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Fibonacci and
Lucas Numbers
with Applications
Volume Two
THOMAS KOSHY
Framingham State University
This edition first published 2019
© 2019 John Wiley & Sons, Inc.
Abbreviations 644
Bibliography 645
Solutions to Odd-Numbered Exercises 661
Index 725
Symbols
Symbol Meaning
⇐ or ⇒ marginal symbol for alerting the change in notation
? unsolved problem
end of a proof or solution; end of a lemma, theorem,
or corollary when it does not end in a proof
ℂ set of complex numbers
(a1 , a2 , … , an ) greatest common divisor (gcd) of the positive
integers a1 , a2 , … , an
[a1 , a2 , … , an ] least common multiple (lcm) of the positive
integers a1 , a2 , … , an
√
Δ x2 + 4
x+Δ
𝛼(x)
2
x−Δ
𝛽(x)
2
√
D x2 + 1
𝛾(x) x+D
𝛿(x) x−D
a(x) mod b(x) remainder when a(x) is divided by b(x)
a(x) ≡ b(x) (mod c(x)) a(x) is congruent to b(x) modulo c(x)
Symbol Meaning
[a0 ; a1 , … , an ] infinite simple continued fraction
𝑤(tile) weight of tile
𝜇(x) characteristic of the gibonacci family
Fn∗ Fn Fn−1 · · · F1 , where F0∗ = 1
[ ]
n Fn∗
fibonomial coefficient
r Fr∗ Fn−r
∗
{ }
n 1 − qm 1 − qm−1 1 − qm−r+1
q-binomial coefficient ⋅ · · ·
r 1−q 1 − q2 1 − qr
q
√
Δ(x, y) x2 + 4y
! switching variables
Preface
The main focus of Volume One was to showcase the beauty, applications, and
ubiquity of Fibonacci and Lucas numbers in many areas of human endeavor.
Although these numbers have been investigated for centuries, they continue to
charm both creative amateurs and mathematicians alike, and provide exciting
new tools for expanding the frontiers of mathematical study. In addition to being
great fun, they also stimulate our curiosity and sharpen mathematical skills such
as pattern recognition, conjecturing, proof techniques, and problem-solving. The
area is still so fertile that growth opportunities appear to be endless.
AUDIENCE
PREREQUISITES
ORGANIZATION
SALIENT FEATURES
HISTORICAL PERSPECTIVE
As in Volume One, I have made every attempt to present the material in a his-
torical context, including the name and affiliation of every contributor, and the
year of the contribution; indirectly, this puts a human face behind each discov-
ery. I have also included photographs of some mathematicians who have made
significant contributions to this ever-growing field.
Again, my apologies to those contributors whose names or affiliations are
missing; I would be grateful to hear about any omissions.
The book features over 1,230 exercises of varying degrees of difficulty. I encour-
age students and Fibonacci enthusiasts to have fun with them; they may open
new avenues for further exploration. Abbreviated solutions to all odd-numbered
exercises are given at the end of the book.
APPENDIX
The Appendix contains four tables: the first 100 Fibonacci and Lucas num-
bers; the first 100 Pell and Pell–Lucas numbers; the first 100 Jacobsthal and
Jacobsthal–Lucas numbers; and a table of 100 tribonacci numbers. These
should be useful for hand computations.
31
For the curious-minded, we add that 𝑓n is an even function when n is odd, and
an odd function when n is even; and ln is an odd function when n is odd, and even
when n is even.
k 0 1 2 Row Sums
n
1 1 1
2 1 1
3 1 1 2
4 1 2 3
5 1 3 1 5
6 1 4 3 8
7 1 5 6 1 13
8 1 6 10 4 21
↑ ↑
tn Fn
Table 31.1 contains some hidden treasures. To see them, we arrange the
nonzero coefficients of the Fibonacci polynomials in a left-justified array A;
see Table 31.2. Column 2 of the array consists of the triangular numbers
tn = n(n + 1)∕2, and the nth row sum is Fn .
