Thyrsis
Thyrsis
"Thyrsis" is a pastoral elegy written by Matthew And from the roofs the twisted chimney-stacks—
Arnold. The poem serves as a memorial to Arnold's
close friend, the poet Arthur Hugh Clough. Clough Are ye too changed, ye hills?
and Arnold had a deep and enduring friendship that See, 'tis no foot of unfamiliar men
began during their Oxford days and continued until
Clough's death in 1861. To-night from Oxford up your pathway strays!
Arthur Hugh Clough was a poet and intellectual, Here came I often, often, in old days—
and his influence on Arnold was profound. Clough's
Thyrsis and I; we still had Thyrsis then.
skeptical and questioning approach to religion and
his engagement with contemporary social and
political issues left a lasting impact on Arnold's
thought and poetry. Runs it not here, the track by Childsworth Farm,
"Thyrsis" is part of a literary tradition known as Past the high wood, to where the elm-tree crowns
pastoral elegy, where the speaker reflects on the
The hill behind whose ridge the sunset flames?
death of a friend in a natural and rural setting. The
poem is set in the countryside of Oxford, where The signal-elm, that looks on Ilsley Downs,
Arnold and Clough had spent much of their time
together. The title "Thyrsis" refers to a shepherd in The Vale, the three lone weirs, the youthful
ancient Greek and Roman poetry, adding a pastoral Thames?—
and classical touch to the elegy. This winter-eve is warm,
The poem is not only a tribute to Clough but also a Humid the air! leafless, yet soft as spring,
meditation on the passing of an era and the broader
changes in society and culture. Arnold mourns not The tender purple spray on copse and briers!
only the loss of his friend but also the changing
And that sweet city with her dreaming spires,
intellectual and social landscape of the time.
She needs not June for beauty's heightening,
"Thyrsis" is deeply personal and reflective,
capturing the essence of the friendship between
Arnold and Clough, as well as expressing Arnold's
thoughts on the cultural and intellectual currents of Lovely all times she lies, lovely to-night!—
their shared era.
Only, methinks, some loss of habit's power
Thyrsis: A Monody, to Commemorate the
Befalls me wandering through this upland dim.
Author's Friend, Arthur Hugh Clough
Once pass'd I blindfold here, at any hour;
BY MATTHEW ARNOLD
Now seldom come I, since I came with him.
How changed is here each spot man makes or fills!
That single elm-tree bright
In the two Hinkseys nothing keeps the same;
Against the west—I miss it! is it goner?
The village street its haunted mansion lacks,
We prized it dearly; while it stood, we said,
Thyrsis
Our friend, the Gipsy-Scholar, was not dead; Before the roses and the longest day—
While the tree lived, he in these fields lived on. When garden-walks and all the grassy floor
Too rare, too rare, grow now my visits here, And chestnut-flowers are strewn—
But once I knew each field, each flower, each stick; So have I heard the cuckoo's parting cry,
And with the country-folk acquaintance made From the wet field, through the vext garden-trees,
By barn in threshing-time, by new-built rick. Come with the volleying rain and tossing breeze:
Here, too, our shepherd-pipes we first assay'd. The bloom is gone, and with the bloom go I!
My pipe is lost, my shepherd's holiday! Too quick despairer, wherefore wilt thou go?
Needs must I lose them, needs with heavy heart Soon will the high Midsummer pomps come on,
Into the world and wave of men depart; Soon will the musk carnations break and swell,
But Thyrsis of his own will went away. Soon shall we have gold-dusted snapdragon,
It irk'd him to be here, he could not rest. And stocks in fragrant blow;
He loved each simple joy the country yields, Roses that down the alleys shine afar,
He loved his mates; but yet he could not keep, And open, jasmine-muffled lattices,
For that a shadow lour'd on the fields, And groups under the dreaming garden-trees,
Here with the shepherds and the silly sheep. And the full moon, and the white evening-star.
He knew, which made him droop, and fill'd his He hearkens not! light comer, he is flown!
head.
What matters it? next year he will return,
He went; his piping took a troubled sound
And we shall have him in the sweet spring-days,
Of storms that rage outside our happy ground;
With whitening hedges, and uncrumpling fern,
He could not wait their passing, he is dead.
And blue-bells trembling by the forest-ways,
And blow a strain the world at last shall heed— In the old haunt, and find our tree-topp'd hill!
For Time, not Corydon, hath conquer'd thee! Who, if not I, for questing here hath power?
