21st Final Script
21st Final Script
“Rapunzel, Rapunzel,” the prince “He calls your name. He wants you to
called, “let down your hair.” let your hair down. You just finished
braiding it, but hey – you don’t get a
Rapunzel unbraided her hair and slung lot of visitors.”
it out the window.
Observe how different pov’s affect the
The prince climbed her tresses into the story. Second person is when the
tower. narrator uses the pronoun “you” to
drive the story.
The story of Rapunzel is typically told
like this, with the narrator outside the Third person, first person, and second
story. person perspectives each have unique
possibilities and constraints. But really, what is point of view also
(limitation or limits) known as POV?
So how do you choose a point of view A point of view is the perspective an
for your story? author uses to give a glimpse into the
world he’s created. The reader may
Constraints aren’t necessarily a bad
experience this world directly through
thing – they can help focus a story or
the inner thoughts of a character or
highlight certain elements.
distantly from the perspective of an
For example, a third person narrator is objective observer.
necessarily a bit removed from the
Point of view is an important literary
characters. But that can be good for
device for exploring a story. The point
stories where a feeling of distance is
of view an author chooses can
important.
determine how the reader understands
A third person narrator can be either and participates in the story. It can be
limited, meaning they stick close to used to express the feelings, thoughts,
one character’s thoughts and feelings, motivations, and experiences of one or
or they can be omniscient, able to flit many. It is the angle that the story is
between characters’ minds and give viewed through.
the reader more information.
And considering me, giving different
versions of the “climbing of the prince
using Rapunzel’s magical hair” scene
A first-person story created from Rapunzel, and tackling about
closeness between the reader and the different types of POV’s
narrator. It’s also restricted by the
narrator’s knowledge. These can
create suspense as the reader finds
I'd like to add the quotation from Mr.
out information along with the
George Eliot's novel entitled
character. A first-person narrator
"Middlemarch" that states, “It is a
doesn’t necessarily have to represent
narrow mind which cannot look at a
the character’s experience faithfully –
subject from various points of view.”
they can be delusional or dishonest.
- George Eliot, Middlemarch
Second person is a less common
-
choice. It requires the writer to make
the reader suspend disbelief to
become another “you.” Placing the
We can now proceed with the next
reader in a character’s perspective
element, Conflict.
can build urgency and suspense.
Sometimes though, second person is
intended to distance the narrator from Thankyou!!!!!!!!!!!!!!!!!!!!!
their own story, rather than bring the
reader closer to the story. In these
cases, second person narrator refer to
themselves as “you” rather than “I.”