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ANATOMY
PHYSIOLOGY
The Unity of Form and Function
Ninth Edition
KENNETH S. SALADIN
Distinguished Professor of Biology, Emeritus
Georgia College
Digital Authors
CHRISTINA A. GAN
Highline College
HEATHER N. CUSHMAN
Tacoma Community College
Ken Saladin’s first step into authoring was a 318-page paper on the ecology
of hydras written for his tenth-grade biology class. With his “first book,”
featuring 53 original India ink drawings and photomicrographs, a true story-
teller was born.
When I first became a textbook writer, I found myself bringing the same
enjoyment of writing and illustrating to this book that I first discovered
when I was 15.
—Ken Saladin
Courtesy of Ken
Saladin
viii
Anatomy & Physiology: The Unity of Form and Function tells a story comprised of many layers, including core science, clinical applica-
tions, the history of medicine, and the evolution of the human body. Saladin combines this humanistic perspective on anatomy and physi-
ology with vibrant photos and art to convey the beauty and excitement of the subject to beginning students.
To help students manage the tremendous amount of information in this introductory course, the narrative is broken into short seg-
ments, each framed by expected learning outcomes and self-testing review questions. This presentation strategy works as a whole to create
a more efficient and effective way for students to learn A&P.
Organizational Changes
For improved readability, narrative descriptions of some systems are moved from tables into chapter text; selected illustrations are moved
outside of the tables; and tables are distilled to more concise summaries. These include the skeletal muscles (chapter 10), spinal nerve
plexuses (chapter 13), cranial nerves (chapter 14), and blood vessels (chapter 20). A detailed list of changes by chapter follows.
ix
xi
xii
BRIEF CONTENTS
13 The Spinal Cord, Spinal Nerves, and APPENDIX E: Medical Word Roots and Affixes A-19
muscle and nerve cells is treated Somatic Reflexes 459
in two consecutive chapters (11 14 The Brain and Cranial Nerves 492
Glossary G-1
Index I-1
and 12), which are thus closely 15 The Autonomic Nervous System and
Visceral Reflexes 542
integrated in their treatment of 16 Sense Organs 563
synapses, neurotransmitters, and 17 The Endocrine System 612
xiii
CHAPTER
∙∙ Frequent subheadings and expected learning outcomes help
students plan their study time and review strategies.
BONE TISSUE
Deeper Insights highlight areas of interest
and career relevance for students.
1
3
cub = cube; oidal = like, resembling
4
poly = many; gon = angles
5
when teaching chapters out of order.
cyto = cell; logy = study of stell = star; ate = resembling, characterized by
xiv
separation between the bones and length of the fibers give these (fig. 9.4a). (The other costal cartilages are joined to the sternum by
joints more mobility than a suture or gomphosis has. An especially synovial joints.)
mobile syndesmosis exists between the shafts of the radius and
ulna, which are joined by a broad fibrous interosseous membrane. Symphyses
This permits such movements as pronation and supination of the
In a symphysis9 (SIM-fih-sis), two bones are joined by fibrocarti-
forearm. A less mobile syndesmosis is the one that binds the distal
Questions in figure legends and Apply What You ends of the tibia and fibula together, side by side (see fig. 9.2c).
lage (fig. 9.4b, c). One example is the pubic symphysis, in which
the right and left pubic bones are joined anteriorly by the carti-
Know items prompt students to think more deeply 9.1c Cartilaginous Joints
laginous interpubic disc. Another is the joint between the bodies
of two vertebrae, united by an intervertebral disc. The surface of
about the implications and applications of what they A cartilaginous joint is also called an amphiarthrosis7 (AM-fee-
ar-THRO-sis). In these joints, two bones are linked by cartilage
each vertebral body is covered with hyaline cartilage. Between the
vertebrae, this cartilage becomes infiltrated with collagen bundles
to form fibrocartilage. Each intervertebral disc permits only slight
have learned. This helps students practice higher (fig. 9.4). The two types of cartilaginous joints are synchondroses
and symphyses. movement between adjacent vertebrae, but the collective effect of
all 23 discs gives the spine considerable flexibility.
order thinking skills throughout the chapter. Synchondroses
A synchondrosis8 (SIN-con-DRO-sis) is a joint in which the ▶ ▶ ▶ A PPLY W HAT YO U K NOW
bones are bound by hyaline cartilage. An example is the temporary The intervertebral joints are symphyses only in the cervi-
joint between the epiphysis and diaphysis of a long bone in a child, cal through the lumbar region. How would you classify
formed by the cartilage of the epiphysial plate. Another is the at- the intervertebral joints of the sacrum and coccyx in a
tachment of the first rib to the sternum by a hyaline costal cartilage middle-aged adult?