But when Sicilian shepherds lost a mate, I know what white, what purple fritillaries
Some good survivor with his flute would go, The grassy harvest of the river-fields,
Piping a ditty sad for Bion's fate; Above by Ensham, down by Sandford, yields,
And cross the unpermitted ferry's flow, And what sedged brooks are Thames's tributaries;
And make leap up with joy the beauteous head I know these slopes; who knows them if not I?—
Of Proserpine, among whose crowned hair But many a tingle on the loved hillside,
Are flowers first open'd on Sicilian air, With thorns once studded, old, white-blossom'd
trees,
And flute his friend, like Orpheus, from the dead.
Where thick the cowslips grew, and far descried
But ah, of our poor Thames she never heard! Where is the girl, who by the boatman's door,
Her foot the Cumner cowslips never stirr'd; Above the locks, above the boating throng,
And we should tease her with our plaint in vain! Unmoor'd our skiff when through the Wytham flats,
Where are the mowers, who, as the tiny swell But hush! the upland hath a sudden loss
Of our boat passing heaved the river-grass, Of quiet!—Look, adown the dusk hill-side,
Stood with suspended scythe to see us pass?— A troop of Oxford hunters going home,
They all are gone, and thou art gone as well! As in old days, jovial and talking, ride!
Yes, thou art gone! and round me too the night Quick! let me fly, and cross
In ever-nearing circle weaves her shade. Into yon farther field!—'Tis done; and see,
I see her veil draw soft across the day, Back'd by the sunset, which doth glorify
I feel her slowly chilling breath invade The orange and pale violet evening-sky,
The cheek grown thin, the brown hair sprent with Bare on its lonely ridge, the Tree! the Tree!
grey;
Wandering with the great Mother's train divine A fugitive and gracious light he seeks,
(And purer or more subtle soul than thee, Shy to illumine; and I seek it too.
I trow, the mighty Mother doth not see) This does not come with houses or with gold,
Within a folding of the Apennine, With place, with honour, and a flattering crew;
Thou hearest the immortal chants of old!— But the smooth-slipping weeks
Putting his sickle to the perilous grain Drop by, and leave its seeker still untired;
In the hot cornfield of the Phrygian king, Out of the heed of mortals he is gone,
For thee the Lityerses-song again He wends unfollow'd, he must house alone;
Young Daphnis with his silver voice doth sing; Yet on he fares, by his own heart inspired.
His sheep, his hapless love, his blinded eyes— Thou too, O Thyrsis, on like quest wast bound;
And how a call celestial round him rang, Thou wanderedst with me for a little hour!
And heavenward from the fountain-brink he sprang, Men gave thee nothing; but this happy quest,
And all the marvel of the golden skies. If men esteem'd thee feeble, gave thee power,
There thou art gone, and me thou leavest here And this rude Cumner ground,
Sole in these fields! yet will I not despair. Its fir-topped Hurst, its farms, its quiet fields,
Despair I will not, while I yet descry Here cams't thou in thy jocund youthful time,
'Neath the mild canopy of English air Here was thine height of strength, thy golden prime!
That lonely tree against the western sky. And still the haunt beloved a virtue yields.
Our Gipsy-Scholar haunts, outliving thee! What though the music of thy rustic flute
Fields where soft sheep from cages pull the hay, Kept not for long its happy, country tone;
Woods with anemonies in flower till May, Lost it too soon, and learnt a stormy note
Thyrsis
Of men contention-tost, of men who groan, **Stanzas 3-4:**
Which task'd thy pipe too sore, and tired thy The speaker reminisces about walking with Thyrsis
throat— (Arthur Hugh Clough) through the countryside. The
reference to the single elm-tree holds sentimental
It fail'd, and thou wage mute! value, symbolizing their friendship. The loss of this
Yet hadst thou always visions of our light, tree becomes symbolic of Clough's death. The
speaker reflects on the vibrant beauty of the
And long with men of care thou couldst not stay, countryside and the intellectual discussions they
shared.
And soon thy foot resumed its wandering way,
**Stanzas 5-6:**
Left human haunt, and on alone till night.
The poem delves into the reasons behind Thyrsis'
departure. The speaker suggests that Clough, unable
Too rare, too rare, grow now my visits here! to find peace and contentment, left the countryside
in response to an inner turmoil or dissatisfaction
'Mid city-noise, not, as with thee of yore, with life. The departure is portrayed as a response to
a "life of men unblest," contributing to the theme of
Thyrsis! in reach of sheep-bells is my home.
internal struggle.
