Rainforest Cowboys The Rise of Ranching and Cattle Culture in Western Amazonia 1st Edition Jeffrey Hoelle All Chapters Instant Download
Rainforest Cowboys The Rise of Ranching and Cattle Culture in Western Amazonia 1st Edition Jeffrey Hoelle All Chapters Instant Download
The Cattle of the Sun Cows and Culture in the World of the
Ancient Greeks Jeremy Mcinerney
https://ebookultra.com/download/the-cattle-of-the-sun-cows-and-
culture-in-the-world-of-the-ancient-greeks-jeremy-mcinerney/
ebookultra.com
https://ebookultra.com/download/becoming-western-stories-of-culture-
and-identity-in-the-cowboy-state-1st-edition-liza-nicholas/
ebookultra.com
https://ebookultra.com/download/religion-and-the-rise-of-modern-
culture-1st-edition-louis-dupre/
ebookultra.com
https://ebookultra.com/download/the-rise-of-the-modernist-bookshop-
books-and-the-commerce-of-culture-in-the-twentieth-century-osborne/
ebookultra.com
Rich The Rise and Fall of American Wealth Culture 1st
Edition Larry Samuel
https://ebookultra.com/download/rich-the-rise-and-fall-of-american-
wealth-culture-1st-edition-larry-samuel/
ebookultra.com
https://ebookultra.com/download/the-rise-and-fall-of-american-
art-1940s-1980s-a-geopolitics-of-western-art-worlds-dossin/
ebookultra.com
https://ebookultra.com/download/esotericism-and-the-academy-rejected-
knowledge-in-western-culture-1st-edition-wouter-j-hanegraaff/
ebookultra.com
https://ebookultra.com/download/women-in-medieval-western-european-
culture-linda-e-mitchell-ed/
ebookultra.com
https://ebookultra.com/download/cattle-in-the-cold-desert-james-
albert-young/
ebookultra.com
Rainforest Cowboys The Rise of Ranching and Cattle
Culture in Western Amazonia 1st Edition Jeffrey Hoelle
Digital Instant Download
Author(s): Jeffrey Hoelle
ISBN(s): 9780292768154, 029276815X
Edition: 1
File Details: PDF, 20.52 MB
Year: 2015
Language: english
R a in for est Cow boys
Jeffrey Hoelle
The paper used in this book meets the minimum requirements of ANSI/
NISO Z39.48-1992 (R1997) (Permanence of Paper).
doi:10.7560/761346
List of Tables ix
Acknowledgments xi
Index 193
into their lives, as did Leopoldo, who lived on the other side of the
highway. I will always remember the generous support of numerous
rubber tappers and colonists whom I know only by their nicknames
or fi rst names: Tatu, João da Frontiera, Carreca, Fanhoso, Branco, Rai-
mundo Firme, and Gilberto in Quixadá; and Carlinhos, Leni and Fla-
vio, and Carlos in São Cristovão.
Joe, Jenny, and Annie Hoelle have patiently supported me in my
journeys. In addition to giving their love and encouragement, my
family provided the impetus for this research when they bought
some land and a few head of cattle about ten years ago. Growing up
in West Texas, and surrounded by a form of “cattle culture” that I
never thought to scrutinize, I became interested in the cultures that
surrounded cattle raising. My fate was sealed when I arrived at UF
and began to learn more about the Amazon and the importance of
cattle in debates about economic development and environmental
conservation.
It was due to this connection with home, and my mom’s suggestion
(insistence) that I share my research, that I began to write a column
entitled “Postcards from the Amazon” for my hometown newspaper.
Mike Kelly and Tim Archuleta at the San Angelo Standard-Times
helped make this happen, and guided me through the early transi-
tion to writing for the newspaper. I thank San Angeloans, and oth-
ers who read my articles online, for their interest and support, for
giving me the opportunity to refi ne my ethnographic writing skills,
and for helping me to not lose sight of how to communicate with
non-academics.
My wife, Shravanthi Reddy, has been a source of support and in-
spiration, and she has helped me become a better scholar and person.