7
amphi = on all sides; arthr = joined; osis = condition
8 9
syn = together; chondr = cartilage; osis = condition sym = together; physis = growth
Clavicle Sternum
Rib 1
Intervertebral
Costal disc (fibrocartilage)
cartilage
ST U DY
(a) G U I DE
▶ Assess Your Learning Outcomes
(c) extension, hyperexten- Body of vertebra
To test your knowledge, discuss the following 3. Three essential components of a lever 12. The same for flexion,
FIGURE
topics 9.4partner
with a study or in writing,Joints.
Cartilaginous ideally 4. The meaning of mechanical advantage (MA); sion, and lateral flexion of the spine, and
from(a)
memory.
A synchondrosis, represented by how the MA of a lever can be determined right and left rotation of the trunk
from measurements of its effort and resis- 13. The same for elevation, depression, protrac-
9.1 the costal
Joints andcartilage joining rib 1 to the
Their Classification tance arms; and the respective advantages of tion, retraction, and lateral and medial excur-
sternum. (b) The pubic symphysis.
1. The fundamental definition of joint (articu- levers in which the MA is greater than or less sion of the mandible
(c) Intervertebral discs, which join
lation) and why it cannot be defined as a than 1.0 14. The same for dorsiflexion, plantar flexion,
adjacent vertebrae to each other by
point at which one bone moves relative to an 5. Comparison of first-, second-, and third-class inversion, eversion, pronation, and supina-
symphyses. Interpubic disc
adjacent bone levers, and anatomical examples of each tion of the foot
2. ? What is the
Relationships and difference
differences betweenbetween the 6. Variables that determine a joint’s range of (fibrocartilage)
9.3 Anatomy of Selected CHAPTER 9 Joints
Diarthroses 297
the pubic
sciences symphysis
of arthrology, and the
kinesiology, and motion (ROM), and the clinical relevance
Pubic symphysis
interpubic disc?
biomechanics of ROM (b) 1. Features of the jaw (temporomandibular)
3. The typical system for naming most joints 7. Axes of rotation and degrees of freedom in joint including the mandibular condyle,
ST U DY
after the bones they involve; examples of joint movement, and how this relates to the mandibular fossa, synovial cavity, articular
296 PART thisTWO Support and Movement
4. Basic criteria for classifying joints G U I DE classification of joints as monaxial, biaxial,
or multiaxial
disc, and principal ligaments
2. Features of the shoulder (glenohumeral)
5. Characteristics and examples of bony joints 8. Six kinds of synovial joints; how each is joint including the humeral head, glenoid
(synostoses) classified as monaxial, biaxial, or multiaxial; cavity and labrum, five major ligaments
ST U DY 4. Whichofoffibrous
6. Characteristics the following joints cannot be
joints (synar- imperfectionsd. always
in this produces
classification;an MA andless than 1.0. and four 12.bursae,
A fluid-filled
and tendons sac that eases
of the the movement
biceps
The end-of-chapter Study Guide offers several methods throses) and G U I DE
circumducted?
each of their subclasses, with
examples a. carpometacarpal
examples of e. each
9. The concept of
is applied
move
type inonthe
zeroaposition
one
resistance
bodyside of the fulcrum to brachii andoffour
andonhowtheitother side. 3. Features of the elbow;
a tendon
rotatorover
.
cuffa muscles
bone is called a/an
the three joints that
▶ Testing Briefly
Yourexplain
Recall 4. Menisci occur in the elbow and knee joints. Answers in Appendix
8. The knuckles A
are amphiarthroses.
What’s Wrong with These Statements? questions
why each of the following state-
ments is false, or reword it to make it true.
5. Reaching behind you to take something out 9. Synovial fluid is secreted by the bursae.
1. Internal and external rotation of the 2. Which of the following is the least mov- 3. Which of the following movements are
1. More people get rheumatoid arthritis than of your hip pocket involves flexion of the
further address Bloom’s Taxonomy by asking humerus is made possible by a
a. pivot
osteoarthritis.
joint. able?
a. a diarthrosis
shoulder.
