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Community Archives The Shaping of Memory Principles
and Practice in Records Management and Archives 1st
Edition Laura A. Millar Digital Instant Download
Author(s): Laura A. Millar
ISBN(s): 9781856046398, 1856046397
Edition: 1
File Details: PDF, 3.15 MB
Year: 2009
Language: english
Archives
Other titles in the Principles and Practice in Records
Management and Archives series
(Series Editor: Geoffrey Yeo)
Management Skills for Archivists and Records Managers, by Louise Ray and
Melinda Haunton (eds)
ISBN 978-1-85604-584-1 (forthcoming)
The Silence of the Archive by David Thomas, Simon Fowler and Valerie
Johnson
ISBN 978-1-78330-155-3
Archives
principles and
practices
SECOND EDITION
Laura A. Millar
© Laura A. Millar 2010, 2017
The author has asserted her right under the Copyright, Designs and Patents Act
1988 to be identified as author of this work.
Except as otherwise permitted under the Copyright, Designs and Patents Act 1988
this publication may only be reproduced, stored or transmitted in any form or by
any means, with the prior permission of the publisher, or, in the case of
reprographic reproduction, in accordance with the terms of a licence issued by The
Copyright Licensing Agency. Enquiries concerning reproduction outside those
terms should be sent to Facet Publishing, 7 Ridgmount Street, London WC1E 7AE.
Every effort has been made to contact the holders of copyright material reproduced
in this text, and thanks are due to them for permission to reproduce the material
indicated. If there are any queries please contact the publisher.
Typeset from author’s files in 10/13pt Palatino Linotype and Myriad Pro by
Flagholme Publishing Services.
Printed and made in Great Britain by CPI Group (UK) Ltd, Croydon, CR0 4YY.
Contents
Acknowledgements xvii
Conclusion 263
Index 307
Figures and tables
Figures
1.1 The progression from data to archives 10
8.1 A SWOT analysis 128
8.2 Cascadia University Archives and Special Collections policy 131
9.1 Wickham County Archives preservation policy 174
10.1 Cascadia University Archives and Special Collections acquisitions policy 182
10.2 Sample donor agreement 200
11.1 Presentation of fonds in a custody-oriented description 237
11.2 Presentation of series in a custody-oriented description 238
11.3 Presentation of items in a custody-oriented description 239
11.4 Presentation of series in a function-oriented description 239
11.5 Presentation of agencies in a function-oriented description 240
11.6 Presentation of functions in a function-oriented description 241
12.1 Cheswick Historical Society Archives reference policy 246
Tables
11.1 Hierarchical levels of arrangement and description 219
11.2 Core descriptive elements in custody-oriented standards 220
11.3 Definitions of functions and sub-functions 222
11.4 Core descriptive elements for the records entity 222
11.5 Core descriptive elements for the agency entity 223
Foreword to the first edition
whose sole function is to maintain the historic archives of their parent body.
At the start of the new millennium, much theoretical writing has been
influenced by ‘records continuum’ concepts that eschew binary divisions
between business and cultural purposes of record keeping, but in practice
continuum thinking has not wholly dislodged the assumption that business
needs for records expire in the short or medium term and that the rationale for
long-term preservation is essentially cultural. In contrast to the closed archives
characteristic of earlier times, and of some totalitarian regimes today, archival
institutions in democratic societies normally aim to have all, or at any rate the
larger part, of their holdings freely open to all who wish to use them.
The growth of archival institutions over the last two centuries has been
paralleled by the growth of an archival profession. There have been archivists
almost as long as there have been records, but only relatively recently have
they begun to perceive themselves as professionals. It is open to question
whether archival work has been fully professionalized, but archivists have
certainly moved far in this direction, introducing formal qualifications, codes
of ethics and many of the other accompaniments of a profession.
Nevertheless, there is ample scope for members of the wider community to
become involved in archival work, not only as users but also as champions
of archives and as active contributors to the archival mission. Although
written primarily for practitioners and students, this book will be relevant to
anyone with an interest in archives and records.
Latterly, the discipline has experienced rapid changes, not least as a result
of increasing quantities of records and ongoing technological development.
