Class X Painting Notes 2024-25 Part I (1)
Class X Painting Notes 2024-25 Part I (1)
Table of Contents
PartI-ApplicationsofPainting............................................................................................2
Painting(चित्रकारी)......................................................................................................2
BodhisattvaPadmapani(Ajanta)............................................................................2
Sculpture(मूर्तिकला)....................................................................................................5
AshokanLionCapital(MauryanPeriod).................................................................5
Architecture(वास्तुकला)..............................................................................................7
KailashnathaTemple(Ellora,Maharashtra)...........................................................7
IndianFolkArt(भारतीयलोककला)..........................................................................11
Paintings:Madhubani...........................................................................................11
Paintings:Warli.....................................................................................................12
PartII-TheoreticalAspectsofPainting............................................................................14
FundamentalsofVisualArts(दृश्यकलाके मूलसिद्धांत)..........................................14
ElementsofVisualArts(दृश्यकलाके तत्व).............................................................14
PrinciplesofVisualArts(दृश्यकलाके सिद्धांत)....................................................................15
PaintingasaProcess(चित्रकारी-प्रक्रियाके रूपमें).................................................17
MethodsandMaterialsofPainting(चित्रकारीके तरीके )..........................................17
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Part I - Applications of Painting
Painting(चित्रकारी)
Bodhisattva Padmapani (Ajanta)
Answer -
Place, period, and importance (From which caves of India has it been taken?)
a) Place:Ajanta Cave No 1,Sambhajinagar (Aurangabad),Maharashtra.
b) Period: The painting belongs to the5th century CEduring theGupta
period, which marks the golden age (स्वर्णिम काल) of Indian art and culture.
c) Importance: These paintings have survived formorethan 1,500 yearsand
yet they surprise the visitors with their beauty.
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laster as it dries, creating apermanent (स्थायी), durable (टिकाऊ), and
p
matte-surfaced* painting. (Simple - Wall pe banaya hua permanent painting).
* Matte-surface - Aisa surface jo dull ho and jo chamke nahi. Iska ulta hota hai
gloss, jo chamakta hai.
ow is Compassion Shown?
H
The gentle (नम्र) and serene (निर्मल) expression of Bodhisattva Padmapani reflects
hisimmense (अत्यधिक) compassion and kindness. His soft gaze (दृष्टि) and calm
demeanour (मुद्रा) symbolise his selfless love and desire to alleviate (कम करना)
human suffering.
ymbolic Meaning (What kind of lotus is he holding in his hand and what does it
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symbolize?)
a) Blue lotus: The lotussymbolizes purity and spiritual awakening
(आध्यात्मिक जागृति). Despite growing in muddy waters, it remains
untouched, reflecting the idea of rising above worldly suffering (सांसारिक
कष्ट).
b) Long Ear Lobes: They representrenunciation (त्याग) of material wealth
(भौतिक संपत्ति).Theelongated (लम्बी) ears signify the heavy jewellery
once worn by Bodhisattva, which he later abandoned to embrace spiritual
(आध्यात्मिक) life.
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1. W
hich colours are used in the fresco paintings of Ajanta Caves? Explain how
these colours are nature-friendly. (2025 SQP)
Answer -
he fresco paintings of the Ajanta Caves are characterized by their use of
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natural, earth-derived colours, which include:
a) Red and Yellow Ochres: Derived fromiron-rich soils,
b) Blue: Likely derived fromlapis lazuli*,
c) Green: Made bymixing lapis lazuli with Indian yellow ochre,
d) White: Sourced fromlime or chalk,
e) Black: Made fromsoot (काजल) or charcoal.
2. H
ow far has the artist been successful in showing the ‘Bhaav’ of Bodhisattva
Padmapani? Explain in brief. (2024 PYQ)
Answer - The artist portraying Bodhisattva Padmapani successfully conveys
the bhaav (emotion or essence) through several artistic elements:
a) On one hand, ornamentations (अलंकरण) and detailing through
jewellery, delicate clothing and sharp physical features portray the
royal descent (शाही वंश)of Prince Siddhartha.
b) On the other hand, thehalf-closed eyes showcase detachmentand
inclination towards meditation (ध्यान), introspection (आत्मनिरीक्षण), and
compassion for all sentient beings (संवेदनशील प्राणी).
c) Posture (Tribhaga mudra): The relaxed yet elegant stance, often
depicted with one hand holding a lotus (Padma),symbolises purity
(पवित्रता) and spiritual awakening (आध्यात्मिक जागृति). The slight tilt of
the head enhances the sense of humility (विनम्रता) and benevolence
(परोपकार).
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Sculpture(मूर्तिकला)
Ashokan Lion Capital (Mauryan Period)
imilar question - Which Emperor/Dynasty got this pillar made and where? For
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which historical event was this site chosen? (2023 SQP)
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● T he four lions sitting back-to-back symbolizecourage (साहस),
compassion (करुणा), wisdom (बुद्धिमत्ता), and pride (अभिमान).
● They also signify the spreading of themessage of Dharma
(righteousness - नीतिपरायणता) in all four directions.
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Architecture(वास्तुकला)
Kailashnatha Temple (Ellora, Maharashtra)
elected video - Documentary on Kailashnatha temple by History TV Channel
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(YouTube link -https://www.youtube.com/watch?v=NrB5rvEMyo0)
Video 2 -https://youtu.be/02MOwZlRvJ8?si=D6OxGNzzYGoXLbYc
● T
he temple has also been decorated withthemes (प्रसंग/कहानियां) from
Ramayana, Mahabharata, and tales (कथा) of other gods and
goddesses. Since it is Lord Shiva temple, thesculpture (मूर्ति) of Nandiis
also present.
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● T
he temple was carved out ofsolid basalt rock, a volcanic stone
(ज्वालामुखीय पत्थर). These stones provided the temple withstability (स्थिरता)
and longevity (दीर्घायु).
heKailashnathTemple,locatedintheElloraCaves,isastunningexampleof
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rock-cut architecture created using the vertical excavation technique. The
temple is 300 feet long, 175 feet wide and 106 feet deep. Despite being
carved from a single rock, the temple is known for its intricate carvingsand
elaborate relief* sculptures. (99 words) <S & A repeat>
b) H
ow many kinds of caves are there and what is the purpose? (2024
SQP)
There are two types of caves:
(i) Vihara caves: These caves were used by Buddhist monks tolive.
The painting of Bodhisattva Padmapani is also found in them.
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( ii) Chaitya caves: These caves included Stupas which were
worshipped by the Buddhist monks. The Stupas included rock-cut
sculptures and an image of Buddha.
4. T
he Indian temple architecture is designed to lead us from the outer world to
the inner world. Thus, the Parisar represents the outer world and Garbha
Graha represents the inner world. Write the names and describe any other
two parts of the temple from your syllabus. (2023 SQP)
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nswer - Apart from the Garbhagriha and Parisara, we also find the following
A
two parts of a temple in the Kailasnatha temple -
(a)Mandapa: The flat-roofed mandapa of the temple is supported by16
pillars.
(b)Gopuram: The temple's entrance isU-shaped with Shaivite deities
on the left and Vaishnavite deities on the right side.
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