—Then through the great town's harsh, heart-
**Stanzas 7-8:**
wearying roar,
The speaker acknowledges the infrequency of his
Let in thy voice a whisper often come,
visits to familiar places and reflects on inevitable
To chase fatigue and fear: change. However, he finds solace in the cyclical
nature of the seasons. The mention of anticipating
Why faintest thou! I wander'd till I died. the return of spring and its associated pleasures
Roam on! The light we sought is shining still. brings a hopeful tone, emphasizing the potential for
renewal and regeneration.
Dost thou ask proof? Our tree yet crowns the hill,
**Stanzas 9-10:**
Our Scholar travels yet the loved hill-side.
The poem concludes with the speaker
Certainly! Let's break down the poem "Thyrsis" acknowledging Thyrsis' departure. Despite the
stanza by stanza: physical absence, there is an optimistic look toward
the future. The speaker anticipates the return of
**Stanzas 1-2:**
spring in the next year, emphasizing the cyclical
The speaker begins by noting the changes in the nature of life. The final lines convey a sense of
landscape around Oxford. He mentions the altered acceptance, suggesting that while physical presence
village names, the absence of familiar landmarks, may be gone, the spirit and influence of Thyrsis will
and the changed chimney-stacks. The speaker endure.
expresses a sense of nostalgia and longing for the
Throughout the poem, Arnold weaves themes of
past, indicating that even the physical surroundings
friendship, nature, and the passage of time. The
have transformed.
changing landscape serves as a backdrop to the
speaker's reflections on loss, memory, and the
Thyrsis
enduring impact of a departed friend. The poem who come after, leaving a lasting influence on the
combines pastoral elements with elegiac sentiments, intellectual and cultural landscape. "Thyrsis" is a
creating a nuanced exploration of the complexities poignant exploration of friendship, loss, and the
of remembrance and the continuity of life. passage of time, set against the backdrop of a
changing world.
Summary
Themes
"Thyrsis" is a pastoral elegy written by Matthew
Arnold in memory of his close friend, the poet The themes of the poem "Thyrsis" by Matthew
Arthur Hugh Clough. The poem reflects on Arnold include:
Clough's life, their friendship, and the changes in
society and culture during their time. Here is a brief 1. **Loss and Remembrance:**
summary of the poem: The central theme revolves around the loss of the
The poem begins with the speaker, Arnold, speaker's friend, Thyrsis (Arthur Hugh Clough).
lamenting the death of Clough, who is referred to as The poem reflects on the impact of Thyrsis'
"Thyrsis." The setting is the rural landscape around departure and the speaker's efforts to remember and
Oxford, a place where Arnold and Clough spent honor him.
time together during their days at the university. The 2. **Nature and Landscape:**
pastoral setting adds a nostalgic and reflective tone
to the elegy. Nature serves as a backdrop to the speaker's
reflections. The changing seasons and the pastoral
Arnold describes the natural surroundings, landscape become symbolic of the passage of time
including the meadows, river, and hills, which serve and the cyclical nature of life.
as a backdrop to his memories of Clough. The
speaker recalls their intellectual discussions, walks 3. **Friendship:**
in the countryside, and the influence Clough had on
The poem explores the theme of friendship,
his own thinking.
particularly the deep bond between the speaker and
As Arnold reflects on Clough's life, he Thyrsis. The memories of shared experiences and
acknowledges the changes and challenges of the intellectual discussions contribute to the sense of
time. The poem becomes a meditation on the loss.
broader shifts in society, culture, and intellectual
4. **Cyclical Nature of Life:**
thought. Arnold mourns not only the loss of his
friend but also the passing of an era, expressing a The anticipation of the return of spring and the
sense of nostalgia for the ideals and values they cyclical pattern of the seasons convey a broader
shared. theme of the continuity of life. Despite the personal
loss, there is an acknowledgment of the natural
The elegy is both a personal tribute and a
rhythms of renewal and regeneration.
commentary on the intellectual and cultural currents
of the Victorian period. Arnold mourns the decline 5. **Nostalgia:**
of certain intellectual and moral traditions,
capturing a sense of loss and the inevitable changes The speaker expresses a deep sense of nostalgia
that come with time. for the past. Changes in the landscape and the
absence of familiar landmarks evoke a longing for
In the concluding lines, Arnold expresses the hope the time when Thyrsis was present.
that Clough's spirit will continue to inspire those
Thyrsis
6. **Internal Struggle:** continuity of life and the eternal return of the
seasons.