With her engineer’s perspective, she always challenged me to make
my work clearer and helped me to understand the logic of scientific
inquiry. I also appreciate her understanding while I have been absent
for months at a time, and, even when present, somewhat obsessed
with cows. Thanks to baby Adhya, who, while extremely distracting,
has made my life richer and taught me lessons in time management.
T.R., Prasanna, and Divya Reddy provided me a hideout in their base-
ment and so much more in the months leading up to deadlines for
this book.
The American Anthropological Association granted me per-
mission to reprint versions of two papers: “Black Hats and Smooth
Hands: Social Class, Environmentalism, and Work among the Ranch-
the signs
still fi nd two around town. One was alongside the Parque da Ma-
ternidade (Motherhood Park) (fig. 1.2), and the second was on a dou-
ble-decker signpost by the side of the BR-364 highway in front of the
Federal University of Acre: Mendes was on the upper sign, and on
the lower a talking hamburger with skinny arms and legs beckoned
Acreans to come to one of many lanchonetes, or hamburger stands,
in town. When I came back to this part of the city a few weeks
later to take a picture of the contrasting signs, they had both been
painted over.
The signs pointed to the emerging contradictions of a political pro-
gram and a global vision for sustainable development built on the
legend of Chico Mendes and the rubber-tapper movement. My intro-
duction to Acre took place during a time of social, political, and eco-
cies and prices. To expand this view, I attempted to “look to the cow,”
as Evans-Pritchard had done among the Nuer, studying cattle as both
economic resources and highly meaningful cultural objects.
To my surprise, I soon met self-proclaimed caubois (cowboys)
living the vida contri (country life). I encountered a dedicated seg-
ment of the population, including former rubber tappers, who boasted
large, shiny belt buckles, tight blue jeans, and a preference for “clean”
pasture over the forest. I saw just how widespread cattle had become
since the opening of the Acrean frontier to colonization and “de-
velopment” some forty years ago: the ranchers’ prize bulls lazed in
manicured pastures, while children rode their steers to school along
rubber trails deep in the forest. There was ample evidence that the
growth of cattle raising had been accompanied by a “cattle culture,”
a cattle-centered vision of rural life that was increasingly celebrated,
in both the countryside, where cow-less cowboys rode bulls in the
weekend rodeios (rodeos), and the city, where lifetime urbanites and
those displaced from the forest danced to contri music lamenting the
idyllic rural life that lay somewhere between the city and the forest.
From the fields to the bucking bull under the cauboi and the
leather boots on his feet to the centerpiece of the churrasco (barbe-
cue), everything that I saw over the course of eighteen months of
fieldwork indicated that cattle were cultural and economic objects
with local and broader meanings that were both embraced and am-
bivalently viewed throughout Acrean society. In a setting histori-
cally, politically, and symbolically linked to the forest, it was not just
the “eco-villain” ranchers, murderous pistoleiros (hired gunmen), or
deforesters born with chainsaw in hand who were participating in
this cattle culture. In fact, cattle culture was in many ways becoming
inseparable from Acrean culture, revealing contradictions and fertile
sites for analysis with a complex host of characters, including “car-
nivorous” environmentalists, small-scale cattle raisers who named
and refused to eat their oxen, caubois de vitrine (“shop window”/ur-
ban cowboys) who owned neither cattle nor land, and members of the
forest government riding their horses with forty thousand other Acre-
ans down the Via Chico Mendes in the annual cavalgada (cavalcade).
To understand the appeal of cattle raising I looked to the figure of
the cow in all of these situations, analyzed it from a number of angles
using qualitative and quantitative methods, and then attempted to
reassemble its components to enable myself to better understand the
overall picture. I used a framework that emphasized the dialectical
relationship between what people do and what they think, and how
both are constrained by structures and reflected in material world in
the form of landscapes. I thus analyzed cattle raising as an economic
practice that was inseparable from “cattle culture,” a suite of ideas
and cultural practices that indirectly and directly valorize a cattle-
centric vision of rural society.