Fibonacci and Lucas Polynomials 5
Let an,k denote the element in row n and column ( k of the)array. Clearly,
n−k−1
an,k is the coefficient of xn−2k−1 in 𝑓n ; so an,k = . Recall that
( ) k
∑ n−k−1
= Fn [287].
k≥0
k
Consequently, it can be defined recursively:
a1,0 = 1 = a2,0
an,k = an−1,k + an−2,k−1 ,
where n ≥ 3 and k ≥ 1; see the arrows in Table 31.2. This can be confirmed; see
Exercise 31.1.
Let dn denote the nth rising diagonal sum. The sequence {dn } shows an inter-
esting pattern: 1, 1, 1, 2, 3, 4,
6 , 9, 13, …; see Figure 31.1. We can also define
dn recursively:
d1 = d2 = d3 = 1
dn = dn−1 + dn−3 ,
where n ≥ 4.
1
1
1 1
2
1 3
1 1 4
6
1 2
1 3 1
1 4 3
1 5 6 1
1 6 10 4
Figure 31.1.
( )
n−k−1
Since an,k = , it follows that
k
⌊(n−1)∕3⌋
∑
dn = an−k,k
k=0
⌊(n−1)∕3⌋ ( )
∑ n − 2k − 1
= .
k=0
k
6 Fibonacci and Lucas Polynomials I
( ) ( ) ( ) ( )
∑
2
7 − 2k 7 5 3
For example, d8 = = + + = 9.
k=0 k 0 1 2
The falling diagonal sums also exhibit an interesting pattern: 1, 2, 4, 8, 16, …;
see Figure 31.2. This is so, since the nth such sum is given by
n−1 ( )
∑
n−1
∑ n−1
an+k,k =
k=0 k=0
k
= 2n−1 ,
where n ≥ 1.
1
1
1 1
1 2
1 3 1
1
1 4 3
2
1 5 6 1
4
1 6 10 4
8
Figure 31.2.
k 0 1 2 3 4 Row Sums
n
1 1 1
2 1 2 3
3 1 3 4
4 1 4 2 7
5 1 5 5 11
6 1 6 9 2 18
7 1 7 14 7 29
8 1 8 20 16 2 47
↑
Ln
Fibonacci and Lucas Polynomials 7
Let bn,k denote the element in row n and column k, where n ≥ 1 and k ≥ 0.
Then
⌊n∕2⌋
∑
1) bn,k = Ln .
k=0
2) bn,k = bn−1,k + bn−2,k−1 , where b1,0 = 1 = b2,0 , b2,1 = 2, n ≥ 3, and k ≥ 0.
3) Let xn denote the nth rising diagonal sum. Then x1 = 1 = x2 , x3 = 3, and
xn = xn−1 + xn−3 , where n ≥ 4.
⌊(n−1)∕3⌋ ( )
∑ n − k n − 2k
4) xn = .
k=0
n − 2k k
( ) ( ) ( ) ( )
∑ 2
7 − k 7 − 2k 7 7 6 5 5 3
For example, x7 = = + + = 12.
k=0
7 − 2k k 7 0 5 1 3 2
In the interest of brevity, we omit their proofs; see Exercises 31.2–31.5.
Next we construct a graph-theoretic model for Fibonacci polynomials.
T1 T2 T3 T4 T5
Figure 31.3.
Binet-like Formulas
Using the recurrence gn = xgn−1 + gn−2 and the initial conditions, we can derive
explicit formulas for both 𝑓n and ln ; see Exercises 31.6 and 31.7:
𝛼n − 𝛽 n
𝑓n = and ln = 𝛼 n + 𝛽 n ,
𝛼−𝛽
x+Δ x−Δ
where 𝛼 = 𝛼(x) = and 𝛽 = 𝛽(x) = are the solutions of the equation
2 √ 2
t − xt − 1 = 0 and Δ = Δ(x) = x + 4. Notice that 𝛼 + 𝛽 = x, 𝛼 − 𝛽 = Δ, and
2 2
𝛼𝛽 = −1.
