it can be operated in any normal
ling the signal processing:
office environment.
PERENITY can manage a sound follower by bi-phase signal. • Complete transport control • Management of video output
of the scanner • Management of audio output
• Primary and secondary color • Management of internal or
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Non-contractual pictures
correction external storage
• Management of files output

Film scanner 2 www.ctmfilm.fr Film scanner 3 www.ctmfilm.fr

 TECHNICAL SPECIFICATIONS

n Film types and formats n Film transport

• Negative, Intermediate, Interpositive, • Film capacity: 2,000 feet (600 m)
Print, color or B&W. • Capstan drive system
• 8/S8 - 16/S16 - 35/S35 mm • Continuous motion servo film drive for constant film tension
• 9.5 - 17.5 - 28 mm (option) • Laser detection
• Shrunken film handling up to 5%
• Cleaning by Particle Transfer Rollers - PTR (option)
n Light source and scanning system
• Integrating sphere n Workstation
• Cool LED light source
• Real-time digitization in 25 p/s for 2K • The most powerful workstation HP Z series (840) of the last
New Progressive camera with 5K sensor (5120x3840) • Speed rewind: 4 times of real speed generation
• Ballistic Following Scanning (BFS®) of the frame • High performance preconfigured with Microsoft Windows7 - 64
• Exposure time in front of the camera =0,004 seconde bit - professional
• NEW Progressive camera with 5K sensor (5120x3840) • Increasing the time of exposure in comparison with the flash • 16/9 LCD monitor
• Exposure time = 0,004 seconde: systeme (Exposure time Flash system 400 times smaller) • PCIe slots for high speed connectivity (Giga Ethernet - fiber
• Ultra low noise camera with Bayer pattern channel)
- A longer time of exposure during the scanning gives a better ratio signal / noise • High resolution lenses • RAID0 internal storage 12 TB
- With a flash system, exposure time is 400 times smaller • Ratio: 4:3 – 16:9 – 1.85
• Self-adjusting motorized frame size and focus
• PERENITY simultaneously generates DPX and H264
• 2, 3, 4 perforation in 35mm
n Dimensions
• Width: 105 cm
• Depth: 71 cm
n Sound readers (see options) • Height: 182 cm
• Optical sound reader COMMOPT, all format types • Cratin size: 150x96x230 cm
• Magnetic sound reader COMMAG or SEPMAG, all format types • Net weight: 300 kg
High Dynamic Range scanning • Synchronization with a double-tape reader by bi-phase signal • Gross weight: 460 kg

HDR is a set of digital techniques to achieve a high dynamic range in an image. n Output and format n Operating environment
His interest is to represent or memorize many levels of light intensity in an image. • Progressive camera with 5K sensor (5120x3840)
• Resolution 4K (4096x3112), 2K (2048x1556) or HD (1920x1080) • 15°C to 30°C
This technique is carried out for allocating more values at a same pixel. • 15% to 85% relative humidity non condensing
• 5K, 4K, 2K, HD-SDI 25p ou 50i, SD-SDI 4/3 – 16/9
HDR scanning is done using a multiple exposure method during which a scanner ‘stops • DPX couleur/N&B 10/16 bit (ANSI / SMPTE 268M-2003)
the film ’ to capture images at different exposure levels. • Uncompressed AVI
• Proxy H264 n Electrical requirements
Images are subsequently recombined into a single HDR image. • WAV/BMF • Operating voltage: 100-120 V / 200-240 V
• Bi-phase output, synchronization Genlock input and basic RS422 • Power consumption: 0.9 KVA
protocol • Frequency: 50 Hz / 60 Hz single phase
• Audio output (2 stereo channel) - SDI embedded (BNC) - AES UER
(BNC) - Analog (XLR)

n Options for PERENITY 5K

Restoration Tools for digital restoration
In addition to the workstation, a dedicated restoration toolset for PERENITY for repairing damage to film material. This toolset combines the
• OP35 Stereo loudspeakers
best in automatic, semi-automatic and manual restoration tools
• OP320 Optical sound reader mono 16mm COMOPT 16
• OP323 Inverted optical sound reader stereo 35mm COMMOPT 35
• OP328 Magnetic sound reader double track S8 mm COMMAG S8
• OP329 Magnetic sound reader double track 9.5mm COMMAG 9.5
• OP334 Optical sound reader mono 17.5mm COMMOPT 17.5
• OP335 Channel 17.5mm
• OP336 Kit of 2 PTR (for film cleaning)
• OP339 Channel 9.5mm (Pathé)
• OP341 Magnetic sound reader single track 8mm COMMAG 8
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Non-contractual pictures
With a familiar timeline based interface, the artist and archivist can easily review and retouch defects in context as required. • OP342 Magnetic sound reader single track 16mm COMMAG 16
• OP801 Control surface including trackball panel