I also followed the trails of cattle across time and scales of mag-
nitude, from the fi rst cattle cultures in the Iberian Peninsula to the
consumption patterns and environmental concerns in the power cen-
ters of the world. I sought to capture the practices of social groups
in relation to these multiscalar structures, which were political and
economic, but also normative and symbolic—notions of what Ama-
zonia should look like and how its residents should behave in rela-
tion to nature. I compared the ways that groups with unique identi-
ties and histories—from rubber tappers and urban environmentalists
to cowboys and ranchers—engaged these structures from the stand-
points of their own particular class, ideology, and location.
After many interviews, varied surveys, and plenty of churrascos,
I came to perceive a mutually reinforcing system of positive signs
and practices that made cattle raising socially, economically, and cul-
turally more appealing than forest-based or agricultural livelihoods.
This cattle culture is reflected in boots and belt buckles, but I also
found that it is inextricable from core ideologies of nature and a com-
plex rural sociology that can only be understood in relation to the
city and the forest.
rubber steadily declined, and the rubber barons fled the region, leav-
ing many rubber tappers as owners of the land that they had worked
(Bakx 1988:143).
In the 1970s the military government’s plans to colonize the Am-
azon brought tumultuous changes that interrupted the rubber-tapper
lifestyle depicted at the museum. The December 1979 issue of Vara-
douro magazine, which I found in the museum’s archive, attests to
some of the changes brought about by the arrival of migrants. In this
cover illustration by Acrean artist Helio Melo, a cow has taken over
the home of a rubber-tapper family, expelling them and leaving them
to search for another place to live (fig. 1.3). The rubber tree (recogniz-
able by the lines on its trunk), which sustained the rubber tapper, had
been chopped down to make room for cattle pasture. This image il-
lustrates the clash of cultures, as the forest-dwelling rubber tappers
are physically and culturally displaced by foreign migrants and their
cattle.
The sense of invasion was further reinforced at the Biblioteca da
Floresta (Library of the Forest), a recent construction by the Governo
da Floresta. In its entryway I was greeted by a dramatic wall display
entitled “O Acre Como um Pasto de Boi” (Acre as a Cattle Pasture). In
the fi rst photo, a military officer aims his binoculars toward the ho-
rizon—to the Amazonian frontier, then a sparsely populated land of
untapped resources and a potential security threat. Faced with unrest
in the populous southern regions of Brazil, the military government
opened the Amazon up to settlement by smallholders, landless pop-
ulations, and urban poor (Almeida 1992; Moran 1981; Smith 1982).
Entrepreneurs and ranchers from central-southern Brazil were also
figure 1.4. Amazonian pistoleiro with cowboy hat. Photo taken by author of
display at the Biblioteca da Floresta, Rio Branco, Acre.
In the Ga ps
About 88 percent of Acre is still covered by forest, but I spent much of
my time in the other 12 percent, where humped, white Brahman cat-
tle grazed on either side of the BR-317. Elaborate gates framed the vast
seas of pasture belonging to the large cattle ranches of the fazendei-
ros (ranchers). The pastures were punctuated by red-orange veins run-
ning down hills and knee-high termite mounds. The entrances to the
ramais (unpaved side roads) were marked by the rusty soil that spilled
out and eventually faded into the blacktop, chronicling the journeys
of cattle trucks from colonist and rubber-tapper communities located
beyond the end of the road. The ramais ran through the baking pas-
tures of the colonists, many of their homesteads carpeted in stubbly
grass from the front door to the farthest fence. Past the settlement
project the forest thickened, the temperature dropped, and the road
disintegrated into little footpaths.
Jatobá Rocha and his family lived down one of these paths. The
Rochas’ home sat amid fruit trees, surrounded by a two-hectare clear-
ing planted with cassava and beans and pasture for their one bull,
Tchoa. Foot trails radiated out from the homestead and through the
forest, connecting the family to the rubber and Brazil nut trees upon
which they and their rubber-tapper neighbors have historically de-
pended. Jatobá was naturally hesitant to adopt cattle when I fi rst met
him in 2007, but he took the plunge and bought Tchoa a year later.