Audiovisual and computing technologies have brought new means of
creating records, and archivists seeking to preserve such records and make
them available to users have found that they require new skills and
competencies. The growing bulk of records led twentieth-century archivists
to reject the notion that all records could be preserved and attempt to identify
criteria for selecting records for long-term preservation. Contentious though
such attempts must be, they have led many archivists to the idea that the term
‘archives’ might be confined to records that have gone through a selection
process and been judged to have continuing value. Archival services that aim
to select records and maintain them indefinitely for future use form the main
focus of this book.
However, in the twenty-first century, perceptions of ‘archives’ have again
become fluid. Should the term be restricted to records that have been kept
because they are believed to have continuing value, or might it have wider
connotations? The computer industry has made everyone familiar with the
notion of ‘archiving’ (a word that, until recently, no self-respecting archivist
XIV ARCHIVES: PRINCIPLES AND PRACTICES
would ever have used); but in doing so it has popularized a belief that
‘archives’ can encompass almost any collections of materials, especially
perhaps digital materials, that have been designated for storage for possible
future use. The nascent ‘community archives’ movement in the UK often
emphasizes the keeping of materials that are felt to be meaningful to a
present-day community rather than those that can be specifically identified
as records of past events.
In fact, archivists have long been aware that the boundaries of archives can
sometimes extend beyond records of activities, events and experiences. Millar
recounts the tale, famously told in the 1920s by the English archivist Hilary
Jenkinson, of the elephant despatched to England with a covering note. The
note finds its way to an archival repository; but does the elephant also form
part of the archives? Pragmatically, of course, the elephant cannot be housed
in the repository, but many items despatched with (or without) covering notes
– fabric samples, medals, advertising circulars, posters or magazines, for
example – commonly do find their way into archival collections, even though
such items might not normally be considered records. In practice, archives
frequently appear hospitable to anything that has proved capable of being
stored in an organization’s or individual’s filing system. Archives are often said
to be ‘organic’, insofar as they accrue more or less naturally in the course of
organizational business or personal life, but in another sense they are shaped
by retention and aggregation decisions made by their custodians. Conceptual
and physical notions of archives have a more or less uneasy coexistence.
This book offers a discussion of the principles of archives and archival
management as well as an examination of many of the practices archivists
employ to put those principles into effect. It explores some of the dilemmas
archivists face when they recognize that archives are complex and contentious
phenomena, and that their own interventions in selecting, arranging,
preserving and delivering archives necessarily add further tiers of
contentiousness. Unlike most other texts on the keeping of archives, Millar’s
book does not draw on a single national tradition, but sets out approaches
used in many different parts of the English-speaking world. At another level,
like all the best writings, it is a personal book; Archives: principles and practices
reflects its author’s understanding of archives derived from her extensive
practical experience in Canada and in many other countries. It is to be
commended to all who undertake the rewarding work of maintaining
archives for the benefit of users today and in the future.
Seven years after Laura Millar’s eloquent and wide-ranging book was first
published, it is ever more apparent that in future the great majority of records
will be created and used in digital form. At present, most record-making
environments are hybrid – to varying extents, paper records continue to be
created and kept alongside their digital counterparts – but the balance is
firmly shifting towards the digital. Organizations are now disposing of their
filing cabinets at an unprecedented rate. Even if the wholly paperless office
may still prove to be a chimera, the ‘less-paper’ office is now a visible reality.
It has also become clear that archivists will very soon face, if they are not
already facing, a digital deluge. The world is creating massive amounts of
digital content, and the archivists of the future will encounter quantities of
records that exceed anything that archivists have experienced in the past. In
this age of digital abundance, human society will still look for evidence of,
and information about, actions that have been undertaken, events that have
occurred, decisions that have been made, and rights that have been protected,
abused or amended. Records and archives will still be needed, and the
long-standing archival principles that Millar expounds will be no less valid,
but the methods and techniques required to put those principles into practice
will often be very different.
