CENTRA L INTE L L IGENCE AGENCY

s i g n a g e , way f i n d i n g , & v i s u a l c o m m u n i c at i o n s s ta n d a r d s
1 0 J U LY, 2 0 0 9

chapter 3.0 sign types

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ta b l e o f c o n t e n t s

Executive Summary . . . . . . . . . . . . . . . . . . . . . . . . 1

Section One: Section Three:

Facility Signage Systems Public Corridors & Vault Identities

1.1 Current Building Code Sign Types . . . . . . . . . . . . . 3 3.1 Elevator Lobby Wayfinding . . . . . . . . . . . . . . . . 20
1.2 Adding Building Sign Types . . . . . . . . . . . . . . . . . 4 3.2 Elevator Lobby Customization . . . . . . . . . . . . . . 21
1.3 Retail Signage . . . . . . . . . . . . . . . . . . . . . . . . . 5 3.3 Public Corridor Exhibits & Displays . . . . . . . . . . . . 23
3.4 Vault Identities . . . . . . . . . . . . . . . . . . . . . . . 24
Lettering Height 3.5 Unique Vault Corridor Identities . . . . . . . . . . . . . 26
Corridor/Store Exterior Signage
Interior Signage & Graphics Large Group Logo and/or Seal
Banners & Awnings Artifacts and/or Artwork
Finishes, Materials, and Color Accent Band

1.4 Flexible Freestanding, Wallmounted,

and Dynamic Digital Signage . . . . . . . . . . . . . . . . 7
Section Four:
Recommended Locations Approval Processes
Wall-Mounted Signage/Posters
Freestanding Signage 4.1 Project Approval Process . . . . . . . . . . . . . . . . . . 31
Dynamic Digital Signage 4.2 Project Approval Contacts . . . . . . . . . . . . . . . . . 31

Section Two: Section Five:

Wayfinding & Graphic Element Toolbox Reference Guide

2.1 Wayfinding Defined . . . . . . . . . . . . . . . . . . . . . 11 5.1 ADA Signage Requirement Checklist . . . . . . . . . . . 33

2.2 Acceptable Typefaces . . . . . . . . . . . . . . . . . . . . 12 5.2 Minimum Sign Requirements at a Glance . . . . . . . . 34
2.3 Letterspacing . . . . . . . . . . . . . . . . . . . . . . . . . 13 5.4 Library of Congress Guide to Preservation,
2.4 Arrows . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Matting and Framing . . . . . . . . . . . . . . . . . . . . 35
2.5 Symbols . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 5.3 Material, Finish, and Typography Resources . . . . . . 37
2.6 Materials & Finishes . . . . . . . . . . . . . . . . . . . . 16
2.7 Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
2.8 Directional Signs . . . . . . . . . . . . . . . . . . . . . . . 18

SIGNAGE , WAYFINDING & VISUA L COMMUNICATIONS STANDARDS

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E x e c u t iv e s umm a ry

These standards are part of an initiative to govern the use of By implementing these standards, The Central Intelligence

signage, wayfinding, and visual communication elements Agency is ensuring that employees and visitors to the

within public areas of the Central Intelligence Agency Headquarters Facility will encounter the same look and feel

Headquarters. They are intended to serve as a reference throughout the interior environment, projecting an image of

guide and standards manual, facilitating the creation of a cohesiveness, coordination, and sophistication for the

consistent visual identity to enhance the experience of organization as a whole.

visiting and working in the headquarters environment. While

these standards are intended to address all public areas, they

1
shall not govern exhibits produced by the CIA Museum.

The Fine Arts Commission (FAC) must consulted prior to

the start of any project that may be impacted by these

standards. Furthermore, while these guidelines cannot cover

every possible scenario, they do provide a framework to

guide and direct typical applications within the facility. As

such, the intent is to provide a clear understanding of the

philosophy behind the system, set limitations and

application strategies, as well as provide a process for

determining need, developing the overall design, and

outlining procurement procedures.

This document has been broken into multiple sections based

upon the scale of a project and its usage. In addition, the

internal approval process required of any project has been

outlined, and an appendix with contact information, code

references, and resources has also been included.

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fa c i l i t y s i g n a g e s y s t e m s S e c t i o n o n e

Recommended methods of repairing and adapting the current signage system in order to meet current and future needs.

Included are current standard sign types, recommended supplemental sign types, and guidelines regarding placement,

materials, and color.

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1 . 1 c urr e n t b uildi n g CO D E s ig n t yp e s

The current code-required signage system within the

Headquarters Facility shall be maintained and replaced as

necessary. In conditions where replacement and/or new

signage is required, a match shall be fabricated in order to

preserve the consistency and code compliance of the

entire system.

3
1 2 3 4

1 Corridor Directional Sign

2 Core Elevator Sign/Vault Room Sign
3 Core Stairwell Sign
4 Core Restroom Sign
5 Floor Map Sign 5

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1 . 2 a ddi n g B U I L D I N G s ig n t yp e s

As seen within the facility, there will be occasions where an Furthermore, proper placement must be considered based

additional sign type may be required due to changing upon existing signage and code requirements (see Fig. 1.2a).

interior or operational conditions, or in response to the For instances where an additional sign is required to

need for supplemental information. In these instances, supplement an existing one, it shall be fabricated based

additional signage types may be fabricated based strictly upon proportions of the existing sign, and placed in

upon existing signage proportions, type, materials alignment and with adequate space (see Fig. 1.2b).

and colors.

3" Text Alignment Guides

X
Sign

5/8"
5'-0"

3/8” white characters

ALIGN

2"
in arial typeface, caps;
blue background EQ.

X OR 2X
EQ.

ELEVATION AT TYPICAL DOOR

1
SCALE: 3/8"=1'-0"

fig. 1.2a fig. 1.2b

Typical Sign Mounting Heights Supplemental Signage Specifications
Scale: 3/8" = 1'-0" Scale: 1" = 1'-0"

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1 . 3 r e ta il s ig n a g e

Signage is an important element in establishing a Interior Signage & Graphics: Permanent signage and store

distinctive identity for each tenant, but must also help to logos that occur on the interior of the space are permitted.

maintain and enhance the overall image of the public Internally lit box/display signs must be smaller than four

spaces at the Headquarters Facility. Signs must be elegant, square feet each, and may not occupy more than 50% of any

tasteful, and blend with existing architecture and finishes of storefront display window. Temporary glass-applied signage

the interior environment, and will be subject to the approval and graphics, such as posters, flyers, announcements and

process outlined in section four. advertisements are not permitted under any circumstances.

