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The document outlines the evolution and characteristics of Gothic architecture, contrasting it with Romanesque architecture. Key features include the pointed arch, ribbed vault, and flying buttress, which allowed for greater height and light in cathedrals. It also discusses the influence of historical events like the Crusades and the Investiture Controversy on the development of Christianity and architecture in medieval Europe.

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0% found this document useful (0 votes)
4 views31 pages

Apznzaaxmcr Szp33oni0ihulxgqmcg35pefjfnnq3qyksvuw6pdtj88v8v6fxiaifa0l Rckvup08dzq9ryefm Hc5pfpxzosm47ld o

The document outlines the evolution and characteristics of Gothic architecture, contrasting it with Romanesque architecture. Key features include the pointed arch, ribbed vault, and flying buttress, which allowed for greater height and light in cathedrals. It also discusses the influence of historical events like the Crusades and the Investiture Controversy on the development of Christianity and architecture in medieval Europe.

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n02419377x
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© © All Rights Reserved
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CHRISTIANITY

POINTED ARCH
POINTED ARCH SYRIA
FLYING BUTTRESS
POINTED ARCH
SYRIA RIBBED VAULT

GOTHIC ARCHITECTURE – 3 DISTINCTIVE CHARACTERISTICS


INVESTITURES CONTROVERSY CRUSADES –
WEAKENED 1096-1270
HOLY ROMAN EMPIRE CHRISTIANITY

POWERFUL PRINCIPALITIES FRANCE – UNDIVIDED KINGDOM

MEDIEVAL EUROPE – GOTHIC ARCHITECTURE - BACKGROUND


ROMANESQUE EARLY GOTHIC

CHRISTIANITY

DURHAM CATHEDRAL – 1110-1133 ST DENIS (ABBOT SUGER) – 1135-1144

GOTHIC ARCHITECTURE – EVOLUTION FROM ROMANESQUE


ROMANESQUE EARLY GOTHIC HIGH GOTHIC

SPEYER – 1030-1061 CHRISTIANITY


LAON – 1160-1210 RHEIMS – 1212-1300

NOTRE DAME-
VEZELAY - 1132 1163-1235 CHARTRES – 1194 - 1260

GOTHIC ARCHITECTURE – COMPARISON WITH ROMANESQUE


RHYTHMIC HORIZONTAL DRIVE CONTINUOUS VERTICAL MOVEMENT
DIRECTIONAL EMPHASIS
HIGH GOTHIC

EARLY GOTHIC

ROMANESQUE

RHEIMS – 1212-1300

LAON – 1160-1210
VEZELAY - 1132

QUIET HARMONY DYNAMIC ENERGY

GOTHIC ARCHITECTURE – OVERALL DESIRE - COMPARISON WITH ROMANESQUE


ROMANESQUE GOTHIC

LANCET ARCH EQUILATERAL ARCH


ROUNDED ARCH POINTED ARCH

GOTHIC ARCH – COMPARISON WITH ROMANESQUE - VARIATIONS


ROMANESQUE HIGH GOTHIC
CASTELLUM DEI – MASSIVE STONEWORK RIBS AND TOWERS – SKELETAL STONEWORK

CHARTRES – 1194 - 1260

CHRISTIANITY

SPEYER – 1030-1061

GOTHIC ARCHITECTURE – COMPARISON WITH ROMANESQUE - EXTERIOR


ROMANESQUE GOTHIC
FORTRESSES OF STONE CATHEDRALS OF LIGHT

CHRISTIANITY

SPEYER – 1030-1061 ST DENIS – 1135-1144


CHARTRES
CHARTRES– 1194
– 1194-1260
- 1260

GOTHIC ARCHITECTURE – COMPARISON WITH ROMANESQUE - EXTERIOR


TREND TOWARD INCREASED VERTICALITY

PROPORTION OF NAVE WIDTH TO HEIGHT HIGH GOTHIC

EARLY GOTHIC

ROMANESQUE

VEZELAY – 1132 LAON – 1160-1210 RHEIMS – 1212-1300


1:2 1:2.5 1:3

GOTHIC ARCHITECTURE – COMPARISON WITH ROMANESQUE


ROMANESQUE EARLY GOTHIC HIGH GOTHIC
WALL ARCHITECTURE SINGLE AMBULATORY FRAME ARCHITECTURE
SQUARE COMPARTMENTS RECTANGULAR BAYS
NO AMBULATORY DOUBLE AMBULATORY