In this new and extensively revised second edition, Millar provides greatly
expanded coverage of digital concerns. In place of the separate chapter on
digital archives that concluded the first edition, discussion of digital issues is
now woven into every chapter of the book. Of course, we still have – and will
continue to have – the legacy of many centuries of archives created using
paper and other analogue media; the skills to manage records created in the
past by non-digital means will remain essential, and Millar does not neglect
XVI ARCHIVES: PRINCIPLES AND PRACTICES
them. But in recasting her book to take account of the fast-moving digital
revolution, she offers us an archival manual for the twenty-first century.
As I said in the first edition, writing a book is a long and arduous process. It
turns out revising a book is an even more challenging, and lonelier,
experience. It does not seem fair to go back to the well a second time and ask
for input from the same people twice; they will just think I was not paying
attention the first time. I am very lucky that colleagues, friends and family
answered the call as I struggled with what turned out not to be a tweak
around the edges but a fundamental rewrite of this book – it is a new book,
really – which I suspect is a necessary response to the fundamental changes
in information, records and archives in the years since the first edition came
out in 2010.
Damian Mitchell at Facet Publishing was that breath of fresh air an author
wants in an editor: cheerful, supportive and patient. And I am grateful to the
anonymous reviewers who offered comments and suggestions about how I
might integrate the discussion of digital records and archives more fully into
this second edition. (I suspect that completely rewriting the book resolves any
lingering questions there.)
I am grateful to Robin Keirstead and Kelly Stewart for their suggestions
about how to balance specificity and detail in the bibliography and for their
cheerful support during the race to finish revisions. My ever faithful colleague
and friend Heather MacNeil responded with alacrity and good humour to
my many questions about new directions in archival description. In Australia,
Lise Summers set time aside during my visit to Curtin University in Perth, so
that we could share ideas about how the series and function have been
interpreted differently in Australia and North America. (Yes, Lise, Canadians
define the series very broadly. If it looks like a duck, walks like a duck, talks
like a duck . . . )
XVIII ARCHIVES: PRINCIPLES AND PRACTICES
I began the first edition with a story that bears repeating, which goes as
follows. A young woman asked her mother why she always cut the end off
her roast before putting it in the oven. ‘You have to’, her mother replied. ‘It’s
the only way to cook a roast. That’s what my mother taught me’. Not satisfied
with this explanation, the woman posed the same question to her
grandmother. ‘Cutting the end off is critical’, said the grandmother. ‘If you
don’t, the roast comes out tough and flavourless. That’s how my mother did
it, and that’s the way it is done’. Still unsatisfied, the woman asked her
great-grandmother, a matriarch of 90-plus years, if she always cut the end off
her roast before cooking it. ‘Absolutely’, replied the great-grandmother,
‘Without fail’. ‘But why?’ begged the young woman, looking for some logic
behind the tradition. Her great-grandmother looked puzzled. ‘Well, dear’, she
finally said, ‘I had to. My roasting pan was too small’.
My point then and now is that much of what we do in life comes from habit
and tradition. Our parents did it that way, and so do we; our supervisor
showed us that method, and we adopted it on as our own; our teacher insisted
on that approach, and we have never tried another. Individual and group
behaviour – from cooking food to building houses to communicating and
documenting ideas and information – are as much a result of the repetition
of habits and traditions as the application of theories and principles. We do it
that way because ‘that’s the way it is done’.
From time to time, though, we need to step back and ask why we do
something in a particular way, especially if other options are available. Why
XX ARCHIVES: PRINCIPLES AND PRACTICES
in Papua New Guinea. Culinary books take into account the fact that one cook
may have a wood stove, another may use gas and another electricity; they
present principles that can be adapted for use in different environments.
Just as there is no one ‘right way’ to cook; there is no one ‘right way’ to
manage archives. There are too many social, cultural and practical variations
in the way records, archives and evidence are created, managed and used to
allow one set of procedures, one recipe, to meet the needs of practitioners in
different parts of the world.
To address variations in practice while introducing important principles
and concepts, the second edition of Archives: principles and practices is divided
into two parts. Part I addresses the theoretical, conceptual and philosophical
issues associated with archives: their creation, management and use. Part II
introduces ideas about the strategic, operational and logistical issues
associated with archival practice. Where the book provides guidance on many
aspects of archival practice, every attempt is made to reconcile specific
instructions with the reality that circumstances will vary from one
environment to another.