From Jatoba’s house I could walk to the homes of others, and at
each one heard a similar story, about how the forest did not make eco-
nomic sense anymore. I saw firsthand just how useful cattle were for
the isolated, poor tappers—their milk provided a constant supply of
protein and they transported Brazil nuts and rubber to the side of the
road for pickup. In contrast to these forest products, cattle were use-
ful for their flexibility—they had no season and could be sold when
necessary. Despite the acknowledged advantages of cattle, it was hard
for the aged tappers to reconcile themselves to the growing pastures
of the seringal.
Some days I rose before the sun came up to tap rubber with the
families that I stayed with. Other days were spent fishing, hunting,
working the cattle, or weeding crops. After lunch we always rested.
On the long, hot afternoons of summer (dry season) we laid on the
cool wooden planks of the floor or sat slumped against a wall, swat-
ting away the ever-present cabas (small wasps) and asking questions
about each other’s lives. Airplanes often passed high above these lit-
tle clearings in the forest, and my hosts inevitably spoke up or broke
off our conversations to ask if I came here in one of those. They
would ask what it was like, point to the sky, and wonder, “Where is
that one going?” The planes were usually heading north or south, so
I responded with references to places that they had heard of but never
been to: the United States in the north or São Paulo, Rio de Janeiro, or
Argentina in the south.
In the silences that followed, my thoughts would drift back to my
flights into and around Brazil. On my fi rst flight, from Texas to São
Paulo, I passed over the Amazon at night during the dry season. It
was disorienting because the light of the stars outshone the black
abyss below. Glowing orange fires and nebula-like little cities occa-
sionally broke the darkness. My mind began to fill the void with the
Amazonian hyper-nature of tangled forest, watchful eyes, slithering,
and buzzing. When I later headed north for Acre during the daytime,
land and sky were easily distinguishable, but the ground was again
monotonous, an uninterrupted mass of bumpy green carpet, with
glistening rivers curling through like drunken slug trails.
It was like the flyover that often began nature programs I had
seen in the United States, in which the overview sets the stage for
a look beneath the green. The camera zooms in through the canopy,
to a scene of exotic nature, imbued with mystery by the noises of
an unseen howler monkey and a lonely woodwind. “This mysteri-
ous region is fi nally giving up its secrets. In the past ten years, a new
species has been discovered on average every three days. But the Am-
azon is changing fast, threatening the animals and plants that have
evolved here for millions of years.” The flute whinnies and stops sud-
denly: “The race is on to learn more about this remarkable place be-
fore it is too late” (Wild Amazon, episode 1: “The Cradle of Life,” Na-
tional Geographic Channel).
On the plane ride to Acre that fi rst day I found that the clearings
in the forest got my attention. The pastures, roads, and cities—those
spaces with which I was familiar in the “developed” world—seemed
intrusive and out of place in a region that I had come to think of as the
ultimate expression of the vastness of nature. These places were of-
ten the focus of Amazonian research, defi ned by what they are not—
forest. The maps show an alarming red arc of deforestation along the
southern edge of Amazonia, and gray fishbone patterns mark the set-
tlement projects.
Once on the ground, I worked to leave that view behind me, along
with the lenses of a privileged environmentalism through which a
complex landscape is reduced to the green of standing forest and the
red of destruction, and its inhabitants made into either eco-villains
or forest guardians. The fi rst step for me was to change the questions,
and to ask why cattle made economic sense and what they meant to
people, instead of asking why the area was being deforested. I learned
that in the eyes of many residents of the region the forest was a ves-
tige of a bygone time and an obstacle to development. The red-ribbon
roads and geometric ranches—these represented “order and progress”
carved out of a no-man’s-land. I needed to view this landscape as a
near reverse-negative and to see these new gaps as meaningful and
important. They were created by people, individuals responding to
a configuration of political and economic structures and guided by
identities formed amid other ways of using the land and, sometimes,
aspirations for a better life.
figure 1.6. Branco, an Amazonian cauboi, and family. Photo by Maria Bahiana.
signaling the beginning of the dance. From this little speck of light
on the side of the highway, pulsating stereo speakers sent messages
about an idyllic rural life floating out over the dark forest.