10. Like most ligaments, the periodontal liga-
unique to the foot?
ments attach one bone (the tooth) to another
a. dorsiflexion and inversion
b. condylar 2. A doctor who treats arthritis is called a
b. a synostosis 6. The cruciate ligaments are in theb.feet. (the mandible or maxilla).
elevation and depression
the student to explain why the false statements c. ball-and-socket kinesiologist.
d. saddle
c. a symphysis c. circumduction and rotation
7. The femur is held tightly in the acetabulum
d. a synovial joint d. abduction and adduction
3. Synovial joints are also known as mainly by the round ligament.
are untrue. e. hinge
298 e. a condylar joint
synarthroses. PART TWO Support and Movement
e. opposition and reposition
STUDY
Testing Your Comprehension questions address GUIDE
Bloom’s Taxonomy in going beyond recall to
▶ Testing Your Comprehension
application of ideas. 1. All second-class levers produce a mechani- the first interphalangeal joint of the index arm. Imagine a person holding a weight
cal advantage greater than 1.0 and all third- finger. (Do not bend the fingers of a wired in the hand and abducting the arm. On a
class levers produce a mechanical advantage laboratory skeletal hand, because they can laboratory skeleton, identify the fulcrum;
less than 1.0. Explain why. break off.) measure the effort arm and resistance arm;
determine the mechanical advantage of
2. For each of the following joint movements, 3. In order of occurrence, list the joint actions
this movement; and determine which of
state what bone the axis of rotation passes (flexion, pronation, etc.) and the joints
the three lever types the upper limb acts as
through and which of the three anatomical where they would occur as you (a) sit
when performing this movement.
planes contains the axis of rotation. You down at a table, (b) reach out and pick
may find it helpful to produce some of up an apple, (c) take a bite, and (d) chew 5. List the six types of synovial joints, and for
these actions on an articulated laboratory it. Assume that you start in anatomical each one, if possible, identify a joint in the
skeleton so you can more easily visualize position. upper limb and a joint in the lower limb that
the axis of rotation. (a) Plantar flexion; fall into each category. Which of these six
4. The deltoid muscle inserts on the deltoid
(b) flexion of the hip; (c) adbuction of the joints has/have no examples in the lower
tuberosity of the humerus and abducts the
thigh; (d) flexion of the knee; (e) flexion of limb?
xv
LEARNING
Reticular tissue
Macrophage
Trabecula
Trabecula
The incredible art program in this textbook sets the standard Lymphocytes
in A&P. The stunning portfolio of art and photos was created Cortex: Reticular fibers
Subcapsular sinus
with the aid of art focus groups and with feedback from Lymphatic nodule Artery
and vein
Venule
Germinal center
hundreds of accuracy reviews. Cortical sinuses
(b)
Medulla:
Medullary sinus Efferent
lymphatic Lymphocytes
Medullary cord
vessel
Reticular fibers
Frontal sinus
Cribriform plate
Nasal conchae: Auditory tube
Superior
Middle Sites of respiratory control nuclei:
Inferior Pons
Medulla oblongata
Meatuses
Nasopharynx
Hard palate Uvula
Oropharynx
Tongue
Laryngopharynx
Larynx:
Epiglottis
Vestibular fold
Vocal cord
Trachea
Vertebral column
Cadaver dissections are paired with
Esophagus
carefully drawn illustrations to show
(a) intricate human detail.
Rebecca Gray/McGraw-Hill Education
Meatuses:
Frontal Superior
sinus Middle
Nasal conchae: Inferior
Superior Sphenoidal sinus
Middle Posterior nasal
aperture
Inferior Pharyngeal
Vestibule tonsil
Guard hairs Auditory Nasal septum:
tube
Naris (nostril) Perpendicular plate
Hard palate Soft palate
Upper lip Uvula Septal cartilage
Oropharynx
Vocal cord
Larynx
Trachea
Esophagus
(b) (c)
xvi
Palmaris longus
tendon Median nerve
Thenar muscles Ulnar artery
Flexor digitorum Flexor retinaculum
superficialis tendons
Carpal tunnel
Trapezium
Flexor digitorum Hypothenar muscles
profundus tendons
Ulnar bursa
Radial artery
Anterior Hamate
Trapezoid
Capitate
Lateral Medial
Scaphoid Extensor tendons
Posterior
(b) Cross section
Process Figures
Conducive to Learning Saladin breaks complicated physiological
∙∙ Easy-to-understand process figures processes into numbered steps for a
∙∙ Tools for students to easily orient themselves manageable introduction to difficult
concepts.
10
1 Blood enters right atrium from superior
and inferior venae cavae.
xvii
FOR INSTRUCTORS
No surprises.
The Connect Calendar and Reports tools keep you on track with the
work you need to get done and your assignment scores. Life gets busy;
Connect tools help you keep learning through it all.