Since 𝛼 = 𝛼𝑓1 + 𝑓0 and 𝛼 2 = 𝛼x + 1, it follows by the principle of mathe-
matical induction (PMI) that 𝛼 n = 𝛼𝑓n + 𝑓n−1 , where n ≥ 1; see Exercise 31.8.
Similarly 𝛽 n = 𝛽𝑓n + 𝑓n−1 .
Using the Binet-like formulas, we can extend the definitions of Fibonacci and
Lucas polynomials to negative subscripts: 𝑓−n = (−1)n−1 𝑓n and l−n = (−1)n ln .
Using the Binet-like formulas, we can also extract a plethora of properties of
Fibonacci and Lucas polynomials; see Exercises 31.14–31.97. For example, it is
fairly easy to establish that
𝑓n ln = 𝑓2n ;
𝑓n+1 + 𝑓n−1 = ln ; (31.1)
x𝑓n−1 + ln−1 = 2𝑓n ; (31.2)
n
l2n + 2(−1) = ln2 ;
𝑓n+1 𝑓n−1 − 𝑓n2 = (−1)n ;
ln+1 ln−1 − ln2 = (−1)n−1 (x2 + 4).
The last two identities are Cassini-like formulas. It follows from the Cassini-like
formula for 𝑓n that every two consecutive Fibonacci polynomials are relatively
prime; that is, (𝑓n , 𝑓n−1 ) = 1, where (a, b) denotes the greatest common divisor
(gcd) of the polynomials a = a(x) and b = b(x).
Similarly,
(ln+4k + ln , ln+4k−1 + ln−1 ) = l2k ; (31.4)
Pythagorean Triples
The identities ln+1 + ln−1 = Δ2 𝑓n and l2n = Δ2 𝑓n2 + 2(−1)n (see Exercises 31.32
and 31.49) can be employed to construct Pythagorean triples (a, b, c). To see
this, let c = Δ2 𝑓2n+3 and a = xl2n+3 − 4(−1)n . We now find b such that (a, b, c)
is a Pythagorean triple.
Since c = l2n+4 + l2n+2 , we have
= 2[l2n+4 − 2(−1)n+2 ]
= 2Δ2 𝑓n+2
2
;
= 2[l2n+2 − 2(−1)n+1 ]
= 2Δ2 𝑓n+1
2
.
ln+1
Similarly, lim = 𝛼. Thus
n→∞ ln
𝑓n+1 ln+1
lim = 𝛼 = lim , (31.5)
n→∞ 𝑓n n→∞ ln
where x > 0.
For the curious-minded, we add that
{
𝑓n+1 (0) 0 if n is odd
=
𝑓n (0) undef ined otherwise;
{
ln+1 (0) undef ined if n is odd
=
ln (0) 0 otherwise.
To begin, we have
Similarly,
2n ( )
∑ 2n
(x2 + 4)n = (2𝛽)k (−x)2n−k . (31.7)
k=0
k
2n ( )
∑ 2n
2(x2 + 4)n = (−2)k lk x2n−k (31.8)
k=0
k
2n ( )
∑ 2n
0= (−2)k 𝑓k x2n−k ; (31.9)
k=0
k
4 ( )
∑ 4
(−2)k lk x4−k = l0 x4 − 8l1 x3 + 24l2 x2 − 32l3 x + 16l4
k=0
k
2n ( )
∑ 2n
(−2)k Lk = 2 ⋅ 5n .
k=0
k
J.L. Brown of Pennsylvania State University found this result in 1965 [59].
The next example is an interesting application of identity (31.1).
= 𝑓n+1 + (−1)(n−2)∕2 𝑓1
{
𝑓n+1 − 1 if n ≡ 0 (mod 4)
=
𝑓n+1 + 1 if n ≡ 2 (mod 4).
= x7 + 6x5 + 10x3 + 4x
= 𝑓8 .