Clearance: Signs should have at least an 8' clearance above Banners & Awnings: Permanently affixed banners and

any walkway or entrance. If mounted to a wall adjacent to an awnings are not permitted.

entrance or opening, they shall be installed 5'-0" on center

above the finished floor and shall not protrude more than 4" Finishes, Materials, and Color: It is critical that the finishes

from the wall face. Exceptions are permitted in the event of used in signage or retail storefronts coordinate with the
5
significant adjacent architectural alignments. In that event, existing finishes and design language of the building. As

those alignments shall be maintained. such, dominant tones shall be black, white, or neutral, and

only white or painted metals shall be used. Acceptable metal

Lettering height: Facade/entry sign lettering should be no finishes are indicated in Figure 1.3a. Any and all glass shall

taller than 10", logos or trademarks or other related graphics be clear, frosted, subtly textured or backpainted. Colored

shall be no larger than 24" high. tones may be used as long as they are restricted to and

coordinate with store logo colors. Any and all variances shall

Corridor/Store Exterior Signage: Halo-lit or pin mounted be subject to the approval process outlined in section four.

lettering is preferred; cut-out, reverse channel, or push-

though illuminated signs are also acceptable. Box-lit or

illuminated sign cans are not permitted, nor are exposed

neon tubes. All electrical supplies and transformers must be

hidden from view.

polished matte satin brushed

fig. 1.3a
Acceptable Exposed Metal Finishes

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Retail Signage at the NHB Atrium: The retail storefronts Additionally, internally lit signs, including halo-lit or box

at the NHB Atrium have a vigorous grid as a part of their signs are not permitted for this area. If there is a desire for

architecture, and as such, any retail signage must coordinate increased visibility, an optional accent band may be used in

with that system. This is in addition to the aforementioned the upper panels of the storefront.

requirements on lettering height, finishes, graphics, colors

and materials. If this option is selected, a translucent or opaque color tone

may be used that coordinates with the colors of the store logo

Retail logos and identification must occur in the glass panel or identity. This tone must be achieved through applied vinyl

above the main entry door, and must be confined to the to the second surface (interior) of the storefront glass. Visible

bottom half of that panel (Fig. 1.3b) bubbles or wrinkles in the applied vinyl are not permitted, and

as such, professional installation is highly recommended.

6
Optional Permissible Surface Applied
Accent Band Signage Signage/Logo
Area

Scytale | Services

6" 6"

fig. 1.3b
Recommended Retail Signage at NHB Atrium
Scale: NTS

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1 . 4 f l e x i b l e f r e e s ta n di n g , wa llm o u n t e d

a n d dy n a mi c D igi ta l s ig n a g e

There are three types of flexible signage types that may be

used within the Headquarters Facility: Freestanding Posters,

Wall-Mounted Posters, and Dynamic Digital Signage. All,

regardless of duration of use or message, must coordinate

with each other and the existing finishes and style of the

interior environment. All requests for the creation or

placement of flexible or temporary signage must be made

through the OPA.

Recommended Locations: All flexible signage must be

located within high-visibility/high-traffic zones. These may

EQ. EQ.

include building entries, cafeteria entries, entries to the Sign

7
library and museum, and retail zones. Signs of these types

may not be placed in vault corridors, elevator lobbies, or

elevator cabs. Under no conditions shall the placement of

these signs obstruct or impede movement to or from the space.

Wall-Mounted Signage/Posters: All wall-mounted signage

5'-0"

and posters must occur within approved poster frames and

must be sized and proportioned so that they fill the entirety

of the frame unit with no gaps, seams, or folds. All graphic

content should be based on the signage graphic guidelines

in Section 2 of this handbook to ensure visual consistency.

fig. 1.4a
Furthermore, the placement of the signs shall be evenly Acceptable Arrangement and Placement
of Flexible Signage
spaced, level, and consistent. Signs shall be 5'-0" on center

above the finished floor (Fig. 1.4a).

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Freestanding Signage: The use of temporary wood easels the easel against the nearest wall. If you are unable

for the display of any signage is highly discouraged. As a to remove your sign after your event, call x37771 to

result, any easel placed without the express approval of the arrange for OPA to hold your signs for a later pickup.

OPA shall be subject to immediate removal. In their place, • Do not remove someone else's signs, even if the

freestanding sign holders will be made available use. The event is over. Send a Lotus Note to DS-CSC-FS-EMD-
Base clamp detail
specification for the recommended model is as follows: SERVICES-ALL to request their removal.

• If there is an empty easel, do not assume it is available.

Fig. 1.4c: Series 3200 ArcadiaThe560

rigid substrate Freestanding Signage is only permitted at the following
fits snugly into the
base clamp.
2-Sided Monument: 22" wide by 60" specified locations for a maximum of two (2) days:

tall assembly; silver/aluminum finish

Side View
www.apcosigns.com • Outside the North and South entrances to the cafeteria.

• Outside the food court entrance near the 1B corridor.

Fig. 1.4c • OHB Southwest entrance. Signs must stand along the 8
To request the use of a freestanding 1B corridor on the same side of the hallway as the

monument, send a Lotus note to DS-CSC-FS-EMD- security desk.

SERVICES-ALL. Please include the number of signs • OHB Northeast Entrance. Signs must stand along the

requested, desired location, dates for the signs to be taken wall just past the ATM and may not block artwork.

up and down, and two points of contact (include names and

phone numbers). Freestanding Signage is NOT permitted in the following locations:

Freestanding signs have the following specific restrictions • OHB main entrance, including the lower and upper

regarding their content, form, and display: lobby areas, near former President Bush's bust, and on

APCO Series 3200 or near the CIA seal.

2-sided
Standard Widths:
11", 17", 22"
• They shall be used for advertising events only, not programs
Heights Variable • OHB Northeast entrance near the badge machines.

• Signs may be on display for a maximum of two (2) days • Near any elevator.

• Signs on easels must be mounted to foam core with no • In the tunnel leading to the Headquarters Auditorium.

frames or glass • Outside the Starbucks storefront.