The departure of Thyrsis is linked to an inner
struggle or dissatisfaction with life. The poem hints 3. **Reflecting Human Emotions:**
at Thyrsis' quest for contentment and peace, which
he sought beyond the countryside. Nature provides a mirror for human emotions and
experiences. By describing natural scenes and
7. **Acceptance:** landscapes, Arnold can evoke specific moods and
emotions that resonate with the themes of his
Ultimately, there is a theme of acceptance. The poems. The external world becomes a reflection of
speaker acknowledges the inevitability of change, internal states.
both in the natural world and in personal
relationships. Despite the sense of loss, there is a 4. **Connection with Romanticism:**
hopeful note, emphasizing the enduring influence of
Thyrsis. Arnold, though critical of some aspects of
Romanticism, shares the Romantic poets'
These themes collectively contribute to the elegiac appreciation for nature. The Romantics believed
and contemplative nature of the poem, making it a that nature held spiritual and moral truths, and
poignant exploration of friendship, memory, and the Arnold, while more skeptical, still recognizes the
interconnectedness of life and nature. emotional and moral power of the natural world.
- Through pastoral imagery, Arnold comments on - Like the Romantics, Arnold often turns to nature
the cultural shifts of his time. The encroachment of for inspiration. His works frequently feature vivid
modernity and the disruption of traditional rural life descriptions of landscapes and use nature as a
become metaphors for broader societal changes, backdrop to explore human emotions.
including the impact of industrialization, 2. **Individual Subjectivity:**
urbanization, and shifts in values.
- Arnold, akin to the Romantics, explores
5. **Nostalgia for a Golden Age:** individual subjectivity and personal introspection.
- Arnold expresses a sense of nostalgia for a His poetry often delves into the inner thoughts and
"golden age" of cultural and intellectual vibrancy. emotions of the speaker.
The loss of Thyrsis becomes symbolic of the 3. **Elegiac Tones:**
broader loss of a more harmonious and culturally
rich era that is fading away. - Many of Arnold's poems, such as "Dover Beach"
and "Thyrsis," carry elegiac tones reminiscent of
Thyrsis
Romantic elegies. These poems lament the loss of Modernist periods. His poetry grapples with the
cultural and personal ideals. impact of industrialization and societal shifts, yet it
retains a Romantic sensitivity to individual
### **Modernist Elements:** emotions and the natural world. The elegiac and
1. **Cultural Critique:** introspective qualities in his works align with
Romantic traditions, while his critical engagement
- Arnold's poetry, especially in works like "Dover with contemporary society aligns with Modernist
Beach," reflects a Modernist inclination for cultural concerns. Arnold's ability to navigate these diverse
critique. He examines the disillusionment of his influences contributes to the richness and
time, questioning the foundations of faith and complexity of his poetic legacy.
societal stability.
How does Arnold recall his Oxford days in
2. **Shift Toward Realism:** "Thyrsis"?
- In some poems, Arnold moves away from the In "Thyrsis," Matthew Arnold fondly recalls his
idealized and picturesque portrayals of nature Oxford days, reflecting on the time he spent in the
typical of Romantic poetry. Instead, he adopts a academic environment and the memories associated
more realistic and at times pessimistic view of the with his friend, Arthur Hugh Clough (referred to as
world. Thyrsis in the poem). Here are some key points on
how Arnold recalls his Oxford days in "Thyrsis":
3. **Concerns with Change and Dislocation:**
### **1. **Oxford's Scenic Beauty:**
- The Modernist theme of grappling with change
and a sense of dislocation is evident in Arnold's - Arnold reminisces about the scenic beauty of
works. He addresses the disruptions brought about Oxford. He describes familiar landscapes, such as
by industrialization, societal shifts, and the erosion the Wytham flats, Fyfield tree, and the Thames.
of traditional values. These natural settings become symbolic of the
idyllic and carefree days of his youth.