The hope is that you the reader can learn about the principles behind
archival practice, balance theories against your own institutional realities, and
then identify the best practical actions for your particular circumstances. A
business archives equipped with sophisticated information and
communications systems needs to develop and deliver systems and services
quite unlike those in a remote, poorly resourced community archives. A
repository that only acquires historical photographs has different priorities
for description and digitization from an institution that collects not only
archives but also publications, artefacts and art.
The approach presented here does not eliminate the need to articulate core
archival principles. One of the obstacles to the development of consistent
archival practice around the world has been an insistence on doing things a
certain way because ‘we’ve always done it that way’. Archivists and their
institutions can become stuck, and it can be easier to criticize other approaches
than to go back and start again. To combat idiosyncrasies, archivists develop
standards, which offer a useful bridge between theory and practice. But
standards are not laws, and they should not always be accepted as gospel.
This book looks for a balance among, first, the theoretical environment,
secondly the ideal world of archival standards, and lastly the reality of
archival management in practice. My goal is to help bridge the gap between
‘we’ve always done it this way’ and ‘we can never do it that way’.
XXII ARCHIVES: PRINCIPLES AND PRACTICES
evidence and physical evidence and with a discussion of the perilous path
from data to archives.
Chapter 2 looks at the nature of archives, starting with the ideal scenario
in which archives are managed as part of a continuum of care. I then turn to
reality, considering how archives might be defined on the basis of what is left
behind, not on what should have been kept. The form of archives, or, more
appropriately, the fact that documentary evidence can take many forms, is
also considered. I look then at the relationship between archives, art and
artefacts and end the chapter with a reminder that archives are only the
smallest portion of the residue of our lives. Much that is intangible still has
much value, even if not defined as ‘archival’.
Chapter 3 highlights significant events in archival history, from the time
when archives were only used by records creators to the time when the public
began to use archives for historical research. The evolution of life cycle and
continuum approaches to archives is outlined, and the impact of postmodern-
ism on archival thinking is addressed. I then connect those historical events to
archival theories, explaining the principles of provenance, original order and
respect des fonds, as well as the concept of a functional, series-based approach
to archival management and the notion of a records continuum. I also look at
how those theories are being challenged, as archivists debate whether they
remain relevant today.
Chapter 4 looks at archives from the perspective of the user. Archives can
be sources of history, whether for professional, amateur or family and
personal reasons. Archives also serve as tools for accountability, providing
evidence to uphold the law or provide proof of infractions. And archives serve
as touchstones for memory and identity, finding value as sources for scientific
research, social and political studies, popular fiction and film and, ultimately,
as a window into the lives of others.
In Chapter 5, I outline different types of archival institution, specifically:
institutional archives, hybrid archives, collecting archives, community-based
archives, museum archives, integrated institutions, indigenous archives and
activist archives. I also address the rise of online repositories and suggest we
need to distinguish data or records ‘warehouses’ from trusted digital
repositories; it is the latter that archivists are striving to create in order to
manage electronic evidence safely.
In Chapter 6, I look at the fundamental principles of archival service. I
believe that archivists must work within a sound ethical framework,
especially given that archival work is not a regulated profession. I outline
standards of practice I hope archivists will embrace, above and beyond
existing codes of ethics. I also comment on the education of the archivist, the
XXIV ARCHIVES: PRINCIPLES AND PRACTICES
role of archival associations and the nature and purpose of records and
archives standards.
Chapter 7 ends Part I by looking specifically at the legal and ethical
requirements of balancing access with privacy. How does the archivist
address copyright and intellectual property requirements? How does the
archivist provide equitable access to holdings and still respect the rights not
only of records creators but also of those identified in archives, who may wish
to remain invisible to the world?
Part II focuses on archival practice, beginning in Chapter 8 with a
discussion of the tasks involved in managing the archival institution itself.
What is the ideal organizational structure for an archival operation, and how
can the archivist identify the right strategic vision for her own institution?
What policy framework is needed, and how should the archival institution
be administered, from finances to facilities to staff?