• Signs must be unclassified • Outside or inside the CIA Museum Galleries

• Signs must be removed by the close of the business • NHB 4th floor atrium entrance.

day the day of the event so that SSI can remove the
**NOTE: Exceptions to these guidelines include D/CIA or
easels from the hallway. If signs used an easel, collapse senior leadership events, or OPA or Facilities events.

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CENTRA L INTE L L IGENCE AGENCY

The rigid subst

fits snugly into
base clamp.

Side View

Dynamic Digital Signage: This type of flexible signage

that includes Plasma, LCD, and LED displays is best suited

for high-traffic areas where there is a need for constantly

updated, high-impact messaging. These areas include the

entries to the cafeteria, and ground-level areas such as the Fig. 1.4d
Museum and NHB/OHB entry lobbies. While single displays

should have a horizontal orientation (Fig. 1.4d), where more

than one is specified, the displays should be rotated to

approximate posters (Fig. 1.4e).

Fig. 1.4d

Mounting heights should be 5'-0" on center above the

APCO Series 3200
2-sided
finished floor. Mounted vertical and horizontal edges of the Standard Widths:
11", 17", 22"
Heights Variable

displays shall also align with any adjacent architecture.

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way f i n d i n g a n d g r a p h i c e l e m e n t TOO L B O X S e c t i o n t w o

Best practices and recommendations for wayfinding and environmental graphics. Included are approved typefaces and usage,

colors, symbols, arrows, materials, scale and placement.

 CENTRA L INTE L L IGENCE AGENCY

2 . 1 way f i n di n g D e f i n e d
basic rules
The primary purpose of any wayfinding system is to guide for implementing
signage & wayfinding
staff, and visitors from point A to point B. In many cases

this seemingly simple task becomes a complex problem • Be consistent. Messages,

typeface, symbols, color and
including multiple entrances and points of decision such as layout.
lobbies, elevators and corridors. In order to process all of this
• Establish a hierarchy of
data, a user needs to be able to: messages. Alphabetical, by
order encountered, or by
importance.
• Determine current location within facility
• Simplify, simplify, simplify.
• Understand how the facility is organized
More signs do not
• Find desired locations within the facility. necessarily mean better
communication.

The tools necessary for someone to be able to determine, • Allow for change.
Understand that things will
understand, and find are numerous. In addition to signs, a change, plan for it.
11
variety of elements are necessary including landmarks, visual
• Ensure that no sign
cues in the architecture, color, lighting, flooring, and maps. obscures the next.

For any wayfinding system to work effectively, redundan- • Maximize the size of the
cies of these tools should be integrated to accommodate sign while minimizing the
content.
different types of users. If we acknowledge that a wayfinding
• Promote one route. Even
is much more than a sign or a number of signs we will be
though there may be more,
successful in implementing and maintaining such a system. directing to more than one
route will create confusion,
not convenience.
As a part of this handbook, specific elements that support
• Provide “bread crumbs.”
wayfinding have been outlined. The use of typography, sym-
Give information only when
bols, color, layout, and materials have all been determined needed.

to ensure not only a consistent appearance throughout the • Orient to the user. Maps
Headquarters Facility, but also to support users moving should be in “heads-up”
orientation.
within the its interior environment.

Identification signs shall be placed at all permanent room

entries. Directional signs should be placed along the path of

travel and at key decision points.

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2 . 2 a c c e p ta b l e t yp e fa c e s

The typography used on signage and graphics needs to be

legible and easily read from varying distances. It should also

work well with the surrounding architecture and systems

as well as match the personality or feeling of the facility.

All typography used within the Headquarters Facility must

therefore communicate a clear voice that can direct, inform,

and identify.

There are two standard typefaces available for use

throughout the Headquarters Facility: Helvetica Regular and

Times New Roman. These have been chosen due to their

easy accessibility, and each has an appropriate application.

12
Helvetica (Fig. 2.2a) is a highly functional and flexible Helvetica Regular
typeface that meets Americans with Disabilities Act (ADA)
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
requirements and coordinates with the existing building 1234567890,.-()
signage systems. In the event that Helvetica is not available, Fig. 2.2a
Arial Regular (Fig. 2.2b) may be used as an alternate. These are

the only typefaces that may be used for any code-required, Arial Regular (alternate to Helvetica)
directional, vault identity, or wayfinding signage element.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890,.-()
Times New Roman (Fig. 2.2c) is available on virtually all Fig. 2.2b
computers and exudes a classic and warm sensibility while

maintaining clarity and legibility. This typeface may be used Times New Roman
for corridor identities and/or logos. ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890,.-()
Fig. 2.2c

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2 . 3 l e t t e r s pa c i n g

Letterspacing is always thoroughly studied and considered

when choosing a typeface for any wayfinding or graphic Letterspace

project. Messages within the Headquarters Facility shall Fig. 2.3a (acceptable)

be composed using the standard kerning (modification

of spacing between individual letters) integral to the

typeface used (Figs. 2.3a, 2.3b). Messages set according to

Letterspace
Fig. 2.3b (acceptable)
letterspaced standards will not normally require adjustment

of letter and word spacing.

Restricting or expanding acceptable letter spacing, such

as fitting message to a particular area (Figs. 2.2c, 2.2d) is

Letterspace
prohibited, as is any uneven spacing (Fig. 2.2e). Also, sign Fig. 2.2c (not acceptable)

messages shall not be altered in any way, such as stretching

L e t t e r s p a ce
13
or condensing the typeface from its original format (Figs.

2.2f, 2,2g). Fonts are carefully considered and designed

Fig. 2.2d (not acceptable)
for optimal legibility. Forcing a message to fit into a given

L e tte r s p a ce
dimension by stretching or condensing destroys the integrity

of legibility and the appearance of the type.

Fig. 2.2e (not acceptable)

Fig. 2.2f (not acceptable)

Fig. 2.2g (not acceptable)

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2 . 4 a rr o w s X

One arrow form shall be used for all wayfinding directional

sign applications. The approved arrow is depicted in Fig. 2.4a.

Modifications to this arrow form, such as the addition of a

“tail” to extend the arrow length or to indicate an upcoming

1.125x
turn, are strictly prohibited.
.1875x

.875x
The arrow may be rendered in eight different orientations

(Fig. 2.4b). No alternative arrows are acceptable. An upward

facing arrow shall be used to indicate “straight ahead”. The

only acceptable use of a downward facing arrow is when .1875x

Fig. 2.4a
there is a change in levels that is taking place, such as a sign

hanging over an escalator well.