4. **Use of Classical Allusions:**
### **2. **Association with Thyrsis:**
- While Classical allusions are a characteristic of
both Romantic and Classical poetry, Arnold's use of - Thyrsis was a fellow student and friend of
them often aligns with Modernist tendencies. He Arnold at Oxford. The poem becomes a eulogy for
employs them not just for ornamental purposes but Clough, who had passed away. Arnold remembers
as part of a broader cultural dialogue. the companionship, intellectual exchanges, and the
shared experiences they had during their time at
5. **Intellectual Inquiry:**
Oxford.
- Arnold, influenced by Modernist thinkers,
### **3. **Recollection of Academic Pursuits:**
engages in intellectual inquiry and philosophical
exploration. His poetry reflects a questioning of - The poem reflects on academic pursuits,
established beliefs and a search for meaning in the including the pursuit of knowledge, discussions, and
face of societal changes. intellectual growth that characterized their Oxford
days. Arnold suggests that Thyrsis was an
### **Synthesis:**
intellectual companion with whom he shared
Arnold's synthesis of these elements results in a common academic interests.
body of work that bridges the Romantic and
Thyrsis
### **4. **Musical and Artistic References:** and the Thames. Arnold uses pastoral settings to
create a picturesque backdrop for his reflections.
- Arnold uses musical and artistic references to
evoke the cultural ambiance of Oxford. He ### 2. **Lamentation for Thyrsis:**
mentions the shepherd's pipe, alluding to the
pastoral poetry and classical influences often - The central theme of the poem is the lamentation
associated with Oxford's intellectual and artistic for Thyrsis (Arthur Hugh Clough), Arnold's friend
traditions. who has passed away. The elegiac tone pervades the
verses as Arnold mourns the loss of his companion.
### **5. **Change Over Time:**
### 3. **Shepherd's Pipe and Musical Allusions:**
- The poem expresses a sense of loss and change
over time. Arnold laments the altered landscape and - The mention of the shepherd's pipe and
the disappearance of familiar features. The passing references to music align with pastoral traditions.
years have brought transformations to the once- The shepherd's pipe is a symbol of a simpler, idyllic
familiar places and, by extension, to the memories life, and its inclusion contributes to the pastoral
of their Oxford days. atmosphere.
- "Thyrsis" is essentially an elegy mourning the - The poem reflects on the passage of time and
loss of a friend. Arnold uses the recollection of expresses a deep sense of nostalgia. Arnold looks
Oxford days to amplify the sense of nostalgia and back on his Oxford days, reminiscing about the
emphasize the emotional impact of Thyrsis's academic pursuits, discussions, and shared
absence. experiences with Thyrsis.
### 1. **Academic Pursuits:** - Arnold reflects on the changes that time has
wrought since their Oxford days. The altered
- Arnold fondly remembers the academic pursuits landscape and the passing of years become
they shared at Oxford. The mention of "fellow- symbolic of the temporal nature of life, adding a
loiterers" and the academic environment creates a layer of contemplation to the memory.
vivid image of their scholarly camaraderie.
### 8. **Personal Attachment:**
### 2. **Intellectual Discussions:**
- Through these recollections, Arnold expresses a
- The poem reflects on the intellectual discussions profound personal attachment to Clough. The
and pursuits that characterized their friendship. memories are not only about shared academic
Arnold reminisces about the discussions they had pursuits but also about the emotional and
on various topics, capturing the essence of their intellectual bonds that defined their friendship.
shared intellectual curiosity.
In essence, "Thyrsis" becomes a moving tribute to
### 3. **Musical Allusions:** Arthur Hugh Clough, skillfully blending personal
- Arnold uses musical allusions, such as the reminiscences with broader reflections on the
"shepherd's pipe," to evoke memories of shared intellectual and cultural currents of their time.
artistic and cultural interests. The image of the Arnold's vivid recall of Clough's memory creates a
shepherd's pipe becomes a metaphor for the timeless elegy that transcends the specific details
harmony of their friendship. and resonates with universal themes of friendship,
loss, and intellectual legacy.
### 4. **Oxford Landscape:**
- The poem includes vivid descriptions of natural - The elegiac tone of the poem influences the
elements like hills, river-fields, and flowers. These reader's perception of the setting. The landscape,
descriptions contribute to the realistic portrayal of while real, is filtered through the lens of grief and
the Oxford countryside, and they align with remembrance, casting a poignant and somewhat
Arnold's emphasis on the changing seasons and melancholic hue over the scenes described.
natural beauty.
In summary, Arnold's setting in "Thyrsis" achieves a
3. **Cultural and Academic Context:** balance between realism and poetic imagination.