In Chapter 9, I review concepts and best practice requirements for archival
preservation, emphasizing the need to ensure the security and sustainability
of the environment in which archives will be housed. I identify specific
archival hazards, such as: acidity, fluctuations in temperature and relative
humidity, excessive light levels, pollution, fire and water damage, biological
agents such as mould, insects and rodents, and abuse and mishandling. For
each hazard I offer suggestions for mitigating the risk. I also offer guidance
about the management of different media materials. I consider digitization
as a preservation tool, and I offer a short introduction to the challenge of
preserving digital archives. The chapter ends with suggestions for developing
preservation and emergency plans, both of which are critical tools for
ensuring archival holdings are kept safe.
In Chapter 10, the acquisition of archives is examined, starting with a
discussion of the two aspects of appraisal: appraisal for acquisition and
appraisal for selection. The advantages and limitations of sampling, weeding
and culling are considered, along with other appraisal criteria that the
archivist should take into account. I explain the different ways archival
materials can be acquired, including transfer, donation, loan and purchase;
outline the legal and administrative process of accessioning archives; and
consider the work involved in deaccessioning archives that the archivist
decides do not belong in the institution. The chapter concludes with a brief
look at the thorny topic of monetary appraisal.
In Chapter 11, I revisit some of the theories and principles introduced in
Chapter 3, including provenance and original order, in order to consider how
they work, or do not work, in practice. Two sometimes competing
philosophies with a direct impact on arrangement and description – custodial
INTRODUCTION TO THE SECOND EDITION XXV
Additional resources
A book like Archives: principles and practices can only provide an overview of
the complexities and nuances of archival theory and practice. A paragraph in
this book – indeed, sometimes a single sentence – can summarize ideas
addressed in entire volumes. The first edition of this book attempted the
impossible, by being as comprehensive as possible and identifying all manner
of readings that might be of interest. Common sense prevails in the second
edition. Now the list of resources follows a minimalist approach. Only a
handful of core and recommended readings have been included, almost
exclusively book-length works, on the assumption that these books will lead
readers to more specific sources. I have also included links to journals, archival
agencies and relevant websites, as some of the most useful new research is now
easily accessed online, at least for those with a robust internet connection.
Faced with the awkwardness of using ‘he or she’, or opting for ‘they’, I have
stayed with my choice in the first edition to have one female representative
archivist for the book: ‘she’. To balance the equation, many (but not all) of the
researchers, donors, records creators and other fictitious characters that
populate the case studies are addressed in the masculine: ‘he’. The intent
remains not to presume all archivists are women and all researchers are men;
the intent is to help distinguish all the players in a particular scenario.
Whether you are an archival student, a practitioner with years of experience
or someone simply intrigued by archives, I hope you find this book a useful
starting point for your study of a fascinating and critically important topic. The
safe preservation and widespread use of archives is fundamental to
accountability, identity and memory in society. Archives join museum artefacts,
works of art, oral histories and family and community customs and traditions
as the tools we rely on to understand who we are, where we came from and
where we are going. They are part of the essence of our individual and
collective sense of self, part of the foundations of a civilized society. I hope you
enjoy this exploration of the principles and practices of archival work.
PART I
Archival principles
Part I of this book looks at the principles and theories within which archival
practice is situated. How do we define archives, and what types of material
fall within and outside that definition? How did archival theory and practice
develop throughout history, and how do we position our work today within
existing theoretical frameworks? Theory notwithstanding, how do people
actually use archives? What types of institutions are created to hold archival
materials, and what are the similarities or differences between them?
Regardless of institution, what are the guiding principles – the golden rule(s)
– of effective and ethical archival service? And, especially in a world
abounding with cloud computing systems, data security concerns, identity
theft and 24-hour news cycles, how can the archivist balance the right of
citizens to access evidence with the right of individuals to retain their privacy?
These topics are addressed in the following chapters:
The word ‘archives’ conjures up different images. Some people picture dusty,
dry storage rooms where stuffy, brown-bow-tie curators enveloped in ancient
cardigans look askance at anyone who speaks above a whisper. Others
imagine websites where listeners can download podcasts of radio
programmes aired just hours before. Some people think of old parchments,
scrolls and leather-bound volumes of medieval treatises; others imagine
electronic back-up copies of a corporate report or membership database.
