Cristo del Amor Francisco Javier Moreno

  
Flautas
 
  
Marcha Procesional
          
1
       
      $ 
   
3

 
f mp p f

           
                     
1ª

   3
     
3
f
  
   
   
Ø              
   
2

Solo todos
     

mp p f
                     
   
3

   De $ a Ø
mp p mf
             
     
    
4 5

      
     
pp mp f
             
               
 

6

  
p f
     
          
       
   

             
 
Rall.

        
 
3
 
Juan Carlos Díaz Campello fff
Fagotes
Cristo del Amor
Marcha Procesional
Francisco Javier Moreno
       
          
    
pp         f    
pf   
   p
p f  p     mf
   $  
             
         
p 
1
     3  
    
 
                  
    
mp  f  f
mp

  
Solo
   Ø 2

           
 pp      f              
      
   mp
 

 
3
  
              De $ a Ø   
   
p  f  mf  p  
4
               
p
                 
5

                   
             
pp mp
6
   
            
  pp
  
f   f       
f
Rall.
  
     
             


  fff
Juan Carlos Díaz Campello 
 Cristo del Amor Francisco Javier Moreno

Oboes
    
Marcha Procesional

 
 
 
 
      $
        3 
 
1

      

 
f mp p f
                              Solo
      
     
      
3 3 3
f mf

             
Ø
         
Flauta
     todos 2
        


mp f

 
 
 
 
       
    
3

            De $ a Ø
mp p mf mp p

    
 
4

  

                  
  
p mp mp

  5
      
                  

pp mp f

                  
     
6

    
     
 
p f

                
 
        
     
         
Rall.

              
3
Juan Carlos Díaz Campello
fff
 Cristo del Amor Francisco Javier Moreno

  
  Marcha Procesional 1  
             
Requinto
   $ 
     
 
3
f mp p f

        
                
     
Oboe
          
3
3 f mf 3

  
Flauta Ø 2
                 
             
mp p f

 
               

3
  
 De $ a Ø   
mp p mf

            
  
4 5

               
  f p
mp

          
                
6

     
f

              
        
Rall.

        
 3
Juan Carlos Díaz Campello fff
 Cristo del Amor Francisco Javier Moreno
Clarinetes Pral.

Marcha Procesional

 
  
    
 
  
 
             

  
p f p f p f mp p
$
 
                         
3 3

 
3

 
p
1               
       
          
3

    

        
3

3

 
                    f  Oboe
3

           2 Cl.     
      3
   
     
              
3
f mf mp
 Ø         
       
2


p 
   
f

3       mp
 
         De $ a Ø   
p mf mp p  p
 
    
4

              
    
     mp 
  
           

2 Solos
 
              
5


   p 
                   
pp
     
 
6

   
mp f p f
          
        

           

       
Rall.
   
                 


3
fff
Juan Carlos Díaz Campello
Clarinete 1º
Cristo del Amor Francisco Javier Moreno

 
Marcha Procesional
 
 
  
     
            
    
p p f p mp p
  
f

$    
f
   
       
        
3

  
3

    
3


p
       3        
      
1
 
      
              
3

3

Flauta
                    f        
3

3
     
  
Oboe 

         
              
3

  Ø 
f
       
mf

p

         
2


  3
p
 f      mp

  

   4
       De $ a Ø    
p mf mp p p 

                   
           
     mp p 
   
5

                    
pp        6
                         
    

 
       
mp f p f
              
 
        

      

           
Rall.
      

           
3 fff
Juan Carlos Díaz Campello
Clarinete 2º
Cristo del Amor Francisco Javier Moreno

 Marcha Procesional

 
 
 

                 
p f
 p f
  p mp
 p
 $ 
f
     
                
   
3

  
3

    
3


p
        3        

1
    
      
             
3
3


                  
3
f
         Ø

               

3
f mf p f
                  
2

               

mp4 p
   

3
 
          De $ a Ø  
     
mf mp p p 

                    
           mp

5

                       
   
p  pp 
          
                     

  f
 
p
          
mp
       
6

       
f

           
Rall.
                   