X
14

The scale of the arrow shall always match the height of any

adjacent symbol and/or the capital height of text characters.

When there are multiple destinations and multiple arrows

1.125x

will occur on one sign, the order of directions shall be based

upon the .1875x

closest destination first.
.875x

.1875x
Fig. 2.4b

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2 . 5 s ym b o l s

Symbols are a universal visual language of wayfinding,

greatly simplifying guidance systems. The use of symbols on

wayfinding signage provides an alternative mode of

conveying information for those who prefer to process

information through images rather than text. Just as a

consistent message is necessary, a consistent use of symbols

paired with the appropriate message is essential.

One set of symbols shall be used at the headquarters facility

(Fig. 2.5a). Graphic symbols may be used together with text

messages, and symbols on a sign should be accompanied by

Fig. 2.5a
only one text message. There should never be two symbols

placed next to one another. Examples of symbols combined

15
with acceptable text messages are shown in Fig. 2.5b.

Consistency is of utmost importance in wayfinding signs. Restrooms

The creation of new symbols to support requests for special First Aid
messages on signs is strongly discouraged. In the event that
Stairs
this is absolutely necessary, the style, the weight and size of

the symbol must be proportionate to the already established

ATM
set of symbols. Fig. 2.5b

The symbol form is always to appear in white. The Color Keyed Elevator Symbol

background field is to be either the standard blue tone used

in existing building signage, or a color keyed to a particular

area or usage (most likely color-keyed elevator banks) and

square in shape (Fig. 2.5c). The shape of these symbols Restrooms

and their background field shall not be altered in any way. Fig. 2.5c
Radiused corners on the background field are not permitted.

Color Keyed Elevator Symbol PMS Cool Gray 10

5"

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2 . 6 m at e ri a l s & Fi n i s h e s

Materials for signs shall be readily available, easily fabricated,

cost effective, and durable. Interior sign materials shall relate

to the materials and design theme of the Headquarters

Facility, and as such, very few should be used. Stainless

steel or aluminum, acrylic sheets, vinyl, and paint are the

only acceptable and appropriate materials for the interior

environments. Any and all code-related signage shall match

that already used in the building and identified in Section 1.1.

Metals shall be clear-coated as necessary for ease of

maintenance and resistance to wear. Exposed metals shall

be anodized, directional satin, or matte finished. Polished

letterforms are permissible on small, solid metal letters. If

16
metals are to be painted, they shall be either white, black, or

silver metallic. Metals shall not be any thicker than 1/4".

polished matte satin brushed

Acrylic or glass sheets shall be colorless (no tints of green fig. 2.6a
Acceptable Exposed Metal Finishes
or blue) and shall be frosted or completely transparent

in appearance. The thickness of the material may vary

depending on the application. Overall, the thickness of the

acrylic shall not be greater than 3/4" or less than 1/4".

All wood must be painted. Stained, shellacked, or unfinished

wood of any sort is not in keeping with the modernist

finishes within the Headquarters Facility and are not

permitted under any circumstances.

The intent is to create a light, crisp, and clean sign appearance

to coordinate with the existing building architecture.

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2 . 7 CO L O R

The use of color, whether on signs, wayfinding elements, There are three color families for use within the
or environmental graphics should be carefully considered. Headquarters Facility:
Color should provide adequate contrast between sign

message and field. It should be easily distinguished from • Family A: Core Informational/Wayfinding signage (Fig. 2.7a)
its surroundings, while remaining harmonious with the • Family B: Supplemental Accent Elements (Fig. 2.7b)
surrounding architecture. Color can indicate a change in • Family C: Corridor /Vault Identity Systems (Fig. 2.7c)
services, important messages, or hierarchy of information.

Text shall always be treated in a consistent fashion; the only

Overusing color can weaken its effectiveness. It is permissible colors for text shall match PMS Black C, White,
recommended to use color only for specific needs, and to or PMS Cool Gray 10. If cut metal is used, the approved
make sure that the contrast between colors is great enough finishes outlined in section 2.6 are acceptable. Any variances
for legibility. must be approved by The FAC.

17

PMS black c PMS 541 c PMS 485 C PMS 542 C PMS 123 C

white PMS 541 c PMS Cool Gray 10 PMS 152 C PMS 512 C PMS 575 C

fig. 2.7a
Color Family A: Core Informational/Wayfinding > Colors in this section shall only be used for signage relating to color-keyed
Pantone Color Matching System elevator banks

HC-166 HC-159 2156-30 HC-29 HC-159

AC-25 AC-27 2156-30 AC-3 AC-27

fig. 2.7b fig. 2.7c

Color Family B: Supplemental Accent Elements Color Family C: Corridor/Vault Identity Systems
Benjamin Moore Paints Benjamin Moore Paints

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2 . 8 D ir e c t i o n a l Sig n s

Sign locations and messages should be considered carefully. signs, the user begins to intuitively know where to look on

They should be developed with the end-user and actual any given sign for the information that he is seeking.

conditions, paths of travel, or environment in mind, not from

the “plan view”. As part of a routine maintenance or update schedule, it is

recommended that the paper inserts for all directional sign

In order for a user to easily find his way from point A to point types be printed to a more rigid paper stock in order to avoid

B there must also be a consistent use of messages on signs. visible buckling and rippling due to trapped moisture and/or

Users will rely on the signs to find their destination and mes- static charge. Hammermill Color Copy Cover, 80 lb / 216 gm,

sages that change or are abbreviated require additional time 100 brightness is recommended.

to process or understand. Message content should always be

directed toward the user, not the facilities manager.

A message hierarchy should also be developed for directional

18
signs. For example, messages regarding gateways or major

destinations should always come first on a sign. Messages

regarding secondary functions such as cafeteria or restroom

come second. Within these categories, messages should then

Larger cap-height,
bold font, and all CORRIDOR V
caps indicate primary
be organized in the order in which they will be encountered. level in hierarchy.
Corridor W
Elevator
Messages should also reinforce a hierarchy. Graphically,
Create “clumps” Corridor X
of directions based
hierarchical units should be “clumped together” so that on primary destinations, 5V01-5V06
secondary destinations, Restrooms
the user can “scan” a sign and easily catch the piece that is and then order in which
they will be encountered.
most important to them. Hierarchy may also be reinforced Corridor Y
5V23
through the careful use of color and typography. Care must

be taken, however, so that the overall messaging, clarity, and

legibility of the messages are not compromised by too many

message sizes, colors, or tones.