Film scanner 4 www.ctmfilm.fr Film scanner 5 www.ctmfilm.fr

 VIEWING TABLE + SCANNER
Viewing table + Scanner PERFECTA
Scantable PERFECTA - ALL IN ONE !
PERFECTA is designed to handle archival films
while significantly simplifying the operators’ work.
It allows viewing and scanning of any film format:
8/S8, 9.5, 16/S16, 17,5, 28, 35/S35 mm
PERFECTA
HD / 2K / 4K

Technical characteristics
Horizontal positioning proper to a traditional viewing table:
• Two plates with a capacity of 600 m, bi-directional
• Convenient and easy use for physical film restoration
• Simplified film loading, large diameter rollers
• Film inspection at a stop position by forming a loop and using a
large illuminated ground glass
• Possibility to repair splices
• Equipped with a multi-units counter: images / meters / time.

Designed for archival films Image: all formats

Scantable PERFECTA is adapted to treat positive and negative Several formats are available by changing the image gate and winding
nitrates film as well as negative, positive and intermediates safety cores:
films. Scantable PERFECTA is also able to handle warped and da- • Negative, internegative, interpositive, positive, color and B & W
maged film without perforations.
• Constant height of the film against the table top regardless of
Scantable PERFECTA is equipped with a 2K scanning* system that al-
the format
lows full-width film scanning. Archivists can easily obtain the resulting
files which are encoded in free formats. • Available formats: 35/S35 - 16/S16 - 28 - 17,5 - 9,5 - 8/S8
The film is driven by a capstan. The windings run smoothly with
constant voltage without a servo arm.
*Upgradable to 4K

Film inspection at a stop position Sounds

Two flexible pressing rollers hold the film in place at a stop position. Reading and recording of optical sound COMMOPT ALL IN ONE !
They open when pressing Play. • Reading and recording magnetic sounds COMMAG
• Sound amplifier with 2 speakers
Multi format: 8/S8, 9.5, 16/S16, 17,5, 28, 35/S35 mm – HD / 2K / 4K
Possibility to refurbish splices and automatic loop adjustment at startup.
• Synchronizing with a double belt drive with bi-phase signal

DESIGN
Film transport Laser Detection
• Two plates with a capacity of 600 m, bi-directional in 16 mm • The film is driven by a capstan via continuous scrolling.
and 35 mm. • Laser detection of perforations . Perforations are detected by laser. It permits an accurate positioning of the picture.
• The film is disposed on a core or in a carter. • Ability to view films with high shrinkage (above 5% for No sprocket for detection: non-aggressive solution for your film.
• Retractable key core in 16 and 35 mm with an adapter for 35 mm). With laser detection, Scantable PERFECTA can handle with any type of shrinkage (up to 5%).
each format. • 24 or 25 f/sec synchronous speed on Control handle.
• Film tension is provided by controlling the speed of plates • Variable speed by Control handle from 0 to 50 f/sec, forward
without control arm. - reverse.
• Film tension is adjustable depending on the format or film
condition.
Laser Detection
Image gate
It consists of a chrome-plated and polished curved track and a projection window. Picture Stabilization Algorithm (PSA®)
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The corridor width is adjustable depending on film withdrawal.
The curve of the track reduces film deformations and is associated with an object field Associated with the laser detection, CTM has developed picture stabilization through perforation analysis.
depth in order to achieve a sharp image. The sensor captures the whole frame, including the perforations. An algorithm adjusts the position of each
The window allows seeing the perforations on each side. frame in real time.
The operator can use a resizing function of the image from an image, including the
soundtrack and perforations. Image gate Picture Stabilization

Viewing table + Scanner 6 www.ctmfilm.fr Viewing table + Scanner 7 www.ctmfilm.fr

