H12-Syllabus
H12-Syllabus
Devi Prasad Gautam Office: ECC (Ferre Building, 1000 Memorial Drive)
MW (3:35-4:50 PM) Merrick 204 Office Hours: Mon 1:15-2:15, and by appointment
Email: [email protected] Phone: 305-284-4673 (ECC)
This course will consider issues of education, culture, individual, national, and transnational or
transcultural identity partly in the context of the end of British Empire and the ensuing postcolonial
condition in countries such as India, Ghana, and the U.S. By examining various texts including literary
works from the contact zones (eastern/western, colonizer/ colonized, majority/minority, rich/poor
mainstream/marginalized communities) of these countries, we will analyze the complex issues of violent
belongings in the present world. We will use the texts as a springboard not only to our own writing, but
also to consider how we can make different kinds of meanings and understand various contexts by
looking closely at the written words.
3. Integrate and synthesize appropriate and relevant primary and secondary sources in their
writing.
Research Skills
Synthesis and Integration
This writing course is designed to extend the work of WRS 105, helping you to further develop skills and
strategies that foster clear, sound writing. The course builds on that of the work done in WRS 105 by
asking students to focus more specifically on textual analysis and to carefully consider the effects
produced by different rhetorical strategies. Students will produce and revise four assignments related to
the readings. The sequence of assignments places an emphasis on the development of stylistic grace,
rhetorical complexity, and intellectual sophistication. You will work on the projects several times to
develop your habits as a writer and a scholar.
This course emphasizes values critical thinking, synthesis, consideration of multiple perspectives, placing
information in a historical and social context, and an awareness of the constructed nature of written
discourse. Students will use written texts to learn strategies to improve their own writing by considering
audience and purpose, finding strategies for different kinds of revision, organization, and development,
refining sentences and paragraphs for correctness and style, analyzing texts, and effectively incorporating
primary and secondary sources.
Guiding Principles:
Experienced writers always collaborate. They share with others their writing and their ideas. They share
ideas by reading the work of others, and by joining an intellectual community. In our case, the intellectual
community consists of fellow WRS 106 students who will help create advanced-level writing appropriate
for a university-level course. Therefore, it is essential that you participate in the writing activity, discuss
reading assignments, learn to give, and take critical comments, and use this class as workshop for your
benefit. One of my goals is to provide you with the necessary skills to give and receive criticism.
For each assignment, you will be responsible for making thoughtful and insightful comments on your
classmates’ essays, which will aid in their revision. Revision, which means more than correcting
grammatical mistakes and typos, will require you to rethink your ideas and ideas of your peers further
developing them, to extend and refine your projects, and to polish your prose. Revision and Peer
critiques are essential components, crucial to your success in this class.
Class Participation:
Class participation, as I define it, means attending class on time, and participating in class discussion,
workshops, and peer review sessions in a constructive way. Participation also means not disrupting the
class by distracting manners, irrelevant talks, and disrespectful or uncivil behavior towards fellow
classmates or the instructor. You can severely hurt your participation score if you constantly show
considerable difficulty with one of these categories, or mild problems with ALL of them.
I expect you to demonstrate, through your papers and participation, a willingness to engage in the work of
the course, and I hope interest and pride in your writing, along with the desire to succeed at the University
of Miami will be, in part, the rewards of your labor.
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Attendance:
Physical attendance in the classroom is required as scheduled, and unexcused absences will have a
negative impact on your attendance & participation as well as final grades. Students who must be absent
because they participate in university sponsored events are responsible for notifying me in advance by
providing a memo from their coach, director, or academic advisor. Bear in mind that more than three
days of unexcused absence will likely affect your final grade. Students who miss class for religious
observance should notify me of the dates by the third day of class.
Late Work:
All work must be turned in on time and turning in assignments late will significantly affect your grade
(late submission for a day may result reducing an “A” to “A-,” “B” to “B-,” and so on). Being absent
does not give you an extension: send your work to me via email. As every stage in assignment writing is
graded, work done on time will contribute to each paper’s grades. Being absent does not give you an
extension: if you must be absent, email me the assignment on the day it is due. [Late Work is counted
from the day of Peer Review]
Evaluation:
Specifically, this course will follow the standard university scale as explained in the undergraduate
bulletin:
A: Superior. You did what the assignment asked for at a high-quality level, and your work shows
originality, rigorous critical thinking, and creativity. Your paper is outstanding in content, style, grammar,
and the mechanics of writing.
B: Above Average. You did what that assignment asked of you at a level of high quality. Your work shows
critical thinking and creativity. Your work is complete in content, is well organized, and shows special
attention to style.
C: Average. You did what the assignment asked of you at poor quality level. The paper needs significant
revision. The content is often incomplete and unorganized. Attention to style is often non-existent.
D: Below Average: You did what the assignment asked of you at a poor-quality level. The paper needs
significant revision. The content is often incomplete and unorganized. Attention to style is often non-
existent.