Throughout the Headquarters facility this hierarchy should

fig. 2.8a
be adhered to strictly. With repeated exposure to directional Sample Directional Sign

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P u bl i c c o r r i d o r s a n d Va u lt i d e n t i t i e s S e c t i o n t hr e e

Approved materials, methods, and specifications for alterations made to the corridors within the Headquarters Facility.

Included are guidelines regarding wayfinding elements, elevator lobbies, exhibits and displays, the placement of art, and

customization and creation of unique corridor and vault identities.

 Stairs
ATM
CENTRA L INTE L L IGENCE AGENCY

Color Keyed Elevator Symbol

EQ. EQ.

3 . 1 e l e v at o r l o b b Y WAY F I N D I N G

Elevators always serve as critical navigation points in

Restrooms
orienting the user within the building. They serve as

landmarks and parts of the path of travel, function as

impromptu meeting areas, and are one of the few areas

Color Keyed Elevator Symbol PMS Cool Gray 10

7'-6"
within the building where a combination of high volumes of

5"
travel and waiting create extremely high visibility.

3.75"
As a result, all elevator lobbies, regardless of location or

5"
architecture, shall be treated in a consistent manner.

Directing to elevator lobbies shall be consistent in size and fig. 3.1a

Elevator directional signage configuration and color
configuration (Fig. 3.1a) and should ideally be fabricated in

1/2" thick dimensional painted material. They must also have

a consistent placement throughout the building (Figs. 3.1b,

20
3.1c) and should follow the guidelines in Section 2.1.

EQ. EQ. 8"

OPEN
TO
BEYOND
7'-6"
7'-6"

Fig. 3.1b fig. 3.1c

Elevator directional signage above threshold/doors Elevator directional signage adjacent to corners and at points
of decision

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 CENTRA L INTE L L IGENCE AGENCY

3 . 2 e l e v at o r l o b b Y Cu s t o mi z at i o n

Any customization of the elevator lobbies shall support

their function as critical wayfinding elements, and as such,

must be consistent throughout the entire facility. It is

recommended that a neutral tone such as AC-27 (Fig. 2.7b,

page 15), be used to clad elevator core walls (Fig. 3.2a, 3.2c),

and that the color application be from floor to ceiling.

Neutral Wall Tone Acce
Benjamin Moore Sign
AC-27 Galveston Gray

Furthermore, an individual color shall be assigned to each

fig. 3.2a
elevator lobby in order to aid wayfinding and differentiation NHB elevator bank neutral wall tone locations

(Fig. 3.2c, following page). This accent color shall be keyed to

related directional signage (Fig 2.7a, page 15) as well as any

signage within the elevator lobbies themselves. Neutral Wall Tone

Benjamin Moore
AC-27 Galveston Gray

21
Additional customization may occur in the recommended

locations (Fig. 3.2b, 3.2d)) to add visual interest and assist

in wayfinding. However, if one intervention is made on one

floor to one elevator lobby, a similar and related installation

Neutral Wall Tone Accent Paint/ Customization
Benjamin Moore Signage Area for Art/Exhibits
must be made to all other floors served by that
AC-27 Galveston Gray elevator

bank. In addition, the colors used in any customization, art,

fig. 3.2b
or exhibit must reinforce the color identity for that particular NHB elevator bank customization areas

elevator bank.

Customization Area
Neutral Wall Tone for Art/Exhibits
Benjamin Moore
AC-27 Galveston Gray Accent Paint/
Signage

fig. 3.2c fig. 3.2d

OHB elevator bank neutral wall tone locations OHB elevator bank customization areas

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22

fig. 3.2c
Elevator bank color key. Refer to Fig. 2.7a for acceptable colors.

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3 . 3 pu b li c c o rrid o r e x hi b i t s & D i s pl ay s

All public exhibits and displays require some sort of turned wood, or carved borders do not match the modern

identifying or descriptive signage. As this signage is not character of the Headquarters Facility and may not be used

specifically part of the code-required, directional, or under any condition whatsoever.

wayfinding signage, it shall use Times New Roman as

outlined in section 2.2. The installation of large-scale graphics and photographs

follow the same guidelines set for the application of accent

The placement and sizing of the text shall be dependent paint in corridors, and must coordinate with the acceptable

upon the scale of the exhibit and architecture surrounding paint tones identified in Fig. 2.7b in order to blend with the

it, however, no text shall be higher than 10" nor smaller than surrounding built environment. If this is not possible, then

1/2" in overall height. This text may be painted, dimensional, a suitable neutral break or framing device at least 12" wide

or cut vinyl applied directly to the surface of the wall. must be used so that the edges of the installation do not

Applied signage plaques of any sort are to be avoided, directly abut any other colors and finishes.

although . Furthermore, all finishes must adhere to the

23
materials and colors outlined in sections 2.6 and 2.7. The ideal locations of any public corridor exhibits or

displays may be identified by the following attributes:

In conditions where the application of an accent paint

is appropriate for differentiating the exhibit space from • A high-visibility area

adjacent areas, the paint color must be chosen from Family • Sufficient space for the full installation of all artifacts

B: Supplemental Accent Elements (Fig. 2.7b). or elements, allowing appropriate clearance for adjacent
circulation as well as 6' clear from any corner.

In the event that one of these colors is used on a wall • Logical architectural framing elements such as a corner,

surface, it shall be applied from floor base to ceiling, and pilaster, or column.

must horizontally terminate at a logical architectural • Sufficient and appropriate lighting for the nature of the

element. This can be a corner, pilaster, column, or another exhibit or display.

continuous vertical break in the surface of the wall. Under

no conditions shall paint terminate mid-way along a wall. All displays, whether permanent or temporary, must adhere

to all local and federal code guidelines, particularly the

If a logical vertical break does not exist, a dimensional Americans with Disabilities Act ( ADA). References are

architectural element may be constructed by furring-out included in the appendix of this handbook.

or inserting a reveal, or the wall tone shall remain as-is.

Ornamental architectural details such as fluted columns, For all exhibits, contact the FAC for design and approval.