CHRISTIANITY

SPEYER – 1030-1061 LAON – 1160-1210 CHARTRES – 1194 - 1260

GOTHIC ARCHITECTURE – COMPARISON WITH ROMANESQUE - PLAN FORM


ROMANESQUE EARLY GOTHIC HIGH GOTHIC
VERTICAL EMPHASIS
QUICKER RHYTHM
GREATER GLASS TO STONE
HORIZONTAL LINES BROKEN
VERTICAL LINES UNBROKEN

QUADRPARTITE VAULTS SEXPARTITE VAULTS QUADRPARTITE VAULTS

SPEYER – 1030-1061 LAON – 1160-1210 NOTRE DAME -1163-1235 CHARTRES – 1194 - 1260

GOTHIC ARCHITECTURE – COMPARISON WITH ROMANESQUE - PLAN FORM + SECTION


ROMANESQUE HIGH GOTHIC
CROSSING GIVEN EMPHASIS NAVE TO CHOIR GIVEN EMPHASIS

CHOIR = TRANSEPT ARMS CHOIR EXTENDED


SPEYER – 1030-1061 CHARTRES – 1194 - 1260

GOTHIC ARCHITECTURE – COMPARISON WITH ROMANESQUE - PLAN FORM + SECTION


CHRISTIANITY

POINTED ARCH
POINTED ARCH SYRIA
FLYING BUTTRESS
POINTED ARCH
SYRIA RIBBED VAULT

GOTHIC ARCHITECTURE – 3 DISTINCTIVE CHARACTERISTICS


ROMANESQUE GOTHIC
ROUNDED ARCH POINTED ARCH

STRUCTURAL ADVANTAGE
POINTED ARCH FOLLOWS CLOSELY THE PARABOLA
STRUCTURALLY IMPERFECT
TENDS TO KICK OUT SYRIA FORCES CARRIED DOWN TO THE GROUND

SPATIAL EFFECT
ROUNDED ARCH DIRECTS STRESSES VERTICALITY
VERTICAL LINES BACK DOWN

GOTHIC ARCHITECTURE – DEFINING FEATURES – THE POINTED ARCH


ROMANESQUE GOTHIC
ROUNDED ARCH POINTED ARCH

NAVE WIDTH MUST


EQUAL BAY ALLOWS DIFFERING
WIDTH NAVE AND BAY
WIDTHS

GOTHIC ARCHITECTURE – DEFINING FEATURES – THE POINTED ARCH


ROMANESQUE GOTHIC
GROINED VAULT RIBBED VAULT

SOLID VAULT STRUCTURAL ADVANTAGES


1ST RIBS ERECTED
REQUIRE
2ND LIGHT INFILL PANELS
CONTINUOUS
FORMWORK

MASS OF VAULT FORMAL EFFECT


EXPRESSED RIBS STRESS VERTICAL LINES

GOTHIC ARCHITECTURE – DEFINING FEATURES – THE RIBBED VAULT


STRUCTURAL ADVANTAGES
CARRIES LATERAL FORCES
AWAY FROM WALL

ROMANESQUE GOTHIC

FORMAL EFFECT
ALLOWED WALL ENVELOPE TO BE LESS
STRUCTURAL ALLOWING FOR LARGER
SURFACES OF GLASS

GOTHIC ARCHITECTURE – DEFINING FEATURES – THE FLYING BUTTRESS


LATE GOTHIC

HIGH GOTHIC

EARLY GOTHIC

LAON – 1160-1210 RHEIMS – 1212-1300 BEAUVAIS – 1225- 1500


COLLAPSED IN 1284
NAVE NEVER BUILT
GOTHIC ARCHITECTURE – EARLY, HIGH AND LATE PERIODS
MASONS OR PIECEWORKERS SIGNATURE MARKS