F: Failing. An F is usually reserved for students who don't do the work or have excessive absences.
However, if your work is poor and shows little understanding of the needs of the assignment, you will
receive an F.
Grade Distribution:
To pass this course, you must complete all assignments--major and minor. You will be evaluated on your
essays, in-class works, adherence to deadlines, attendance and class participation, and your contribution
to peer revision. The Final Grade of all major assignments will be an average of the Peer Review
draft and the Final draft, each carrying 50% weight.
Accommodation:
Accommodation will be provided for those with documented disabilities. Please visit
http://umarc.miami.edu/arc/ODS.html or call 305-284-2374 to contact Disability Services. In case of
need, students may also consult Academic Resource Center and Counseling Center.
Academic Honesty:
Plagiarizing or turning in work written partially or completely by someone else are forms of academic
dishonesty and are serious violations of the University of Miami Honor Code. Those who violate the
honor code risk disciplinary action including but not limited to, failure of this course
(https://doso.studentaffairs.miami.edu/_assets/pdf/honor-council/the-undergraduate-honor-code.pdf).
1. How output is arrived at is not clear as the internal processes used to produce a particular output within
the generative AI cannot be determined.
2. AI output is typically based on data harvested from unknown online sources. As such, it may reflect
biases that should be acknowledged. AI output may also be inaccurate or entirely fabricated, even if it
appears reliable or factual.
3. AI evokes a range of intellectual property concerns; sourcing and ownership of information is often
unclear and is currently the subject of ongoing litigation.
4. If you use AI tools in any part of your work, you are responsible for the final product of that work, both
academically and in the workforce.
Principles
1. AI should help you think, not think for you. AI tools may be used to help generate ideas, frame
problems, and perform research. Consider them as a starting point to your own thought process, analysis,
and discovery. Do not use them to do your work for you, e.g., do not enter an assignment question into
ChatGPT and copy & paste the response as your answer.
2. The use of AI must be open and documented. The use of any AI in the creation of your work must be
declared in your submission and explained.
3. Engage with AI Responsibly and Ethically. Ensure that the data used for AI applications is obtained and
shared responsibly. Never pass off as your own work generated by AI.
4. You are 100% responsible for your final product. You are the user; if the AI tool makes a mistake, and
you use it, then it’s your mistake. If you don’t know whether a statement about any item in the output is
true, then it is your responsibility to research it. You hold full responsibility for AI-generated content.
Ideas must be attributed, and sources must be verified.
5. It is your responsibility to ensure you are following the correct guidelines. Not following them will
result in a breach of the Academic Integrity Policy. Ask if you are not sure about certain things.
6. Do not enter confidential or personal data into generative AI tools. Putting such data into AI tools
exposes you and others to the loss of important information. Therefore, do not do so. See point 3 above.
7. Note that the rules and practices on use of AI may vary from class to class. Do not assume that what is
acceptable in a computer science class will be acceptable in a philosophy class, too.
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8. Please note that in this course, you are allowed to use AI only for the purpose of Introduction,
Conclusion, and Organization of your major assignments.
Email:
Note that Communication for this course will be conducted largely through emails and that I will respond
to your emails within 24 hours. If you have anything important to discuss, write to me beforehand so
that we can schedule a zoom meeting on time. Keep in mind that it is your responsibility to remain up to
date with class assignments and progress.
M Feb 03 [Due in class: SA on Rhetorical Appeal of Castro] + Anzaldua’s “How to Tame a Wild
Tongue [Class Presentations (7)] + Textual Questions
W Feb 05 [Due: MA #1 Final] + Work on MA #2 (Introduction + Thesis) + Use of Quotations:
Interpretation + Connection]
M Feb 24 Class Presentations on A. Singh’s Colonial Mimicry and K. Singh’s “Karma” (3+3)
W Feb 26 [Due: Mini Lens] Class Presentations on A. Singh’s Mimicry and A. A. Aidoo’s
“Everything Counts” [BB] (2+4/5)
M Mar 03 Midterm Conference (MTC) [10] [Lens Writing + Class Performance + Other Issues]
W Mar 05 Midterm Conference (MTC [9] [Lens Writing + Class Performance + Other Issues]
[Due: MA #2 Final]
M Mar 24 Work on MA #3 (3-5 Pages) + WG: (IS) + (Q &C)/QUIZ/ Extra Activity (TBA)
W Mar 26 In-Class Peer Review (PR) of MA #3 (5-6 Pages) +WG/ Extra Activity (TBA)
M Apr 07 [MA #4: 2-3 Pages; Group Library Visit) + Annotated Bibliography (Due: 11:30 PM)]
W Apr 09 Work on MA #4 (3-4 Pages): Group Work (5)/ Library Visit)/ Extra Activity (TBA)
M Apr 21 Mini Class Presentations MCP [8] + Work on MA #4 (5-6 Pages)/ QUIZ
W Apr 23 Mini Class Presentations MCP [5] + Course Evaluation (CE) [?]