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3 . 4 v a ult id e n t i t i e s

Identities for individual groups within vaults are most often etc) and or a printed seal or logo (Fig. 3.4a) Slogans, mottoes,
displayed at main entry doors to the vaults themselves. The quotes or similar are not permitted. All typefaces must be in
materials and configuration of the vault signs shall Helvetica or the alternate Arial to coordinate with all other
coordinate with the existing system already in place. Where core-required and wayfinding building signage.
replacements are required, they shall be done in kind.

Offices, Centers, Divisions and Directorates are permitted

Vault signs shall always consist of a room number sign to add an additional seal or logo to their vault entries (Fig
indicating the room number in raised/tactile text and braille 3.4b) which must adhere to the material guidelines outlined
(mounted on the strike side of the door as indicated in Fig. in Section 2.6. Etched or carved metal logos or seals are

8 1/2"
3.4c), and may or may not include a signage insert. preferred. Full-color seals or logos, if used, must be mounted
Allowable content for the signage insert includes the name or screened to the rear of a 1/2" thick clear acrylic unit.
of the occupants of the vault (branch, organization, office, As security and access requirements change, additional

3/4" 3/4"
24

1 3/4"
3/4" 3/4"
1/2" 1 1/4"
1/2" 1 1/4"

Digitally printed Digitally printed

or rotary engraved or rotary engraved
insert insert

8 1/2"
1 1/4"
1 1/4"

3/4" 3/4"
3/4" 3/4"
1 3/4"

3/4" 3/4"
1/2" 1 1/4"
1"

Digitally printed
1/2" 1 1/4"

insert
2 3/4"

Digitally printed Digitally printed

or rotary engraved or rotary engraved
insert insert
1/2"

1 1/4"
3/4"

1 1/4"

3/4" 3/4"
fig. 3.4a fig. 3.4b
Room number sign details/configurations Room number and seal details/configurations
for Branches & Organizations for Offices, Centers, Divisions, or Directorates
1"

Digitally printed
insert
2 3/4"

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/4"
 CENTRA L INTE L L IGENCE AGENCY

devices (such as doorbells or keypads) may be added to vault

3"
entries. Every effort shall be taken so that the devices align with

the strike edge of the vault room sign and each other (Fig. 3.5a)
Vault Seal
or Logo
in order to maintain an organized and orderly appearance.
Vault Sign

Additional
No additional signage of any sort is permitted at the entry to Devices

any vault, including any temporary signs, posters, or flyers.

5'-0"
25
fig. 3.5a
Room number, seal, and device mounting locations

ELEVATION AT TYPICAL DOOR

1
SCALE: 3/8"=1'-0"

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3 . 5 u n i q u e v a ult c o rrid o r id e n t i t i e s

There are conditions within the Headquarters facility in

which it is appropriate to create a unique identity for a

particular group, agency, or organization within vault

corridors. This may be in the form of a logo or seal, artwork,

artifacts, graphics, or combination thereof. Acceptable Customization Zone

Vault Interior Area

The area in which these identities may be created shall be

defined by the office frontage occupied by these groups.

In essence, only the corridor wall that directly abuts their

vaults is considered acceptable for customization (Fig. 3.5a).

This customizable area shall extend within, and in some

instances beyond, the extents of the vault interior. The full

extents shall be determined by a logical physical stopping

26
point, such as a door frame, column, or corner, whichever is

closest to the extent of the vault interior.

There are three acceptable categories in which a group

fig. 3.5a
may choose to identify itself; these may be used alone or Acceptable area for vault corridor customization

in combination:

• Large Group Logo and/or Seal

• Artifacts and/or Artwork

• Accent Band

Large Group Logo and/or Seal: The use of a large group

logo or seal is encouraged to differentiate areas of the

building and provide landmarks for wayfinding. However,

the use of one (1) large group logo or seal is only permitted

within a group's acceptable area (Fig. 3.5a) and only if that

group occupies both sides of the corridor for at least 100

contiguous linear feet.

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There are specific appropriate locations for the Secondary Logo Location

placement of this element within the corridor (Fig. Primary Logo Location

3.5b). The primary or preferred location is indicated;

secondary locations may only be used if the primary

location is not available.

Sizing, installation, and proportion of this logo or 6' MIN.

seal shall follow as indicated in Figs. 3.5c or 3.5d

depending on the installation location. Furthermore,

the installation of this logo or seal must be at least 6'

from any door frame or wall corner.

Fabrication of the logo or seal must also follow all fig. 3.5b
Acceptable areas for large logos or seals
color, material, and typography guidelines laid out in 27
Section 2.6 (page 16) of this handbook.

Dimensional Dimensional text

Dimensional logo or seal mounted flush to wall
logo or seal Times New Roman
typeface
4"
2'-2"
2'-2"

4"
4" 2" 4" 3 3/4"

5'-0"
5'-0"

Dimensional text
flush-mounted to wall
Times New Roman
typeface

fig. 3.5c fig. 3.5d

Acceptable configuration of large logo or seal Acceptable configuration of large logo or seal
(primary location only) (secondary location only)

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Artifacts and/or Artwork: All artifacts and artwork Framing and mat use must be consistent along the entirety

displayed in vault corridors must be placed within the of an installation, with minimal or no variation in frame face

customization area as defined by Fig. 3.5a, fit within the depth or mat thickness among pieces displayed.

vertically defined mounting envelope as defined by Fig 3.5e,

and be mounted at least 6' from any door frame or wall Once the collection of artwork and or artifacts to be

corner. This is to ensure an attractive and cohesive displayed has been determined, the largest piece shall be

appearance to the corridors by minimizing excessive mounted 5'-0" on center above the finished floor. All other

variation in positions and alignments. pieces shall then align to the top and bottom of that piece

(Fig. 3.5e). If this is not possible, then a top alignment shall be

All artifacts and artwork shall be enclosed in an appropriate acceptable. Diagonal and scattered mounting configurations are

framing device. All framing materials shall comply with the not acceptable, and minimum clearances between frames must

following guidelines: also be maintained to avoid a crowded or cluttered appearance.

As in any gallery setting, the display of any artwork or 28

• Mats, if used, shall be a minimum of 4 ply (1/16" thick).
artifacts should have accompanying titles and/or descriptive
• Acceptable mat colors shall match the following Bain-
text. This text shall adhere to the guidelines in Section 3.3.
bridge matboard specifications: White 8634, Pure White

8655, Spanish White 8463, or Snowflake 8519.