While rooted in tangible locations and realistic
- References to academic pursuits, scholarly details, the settings also carry symbolic, emotional,
discussions, and classical allusions anchor the poem and elegiac dimensions that enhance the poem's
in the cultural and intellectual context of Oxford depth and resonance. The interplay between the real
University during Arnold's time. These details and the symbolic contributes to the overall power
contribute to a realistic portrayal of the academic and effectiveness of Arnold's elegy for his friend.
and cultural milieu.
Explore the symbolic elements in "Thyrsis,"
### Poetic and Symbolic Elements: considering the Fyfield tree, Wytham flats, and
1. **Symbolic Landscapes:** other natural features. How do these symbols
contribute to the overall meaning of the poem?
- While rooted in real landscapes, the settings take
on symbolic significance. For example, the Fyfield Certainly! In "Thyrsis," Matthew Arnold employs a
tree and the Wytham flats become emblematic of rich array of symbolic elements, particularly in the
the poet's memories and the passage of time. They natural landscape, to convey deeper meanings and
Thyrsis
contribute to the overall theme of the poem. Here's poem. They serve as metaphors for the complexities
an exploration of some key symbols: of life, reflecting the cyclical nature of the seasons
and the inevitability of change.
1. **Fyfield Tree:**
4. **Shepherd's Pipe:**
- **Symbolism:** The Fyfield tree serves as a
potent symbol of continuity and endurance. It - **Symbolism:** The shepherd's pipe,
represents the constancy of nature amidst the mentioned in the poem, represents art, creativity,
changing human world. The fact that the tree is still and the enduring power of poetic expression. It is a
standing while other aspects of the landscape have symbol of the poet's ability to capture and
transformed underscores the enduring nature of immortalize moments in time.
certain elements.
- **Contribution to Meaning:** The shepherd's
- **Contribution to Meaning:** The Fyfield tree pipe reflects Arnold's belief in the redemptive
becomes a touchstone for the speaker, a visual power of art. Despite the changes in the external
reminder of the unchanging beauty and permanence world, the pipe remains a source of solace and
of nature. It contrasts with the ephemeral nature of continuity, emphasizing the role of poetry in
human life and relationships, contributing to the preserving memories and emotions.
elegiac tone of the poem.
Overall, these symbolic elements collectively
2. **Wytham Flats:** contribute to the elegiac and reflective mood of
"Thyrsis." They allow Arnold to explore themes of
- **Symbolism:** The Wytham flats symbolize transience, loss, and the enduring power of nature
the passage of time and the inevitable changes that and art in the face of human mortality. The symbols
occur. They were once a place of vibrant beauty, enhance the depth and resonance of the poem,
and their alteration reflects the transient nature of inviting readers to contemplate the
life and memory. interconnectedness of life and the natural world.
- **Contribution to Meaning:** The Analyze the structure of "Thyrsis," particularly
transformation of the Wytham flats becomes a the use of temporal shifts. How do these shifts
poignant metaphor for the passing of time and the contribute to the narrative and thematic
alterations that occur in the world. It contributes to development of the poem?
the overarching theme of loss and change,
emphasizing the temporal nature of human Certainly! In "Thyrsis," Matthew Arnold employs a
existence. distinctive structure characterized by temporal
shifts, which play a crucial role in shaping the
3. **Nature's Elements:** narrative and thematic development of the poem.
- **Symbolism:** Various elements of nature, 1. **Temporal Layering:**
such as flowers, trees, and the river, symbolize
different facets of the human experience. For - **Description:** The poem is structured with
example, the flowers represent the fleeting beauty temporal layers, seamlessly weaving together past
of life, while the river symbolizes the continuous and present. It begins with the speaker's immediate
flow of time. surroundings, shifts to memories of the past, and
then returns to the present.
- **Contribution to Meaning:** These natural
elements contribute to the elegiac atmosphere of the
Thyrsis
- **Contribution to Narrative:** This temporal - **Contribution to Narrative and Thematic
layering allows Arnold to create a multi- Development:** The cyclical temporal structure
dimensional narrative. The shifts in time mirror the reinforces the poem's thematic exploration of the
speaker's reflective and contemplative mood as he eternal recurrence of nature and the persistent,
revisits both the recent and distant past. The poem though changed, beauty of the landscape. It adds a
becomes a canvas where the speaker paints a layer of philosophical reflection on the continuity
comprehensive picture of his experiences. within the cycles of life and death.