  
3 fff
Juan Carlos Díaz Campello
Clarinete 3º
Cristo del Amor Francisco Javier Moreno

 Marcha Procesional
    
 
           
   
 
p
  f
    p f f
 p
p mp

$           
              
3

     
3

    
3 3
 
p
       
 
1
     
3

            
3

      
3

       
3
 
  
 
f
               Ø
            
2

  

  
 f
    p f

mf 
                  
3
       
   mp p mf mp
 
4

           
   
p
De $ a Ø
p       


             
                
mp p
5

       
   
       
pp       
 mp
 
f
        
6

                 
 
p f

         
Rall.

               
    



fff
Juan Carlos Díaz Campello
 Cristo del Amor Francisco Javier Moreno
Sax. Alto 1º
  Marcha Procesional
     
 
 
 

       
  
     
p f
     3           
p p f mp p
   
f
   $ 
         3      
   
     
     3        
3
p
   
1
 
        
3

 
 
  f     
         3           
3

      
Cl.  
  
       
mp

 Ø   
f
                
3

         
2
   
  
  


   p    f 
3  
mp
        
   De $ a Ø  




p  mf
   
mp
      
p p
   
4
               
   
     mp
     
           
5

           


        p   pp
        
 
            
 
     f
p

                 
mp
  
6
   


f
              
Rall.  
        
        
 3
fff
Juan Carlos Díaz Campello
Sax. Alto 2º
Cristo del Amor Francisco Javier Moreno
 
Marcha Procesional
  
 
 
 

 
               
p f p f p f

mp p
$        3                
   
         3  
            
3
p

     3               
1
   
      
3

  
3
f

3

                      Ø
              
Cl.
    
3


 f mp p
          
     
2
 
3

        
   
mp p mf mp

f

      
4

           

De $ a Ø         

p p
      
  
                    
mp p

5
   
                         

pp mp

f
   
6
               
    
        
p f f
    
Rall.

                  
      
fff
Juan Carlos Díaz Campello
Sax. Soprano
Cristo del Amor
Marcha Procesional
Francisco Javier Moreno

Cl.
2

4 5
De a
6

Rall. - - - - - - - -

Juan Carlos Díaz Campello [email protected]

Saxos Tenores
Cristo del Amor Francisco Javier Moreno
    
Marcha Procesional
       
              
pp

p p f
 p   


   p
f f mp
  
     
  
$   
              
p
  
1
       
                
mp f
          Ø   
2
           
Fagot
   
  
   
 
f 3  mp

pp f
     
           
             
mp p
        
3 4

     
                
 De $ a Ø
 
f mf p p

                               

mp p

           
  
5

                 

pp mp f
                    
        
6

   
pp f f
 
    Rall.
  
         
                 
fff
Juan Carlos Díaz Campello
Saxo Baritono
Cristo del Amor Francisco Javier Moreno
   
Marcha Procesional
      
               
pp p
 p

f
 pf
 mf
f

 $    3  
1

                   
     mp
f f

              
         
Fagot
   Ø 2

         
  
pp f
      mp


3
 
       
 
 
              De $ a Ø
p f mf p


4
 5
 
     
         

f   pp

f
pp f

 
6
           
 
   f
  

   
   
Rall.

             
   fff
Juan Carlos Díaz Campello
Fliscorno 1º
Cristo del Amor Francisco Javier Moreno

  Marcha Procesional
   
                 
          
p f p f p

f
 $
                         
3


3

     
3


mf p

         3 
1

                      
3

 
3

    
  
f


  3             Clar.  Ø
   
           
       
f mp f
  
f
          
     
2 3

            
mp f

     
   

4 5

           De $ a Ø 
mf p

 
6
   
                   
mp
 f pp f f

         
                     

          
Rall.

                   
3 fff
Juan Carlos Díaz Campello
Fliscorno 2º
Cristo del Amor Francisco Javier Moreno

Marcha Procesional
   
              
  
    
f  p       
mf
p f p f

 $     
 
      3     
       
1

       
f 3
   
f f

     Ø  2
        
Clar.
     
    
f            
mp

  3
      

           De $ a Ø
   mp f mf p

   

4 5 6

        

mp
       f   f
f pp

 
                    
   

    
Rall.