𝑓2n+1 = 𝑓n+1
2
+ 𝑓n2 ; (31.16)
2
xl2n+1 = ln+1 − (x2 + 4)𝑓n2 (31.17)
= (x2 + 4)𝑓n+1
2
− ln2 ; (31.18)
2
see Exercises 31.78–31.80. Consequently, ln+1 + ln2 = (x2 + 4)𝑓2n+1 .
The next example features a neat application of identity (31.10). It was origi-
nally studied in 1969 by Swamy [489].
Consequently, we have
x 𝑓2k+2 𝑓
= − 2k
𝑓2k−1 𝑓2k+1 𝑓2k+1 𝑓2k−1
∑
n
x 𝑓2n+2 𝑓2
= −
k=1
𝑓2k−1 𝑓2k+1 𝑓2n+1 𝑓1
𝑓2n+2
= −x
𝑓2n+1
∑
n
1 𝑓2n+2
1+ = . (31.20)
k=1
𝑓2k−1 𝑓2k+1 x𝑓2n+1
14 Fibonacci and Lucas Polynomials I
x 𝑓2k+3 𝑓2k+1
− = −
𝑓2k 𝑓2k+2 𝑓2k+2 𝑓2k
∑
n
x 𝑓2n+3 𝑓3
− = −
k=1
𝑓2k 𝑓2k+2 𝑓2n+2 𝑓2
x𝑓2n+2 + 𝑓2n+1 x2 + 1
= −
𝑓2n+2 x
𝑓2n+1 1
= −
𝑓2n+2 x
∑
n
x2 𝑓2n+1
1− =x . (31.21)
k=1
𝑓2k 𝑓2k+2 𝑓2n+2
[ ][ ]
∑
n
x2 (x2 + 4) 1 ∑ x2 + 4
n
2
x +2− 2
+ = 1;
k=1
l2k−1 l2k+1 x + 2 k=1 l2k l2k+2
{
0 if n is odd
𝜅n =
2 otherwise.
To see a related link, property (31.22) implies that we can recover ln from 𝑓n
by integrating both sides from 0 to x:
x x
ln′ (y)dy = n 𝑓n (y)dy
∫0 ∫0
x
ln − ln (0) = n 𝑓n (y)dy
∫0
x
ln = 𝜅n + n 𝑓n (y)dy. (31.23)
∫0
( )
x
(x2 + 4)ln′′ = n nln − ln′
n
(x2 + 4)ln′′ + xln′ − n2 ln = 0. (31.26)
Both can be confirmed using PMI; see Exercises 31.96 and 31.97.
We now establish both, using different techniques.
Alternate Methods
To establish the Lucas-like formula (31.27), we employ a bit of operator theory
[284, 498]. To this end, let
⌊n∕2⌋ ( )
∑ n − k n−2k
Sn = Sn (x) = x .