Top: Jenner Images/Getty Images, Left: Hero Images/Getty Images, Right: Hero Images/Getty Images
W
hen I was a young boy, I became interested in what I pedagogy—the art of teaching. I’ve designed my chapters to make
then called “nature study” for two reasons. One was the them easier for you to study and to give you abundant opportunity
sheer beauty of nature. I reveled in children’s books to check whether you’ve understood what you read—to test your-
with abundant, colorful drawings and photographs of animals, self (as I advise my own students) before the instructor tests you.
plants, minerals, and gems. It was this esthetic appreciation of Each chapter is broken down into short, digestible bits with a
nature that made me want to learn more about it and made me hap- set of Expected Learning Outcomes at the beginning of each sec-
pily surprised to discover I could make a career of it. At a slightly tion, and self-testing questions (Before You Go On) just a few
later age, another thing that drew me still deeper into biology was pages later. Even if you have just 30 minutes to read during a lunch
to discover writers who had a way with words—who could capti- break or a bus ride, you can easily read or review one of these brief
vate my imagination and curiosity with their elegant prose. Once I sections. There are also numerous self-testing questions in a Study
was old enough to hold part-time jobs, I began buying zoology and Guide at the end of each chapter, in some of the figure legends, and
anatomy books that mesmerized me with their gracefulness of the occasional Apply What You Know questions dispersed
writing and fascinating art and photography. I wanted to write and throughout each chapter. The questions cover a broad range of
draw like that myself, and I began teaching myself by learning cognitive skills, from simple recall of a term to your ability to
from “the masters.” I spent many late nights in my room peering evaluate, analyze, and apply what you’ve learned to new clinical
into my microscope and jars of pond water, typing page after page situations or other problems. In this era of digital publishing, how-
of manuscript, and trying pen and ink as an art medium. My “first ever, learning aids go far beyond what I write into the book itself.
book” was a 318-page paper on some little pond animals called SmartBook®, available on smartphones and tablets, includes all of
hydras, with 53 India ink illustrations that I wrote for my tenth- the book’s contents plus adaptive technology that can give you
grade biology class when I was 16 (see page viii). personalized instruction, target the unique gaps in your knowledge,
Fast-forward about 30 years, to when I became a textbook and guide you in comprehension and retention of the subject
writer, and I found myself bringing that same enjoyment of writing matter.
and illustrating to the first edition of this book you are now hold- I hope you enjoy your study of this book, but I know there are
ing. Why? Not only for its intrinsic creative satisfaction, but always ways to make it even better. Indeed, what quality you may
because I’m guessing that you’re like I was—you can appreciate a find in this edition owes a great deal to feedback I’ve received from
book that does more than simply give you the information you students all over the world. If you find any typos or other errors, if
need. You appreciate, I trust, a writer who makes it enjoyable for you have any suggestions for improvement, if I can clarify a con-
you through his scientific, storytelling prose and his concept of the cept for you, or even if you just want to comment on something
way things should be illustrated to spark interest and facilitate you really like about the book, I hope you’ll feel free to write to
understanding. me. I correspond quite a lot with students and would enjoy hearing
I know from my own students, however, that you need more from you.
than captivating illustrations and enjoyable reading. Let’s face it—
A&P is a complex subject and it may seem a formidable task to Ken Saladin
acquire even a basic knowledge of the human body. It was difficult Georgia College
even for me to learn (and the learning never ends). So in addition Milledgeville, GA 31061 (USA)
to simply writing this book, I’ve given a lot of thought to its [email protected]
xxi
1
CHAPTER
MAJOR THEMES
OF ANATOMY
AND PHYSIOLOGY
hormones), and pathophysiology (mechanisms of disease). Partly usually considered to be the Greek physician Hippocrates
because of limitations on experimentation with humans, much (c. 460–c. 375 bce). He and his followers established a code
of what we know about bodily function has been gained through of ethics for physicians, the Hippocratic Oath, which is still
comparative physiology, the study of how different species have recited in modern form by graduating physicians at some medi-
solved problems of life such as water balance, respiration, and re- cal schools. Hippocrates urged physicians to stop attributing
production. Comparative physiology is also the basis for the de- disease to the activities of gods and demons and to seek their
velopment of new drugs and medical procedures. For example, natural causes, which could afford the only rational basis for
a cardiac surgeon may learn animal surgery before practicing on therapy.
