1123_w24_ms_22
1123_w24_ms_22
Published
This mark scheme is published as an aid to teachers and candidates, to indicate the requirements of the
examination. It shows the basis on which Examiners were instructed to award marks. It does not indicate the
details of the discussions that took place at an Examiners’ meeting before marking began, which would have
considered the acceptability of alternative answers.
Mark schemes should be read in conjunction with the question paper and the Principal Examiner Report for
Teachers.
Cambridge International will not enter into discussions about these mark schemes.
Cambridge International is publishing the mark schemes for the October/November 2024 series for most
Cambridge IGCSE, Cambridge International A and AS Level components, and some Cambridge O Level
components.
These general marking principles must be applied by all examiners when marking candidate answers.
They should be applied alongside the specific content of the mark scheme or generic level
descriptions for a question. Each question paper and mark scheme will also comply with these
marking principles.
• the specific content of the mark scheme or the generic level descriptors for the question
• the specific skills defined in the mark scheme or in the generic level descriptors for the question
• the standard of response required by a candidate as exemplified by the standardisation scripts.
Marks awarded are always whole marks (not half marks, or other fractions).
• marks are awarded for correct/valid answers, as defined in the mark scheme. However, credit
is given for valid answers which go beyond the scope of the syllabus and mark scheme,
referring to your Team Leader as appropriate
• marks are awarded when candidates clearly demonstrate what they know and can do
• marks are not deducted for errors
• marks are not deducted for omissions
• answers should only be judged on the quality of spelling, punctuation and grammar when these
features are specifically assessed by the question as indicated by the mark scheme. The
meaning, however, should be unambiguous.
Rules must be applied consistently, e.g. in situations where candidates have not followed
instructions or in the application of generic level descriptors.
Marks should be awarded using the full range of marks defined in the mark scheme for the question
(however; the use of the full mark range may be limited according to the quality of the candidate
responses seen).
Marks awarded are based solely on the requirements as defined in the mark scheme. Marks should
not be awarded with grade thresholds or grade descriptors in mind.
Question 1
This question tests the following writing assessment objectives (15 marks)
R3 analyse, evaluate and develop facts, ideas and opinions, using appropriate support from the text
R5 select and use information for specific purposes.
Write an email to your principal saying whether or not you think mobile
phones should be banned.
Base your email on what you have read in both texts but be careful to
use your own words.
Begin your email with ‘Dear Principal’ and supply a suitable ending.
Write about 250 to 350 words.
Notes on task:
Text A
Viewpoint – in favour of having mobile phones in school
• safety / can phone parents / parents happier
• make research easier / quicker / save time
• help with organisation / time keeping
• photography / capture memories / hobbies
• help develop responsibility
Text B
Viewpoint – against having mobile phones in school
• distracting / loss of focus
• limit creativity / use ideas which aren’t their own
• teachers struggle to know what support a student needs
• expensive which can lead to envy / stress
• addictive
Candidates may also decide to evaluate the actual texts – as well as, or
instead of, the ideas and opinions within them – by considering the following
aspects:
Table A, Reading
5 9–10 • Selects a wide range of relevant facts, ideas and opinions from the
text(s). (R5)
• Analyses, evaluates and develops the chosen content in a way that
clearly fulfils all elements of the task. (R3)
4 7–8 • Selects a range of relevant facts, ideas and opinions from the text(s).
(R5)
• Some analysis, evaluation and development and a clear focus on the
task. (R3)
3 5–6 • Identifies sufficient relevant facts, ideas and opinions from the text(s).
(R5)
• Some development of ideas in a reasonably focused response. (R3)
1 1–2 • Attempts to identify a few relevant points from the text(s). (R5)
• Evidence of some focus on the task. (R3)
0 0 • No creditable content.
Table B, Writing
0 0 • No creditable content.
Section B: Composition
Questions 2, 3, 4 or 5
This question tests the following writing assessment objectives (25 marks)
2 EITHER 25
Descriptive writing
3 OR 25
Descriptive writing
Describe two very different people, apart from your parents, who are
important role models for you. They could be relatives, friends or
famous people. Say why they are important to you.
4 OR 25
Narrative writing
5 OR 25
Narrative writing
Write a story that includes the sentence: ‘What do you mean, you forgot
it?’
Use the Section B Composition: Content and Structure Table to give a mark out of 10 for
content and structure and the Section B Composition: Style and Accuracy Table to give a
mark out of 15 for style and accuracy.
0 0 No creditable content.
Descriptions:
• Focus: e.g. change from close at hand, to in the distance, or very detailed to impressionistic
• Atmosphere: e.g. welcoming, foreboding, pleasing, either uniform or varying
• Direction: e.g. opposite views from a high viewpoint
• Senses: sight, touch, hearing, smell (but weaker candidates do it too mechanically)
• Contrast (especially beyond any contrast given in the question)
• Setting and people within the setting
• Reactions of observer
• Minimal or no narrative framework
• Figurative language techniques e.g. simile, metaphor, personification
• Sound devices e.g. onomatopoeia, alliteration, assonance
And how the response is all linked together to make a cohesive picture.
Narratives:
• Scenario established at beginning
• Setting: sufficient descriptive detail (but not too much)
• Atmosphere: e.g. foreboding, mysterious, joyful
• Senses: sight, touch, hearing, smell
• Figurative language techniques e.g. simile, metaphor, personification
• Characterisation of protagonists by, for example, reactions to events/others, direct speech,
feelings, ‘showing’ rather than ‘telling’
• Control of time frame: e.g. flashback, jumping in the sequence
• Movement of events
• Build–up of tension (if appropriate)
• Effective climax, or at least a definite, clearly signalled ending (or intentional cliff–hanger)
And how the response is all linked together to make a convincing story
0 0 • No creditable content.