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PRAISE FOR HOW TO BE A DESIGN STUDENT:
“One of the things I regret most in life is that I didn’t have Mitch
Goldstein as a teacher. With the benefit of his wisdom, wit, and
warmth, there’s no telling what I would have been able to accomplish.
The good news is that—thanks to this book—all of us can gain from
his insight and the joy of knowing that there’s still plenty left to do.”
—Michael Bierut, designer and educator
“Throw away all your assumptions and dive into this book. Even if
you’re not sure about design school—or any creative or craft-focused
major—this is a must-read. This book has me wishing I could go to
college all over again. A must-have playbook for prospective and
current design students and teachers.”
—Jaime Derringer, founder, Design Milk
“It’s true, there is skill to the practice of being a student, but it is often
forgotten amid concerns of getting a job and other goals of post-
graduation. How to Be a Design Student is an invitation to learn how
to fuel your creative practice as a design student and keep it fueled as
a working professional.”
—Meena Khalili, faculty, University of South Carolina
IN THE STUDIO
Chapter 6: Pulling
Chapter 7: Agency and You-ness
Chapter 8: Failure
Chapter 9: Grades
Chapter 10: The Critique
Chapter 11: Collaboration
Chapter 12: Inspiration
Chapter 13: Tourists, Travelers, and Citizens
Chapter 14: Organization
Chapter 15: Human First
OFF CAMPUS
Chapter 16: School Is Not Over
Chapter 17: What About an MFA?
Chapter 18: Remember Your Friends
Chapter 19: Heroes
Chapter 20: Who Are You?
Acknowledgments
About the Author
FOREWORD
JARRETT FULLER
Jarrett Fuller
North Carolina State University College of Design
PREFACE
The purpose of this chapter is to explain who have the right to vote, how
the voters nominate public officials, and how elections are held.
Suffrage
How the Voters Control the Government. Direct and indirect
—A democratic government is one in which the popular control.
people, acting directly or through their representatives, control the
course of public affairs. This control may be exercised, as has been
pointed out, in either one of two ways. It may be exercised directly,
that is, by the use of the initiative and referendum. The proposal for
a law comes from a designated number of voters, and the adoption
or rejection of the proposal is decided by a majority of the voters at
the polls.
It is easy to see, however, that the people cannot perform the
entire work of government in this direct way. There are too many
laws to be made, too many details of administration to be handled,
and too many disputes to be adjusted. So most of the work of
government is carried on by persons who are chosen by the voters
for this purpose or who are appointed to office by the
representatives of the people. Elective officials, as a rule, have
authority to determine matters of general policy in nation, state, or
municipality, while appointive officials, for the most part, carry out
the policy thus determined upon.
GOVERNMENT. By Elihu Vedder
GOVERNMENT
By Elihu Vedder
From a mural decoration in the Library of Congress.
Mr. Vedder portrays Government as a mature woman
in the fullness of her strength. She is seated upon a
bench of hewn marble, which is supported by the
figures of two lions—all emblematic of strength and
power. Behind is an oak tree, which typifies slow,
deep-rooted growth. In symbolic pictures the ballot
box is usually represented as an urn. Here the marble
bench rests upon urn-shaped vases. In the lions’
mouths are mooring-rings to remind us that the ship of
state must not drift aimlessly but should be moored to
strength.
In her left hand Government grasps a golden sceptre
(the Golden Rule) to signify that all her actions are
based upon respect for the rights of others; her right
hand holds a tablet upon which is graven a notable
epigram from Lincoln’s Gettysburg Address. On either
side of Government are two genii or mythical figures.
One holds a bridle which typifies restraint, discipline,
and order—the bulwark of effective government. The
other supports an unsheathed sword, emblematic of
defence and justice.
In this picture, therefore, the author prefigures the
outstanding marks of a successful free government—
strength; fairness, democracy, restraint, security, and
justice.
GOOD ADMINISTRATION
By Elihu Vedder
From a mural decoration in the Library of Congress.
Good Administration, with benign countenance, sits
upon her throne, a perfect arch above her head. As
the strength of an arch depends upon all its parts
equally, so the maintenance of a strong and efficient
administration depends upon the co-operation of all
elements among the people. In her right hand Good
Administration holds evenly the scales of justice; her
left hand rests upon a quartered shield to indicate the
fair balance of all parties and classes. On her lap is the
book of the law. At her feet, on either side, is an urn.
Into one of these urns a maiden is winnowing wheat
drawn from the waving fields in the background. The
people also, in choosing their public officials, should
winnow well. Into the other urn an eager youth, with
books of knowledge under his left arm, is casting his
ballot.
Mr. Vedder has also executed for the Library of
Congress a companion figure portraying Corrupt
Administration. She holds the scales, unevenly
balanced, in her left hand. A seeker of special favors is
placing a bag of gold in the scales; he has seized the
book of the law and upset the ballot urn.