humans, and a vaccine cannot be used on human subjects until Aristotle (384–322 bce) was one of the first philosophers to
it has been demonstrated through animal research that it confers write about anatomy and physiology. He believed that diseases and
significant benefits without unacceptable risks. other natural events could have either supernatural causes, which
he called theologi, or natural ones, which he called physici or phys-
BEFORE YOU GO ON iologi. We derive such terms as physician and physiology from the
latter. Until the nineteenth century, physicians were called “doctors
Answer the following questions to test your understanding of
of physic.” In his anatomy book, On the Parts of Animals, Aristotle
the preceding section:
tried to identify unifying themes in nature. Among other points, he
1. What is the difference between anatomy and physiology? argued that complex structures are built from a smaller variety of
How do these two sciences support each other? simple components—a perspective that we will find useful later in
2. Name the method that would be used for each of the fol- this chapter.
lowing: listening to a patient for a heart murmur; studying
the microscopic structure of the liver; microscopically
▶▶▶APPLY WHAT YOU KNOW
examining liver tissue for signs of hepatitis; learning the
When you have completed this chapter, discuss the
blood vessels of a cadaver; and performing a breast
relevance of Aristotle’s philosophy to our current thinking
self-examination.
about human structure.
These words were repeated again and again with little variation.
The woman who lay for some time as she had fallen was then
supposed to be able to see things in the world of Ilogo, and was
brought to after half an hour’s insensibility; she looked very much
prostrated. She averred that she had seen Ilogo, that he had told her
Quengueza was not bewitched.
Chaillu heard one day by accident that a man had been
apprehended on a charge of causing the death of one of the chief
men of the village, and went to Dayoko, the king, and asked about it.
He said yes, the man was to be killed; that he was a notorious
wizard, and had done much harm.
Chaillu begged to see this terrible being, and was taken to a
rough hut, within which sat an old, old man, with wool white as snow,
wrinkled face, bowed form, and shrunken limbs. His hands were tied
behind him, and his feet were placed in a rude kind of stocks. This
was the great wizard. Several lazy negroes stood guard over him,
and from time to time insulted him with opprobrious epithets and
blows, to which the poor old wretch submitted in silence. He was
evidently in his dotage.
When asked if he had no friends, no relatives, no son or daughter
or wife to take care of him, he said sadly, “No one.”
Now here was the secret of this persecution. They were tired of
taking care of the helpless old man, who had lived too long, and a
charge of witchcraft by the greegree man was a convenient pretext
for putting him out of the way.
The Wizard in the Stocks.
Chaillu went, however, to Dayoko, and argued the case with him,
and tried to explain the absurdity of charging a harmless old man
with supernatural powers; told him that God did not permit witches to
exist, and dually made an offer to buy the old wretch, offering to give
some pounds of tobacco, one or two coats, and some looking-
glasses for him, goods which would have bought an able-bodied
slave.
Dayoko replied that for his part he would be glad to save him, but
that the people must decide; that they were much excited against
him, but that he would, to please Chaillu, try to save his life.
During the night following our travellers heard singing all over the
town all night, and a great uproar. Evidently they were preparing
themselves for the murder. Even these savages cannot kill in cold
blood, but work themselves into a frenzy of excitement first, and then
rush off to do the bloody deed.
Early in the morning the people gathered together with the fetish
man, the rascal who was at the bottom of the murder, in their midst.
His bloodshot eyes glared in savage excitement as he went round
from man to man getting the votes to decide whether the old man
should die.
In his hands he held a bundle of herbs, with which he sprinkled
three times those to whom he spoke. Meantime a man was stationed
on the top of a high tree, whence he shouted from time to time in a
loud voice, “Jocoo! Jocoo!” at the same time shaking the tree
strongly.
Jocoo is devil among the Mbousha, and the business of this man
was to keep away the evil spirit, and to give notice to the fetish-man
of his approach.
At last the sad vote was taken. It was declared that the old man
was a most malignant wizard, that he had already killed a number of
people, that he was minded to kill many more, and that he must die.
No one would tell Chaillu how he was to be killed, and they proposed
to defer the execution till his departure. The whole scene had
considerably agitated Chaillu, and he was willing to be spared the
end. Tired and sick at heart, Chaillu lay down on his bed about noon
to rest and compose his spirits a little. After a while he saw a man
pass his window, almost like a flash, and after him a horde of silent
but infuriated men. They ran towards the river. Then in a little while
was heard a couple of sharp piercing cries, as of a man in great
agony, and then all was still as death. Chaillu got up, guessing the
rascals had killed the poor old man, and turning his steps toward the
river, was met by the crowd returning, every man armed with axe,
knife, cutlass, or spear, and these weapons and their own hands and
arms and bodies all sprinkled with the blood of their victim. In their
frenzy they had tied the poor wizard to a log near the river bank, and
then deliberately hacked him into many pieces. They finished by
splitting open his skull and scattering the brains in the water. Then
they returned; and to see their behaviour, it would have seemed as
though the country had just been delivered from a great curse.