EUROPE AROUND 1200

GOTHIC ARCHITECTURE – ENGLAND, BELGIUM, HOLLAND, GERMANY, SPANISH AND ITALY


1066 - NORMAN INVASION OF ENGLAND IMPORT NOBILITY, LANGUAGE + ARCHITECTURE

1172 - HALF OF FRANCE BELONGED TO


THE ENGLISH KING

DURHAM CATHEDRAL WINCHESTER CATHEDRAL

ENGLAND – NORMAN STYLE PRECURSOR TO ENGLISH GOTHIC


CHARACTERISTICS
-SQUARE ENDS

-DOUBLE TRANSEPT
-ADDITIVE

-GLAZED END WALLS

-LACK OF SPATIAL
CONCENTRATION

-COMFORTABLY SPREAD OUT

-WEST FAÇADE LESS SIGNIFICANT

-BROKEN VERTICALS

-EMPHASIZED HORIZONTALS

WINCHESTER CATHEDRAL

ENGLISH FRENCH

ENGLAND – EARLY ENGLISH GOTHIC – SALISBURY CATHEDRAL – AFTER 1220


CHARACTERISTICS
-ABUNDANT DECORATION AND
TRACERY LAYERED ON OPENINGS
OGEE
-MORE COMPLEX THAN FRENCH
ARCH
-USE OF THE OGEE ARCH

-PARTS BLEND

-SPACE IN QUICKER MOTION,


OCTAGONAL CROSSING
-LESS SINGLE MINDED

ELY CATHEDRAL - 1330

LINCOLN CATHEDRAL

ELABORATED VAULT, OGEE


WELLS CATHEDRAL - 1338
AND COMPLEX TRACERY
STRAINER ARCHES

ENGLAND – DECORATIVE GOTHIC – COMPLEX EXUBERANCE FROM EARLY GOTHIC


100 YEARS WAR – 1337 - 1453

EUROPE AROUND 1300 THE BLACK DEATH 1348-50

ENGLAND – EARLY ENGLISH GOTHIC – 100 YEARS WAR


CHARACTERISTICS
-BRUSHED ASIDE DECORATIVE STYLE ELABORATIONS
-SOBERNESS AND RENEWED CLARITY OF HIGH GOTHIC
-STRONG VERTICAL AND HORIZONTAL LINES
-AISLES SCREENED OFF FROM NAVE
-ONLY ELABORATION IN DEVELOPMENT OF FAN VAULTS
-MAINLY SECULAR PATRONS

GLOUCESTER CATHEDRAL – 1337-57


ALL GLASS EAST WALL

ENGLAND – PERPENDICULAR GOTHIC – SOBRE RESPONSE TO DECORATIVE STYLE


SCREENED AISLES EMPHASIS ON THE NAVE

KINGS COLLEGE
CHAPEL – 1446-1515

ENGLAND – PERPENDICULAR GOTHIC – SINGLE SPACE


SCREENED AISLES EMPHASIS ON THE NAVE

EXETER - 1270

GLOUCESTER – 1377-77
KINGS COLLEGE
CHARTRES CATHEDRAL -
CHAPEL – 1446-1515
– 1194-1260

WESTMINISTER – 1503-19

SALISBURY – 1263-84
VERTICAL EMPHASIS HORIZONTAL EMPHASIS
ENGLAND – PERPENDICULAR GOTHIC – THE FAN VAULT
ROMANESQUE FRENCH AND EARLY ENGLISH DECORATED PERPENDICULAR

ROUNDED ARCH

LANCET ARCH EQUILATERAL ARCH OGEE ARCH DEPRESSED ARCH

ENGLAND – GOTHIC ARCH – DESIGN EVOLUTION


SCREENED AISLES EMPHASIS ON THE NAVE

CLOTH HALL YPRES – 1304 – LARGEST COMMERCIAL


BUILDING IN EUROPE

TEUVEN TOWN HALL


- 1448-1469

GOTHIC IN BELGIUM AND HOLLAND


MERCHANT WEALTH - IMPORTANT SECULAR BUILDINGS
SCREENED AISLES EMPHASIS ON THE NAVE

COLOGNE - 1284-1842

ST LORENZ, NUREMBURG - 1439


GOTHIC IN GERMANY
FRENCH CLASSIC IMPORTS TO AISLELESS HALLS
EMPHASIS ON THE NAVE

NAVE

CHAPELS BETWEEN
BUTTRESSES

GIRONA CATHEDRAL - 1312

GOTHIC IN SPAIN
FRIAR CHURCHES - AISLELESS HALLS
THE CRADLE OF THE RENAISSANCE

ST CROCE FLORENCE – 13TH TO 14TH CENTURY FLORENCE CATHEDRAL – 14TH TO 15TH CENTURY

MILAN CATHEDRAL – 1385-1485

GOTHIC IN ITALY
A FOREIGN STYLE NEVER FULLY ADOPTED

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