 LED light source TECHNICAL SPECIFICATIONS
High power LED trichromatic system with extended lifetime allows calibration from a colorful flow which
is especially useful for the films whose color has changed to a dominant.
• Principle of a diffuser by a light source reduces the visibility of scratches and ensures good lighting Camera / sensor Workstation
homogeneity. • CCD 5K with low noise, progressive mode with Bayer filter, • Multicore Station, 64 bit, Windows 7
• Playback of cellulose nitrate films is possible thanks to low-energy cold light illumination, which with a depth of analysis 12-bits
• SSD system disk
protects film from heat damage. • Sensor format: 5K (5.120 x 3.840 pixels - 4/3 ratio) • Two HD LCD monitors 24’’
• LED light source control provides very high stability of light emission.
• PCIe card available for Giga Ethernet or fiber channel -
external storage in real time
• Internal storage in RAID0 - SATA 12 TB disks
Optical system Output Formats
• Optical zoom allows image adaptation on the
camera sensor. • 4K, 2K, HD-SDI 25p or 50i, SD-SDI 4/3 - 16/9 letter box - 16/9 • Bi-phase output, Genlock input synchronization and basic
• Magnification, centering and focusing commands. anamorphic protocol RS422
• DPX color / B & W 10/16 bit (ANSI / SMPTE 268M-2003) • Audio output (2 channels stereo)
• Uncompressed AVI - Embedded SDI (BNC)
- AES EBU (BNC)
PTR Rollers • Low resolution H264 - Analog (XLR)
• Film cleaning PTR rollers (optional). PTR Rollers LED light source • WAV / BMF

Color Correction EXPLOITATION

Scantable PERFECTA is associated with the calibration
system ‘‘PALITRA’’. n Tilting horizontal table n Dimensions n Operating condition
‘‘PALITRA’’ is SCANTABLE PERFECTA steering software as The base of the table is equipped with double rollers • Width: 1475 mm • Temperature from 15 ° C to 30 ° C
well as a calibration tool. It is installed on the powerful for easy movement. The work surface pivotes about
PC an axis to allow the passage through 0.70 m doors • Depth: 825 mm • Non-condensing relative humidity from
workstation and gives access intuitively to the correct and facilitate maintenance. 15% to 85%
primary and secondary color, power zoom, and focus. • Power: 110 / 220V - 50/60 Hz Single
‘‘PALITRA’’ guarantees control of video and files outputs. phase - 0.8 KVA
Control and calibration software ‘‘PALITRA’’ ensures:
• Complete control of Scantable PERFECTA RANGES
• Correction of primary and secondary colors
• PERFECTA 16/35 – 02 - 1 image
• Files output
• Video output • PERFECTA 16/35 – 04 - 1 image et 1 sound separated - Sprocket drive
• Audio output
• Internal or external storage
Soft ‘‘PALITRA’’ screens
OPTIONS
Viewing Storage OP132 Gate 28 mm OP143 Roller tri-format withdrawal 35 - 17.5 - 9.5
• Possibility to view the image and the sound track.. • Recording on the internal storage of the machine.
• Possibility of viewing edge to edge • Possibility to remotely record on centralized storage OP133 Gate 17.5 OP144 Roller tri-format 35 - 17.5 - 9.5
• SD or HD Viewing on HD screen 24’’ with the use of a fiber channel card.
OP134 Gate 9.5 OP145 Optical sound head reader COMMOPT 35

OP135 Gate 8/S8 OP147 Optical sound head reader COMMOPT 16

OP137 Core box 16 OP148 Optical sound head reader COMMOPT 17.5

OP138 Core box 17.5 OP149 Magnetic sound head reader COMMAG 35

OP139 Core box 9.5 OP150 Magnetic sound head reader COMMAG 16

OP140 Core box 8 OP151 Magnetic sound head reader COMMAG 9.5
OP152 Magnetic sound head reader COMMAG 8
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Non-contractual pictures
OP141 Core box S8
OP153 Magnetic sound head reader COMMAG S8
OP142 Roller tri-format withdrawal
35 - 16/S16 - 8/S8 OP 154 Set of 2 PTR rollers with support

Viewing image and sound

Viewing table + Scanner 8 www.ctmfilm.fr Viewing table + Scanner 9 www.ctmfilm.fr