                  
  
Juan Carlos Díaz Campello
fff
Trompeta 1º
Cristo del Amor Francisco Javier Moreno
   
Marcha Procesional
 
  
   
            
f f
 p
      
mf
f

$                  
     
1

          
3


f 3
      f
f

     
 Ø 2
                  
Clar.
      
mp f
   mp


       
 

3

           De $ a Ø 
f mf p

4
 5
  
                  
mp
 f pp f

      
           
6

             
f


          
Rall.
      
                
3
fff
Juan Carlos Díaz Campello
Trompeta 2ª
Cristo del Amor Francisco Javier Moreno
   
Marcha Procesional
   
               
 f  p       
mf
f f

$     
 
          
   
1

             
3

f 3
 
f
    f

       Ø  2
      
Clar.
     
    
f            
mp

  3
      

           De $ a Ø
   mp f mf p

   

4 5

   
     
pp
  f 
mp f

       
6

                  
 f


    
Rall.
      
         
       

Juan Carlos Díaz Campello fff
Trompa 1ª (Fa) Cristo del Amor Francisco Javier Moreno

 Marcha Procesional

                        
 
f
  pf
    p
 $ p f p mf

                                     
p
 

1

                                  
       
   mp f
 Ø 
                            
3

 f       mp
   
p

2

                                     
                           mp
3 f p

                                     

f
  
4 mf p

   De $ a Ø                          
p


5

                                   
 f
  pp

                                
   

6 mp f pp

                                 
   
    
f f Rall.

                            
fff
Juan Carlos Díaz Campello
Trompa 2ª (Fa) Cristo del Amor Francisco Javier Moreno

 Marcha Procesional
               
      
 
  p    mf   p
 $ p f p f f

                                     
p   

1

            

   
             
    mp     
  
f
 Ø 
                      
3

      
 f       mp
p

2

                                     
                               mp
3 f p

                                     

f
  
4 mf p

   De $ a Ø 





         






   
p
 
5

                             





 
 f
   pp

                               pp 
 f    

6 mp


                      
          
  
   
f

f Rall.

                             
 Juan Carlos Díaz Campello
fff
Trompa 3ª (Fa)
Cristo del Amor Francisco Javier Moreno

    Marcha Procesional
 $
        p     
 p  
 



     mf
 p

f f f

      
  
 
 
 
 
 




 




  


 
 1      

      


    



  










      mp       
f
 Ø  2 
  
          
3

   f     
      mp  f       
  p

     
3

                        mp  p     
  f

 
      
  mf 
 

   








 De $ a Ø 
4
   p

    




 
       
p               

                    
5

            
 f    pp   
  
6

         
       f             f     
mp pp
    






 
   
  
 
f           
  

Rall.
 
               
          fff
Juan Carlos Díaz Campello
Trombón 1º
Cristo del Amor
Marcha Procesional
Francisco Javier Moreno
   

  
              
   
  
   
f
$  f  pf
  mf
    p  
    
 






 









    

p Trompas 1
          
    

 



  
 
    








 


            mp
 Trompas
  f   Ø 
     
     
2    

3
          f          mp f
3
f      Trompas
      3  
    
 

mp p f
 
                
               De $ a Ø
 4
   mf     
p
  
     
 
               
p   5
      
               

 





 



f
              pp       
          
mp f
   Trompas
pp
6
  
 f 
  






 



 






 

f Rall.
                
 
              
fff
Juan Carlos Díaz Campello
Trombón 2º Cristo del Amor
Marcha Procesional
Francisco Javier Moreno
  
  
     
             
    
f f pf    p
  $      
mf
  
  
                         
p Trompas 1
         
                     

  
 
    

              mp f
         
     Ø 

2
   
 Trompas
3
f          mp 3f
3
f
    
                    





mp p f
                   
              De $ a Ø
4 mf p
 
                              
   
 
p 5
  
                            

   
f pp  
 
            
  

    
           
6 mp f pp f
    
         

              
  

f Rall.
      