Rio Branco lies some 300 kilometers southeast of the Raio da Lua.
Back on the BR-317 highway, we see cattle, with little white garças
(egrets) always following close behind, moving about in the green
pastures, rubbing themselves on the rough trunks of the Brazil nut
trees in the morning before ambling on to the green knee-high pas-
tures, which fade to brown in the dry summer months. These tow-
ering trees, many of them charred at the base and limbless after be-
ing burned by pasture fi res, throw long, thin shadows that shrink
and move from west to east as the day progresses. It is illegal to cut
down these now-sterile trees, according to the “Chico Mendes Law.”
The landscape reflects the destructive past chronicled in The World
Is Burning (Shoumatoff 1990) and The Burning Season (Revkin 1990).
Up the road in Capixaba, the highway passed the “Country Bar,”
with its painted sign of a woman in boots and a slim cowboy on a buck-
ing bull. Nearing Rio Branco, we saw a new rodeo arena and dance-
hall called the Celeiro Beer (Beer Barn), with a wagon wheel mounted
above the front door. Next to the Celeiro was a small store where I
stopped once with Olessio, a ranch foreman. He needed a new belt
buckle for the annual Expo-Acre celebration in Rio Branco. He chose
from a selection of silver belt buckles the size of elongated saucers.
They gleamed under a glass case next to smaller ones with pink ac-
cents for women, and tins of imported American smokeless tobacco.
As we approach Rio Branco, just off the Via Verde on the BR-364
(heading on to Rondonia and then to Rio de Janeiro and São Paulo),
the foul smell and the black smoke announce the presence of the two
new slaughterhouses. This was where Acrean cattle ended their jour-
ney from the pastures of the rubber tappers, colonists, and ranchers
of southern Acre. In the pens outside of one of these slaughterhouses,
I looked down on the cattle as they stood about and occasionally jos-
tled for position, as misty water from a sprinkler cascaded over them.
They slowly filtered single file into a warehouse, where they were hit
over the head, strung up, split in half with a chainsaw, transformed
into Acre’s famed boi verde (green cattle), a beef marketed for its “nat-
ural” qualities. Nothing was wasted here, the manager told me, as he
motioned to the rendering machine, where bones were ground and
fat, sinew, and the rest were melted down and converted to ingredi-
ents for everything from toothpaste to gelatin.
that they could hear a man singing sertaneja covers. He passed the
microphone to members of the audience during the refrains of the
most popular tunes. The walls of Bahamas were painted with vari-
ous scenes that seemed to hearken back more to the American West
than to Brazil, with cowboys roaming desert landscapes beneath fi-
ery pink skies and tabletop mesas. The male and female bathrooms
were indicated by two cowboy-hatted silhouettes leaning against a
wall: one slim and muscular, the other buxom.
were different, but also to reveal that they were in many ways con-
nected to and quite similar to the people of my hometown or any-
one else.
I gradually learned over the course of the research that a mixed-
methods approach is vital for understanding the full complexity of
contemporary socio-environmental topics, in the Amazonia and else-
where. I talked to the editors of my hometown newspaper, and we
agreed that I would send biweekly “Postcards from the Amazon”
from the field. In the pages that follow you will fi nd some of these
descriptive articles, quantitative data, and other observations derived
from more than a year and a half of fieldwork.
figure 2.1. Satellite image of research area. Adapted from Luzar 2006 (41).
Figure 2.1 shows the general location of the research sites and
identifies the administrative units where research was conducted.
The area indicated by the number 3 is a ranch that was not included
in my survey. I have indicated its position here to illustrate the scale
of a ranch and to show how the different land-tenure systems are sit-
uated in relation to one another. The side roads of the settlement proj-
ects and colonists’ property lines are visible around the areas marked
with the number 2. The RESEX (3) begins at the end of the side roads
to the north. The primary line extending from right, in the city of
Brasiléia (4), to left and then angling down is the BR-317 highway.