Processing machine Cleaning & Rejuvinating machines

Processing machine MINIPLEX Film cleaning machine: ULTRACLEAN

• Format 16/35 mm - 4000 feet (1200 m)
• Perfect Tension Regulation > Minimum pressure
• Dual cleaning action with buffers and ultrasonic action (40 KHz)
• Respect of the Neutral Axis > Better reliability • Continuous solvent recovery and distillation
• 70 mm Rollers > Less tension • Closed loop air drying
• Gear Motor Rack Lift System > Reliable & simple • Film drive by capstan
• Perchloroethylene or 3M HFE
• Complete computing control MOSGI > More security and • Control of brushes speed rotation
more simplicity
• Tension pneumatic system > Maintenance free and simple > Benefits
to adjust (OPTION) • Shield separates the 2 reels to reduce contamination
• Multi-holes spray rods fixed on the tank > Superior Bath from ‘’dirty’’ film from the ‘’clean’’ section
Agitation & easy maintenance • Higher tank to increase the immersion time in the solvent
• Ball bearings with bearing seals • Big diameter velvet brushes with variable speed for a better
• Ball Bearings > less maintenance efficiency
• Higher drying cabinet and reinforced sealing of the cabinet
• Removable Drying Dampers > easy maintenance
to reduce solvent consumption

Highlights
• Negative - Positive – Black & white
Highlights
• Demand drive or sprocket drive • Robust, easy and fast maintenance
• Low pressure on the film > higher quality • User comfort and safety
• Neutral axis > Better reliability • Silent engine
• Fully computerized > control of every parameter • Touch Screen Control
• Tension pneumatic system • Programmable logic controller (PLC)

Rejuvenating machine: CLARA

Treatment by water-based solutions
Full rejuvenating process with water & detergent spray buffers to obtain a very soften and clean film, ready for scanning
• Gelatine restoration with reduction or removal of scratches • Format 16/35mm - 2000 feet (600 m)
Multi holes spray rods Easy maintenance Ball bearings Drying dampers • Gelatine polishing • Film driven by a capstan and “Demand drive” system
• Moistures treatment by soaking the film in the baths and by the action
• Compact machine easy to integrate: designed to be
of brushes and ultrasonic
installed
• Very accurate cleaning of the two faces of the film
• Delate “Vinegar syndrome” effect • in a 2.50 meter high room.
Details & accessories
• Chemical control unit • Washing tanks • Video control
• Silver recovery • Scratch detector • Accessories
Highlights
• Mixers & tanks
• Excellent film cleaning and softening solu-
tion before scanning
• “Vinegar syndrome” treatment
• Programmable logic controller (PLC)
• Electrical rack lift system
• Very low maintenance cost
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Non-contractual pictures
Chemical control unit Scratch detector Accessories
• Low impact on the environment

Processing machine 10 www.ctmfilm.fr Cleaning & Rejuvinating machines 11 www.ctmfilm.fr

Inspection & Rewinding tables Viewing tables
The inspection tables TR3 and M Series offer several configurations. The wide range of inspection tables Bidirectional tables, equipped with a clutch and a electromagnetic brake that can be moved by hand.
available is in response to the requirements and practices of operators. A light box allows comfortable On the 16/35 tables, changing from 16mm to 35mm film does not require any tools since the 16mm and
observation and assessment of the passing film. Adapted for physical preparation of films. 35mm picture heads are side by side as well as separate magnetic soundtracks are 16mm, 17.5mm, and
35mm. The optical lenses are designed for a projection with academic ratio. Cinemascope, super 16mm,
super 35mm, 1.66, and 1.85 with magnified aspect ratio (options).
Inspection tables: TR3 & M Series
Tables in the DUAL Series are equipped with a double screen that permits the operator to simultaneously
• Horizontal table • One direction or reverse view two films. 2 x 16mm, 2 x 35mm, 1 x 16mm/1 x 35mm.
• 16/35mm format • Retractable core
• Capacity of 600m • Light box 275x195mm) for film inspection
• Manual or electrical (variable speed • Extractor hood (option)
from 0 to 400 m/min)
M Serie table
Viewing tables: HDC & DUAL Series
New options for archives:
• Multi unit counter • Full flexibility for 16mm or 35mm film
• Dual pedal of control • CTM sprockets (schrunkage up to 2%)
• Suitable container for the recovery of film waste • High sound quality (1 or 2 or 3 sounds SEPMAG)
• Dedicated work area for film restoration • Prism with 18 faces
• Retractable shelf to rest your elbow • Variable speed from 0 to 100 i/sec
• Kit of PTR • Multi film formats
• Multi unit counter HDC Serie table
• Table fixed onto rollers and reclining vertically to fit through doors

Highlights Highlights
• Comfort for the operator • Large choice of options TR3 Table
• Well arranged controls • Simple, accurate and robust • Comfort for the operator
• Well arranged controls
• Large choice of options
• Simple, accurate and robust