k=0
k
D2 (Sn ) = D(D(Sn ))
= D(Sn+1 − xSn )
= D(Sn+1 ) − xD(Sn )
Exploring the Variety of Random
Documents with Different Content
Anglo-Saxon brother in a like predicament may be as imprecise, as
vague and obscure, as racial character and the genius of his
language permit, but we exact of this raging Gaul that his insanity
shall be beautifully measured by the canons of art. And so his
excesses in anarchy appear to our judgment far more grievous
crimes against taste and tact than those of less intellectually and
artistically disciplined races. When he falls away from the lines of
beauty his defection is more deplorable than another’s. We are
accustomed to count upon him as a model of elegance in all the finer
paths of pleasure; and when he dips into crabbed prose or rude
verse, or paints us, as a symphony of modern morals, a naked
woman playing the piano, with a fashionable hat on a vulgarly
dressed head, we resent the hideous joke as evidence of
unjustifiable lawlessness. The Prix de Rome may have something to
do with these outbreaks. The best art of the world has been
spontaneous and not academic; and though we may admit that
training is a priceless advantage in all paths, the individual influence
of one master of his craft is far above that of all the academies ever
formed. The French in all things depend too exclusively on
institutions. They tired of the tyranny of Throne and Church, and
overthrew the one and shook the altars of the other. But the abiding
tyranny of institutions they unmurmuringly accept and submit to as
their substitution. Louis XIV. and Napoleon ruled the people with a
rod of iron; each combined in his personal prestige and power all the
resources of the various institutions which, united, now represent the
authority of a single man. The traditions of subservience that they left
were not to be shaken off, in spite of revolutions and occasional
canters down the wild road of anarchy. There dwell permanently in
the race a terror and distrust of individualism and initiative. Since it
has shaken off the shackles of kings and dictators, it must walk in
willing servitude to the countless smaller, and, it must be admitted,
less obnoxious, tyrannies it maintains for the clipping of its own
wings, and which form a kind of stable throne for its prestige. For
what would France be in the eyes of the world without its five
Academies, without its École des Beaux Arts, its Théâtre Français,
the house of Molière, without its high literary tradition, the distinction
and elegance of all that emanates from its genius? The liberty of the
gypsy is undoubtedly the greatest blessing of life, freedom to paint,
to write, to act, to speak, to breathe, by spontaneous and
untrammelled effort, freedom to ride upon the crests of inspiration
unmindful of the approval of the fogies of tradition, to tilt against the
windmills of discord in one’s own manner without a thought for
“conservatoire” or national opera-house, to go a-sailing on the lake
of dreams, without calculating the benefit it may be to your pocket,
and dive for pearls of fancy without reckoning their market value. But
civilisation sets too just a value upon the benefits of tradition and
discipline to tolerate this nomad contempt of their advantages; and in
no country are these advantages more highly prized than in France,
the land of revolution and unrest. Even the follies of the Latin
Quarter, as long as they lasted, were rigidly based upon the
traditions of that wild spot. La Vie de Bohème, for all its apparent
recklessness of rowdy students and Mimi Pinsons and Lisettes, had
its traditions in vice and virtue, deviation from which was regarded an
infraction as intolerable as ever could be deviation from those of the
five Academies or the Comédie Française. The student in the
process of going to the dogs was bound to go thither in the way of
the Quarter. He inherited from a long line of genius his hat and his
garments, the cut of his hair and beard, his sins and attitudes. The
road of pleasure and pain, of wickedness and repentance, of
distraction and despair, was cut out for him upon tradition as
unswervable as that of the most respectable institution, and to act
the proper part assigned him in the triumph of disreputableness he
should take Villon for his model, or wring out the sombre folds of the
poet’s mantle in the gaiety and genial ruffianism of the modern ideal
of the Latin Quarter. But here, happily, we alight upon an institution in
process of doom. The Quarter is in the pangs of transformation, and
soon the cheap and unsympathetic heroes of Mürger will be but a
memory, and not a decent one at that. Along the “Boul. Mich.” youths
are beginning to pay their way, for all the world like the common
“beastly burgess” across the river.
THE FOYER OF THE OPERA-HOUSE
Edelfelt
But she was not the first to initiate me into the economical
mysteries of the French home. Before this I had been the “paying
guest” of a native of Burgundy with an Alsatian title as long as an
Alexandrian verse. She professed to have known Lamartine in her
youth, and when I spoke of the poet by his name, she corrected me
with a grand and reproving air: “Mademoiselle, we of Macon say
Monsieur de Lamartine.” Here the same mysteries of locked salon all
the week round, open only for a few hours on the famous reception
day of Madame la Baronne; the same absence of plenty at the board
—lunch for three persons invariably three boiled eggs, three tiny
cutlets and three boiled potatoes, three little rolls and three small
apples. Never a fourth of anything, should one of the three happen to
be a little hungrier than the other two. Only, as I had to do with a
broken-down aristocrat, there reigned, instead of the beaming
cordiality of the bourgeoise, an awful, desperate, glacial reserve. The
baroness’ attitude to life may be described fitly as resembling her
attitude to the late lamented poet, whom she apostrophised stiffly as
Monsieur de Lamartine. She was frightfully dignified, even in starving
her unfortunate paying guest on twelve pounds a month. It is true,
paying guests are not infrequently regarded by ladies as creatures
predestined to starvation and prompt payment in their hands, and in
business matters I can safely say, from singularly sharp experience,
that there are no more heartless and rapacious landladies on the
face of the earth than needy and educated women. The greed of the
common woman runs to pence, while that of the lady runs to
shillings; and whereas the former, when she is dishonest, has a
lingering consciousness of it, and flies into a wholesome rage on
detection, the latter is armoured in the brass of breeding, and looks
cool and surprised that you should object to being fleeced by her.