ALIGN
• Colored, black, cream, ivory, or antique white mats are Art
EQ.

not permitted. Highly textured, patterned or graphic

mats are also not permitted.

• Frames must follow the material guidelines in Section Minimum

4'-0"

5"
Clearance
2.6, page 15. If wood frames are used, they must be

finished in either white, black, or metallic silver.

EQ.

• Frame profiles must have a flat top (not rounded) and

ALIGN
be free of decoration, textures, or ornamentation.
3'-0"

• Clip frames (such as Swiss Corner Clips or Gallery Clips)

are not permitted.

• No framing device shall extend out from the wall more

than 4". fig. 3.5e

Vertically defined mounting envelope and acceptable placement
and configurations for framed art and artifacts

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Accent Band: A colored painted accent band may be added

Painted accent band
to vault corridors to augment vault or group identities. The

acceptable paint colors are "Family C" as listed in Section

2.7 and Fig. 2.7c.

5'-0"
Application of this colored band may only occur within a

group's customization area as defined in Fig. 3.6a, and within

the vertically defined envelope defined by Fig. 3.6f.

Care should also be taken to coordinate colors with any and

all adjacent accent bands already in place. If one is already 2'-6"

present in a corridor, then the same color shall be used un-

less a buffer zone of 50 linear feet may be created. The only

exceptions shall be at corners at turns in corridors or where 29

fig. 3.6f
corridors pass through thresholds such as fire doors. Acceptable configuration of accent band

An alternate use for the accent band may be for the applica-

tion of large-scale graphics and photographs. In these condi-

tions, the graphics must be monochrome or duotone to

match one of the approved "Family C" paint colors (Section

2.6, page 15), and must fully extend between the vertically

defined envelope in Fig. 3.6f. The same restrictions that ap-

ply to the application of a painted band and adjacent bands

and/or colors shall apply to these graphics or images.

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a p p r o va l p r o c e s s e s S e c t i o n F o ur

Specific information regarding the approval procedures required for any signage, wayfinding, or visual communication project

within the Headquarters Facility. Includes the contact information for relevant groups and facilities management personnel.
 CENTRA L INTE L L IGENCE AGENCY

4 . 1 P r o j e c t a ppr o v a l pr o c e s s 4 . 2 P r o j e c t a ppr o v a l c o n ta c t s

1. Submit three (3) detailed sets of drawings including 1. All projects must be approved by the FAC.
elevations and/or shop drawings of the proposed project
to The FAC prior to any fabrication or installation. Sample
colors and materials must be included or clearly specified
for approval. All Headquarters Facility signage shall be
fabricated and installed by FAC approved vendors.

2. The FAC will send notification of approval, request

clarifications, or specify revisions.

3. Following final approval, all documents may be submitted

for fabrication and bidding.

31

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REFERENCE GUIDE S e c t i o n F I V E

References regarding signage and building codes; resources for materials, typography, and finishes
 CENTRA L INTE L L IGENCE AGENCY

SURVEY FORM 19: SIGNAGE http://www.access-board.gov/adaag/checklist/Signage.html

SURVEY FORM 19: SIGNAGE

Use with the Minimum Requirements Summary Sheets and ADAAG.
5 . 1 A DA S I G NA G E R EQ U I R E M ENT C H EC K L I ST
Facility Name:

See Minimum Requirements Summary Sheets I and J for special requirements and exceptions which may be
allowed in alterations and historic preservation. See also ADAAG 4.1.6 and 4.1.7.

Facility Location:

Section Item Technical Requirements Comments Yes No

4.1.2(7) Directional and Do signs which provide direction to, or information
4.1.3(16) Informational about, functional spaces of the building comply with
4.30.1 Signs: 4.30.2, 4.30.3, and 4.30.5 (See below)?

EXCEPTION: Building directories, menus, and all

other signs which are temporary are not required
to comply

.
4.30.2 Character Do the letters and numbers on such signs have a
Proportion: width to height ratio between 3:5 and 1:1; and a
stroke width-to-height ratio between 1:5 and 1:10?
4.30.3 Character Size: Are the characters on such signs sized according to
viewing distance with characters on overhead signs at
least 3 inches high?
4.30.5 Finish: Do the characters and backgrounds on such signs
have a non-glare finish?

Contrast: Do the characters contrast with their background

(light-on-dark or dark-on-light)?

4.1.2(7) Room and Do signs which designate permanent rooms and

4.1.3(16) Space spaces comply with 4.30.4, 4.30.5, and 4.30.6 (See
4.30.1 Identification below)?
Signs: 33
4.30.4 Raised and Are the characters on such signs raised and
Braille accompanied by Grade II Braille?
Characters:
Pictograms: If a pictorial symbol (pictogram) is used to designate
permanent rooms and spaces, is the pictogram
accompanied by the equivalent verbal description
placed directly below the pictogram? (The verbal
description must be in raised letters and accompanied
by Grade II Braille.) (If the International Symbol of
Accessibility or other information in addition to room
and space designation is included on the sign, it does
not have to be raised and accompanied by Grade II
Braille.)
SURVEY FORM 19: SIGNAGE http://www.access-board.gov/adaag/checklist/Signage.html
Is the border dimension of the pictogram at least 6
inches high?

Character Size: Are the raised characters on such signs between 5/8
inch and 2 inches high and raised at least 1/32 inch?

Upper Case: Are the raised characters on such signs upper case,
1 of 2 and sans serif or simple serif? 3/4/08 1:33 PM
4.30.5 Finish: Do the characters and background on such signs have
a non-glare finish?

Contrast: Do the characters on such signs contrast with their

background (light-on-dark or dark-on-light)?

4.30.6 Mounting Are such signs mounted on the wall adjacent to the
Location: latch side of the door? (At double leaf doors, are the
signs placed on the nearest adjacent wall?)
Mounting Are such signs mounted with their centerline 60
Height: inches above the ground surface?

Approach: Can a person approach to within 3 inches of such signs

without encountering protruding objects or standing
within the swing of the door?