                           
fff
Juan Carlos Díaz Campello
Trombón 3º
Cristo del Amor Francisco Javier Moreno
   Marcha Procesional     
   
          
       
f f
 p mf p
      $  f
                    



           

p
       1
Trompas

                           
          
      mp f
  
 
         3 Trompas   Ø  2
   
  
                
f      mp
f 3
Trompas 3 f
                     
                                     
    
mp p f
                                
 De $ a Ø
4 mf p
 
                                  
 
p 5
             
                       
f pp
Trompas
                
              
 

mp f pp
6 f
  
                            

f Rall.
           
                        
fff
Juan Carlos Díaz Campello
Bombardino 1º Cristo del Amor
Marcha Procesional
Francisco Javier Moreno

  
 
 
     
             
   
pp p
 p f
 p mf p
$ f   f
                             

p
1
                
                 

3
mp f f
 Tenores
 Fagot
      
   Ø  
2
    
    

  
  
  
   

mp pp f

              3  
 
     
             

mp p f mf
4
                 
   
De $ a Ø
   
     
p p
5
                            
       
mp p pp
           
         
         


 mp f pp f
6 
                  
      

f  
            Rall.

      




   
 
 fff
Juan Carlos Díaz Campello
Bombardino 2º
Cristo del Amor Francisco Javier Moreno
Marcha Procesional     
            
       
    
pp p
 p f
 pf
 mf p

 
 $     
f
        
           
 
p
1
                 

                

3
mp f f
Tenores
 
Fagot
   Ø 2
              
                 

mp pp f

 3
 
                 



      
 
    
 

mp p f mf
4
         
           
De $ a Ø
   
     
p p
5
                            
       
mp p pp
           
         
         


 mp f pp f
6 
                  
      

f  
            Rall.

      




   
 
 fff
Juan Carlos Díaz Campello
Tubas
Cristo del Amor
Marcha Procesional
Francisco Javier Moreno
  
        
pp         f       p
p f  p    p f     mf
   $     
              
 p      
1

  
      3
       
 mp  f               
f   
  Fagot 2º Ø  
2

    

    
   
pp
   f                     p 
 mp
3 4
 
               De $ a Ø 
      
f   mf p  p

                
                
5
               
           

f
  pp      mp f   
6 
  
         
 pp
  
f   f
        
Rall.
  
     
             


  fff
Juan Carlos Díaz Campello 
Caja
Cristo del Amor Francisco Javier Moreno
Marcha Procesional
 
               

          

      
pp p f p f f
  $    

   
                           
 p p
                             

1
                               
  
mp f f

          

  
Ø
  
2
      
  
    
mp pp pp f
 3
                               
  
mp f 4 mf
      
    
De $ a Ø          

   
p p 5


     
      
      
           
  
   f
  pp

                                  

   
6 mp f pp
 
                                       
 f
  
mf Rall.
      
                   
               
 

  
fff
Juan Carlos Díaz Campello
Timbales y Lira
Cristo del Amor Francisco Javier Moreno
Marcha Procesional

  $  1
 
 

   

    
(FA - DO) mp

f f  

  Ø  2

 

    

 
 

f mf
f

 3
   4

   
 De $ a Ø


mp mf

 
                  
5 Lira
      
    
Lira
   
 p

6 Timbal
  Rall.

        





  
   
 
mf f f fff
mf f
Juan Carlos Díaz Campello
Bombo y Platos
Cristo del Amor Francisco Javier Moreno
Marcha Procesional
 Maza Plato
   
 
      
 

      
 
       f  
mf  p  f  p 
f p

    $  
1  
  





 
 
 
  

               
  mp  
         
     p  f    Ø Maza Plato 2   
  
            
                 
 mf mf 

  f      
     3    
    
 
     
 
         
                  
    f
     p

      mp  
Maza Plato 4
   5 
        
    
  De $ a Ø    
mf f  p
 6   

  
 
 
 
  
      
            
      
mp f mf f 
             
           
 
    
                 
 
           
   
        Rall.
         
  
   
               
  
      JuanCarlos Díaz Campello
 fff