Upon any approach to complaint, instead of excuses, she shows you
cynically that she took you in in order to fleece you. A French
“woman of letters,” in the lowest acceptance of that unpleasing term,
the old, semi-extinguished type of bluestocking, once told me that
she always calculated on making a clear profit of two hundred francs
a month on the board of her “paying guest,” otherwise she did not
regard herself as having made a good thing out of it. As she charged
a hundred francs a month for a bedroom, twelve pounds a month
was the sum she counted upon as legitimate profit. Her terms were
sixteen pounds a month—light, fire, afternoon tea, and wine extras—
so that the unfortunate fleeced one had exactly the value of four
pounds for the sixteen disbursed. Needless to say, this literary
hostess only found stray fools from perfidious Albion, recommended
by amiable folk over-seas, who guilelessly believed the young ladies
despatched to her would enjoy the benefit of exalted social relations,
since titles were never out of her mouth, and upon her own
description of herself she entertained daily the highest of the land.
She traded upon the British weakness for titles, but took care to
conceal from these gulled ones the fact that French doors, whether
of nobles or of commoners, are not easily opened to foreigners, and
never to “paying guests,” whom the careful French fear as possible
adventurers.
I have heard English people criticise the parsimony of the first
French breakfast, because you generally find a couple of lumps of
sugar on the side of your saucer instead of a sugar-bowl, and a pat
of butter and a single small roll instead of the domestic loaf and a
butter-basin. I own I give my preference altogether to the dear, neat
little French tray. When I go on visits to friends in France, I find
nothing so charming as to be wakened every morning by a beaming
Frenchwoman of the people, whose manners are always so perfect,
who is a human being, and not, like the well-trained English servant,
a machine; who opens the shutters and lets in light with her fresh,
soft “Good-morning,” and approaches the bed with a small, dainty
tray, exquisitely laid; such coffee or chocolate as you will get
nowhere else, and everything so trim and minute—the two lumps of
sugar, the tiny pat of butter, the hot roll—what ogre could demand
more on returning from the land of dreams? Naturally, the English
fashion calls for a more liberal supply, because there you are
cleansed, combed, and buckled in the shackles of civilisation
downstairs, perhaps after a morning run—and the scent of bacon
and eggs is refreshing to the keen nostril. But more than this neat
little French tray contains would be too much in a bedroom, and
nobody but that Irish girl I referred to, with morbid taste, could
clamour for a sugar-bowl to sweeten a single cup of coffee.
Then mid-day, when the sun is high in the heavens, gathers the
family round the second breakfast-table. Amongst the well-to-do this
is a meal to shame the frugal British luncheon. It consists of an
entrée, a roast dish, vegetables, a cold dish, a sweet, dessert, and
cheese. No need to mention the cooking. That is sure everywhere to
be excellent, though even among French cooks there are grades.
Here you will of a surety not be struck by the pervasion of economy,
but that of plenty. You will understand why the comfortably-off
French, when they lunch at British tables, lament that they are
starved. Indeed, when you have the good luck to partake of French
hospitality, you will find it the best in the world. At no tables will you
eat so well and so plentifully as at the tables of your French friends,
and in no land on earth will you enjoy such delightful conversation as
theirs, where they know how to speak and have something to say. In
England people are always on their guard, are often afraid to talk
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