Assignment Mam Nida
Assignment Mam Nida
Carl von Clausewitz was a Prussian general and military thinker. He focused on the
psychological and political parts of war. His main book, “On War,” is a famous guide to military
strategy, even though he didn’t finish it before he died. Clausewitz was a realist in many
different senses, including realpolitik, and while in some respects a romantic, he also drew
heavily on the rationalist ideas of the European Enlightenment.
Clausewitz stressed the dialectical interaction of diverse factors, noting how unexpected
developments unfolding under the “fog of war” (i.e., in the face of incomplete, dubious, and
often erroneous information and great fear, doubt, and excitement) call for rapid decisions by
alert commanders. He saw history as a vital check on erudite abstractions that did not accord
with experience. In contrast to the early work of Antoine-Henri Jomini, he argued that war
could not be quantified or reduced to map work, geometry, and graphs. Clausewitz had many
aphorisms, of which the most famous is “War is the continuation of policy with other means.”
(often misquoted as “… by other means.
Carl von Clausewitz was born on July 1, 1780, in Burg bei Magdeburg, Prussia. He came
from a family with claims to nobility. His father had served in Frederick the Great’s army, and
Clausewitz himself joined the Prussian military at age twelve, eventually rising to the rank of
major general.
Clausewitz also engaged in intellectual pursuits, exchanging letters with Fichte about his
work on Machiavelli. These experiences and studies would later influence his military theories
and writings. In 1810, Carl von Clausewitz married Countess Marie von Brühl and became part
of Berlin’s elite circles. Opposing Prussia’s alliance with Napoleon, he joined the Russian Army
during the Russian campaign of 1812-1813. He helped negotiate the Convention of Tauroggen,
leading to a coalition against Napoleon. Afterward, he re-entered Prussian service and played
significant roles in battles like Ligny and Wavre during the Waterloo campaign. He later served
as the director of the Kriegsakademie and returned to active duty during crises like the
European revolutions and a cholera epidemic. He died in November 1831, and his wife
posthumously published his famous work, “On War,” in 1832, along with his other collected
works.
Carl von Clausewitz’s work, particularly in his seminal book “On War,” is rich with
strategic concepts that have influenced military thinking and practice. Here are some of the key
concepts from his work:
Primordial violence, hatred, and enmity, which are to be regarded as a blind natural force. The
play of chance and probability, which make up the creative spirit, within which the military
commander must work. The element of subordination, as an instrument of policy, which makes
it subject to reason alone. This trinity suggests that war is not just a rational act of states but
also involves unpredictable and emotional aspects.
Fog of War:
This concept posits that war is not an end in itself but a means to achieve the political
objectives set by the state. It emphasizes that military strategy and tactics must align with the
political goals to be effective.
This is the stage in a military campaign where further offensive action may lead to a
decline in strength relative to the enemy. Recognizing this point is crucial to avoid overreaching
and potentially turning a victory into a defeat.
The principle of mass involves concentrating combat power at the decisive place and
time to achieve results that are out of proportion to the effort expended.
This principle is about allocating minimum essential combat power to secondary efforts.
It is the judicious employment and distribution of forces.
Genius in Warfare:
Clausewitz talks about the qualities that constitute military genius, which include a quick
and correct grasp of situations, the ability to make swift decisions, and the mental agility to
adapt to changing circumstances.
“Fascinating trinity” of war: This concept encompasses the primal elements of violence,
chance, and the subordination of military actions to political objectives, providing a holistic
understanding of the complexities of warfare.
Distinctions between “absolute war,” “ideal war,” and “real war”: Clausewitz
distinguishes between theoretical concepts of war and its practical realities, highlighting the
differences between idealized notions and the messy, unpredictable nature of actual conflicts.
Concept of limited objectives versus rendering the enemy helpless: He discusses the
spectrum of war objectives, ranging from limited aims to total victory, and the strategic
considerations involved in choosing between them.
War’s belonging to the social realm rather than art or science: Clausewitz views war as
a social phenomenon deeply embedded in human societies, rather than a purely artistic or
scientific endeavor, emphasizing its complex political and cultural dimensions.
Strategy primarily in the realm of art, constrained by political and military analyses: He
suggests that strategy involves creative decision-making and planning, informed by political and
military considerations, to achieve desired objectives.
Tactics primarily in the realm of science, seen in siege warfare: Clausewitz distinguishes
between the artistic elements of strategy and the scientific aspects of tactics, particularly
evident in the systematic planning and execution of siege warfare.
“Fog of war” and friction in real-world scenarios: He discusses the challenges and
disruptions caused by incomplete information, communication breakdowns, and other factors
contributing to the “fog of war” and friction in military operations.
Strategic and operational “centers of gravity”: Clausewitz identifies key strategic and
operational factors that are critical to the success of military campaigns, often serving as focal
points for decision-making and resource allocation.
Culminating point of the offensive and culminating point of victory: He examines the
strategic concepts of reaching the peak of offensive momentum and achieving decisive
victories, exploring the implications for military strategy and planning.
Clausewitz directly influenced Mao Zedong, who organized a seminar on Clausewitz for
the Party leadership in Yan’an after reading “On War” in 1938. This influence is evident in Mao’s
writings and reflects his personal study. Clausewitz’s concepts of “friction” and the “fog of war”
have become widely recognized in fields like business strategy and sport. Additionally, the term
“center of gravity” in military doctrine originates from Clausewitz’s usage, although its meaning
in U.S. military doctrine differs from his original concept.
The end of the 20th and the beginning of the 21st century have witnessed state armies
dealing with insurgencies, terrorism, and asymmetrical warfare. Clausewitz’s analysis wasn’t
limited to wars between conventional armies but also covered conflicts involving revolutions,
rebellions, and non-state actors, as seen during the French Revolution and Napoleon’s era. He
extensively studied guerrilla warfare, as evident in his lectures and writings on small wars,
including the French Vendée and the Tyrolean uprising. His work includes a notable chapter on
“The People in Arms,” reflecting the broader scope of warfare beyond conventional conflicts.
Criticism:
Martin van Creveld, an Israeli military historian, criticized Clausewitz’s concept of the
“Trinity” as obsolete in his 1991 book, arguing for a new model of modern warfare. His critique
has had significant influence, but it has also been challenged by scholars like Daniel Moran, who
accused Creveld of misrepresenting Clausewitz’s metaphor. Christopher Bassford further
argued against Creveld’s interpretation, highlighting the central role of the people in
Clausewitz’s concept of the Trinity.