The fi rst colonists arrived to take part in some of the nationally spon-
sored agricultural settlement projects implemented throughout the
country in the 1970s and 1980s. They were directed by INCRA, the
Brazilian Institute for Colonization and Agrarian Reform, which set-
tled families from overcrowded and impoverished parts of the coun-
try in the sparsely populated Amazon region. These migrants were
expected to convert forest to agricultural plots and grow produce for
their own subsistence as well as for the market (Moran 1981; Smith
1982). Acrean colonist families reported that demonstrating “prog-
ress” through forest conversion was essential to maintaining their
land in these early years.
The Brazilian government also supported the establishment of
large-scale cattle ranches by offering generous fiscal incentives, at-
tracting entrepreneurs from other parts of Brazil (Hecht 1993). The
Acrean state, at that time headed by Governor Wanderley Dantas
(1971–1975), courted investors from the south, and facilitated the sale
of the vast rubber estates to the ranchers (Bakx 1988). Migrants, many
from landowning classes in Minas Gerais and São Paulo, were drawn
to the new frontier in Acre, where they could acquire cheap land and
subsidies for cattle ranching.
Prior to 1990, these social groups were dedicated to distinct
forms of exploiting their environment to fulfill their subsistence
and economic needs: rubber tappers relied mostly on the collection
of forest products (rubber and Brazil nut); colonists dedicated them-
selves largely to agricultural pursuits; and large-scale ranchers raised
cattle.
The arrival of migrants in the form of affluent ranchers and colo-
nists hungry for land resulted in clashes with the native rubber tap-
pers, who were already scattered over much of southwestern Acre.
Rancher legal rights, backed by the government policy of the time,
were superimposed on tapper use rights. When ranchers sought to
claim the land that they had purchased, and convert the forests to
pastures, there was intergroup conflict (Ehringhaus 2005:5). The
RESEX established in 1990 after rubber-tapper mobilization and pro-
test served to institutionalize territorial and use rights for the rubber
tappers as these related to their traditional economic practice of for-
est extractivism (Kainer et al. 2003; Schwartzman 1989).
From 1970 to 1990 different groups with different practices came
together and came into conflict in Acre. During the process of open-
ing the Amazon during the 1970s and 1980s, three different types
of land-tenure systems were created to accommodate these distinct
social groups and their specific economic practices. These systems
established culturally distinct group boundaries and economic prac-
tices for rubber tappers, agricultural colonists, and large-scale ranch-
ers, which were reinforced through governmental support for extrac-
tivism, agriculture, and cattle raising. With this focus on specific
economic practices and political objectives, social groups became
linked to distinct identities, practices, and spaces.
Until the 1990s cattle were essentially the domain of large-scale
ranchers in Acre. Lack of technical knowledge and capital limited
their adoption by smallholder colonists and rubber tappers, who also
disdained cattle for their role in social conflict and environmental
destruction (Bakx 1988; Toni et al. 2007). In the last twenty years,
however, all groups’ tenure systems have become more restrictive be-
cause of environmental laws, while their practices have continued
to respond to evolving political, economic, and cultural cues. On the
surface, the actions of colonists and especially of rubber tappers can
be understood as diverging from their land-use practices and identi-
ties. The notion of unified group practice based on shared identity
and the institutional rules of tenure systems occludes the fact that
groups have always adapted to structural constraints within cultural
guidelines, which are also subject to change.
The assumed unity of practice–perception–tenure also betrays the
fact that the groups live side by side, interacting with and influenc-
ing one another. The essential function of cattle in the production
system of each group can be distilled to the following: rubber tappers
value cattle for their liquidity and view the animals as a savings ac-
(1) What political and economic factors have made cattle raising a
more viable economic practice than agriculture and extractivism?
(2) How do different social groups in Acre now view cattle?
(3) Once a vehicle of confl ict, how do cattle now mediate intergroup
cultural and economic exchanges?
figure 2.2. Rubber-tapper children ride their bull home from school
rubber, and cattle began to enter the picture as a strategy for storing
wealth (fig. 2.2). Cattle spread throughout the RESEX, particularly in
households bordering settlement projects and ranches (Gomes 2009).