By night the men, whose faces for two days had filled Chaillu with
loathing and horror, so bloodthirsty and malignant were they, were
again as mild as lambs, and as cheerful as though they had never
heard of a witch tragedy.
The following is a fair sample of “witch-test,” as practised in this
region. A Gaboon black trader in the employment of a white
supercargo, died suddenly. His family thinking that the death had
resulted from witchcraft, two of his sisters were authorised to go to
his grave and bring his head away in order that they might test the
fact. This testing is effected in the following manner: An iron pot with
fresh water is placed on the floor; at one side of it is the head of the
dead man, at the other side is seated a fetish doctor. The latter
functionary then puts in his mouth a piece of herb, supposed to
impart divining powers, chews it, and forms a magic circle by spitting
round the pot, the head, and himself. The face of the murderer, after
a few incantations, is supposed to be reflected on the water
contained in the pot. The fetish man then states he sees the
murderer, and orders the head to be again put back to its proper
grave, some days being then given to him for deliberation. In the
mean time he may fix on a man who is rich enough to pay him a
sufficient bribe to be excused of the charge, and if so he confesses
that the fetish has failed.
In the central regions of Eastern Africa all that is sacerdotal is
embodied in individuals called Mganga or Mfumbo. They swarm
throughout the land; are of both sexes: the women, however,
generally confine themselves to the medical part of the profession.
The profession is hereditary; the eldest or the cleverest son begins
his education at an early age, and succeeds to his father’s functions.
There is little mystery, says Burton, in the craft, and the magicians of
Unyamwezi have not refused to initiate some of the Arabs. The
power of the Mganga is great; he is treated as a sultan, whose word
is law, and as a giver of life and death. He is addressed by a kingly
title, and is permitted to wear the chieftain’s badge, made of the base
of a conical shell. He is also known by a number of small greasy and
blackened gourds filled with physic and magic hanging round his
waist, and by a little more of the usual grime, sanctity and dirt being
closely connected in Africa. These men are sent for from village to
village, and receive as spiritual fees sheep and goats, cattle and
provisions. Their persons, however, are not sacred, and for criminal
acts they are punished like other malefactors. The greatest danger to
them is an excess of fame. A celebrated magician rarely, if ever, dies
a natural death; too much is expected from him, and a severe
disappointment leads to consequences more violent than usual.
The African phrase for a man possessed is ana’p’hepo, he has a
devil. The Mganga is expected to heal the patient by expelling the
possession. Like the evil spirit in the days of Saul, the unwelcome
visitant must be charmed away by sweet music; the drums cause
excitement, the violent exercise expels the ghost. The principal
remedies are drumming, dancing, and drinking till the auspicious
moment arrives. The ghost is then enticed from the body of the
possessed into some inanimate article which he will condescend to
inhabit. This, technically called a Keti or stool, may be a certain kind
of bead, two or more bits of wood bound together by a strip of
snake’s skin, a lion’s or a leopard’s claw, and other similar articles
worn round the head, the arm, the wrist, or the ankle. Paper is still
considered great medicine by the Wasukuma and other tribes, who
will barter valuable goods for a little bit: the great desideratum of the
charm in fact appears to be its rarity, or the difficulty of obtaining it.
Hence also the habit of driving nails into and hanging rags upon
trees. The vegetable itself is not worshipped, as some Europeans,
who call it the devil’s tree, have supposed; it is merely the place for
the laying of ghosts, where by appending the keti most acceptable to
the spirit, he will be bound over to keep the peace with man. Several
accidents in the town of Zanzibar have confirmed even the higher
orders in their lurking superstition. Mr. Peters, an English merchant,
annoyed by the slaves, who came in numbers to hammer nails and
to hang iron hoops and rags upon a devil’s tree in his court-yard,
ordered it to be cut down, to the horror of all the black beholders.
Within six months five persons died in that house—Mr. Peters, his
two clerks, his cooper, and his ship’s carpenter. Salim bin Raschid, a
half caste merchant, well known at Zanzibar, avers, and his
companions bear witness to his words, that on one occasion, when
travelling northwards from Unyamzembe, the possession occurred to
himself. During the night two female slaves, his companions, of
whom one was a child, fell without apparent cause into the fits which
denote the approach of a spirit. Simultaneously the master became
as one intoxicated; a dark mass—material, not spiritual—entered the
tent, threw it down, and presently vanished, and Salim bin Raschid
was found in a state of stupor, from which he did not recover till the
morning. The same merchant circumstantially related, and called
witnesses to prove, that a small slave boy, who was produced on the
occasion, had been frequently carried off by possession, even when
confined in a windowless room, with a heavy door carefully bolted
and padlocked. Next morning the victim was not found although the
chamber remained closed. A few days afterwards he was met in the
jungle, wandering absently, like an idiot, and with speech too
incoherent to explain what had happened to him. The Arabs of Iman
who subscribe readily to transformation, deride these tales; those of
African blood, believe them. The transformation belief, still so
common in many countries, and anciently an almost universal
superstition, is, curious to say, unknown amongst these East African
tribes.