Rewinding tables: RT & EV Series DUAL Serie table

The rewinding tables RT series and EV series offer several configurations. This wide range of rewinding
tables is available in response to the requirments and practices of operators. With RT & EV series tables,
starting, stopping and winding are electronically controlled, thus negatives can be wound with complete
safety. Manual (RT) or electric, these rewinding tables.
Splicers, cleavers & accessories
CTM CTM offers a large range of film splicers and film cleavers

• Horizontal or vertical tables

• One direction or reverse • 8 / 16 / 35mm
• Automatic length control (EV) • Manual and semi automatic
• 16/35mm format • Positive and negative
• Capacity of 600 - 1200 /1800m (EV) • Adhesive tape
• Constant tension (option)
• Retractable core (RT)
RT table CTM offers kits allowing clients to transform existing tables purchased from other companies to be more similar to the products we offer, or to
build a table tailored to their own design.

Highlights
• Comfort for the operator
• Well arranged controls
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Non-contractual pictures
• Large choice of options
• Simple, accurate and robust
Kit of manual winder - Plate 600m or 300m PTR for tables and scanners
unwinder with its roller guide
EV Serie table
Lyre

Inspection & Rewinding tables 12 www.ctmfilm.fr Viewing tables 13 www.ctmfilm.fr

Media Asset Management IGNITION CTM, a unique global offer

Ingest and digitalization, Media creation and metadata Film equipment manufacturer
Control of most of the robotics and video recorders for mass digitization Software editor
Management of all the market archiving libraries (HSM) Consulting
Native management of the LTFS and compatible archiving system Integrator
Media indexation, web consulting, Advanced documentary management Training
DPX, DCDM, DCP file format management, Multi reels, multi langages, multi
subtitles

Media Asset Management

Storage LTO
CTM Film integrates a simple CTM Film offers a customer the storage along the length of LTO
backup solution, flexible and cartridge 6, 7.
economic.
• Choice of gross capacity:
24TB to 48TB
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Non-contractual pictures
• High speed for creative
processes

More than 25 projects all around the world

• RAID protection professional (RAID 0, 1, 5, 6, 10) We work with the best manufacturer of LTO library to ensure
backed up to film heritage.

Media Asset Management Ignition 14 www.ctmfilm.fr CTM, a unique global offer 15 www.ctmfilm.fr
Our Main References
Europe
• BFI(UK) Africa / Middle East
• Bundesarchivs (Germany) • Egyptian Media Production City (Egypt)
• INA (France) • Centre Cinematographique Marocain (Morocco)
• Documentary Archives Kranogorsk (Russia) • Soc.Nationale de Radio & Television (Morocco)
• Cinematheque of Belgium (Belgium) • Algerian Ministry of Defense (Algeria)
• Immagine Ritrovata (Italia) • The Islamic Republic of Iran Broadcastin (Iran)
• Archiv Republike Slobenije (Slovenia) • MediaGuru (Qatar)
• CNC (France) • National Center for Documentation & Research (Abu Dhabi)
• Gos TeleRadioFond (Russia) • Gulf Film (Dubai)
• National Archives Center (Ukraine)
• Cinemateca Vasca (Spain)
• Swedish Institute (Sweden) Asia / Pacific
• Danish archives (Danemark) • VFI (Vietnam)
• National Audiovisual Archive Helsinki (Finlande) • CFA (China)
• TVP Telewizja Polska S.A. (Poland) • National Films Archives (Azerbaijan)
• Turkish Radio and Television Corporation (Turkey) • National Archives (Kazakhstan)
• Cinemateca Portugues (Portugal) • Screensound (Australia)
• National Archive of Singapore (Singapore)
• Filem Negara Malaysia (Malaysia)
Americas • Tele Media System CO Japan (Japan)
• Library of Congress (USA)
• Korean Film Archive, Asia Culture Institute (South Korea)
• George Eastman Museum (USA)
• Cineteca Nacional (Mexico)
• Canal 7 (Argentina)
• Cinemateca Brasiliera (Brazil)
• Fundación Centro Cultural Palacio La Moneda (Chile)

© CTM Film • October 2016

1951
SINCE

Film

125 avenue Louis Roche • 92230 Gennevilliers • France • Tél. : + 33 (0) 1 40 85 45 40 • Fax : + 33 (0) 1 40 85 45 18
[email protected] • www.ctmfilm.fr