PIANIMALS-Method-Vol-1-Reader
PIANIMALS-Method-Vol-1-Reader
Pianimals
Drat that mischievous cat! How are we going to untangle the wool around Alionus’s hand so he can play piano?
Alionus Fraser
Hanno Beckers, Audrey Dumont & Alison Lund, editors
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Table of Contents
Our Principle Pianimal, Lucky the Cat, hangs out with buddies like Sarah Swan.
Like her, his thumb is a swan, not an ugly duckling. It can oppose.
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Glossary
Here’s a list of special ‘articulations’ you’ll find in the music:
H Lie on the hand’s Heel: mash it into the keys loosely, heavily, gently. We call it “smooshing” the hand.
TH Lie on the Thumb Heel alone – let the keys massage the thenar muscles.
TS Thumb Stand: point the thumb straight down and stand on it. Keep the fairly compact fist directly above it.
K Play with the Knuckles; actually put the top knuckles, the metacarpal-phalangeal joints (MCP joints) on the keys.
BB Play with a Bird Beak – all the fingers and thumb bunched tightly together.
P The Pad is the flat, fleshy part near the tip of the finger or thumb.
An Octopus’s Garden
Imagine your arm moving underwater – like Oscar the Octopus playing the piano!
Lucky the cat wants you to make the most beautiful sound in the world.
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I. A Floating Arm
The arm joins the hand to the body – effortlessly, fluidly. When the finger touches down on key to stand, but doesn’t
try to stand, it’s easy to feel that flowing connection of fingertip to whole self.
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These lazy lions are curled up in the piano keys. Shhhhh, don’t disturb them… even the elephants are walking on tiptoe…
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Lazy Lion
Follow the line of the arm swoop, floating the hand down until the finger lies flat in the key.
Lucky’s lady love likes this bouncy way of walking – do your parents remember the pogo stick?
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Keep your arm high and your finger as stiff as a pole, and bounce them off the keys. Don’t be heavy at all!
Balance on the keys lightly, like Lucky balancing on the clothes line.
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Alionus’s elegant tie and his elegant arm movements fascinate Gracie Goosy – but not Lucky the cat…
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Elegant Alionus
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Eddie Elephant and Lucky have had too much fruit punch. All they want to do is loll around…
Can your hand and arm be as lazy as these pianimals?
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Imagine that your hand is a little baby, still lying down. There are many preliminary movements to be learned
before it can walk. Nobody learned to walk by walking! Learning is easier when baby feels secure – fully supported
by the ground.
Flop your hand on a table, or on your leg, or on the keys. Just relax it. “Smoosh” it! Do little micro-movements with
the hand as it lies there. Feel its insides moving in interesting ways. Feel how it is alive, sensitive and ready to
learn.
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Happy Hippo and Sassy Seal are smooshing 1 and flopping. Make your hand imitate them, like Melissa Monkey’s. Lucky feigns
indifference, but he’s beginning to unravel the ball of wool, just as we are beginning to unravel the secrets of piano playing.
1
“Smooshing” is mashing the hand but not pressing it forcefully
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Play the tone cluster with the Heel of the hand (H) – silently, or making a sound. Bunch the fingers together. Turn them into a
seal flipper (SF). Swat the keys with it.
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It’s winter. Father Bear is fast asleep, hibernating – with his paw still mashed on the keys.
Mommy and Baby Bear seem happy slumbering below – but look at Lucky, he has the warmest place!
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Sleepy Bear
At the end, roll the hand all the way over and gently squeeze the black keys between thumb and 2nd finger.
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He may look like a big, bad dragon, but Puff is a patient soul with a heart of gold.
He’s heard this piece a thousand times – but he’ll still give Lucky a good lesson.
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Play a cluster with the heel (H). Press as many notes as you like. Slide the heel silently from one cluster to the next as you play. Use
whatever fingering is comfortable. Curve the fingers more… or less… to change the sound… and the emotion…
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The Oranga-Thumb
You can hardly see Chloe Crocodile. Only her eyes are above the water.
Keep only your knuckles above the level of the keyboard, like Chloe’s eyes.
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Quiet Crocodile
Make thumb and 2nd totally straight and lay them deep in their keys. When you play the notes, hardly lift thumb and 2nd at all – as if
the crocodile were a ventriloquist and could speak without moving her jaw.
Where is the Terrible Troll’s lost drum? He has already smashed a house and a tree trying to find it, and now he’s going to
smash the piano! Stomp the piano with your thumb before he can – but don’t break it!
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Be My Valentine
Make the fingers like straight, almost vertical sticks as you walk through the notes of this sweet melody.
Sophie Skunk is blowing out her candle. Lucky can’t stand the smell, but he dutifully plays Happy Birthday anyway.
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Happy Birthday
Stick the thumbs out from tightly clamped fists and bonk the keys like bell clappers bouncing off a bell. Don’t push the keys down;
bounce up. Later on, bonk the keys with different finger bird beaks.
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Lucky is visiting London, disguised as King Bong! Big Ben will never be the same!
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We hope you’ve enjoyed exploring Volume 1 of Pianimals, where your hands began by lying down and finished by standing
up. You’ve gotten them ready to walk, run and jump all over the keys, which will happen in Pianimals Volume 2 – but before
that, pick a piece from this book to play in your first Pianimals recital: Alionus and Lucky are waiting for you on stage!
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The Pianimals
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Concert