The Mganga, Mr. Burton further informs us, is also a soothsayer.
He foretels the success, or failure of commercial undertakings, of
wars, and of kidnapping; he foresees famine and pestilence, and he
suggests the means of averting calamities. He fixes also before the
commencement of any serious affair fortunate conjunctions, without
which, a good issue cannot be expected. He directs, expedites, or
delays the march of a caravan; and in his quality of augur, he
considers the flight of birds, and the cries of beasts like his prototype
of the same class, in ancient Europe, and in modern Asia.
The principal instrument of the Mganga’s craft is one of the dirty
little buyou, or gourds, which he wears in a bunch round his waist,
and the following is the usual programme when the oracle is to be
consulted. The magician brings his implements in a bag of matting;
his demeanour is serious as the occasion, he is carefully greased,
and his head is adorned with the diminutive antelope horns, fastened
by a thong of leather above the forehead. He sits like a sultan, upon
a dwarf stool in front of the querist, and begins by exhorting the
highest possible offertory. No pay no predict. The Mganga has many
implements of his craft. Some prophesy by the motion of berries
swimming in a cup full of water, which is placed upon a low stool,
surrounded by four tails of the zebra, or the buffalo, lashed to stakes
planted upright in the ground. The Kasanda is a system of folding
triangles, not unlike those upon which plaything soldiers are
mounted. Held in the right hand, it is thrown out, and the direction of
the end points to the safe and auspicious route; this is probably the
rudest appliance of prestidigitation. The shero is a bit of wood, about
the size of a man’s hand, and not unlike a pair of bellows, with a
dwarf handle, a projection like a muzzle, and in a circular centre a
little hollow. This is filled with water, and a grain, or fragment of wood
placed to float, gives an evil omen if it tends towards the sides, and
favourable if it veers towards the handle or the nozzle. The Mganga
generally carries about with him, to announce his approach, a kind of
rattle. This is a hollow gourd of pine-apple, pierced with various
holes prettily carved, and half filled with maize grains, and pebbles;
the handle is a stick passed through its length, and secured by
cross-pins.
The Mganga has many minor duties. In elephant hunts he must
throw the first spear, and endure the blame if the beast escapes. He
marks ivory with spots disposed in lines and other figures, and thus
enables it to reach the coast, without let or hindrance. He loads the
kirangoze, or guide, with charms to defend him from the malice
which is ever directed at a leading man, and sedulously forbids him
to allow precedence even to the Mtongi, the commander and
proprietor of the caravan. He aids his tribe by magical arts, in wars
by catching a bee, reciting over it certain incantations, and loosing it
in the direction of the foe, when the insect will instantly summon an
army of its fellows and disperse a host however numerous. This
belief well illustrates the easy passage of the natural into the
supernatural. The land being full of swarms, and man’s body being
wholly exposed, many a caravan has been dispersed like chaff
before the wind by a bevy of swarming bees. Similarly in South
Africa the magician kicks an ant-hill, and starts wasps which put the
enemy to flight.
Here is an account of a queer dance witnessed in this land of
Mgangas and Mfumbos and fetishes, furnished by the celebrated
explorer Bakie:—“A little before noon Captain Vidal took leave of
King Passol, in order to prosecute his observations. I remained, but
shortly afterwards prepared to leave also. Passol, however, as soon
as he perceived my intention, jumped up, and in a good-humoured
way detaining me by the arm, exclaimed, ‘No go, no go yet; ‘top a
little; bye-bye you look im fetish dance; me mak you too much laugh!’