Back to Accessibility Guidelines Checklist for Building and Facilities

ada complIance SIgnage checklISt: from the ada Web SIte
(http://WWW.acceSS-board.gov/adaag/checklISt/SIgnage.html)

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 CENTRA L INTE L L IGENCE AGENCY

Signage.html

3. UNDERSTANDiNg ThE ADA

5 . 2 mi n imum s ig n r e q uir e m e n t s at a

gl a n c e
e

34

Signage.html

08 1:33 PM

mInImum SIgn reQuIrementS: from aSI SIgn SyStemS

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ART FO R D | SIGNA GE & WAY FI N DI N G DES I GN S TA N D A R D S 8

 CENTRA L INTE L L IGENCE AGENCY

5 . 3 li b r a ry o f c o n gr e s s G uid e t o
for materials, and standards for procedures. Make sure the
P r e s e rv at i o n M at t i n g a n d Fr a mi n g frame shop you select follows them. The field of Preserva-
tion is constantly evolving. Be an educated consumer by
To increase the life and enjoyment of your print or pho- keeping abreast of new developments in the preservation
tograph and to save money in the future on conservation techniques and materials used in this field.
treatments, you should invest in appropriate preservation
matting and framing. Reviewing the following information What materials and techniques should be used for mats?
and then interviewing the framer regarding the procedures A mat is made of a series of components, as shown in Fig.
and materials will help you decide. 5.3a. The mat must be constructed to fit the object. Objects
should not be folded or cut to fit a mat/frame package.
What is preservation matting and framing?
It is the appropriate housing to display the intrinsic beauty The most basic guidelines are the following:
and interest of an object, while prolonging its life by secur-
ing the object in a mechanically and chemically stable envi- • Mat /mounting board should be made of cotton rag or
ronment. It minimizes the problems caused by deterioration chemically purified wood pulp and must test negative
of the components of the object itself and other problems for lignin. It should be pH neutral (pH 7) or slightly
introduced by environmental factors such as air pollution, alkaline (pH 8.5). The addition of buffering agents to
heat, light, and humidity. unpurified wood pulp papers does not render them 35
fit for preservation use. Colored board must not bleed
What should I look for in a frame shop? and the color must not rub off or fade. Board used for
There is a growing awareness of preservation issues in the photographic materials must have passed the photo-
field of matting and framing. Indiscriminate use of terms graphic activity test (PAT). Yellowing board suggests
such as "preservation quality" and "archival quality" can be acid degradation and must be replaced to prevent dam-
misleading. However, there are established specifications age to the object.
• Board should usually be a minimum of 4-ply. Six and
8-ply boards provide greater support and deeper win-
dows where needed.
• The object must be kept from contact with glazing ma-
terials. This is particularly important for photographs,
otherwise they may adhere to the glazing. This may be
accomplished with the use of a window mat. Some-
times the planar dimension of an object will necessitate
incorporating spacers in the mat. If a window mat is
not used, spacers must be added along the edges of the
back mat board.
• The window mat should be secured to the back mat
board with water activated linen tape adhered along
one side only. This hinge must prevent the window mat
from sliding around over the object. The object should
not come in contact with the linen tape.
FIG. 5.3a
Matting and Framing Package • The object should be secured in a way which accommo-

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dates some expansion and contraction. In most instanc- ene should be placed between the back board and the
es, the object can be hinged with long-fibered Japanese dust cover if the object will hang on an outside wall.
tissue adhered with wheat or rice starch paste. There is
no known pressure-sensitive adhesive suitable for hing- What are safe places to hang or store my framed object?
ing an object. Dry mount and lamination processes and
glues are damaging also. Non-adhesive attachments • Avoid hanging or storing anything in the basement,
-- such as acid-free paper or polyester film corners and attic, or any other place with extremes in temperature
strips -- may be used. and humidity. A stable, cool, dry environment is best.
• Avoid hanging pieces on outside walls, but if you must,
What materials should be used for glazing? request that a moisture barrier be placed in the mat
package.
• Glazing should only be glass or acrylic sheets (e.g. Plexi- • Avoid hanging objects in direct sunlight or any other in-
glas ® , Lucite ® , Perspex® , and Lexan® ). Acrylic tense light source. Control exposure to ultra violet light
sheets are lighter and shatterproof, but develop a static through glazing or placement away from a UV source.
charge, and should not be used with dry, unfixed pas- Occasionally rotate framed objects to cut down on the
tels, charcoals, soft pencil or any other powdery media. duration of light exposure.
The static charge may displace the powdery media. • Avoid hanging framed objects directly above working
• Sunlight and fluorescent lights emit high amounts of fire places or radiators. 36
ultraviolet (UV) radiation. Glass and acrylic can both • The preservation procedures described here have been
be bought with an added UV filtering component to used by the Library of Congress in the care of its col-
reduce the damaging effects from UV. Include UV lections and are considered suitable by the Library as
filtration in the glazing to protect the objet from UV described; however, the Library will not be responsible
radiation. It should be noted that UV filtration does not for damage to your collection should damage result
eliminate the damage caused by visible light. from the use of these procedures.
• Avoid non-glare etched glass; it may have been etched with
acid which may not have been completely neutralized.

What materials should be used for frames?

• Frames can either be wood or metal; if you choose

wood, ask that the rabbet be lined with a barrier of
some type, e.g., aluminum or polyester tapes with
acrylic adhesives. This prevents acid in the wood from
transferring to the mat package.
• Frames should be strong enough and have a deep
enough rabbet to hold the mat package securely inside
the frame.
• The mat package should be held in place with pins or
brads, never with pressure sensitive tape.
• A moisture barrier such as polyester film or polypropyl-

SIGNAGE , WAYFINDING & VISUA L COMMUNICATIONS STANDARDS

© 2 0 0 9 GENS L ER version 1.0
 CENTRA L INTE L L IGENCE AGENCY

5 . 4 m at e ri a l , f i n i s h , a n d t yp o gr a phy

r e s o ur c e s

Pantone
www.pantone.com

Benjamin Moore Paints

www.benjaminmoore.com

The American Institute of Graphic Arts (AIGA)

www.aiga.org

The Society for Environmental Graphic Design (SEGD)

www.segd.org

The Americans with Disabilities Act (ADA)

www.ada.gov

Fonts.com
www.fonts.com

Acrylite Acrylic 37
www.cyro.com/methacrylates/us/

Light Impressions Archival and Framing Supplies

www.lightimpressionsdirect.com

NielsenBainbridge Framing
www.nbframing.com

Library of Congress Guide to Preservation Matting and

Framing
www.loc.gov/preserv/care/mat.html

SIGNAGE , WAYFINDING & VISUA L COMMUNICATIONS STANDARDS

© 2 0 0 9 GENS L ER version 1.0