Handout 3 - Sensation _ Perception
Handout 3 - Sensation _ Perception
center of each word, but you perceive the shape first as H and then as A. Your
perception depends on which interpretation makes sense in the context of the
particular word. Likewise, Y0U C4N R3AD TH15 PR377Y W3LL even though it is
nonsensical. The ability to make sense of “incorrect” stimuli through top-down
processing is why proofreading our own writing can be so difficult.
Thresholds
At this moment, we are being struck by X-rays and radio waves, ultraviolet and
infrared light, and sound waves of very high and very low frequencies. To all of
these we are blind and deaf. Other animals with differing needs detect a world that
lies beyond our experience. Migrating birds stay on course aided by an internal
magnetic compass. Bats and dolphins locate prey using sonar, bouncing echoing
sound off objects. Bees navigate on cloudy days by detecting invisible (to us)
polarized light.
Our senses open the shades just a crack, allowing us a restricted awareness of this
vast sea of energy. But for our needs, this is enough.
Absolute Thresholds
To some stimuli we are exquisitely sensitive. Standing atop a mountain on an utterly
dark, perfectly clear night, most of us could see a candle flame atop another
mountain 30 miles (nearly 50 kilometers) away. We could feel the wing of a bee
falling on our cheek. We could smell a single drop of perfume in a three-room
apartment (Galanter, 1962).
German scientist and philosopher Gustav Fechner (1801–1887) studied the edge of
our awareness of these faint stimuli, which he called an absolute threshold. To test
your absolute threshold for sounds, a hearing specialist would send tones, at
varying levels, into each of your ears and record whether you could hear each tone.
The test results would show the point where, for any sound frequency, half the time
you could detect the sound and half the time you could not. That 50-50 point would
define your absolute threshold. Detecting a weak stimulus, or signal (such as a
hearing-test tone), depends not only on its strength but also on our psychological
state —our experience, expectations, motivation, and alertness.
Stimuli you cannot consciously detect 50 percent of the time are subliminal—below
your absolute threshold
Difference Thresholds
To function effectively, we need absolute thresholds low enough to allow us to
detect important sights, sounds, textures, tastes, and smells. We also need to
detect small differences among stimuli. A musician must detect minute
discrepancies when tuning an instrument. Parents must detect the sound of their
own child’s voice amid other children’s voices.
The difference threshold (or the just noticeable difference) is the minimum stimulus
difference a person can detect half the time.
Sensory Adaptation
It’s one of life’s little curiosities: You may not notice a fan’s noise until it’s turned on
or off. The same is true for odors. Sitting down on the bus, you are struck by your
seatmate’s heavy perfume. You wonder how she endures it, but within minutes you
no longer notice. Sensory adaptation has come to your rescue.
Our sensory systems are tuned to detect changes in our surroundings. It is
important for us to be able to detect such changes because they might require
responses. It is less important to keep responding to unchanging stimuli. Sensory
adaptation is a decrease in sensitivity to a constant level of stimulation. When
constantly exposed to an unchanging stimulus, we become less aware of it because
our nerve cells fire less frequently.
The Brain Constructs a Stable Representation of the World
from Five Senses
In general, we think of the five senses as operating independently because they
detect different environmental signals and engage different sense organs and brain
circuits. However, perception results from a construction of these signals into a
stable, unified representation of the world, and most of the things we perceive
involve more than one sensation. For instance, an orange engages your sense of
vision, touch, smell, and taste, and maybe even hearing as you peel off the skin.
The expectation of the taste you will experience when biting into an orange is based
on visual and odor cues and your past experiences that lead you to anticipate the
taste you associate with an orange. If, instead, you taste a lime, you might have an
especially strong reaction because your expectations were violated. At times, our
perception of one sense is influenced by input from another sense.
Proximity: The closer two figures are to each other, the more likely we are to
group them and see them as part of the same object.
Closure: We tend to complete figures that have gaps. The principles of good
continuation and closure sometimes can result in seeing contours, shapes,
and cues to depth when they do not exist, as is the case with illusory
contours.
For shape constancy, we need to know what angle or angles we are seeing the
object from. For lightness constancy, we need to know how much light is being
reflected from the object and from its background. In order to see objects as
constant despite changes in size, shape or lightness, the brain computes the
relative magnitude of the sensory signals it receives. The perceptual system’s
ability to make relative judgments allows it to maintain constancy across various
perceptual contexts.
Although their precise mechanisms are unknown, these constancies illustrate that
perceptual systems do not just respond to sensory inputs. Perceptual systems are in
fact tuned to detect changes from baseline conditions.
Audition (Hearing)
Like our other senses, our hearing—audition—helps us adapt and survive.
Sound waves, hit the eardrum and are converted to neural signals that travel to the
brain along the auditory nerve. This conversion of sound waves to brain activity
produces the sensation of sound. The auditory nerve carries the neural messages to
your thalamus and then on to the auditory cortex in your brain’s temporal lobe.