It appeared that the old man had heard me some time before, on
listening to the distant tattoo of a native drum, express a
determination to the young midshipman who was with me to go
presently to see the dance, with which I had little doubt that it was
accompanied. The noise of the drum, almost drowned by the
singing, whooping, and clamour of a multitude of the natives, was
soon heard approaching. When close to us the procession stopped,
and the dancers, all of whom were men, ranged themselves in
parallel lines from the front of an adjoining house, and commenced
their exhibition. They were specially dressed for the purpose, having
suspended from their hips a complete kilt formed of threads of grass-
cloth, manufactured by the natives of the interior, and likewise an
appendage of the same kind to one or both arms, just above the
elbow. Some had their faces and others their breasts marked with
white balls, given to them by the fetish as a cure or safeguard
against some disease which they either had or dreaded. The
dancing, although not elegant, was free from that wriggling and
contortion of body so common on the east coast. It consisted
principally in alternately advancing and drawing back the feet and
arms, together with a corresponding inclination of the body, and, at
stated times, the simultaneous clapping of hands, and a loud sharp
ejaculation of ‘Heigh!’ Although I have remarked that it was not
elegant, yet it was pleasing, from the regularity with which it was
accompanied. There were two men who did not dance in the line
among the rest, but shuffled around, and at times threaded the
needle among them: one was termed the master fetish, and the
other appeared to be his attendant; neither wore the fancy dress, but
they were both encircled by the usual wrapper round the loins. The
former had on a French glazed hat, held in great request by the
natives, and the other, chewing some root of a red colour, carried a
small ornamented stick, surmounted at the end like a brush with a
bunch of long and handsome feathers. At times one of these men
would stop opposite a particular individual among the dancers, and
entice him by gestures to leave the line and accompany him in his
evolutions, which finally always ended where they began, the
pressed man returning to his former place. For some time I had
observed the master fetish dancing opposite to the house, and with
many gesticulations apparently addressing it in a half threatening
half beseeching tone. Old Passol, who was standing close by me,
suddenly exclaimed, ‘Now you laugh too much; fetish he come!’
“Sure enough, forthwith rushed from the house among the
dancers a most extraordinary figure. It was a man mounted on stilts
at least six feet above the ground, of which from practice he had
acquired so great a command that he certainly was as nimble in his
evolutions as the most active among the dancers. He was
sometimes so quick that one stilt could hardly be seen to touch the
earth before it was relieved by the other. Even when standing still he
often balanced himself so well as not to move either stilt for the
space of two or three minutes. He wore a white mask with a large
red ball on each cheek, the same on his chin, and his eyebrows and
the lower part of his nose were painted with the same colour. Over
his forehead was a sort of vizor of a yellow colour, having across it a
line of small brass bells; it was armed in front by long alligator’s
teeth, and terminated in a confused display of feathers, blades of
grass, and the stiff hairs of elephants and other large animals. From
the top of his head the skin of a monkey hung pendant behind,
having affixed to its tail a wire and a single elephant’s hair with a
large sheep’s bell attached to the end. The skin was of a beautiful
light green, with the head and neck of a rich vermilion. From his
shoulders a fathom of blue dungaree with a striped white border
hung down behind; and his body and legs and arms were completely
enshrouded in a number of folds of the native grass-cloth, through
which he grasped in each hand a quantity of alligator’s teeth, lizard’s
skins, fowl’s bones, feathers, and stiff hairs, reminding me strongly of
the well-known attributes of Obi, the dread of the slave-owners of
Jamaica.
“The fetish never spoke. When standing still he held his arms
erect, and shook and nodded his head with a quick repetition; but
when advancing he extended them to their full length before him. In
the former case he appeared as if pointing to heaven, and
demanding its vengeance on the dancers and the numerous
bystanders around; and in the latter as one who, finding his
exhortations of no avail, was resolved to exterminate, in the might of
his gigantic stature and superior strength, the refractory set. The
master fetish was his constant attendant, always following, doubling,
and facing him, with exhortations uttered at one minute in the most
beseeching tone, accompanied hat in hand by obsequious bows,
and in the next threatening gestures, and violent, passionate
exclamations. The attendant on the master fetish was likewise
constantly at hand, with his stick applied to his mouth, and in one or
two instances when the masquerader approached, he crouched
close under him, and squirted the red juice of the root he was
chewing into his face. For upwards of an hour I watched the dance,
yet the fetish appeared untired; and I afterwards heard that the same
ceremony was performed every day, and sometimes lasted three or
four hours. I at first thought that it was merely got up for our
amusement, but was soon undeceived; and when, under the first
impression, I inquired of a bystander what man it was who performed
the character, he answered, with a mixture of pique at the question
and astonishment of my ignorance, ‘He no man; no man do same as
him; he be de diable! he be de debil!’ Still I was a little sceptic as to
their really holding this belief themselves, though they insisted on the
fact as they represented it to me; and therefore, after I had received
the same answer from all, I used to add in a careless way to try their
sincerity, ‘In what house does he dwell?’ ‘What! fetish! I tell you he
de debil; he no catch house; he lib (live) in dat wood,’ pointing to a