Some families in the RESEX were threatened with expulsion for
exceeding deforestation limits to raise cattle. In the words of A Tri-
buna (2008), an Acrean newspaper: “The [RESEX] was born from the
dreams of the rubber tappers to be protected from cattle raising. This
same activity [cattle raising] has now returned to threaten them.”
This press account and others like it imply that raising cattle in the
RESEX is a violation in and of itself; this is not the case as long as de-
forestation limits are observed. More than any other group, the rub-
ber tappers feel the tensions of an evolving political economy that
renders their traditional economic practices less viable than cattle
raising, and they struggle to reconcile their cultural values with the
material needs of their households.
There is also a disconnection between the colonists’ traditional
and current economic practices, but colonists, especially migrants
from other regions, never had an ideological opposition to cattle. Col-
onists reported that up through the 1980s there was governmental
support and markets for their agricultural goods, but after 1990 this
was no longer the case. For most products, such as rice and corn, the
LEPIDOPTERA.
NYMPHALIDAE.
Danainae: Limnas chrysippus (Linn.) ♀. The ground
colour of the pale tint characteristic of
1
Oriental specimens and usually replaced by
a much darker shade in African.
Danainae: L. chrysippus (Linn.) var. alcippus (Cram.) ♂♂.
2
Typical.
Nymphalinae: 1 Neptis agatha (Cram.).
1 Precis cebrene (Trim.).
PAPILIONIDAE.
Pierinae: 1 Catopsilia florella (Fabr.) ♂.
2 Colias electra (Linn.) ♂ ♀.
Terias brigitta (Cram.) ♂ ♂ ♀.
3
Dry season forms; not extreme.
3 Eronia leda (Boisd.) ♂ ♀ ♀.
One of these females has an orange apical
patch on the forewing, almost as distinct as
that of the male.
1 Pinacopteryx sp. ?
A female, rather worn; simulating Mylothris
agathina ♀.
Probably a new species, but being in poor
condition and a single specimen it would not
be advisable to describe it.
1 Belenois severina (Cram.) ♀. Dry season form.
1 Phrissura sp. ♂.
A male, of the P. sylvia group. This form of
Phrissura has not previously been recorded
from any part of East Africa.
Papilioninae: 8 Papilio demodocus (Esp.).
HYMENOPTERA.
1 Dorylus fimbriatus (Shuck.) ♂.
COLEOPTERA.
LAMELLICORNIA.
Scarabaeidae: Oniticellus inaequalis (Reiche).
1
Only known from Abyssinia.
Cetoniidae: 1 Pachnoda abyssinica (Blanch.).
1 Pachnoda stehelini (Schaum).
Both Abyssinian species.
PHYTOPHAGA.
Cassididae: 1 Aspidomorpha punctata (Fab.).
HETEROMERA.
Cantharidae: 2 Mylabris, probably a new species.
NEUROPTERA.
1 Nemoptera, probably a new species.
ORTHOPTERA.
Acridiidae: 1 Cyrtacanthacris
sp.
1 Phymateus brunneri? (Bolivar).
1 Phymateus leprosus (Fab.).
1 Petasia anchoreta (Bolivar).
Mantidae: 1 Sphodromantis bioculata (Burm.).
1 Chiropus aestuans? (Sauss.).
In addition to the above, Dr. Hayes presented three insects
captured by him at Gedaref in the Soudan, including a pair of a
magnificent new species of Buprestid beetle of the genus
Sternocera, taken in coitu. This species has recently been described,
from Dr. Hayes’ specimen and two others in the British Museum, by
Mr. C. O. Waterhouse, who has given it the name Sternocera druryi
(“Ann. Mag. Nat. Hist.” Oct., 1904, p. 247). The third insect is an
example of a Cantharid beetle, which does great damage to the
crops at Gadarif. Its determination as Mylabris hybrida (Bohem.) is
therefore a matter of some importance.
THE END
(Large-size)
LAKE TSANA
(Large-size)
Transcriber's note:
1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must, at
no additional cost, fee or expense to the user, provide a copy, a
means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.F.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.
ebookultra.com