MuTh-Module_2(3)_(1)
MuTh-Module_2(3)_(1)
This time we will try to look at the literary and technical elements of
theatre.
5.Costumes: the clothing worn by the actors who play the characters.
Oftentimes, these help to establish characterizations, mood, and
tone.
Breath Control: proper use of the lungs and diaphragm muscle for
maximum capacity and efficiency of breath for speaking.
Inflection: change in pitch or loudness of the voice.
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TYPES OF UTTERANCE
ORIGINAL MONOLOGUE
Goal: Create a character and an original monologue for that character. Perform the
monologue for the class.
The Monologue
The monologue is a speech in dramatic literature spoken by one character to reveal his or
her thoughts. This can be a longer speech to other onstage characters that is audible to
them. It can also be a soliloquy or an aside, which is audible to the audience but
supposedly not heard by the other characters that are on stage. These types of
monologues date back to ancient Greek theatre and were also used extensively by
Shakespeare.
No conflict, no drama.
Motivation and consequence (cause and effect) are the bases of conflict.
“The things we write about that really count are primitive things…we all have
primitive needs and that’s what it’s all about.”
Try to avoid narratives – put your character in the action, not talking about the
action.
(The “how” and “why” should emerge from the dialogue itself; a good adage to recall
is “Who does what to whom and why?)
CCREATING A CHARACTER
The first step in writing a monologue is creating the character. The more
decisions you make about your character, the easier it will be to write your
monologue.
1. Gender
2. Age
3. Ethnic heritage
4. Physical appearance
5. Family status
6. Environment
7. Occupation / Profession
8. Religious belief
9. Political affiliation
16. Logical (for character) reasons for saying the words in the monologue at this time