Two centuries ago, the majority of archival materials were two-
dimensional, manually created items such as papyrus scrolls, parchment
codices, bound ledgers, or black and white photographs. Today, the holdings
of archival institutions may include e-mail messages, relational databases,
YouTube videos and interactive web pages. Digital technologies have
transformed our understanding of the nature of information and commun-
ications; what were considered archives a century ago are only the smallest
subset of what might be defined as archives today.
Computers and the internet have also bred a growth industry in the
dissemination of digital archival information. Governments, corporations,
publishers, music producers, writers, performers and artists have all
discovered the value of sharing information, including historical records,
electronically. Newspapers reprint archived articles in print and online
editions. Radio stations post copies of concerts and interviews on their
websites. Music producers repackage old recordings, billing them as treasures
from the vault. Entire television channels are devoted to broadcasting ‘classic’
TV shows and movies, and historical documentaries and ‘find your ancestor’
4 PART I: ARCHIVAL PRINCIPLES
genealogical shows are among the most popular subset of reality TV on air
today. Even local churches record their Sunday sermons and post them on
their Facebook pages to serve home-bound parishioners.
As more and more people are exposed to digital information, both old and
new, the concept of archives has become more ambiguous. The blanket
depiction of archives as brittle old documents used only by scholars has been
replaced by another stereotype: that archives comprise any piece of
information older than yesterday that might be worth referring to again
tomorrow. For those who decide to create an online repository of their
favourite recipes or music or newspaper articles and call it their ‘archive’, the
subtleties of language may be of little consequence. But for people whose job
is to acquire and preserve documentary evidence and ensure it is available
for public use, understanding the concept of archives is critical.
Archives are defined not by their form but by their purpose. A handwritten
letter can have archival value, and a data element in a computer’s hard drive
can have archival value. A collection of all the recordings of Frank Sinatra, or
copies of every issue of National Geographic, however old, may not have
archival value. Why?
A full definition of ‘archives’, encompassing the three primary ways in
which the word may be used, is this:
So the word ‘archives’ can be used to refer to the materials themselves, to the
institution caring for them or to the repository holding those materials. So
one could argue, correctly, that ‘the archives’ archives are in the archives’.
The focus in this chapter is on the first part of the definition: that small
portion of all the information, communications, ideas and opinions that
people or organizations create and receive as part of their daily life and work,
that are captured in recorded form and kept because they have some value
beyond the moment. That worth may be not only for the creator or recipient
of the ‘information, communications, ideas and opinions’ but also for others,
in the present and future.
In order for something to be preserved for its archival value, then, it must
WHAT ARE ARCHIVES? 5
Capturing evidence
When we capture evidence, the resulting product may be a record in the
traditional sense: a physical or digital item that carries documentary value,
such as a letter, contract or photograph. This record purports to be objective.
In other words, the record claims to represent actual decisions or opinions or
experiences, not fictionalized descriptions.
The strength of static records such as paper documents or printed
photographs is their inviolability. Once this type of record exists, the words or
numbers or images on the page stay put; changing them is difficult (though
admittedly not impossible). A bound ledger, with all the pages intact, is a whole
record, which cannot be altered without leaving some obvious evidence of
change. An original photographic print that is not faded or torn is complete in
itself: a discrete, finished object that cannot be edited after the fact.
But in the digital world, evidence can also be a piece of data: an entry in a
database, a message circulated through Twitter or a blog post on a website.
(A blog, from ‘web log’, is a type of online diary, journal or discussion page.)
8 PART I: ARCHIVAL PRINCIPLES
The raw data we took into our senses – the view of the sunset or the sound
of the orchestra – is captured in digital data: a photograph of the sunset stored
in our cellular telephone; a recording of the performance saved as an MP3
audio file. (MP3 is a coding format for compressing and storing audio input
into a small file, allowing the recorded sounds to be saved and shared easily.)
Unlike paper records, digital data can be altered or deleted in a
microsecond. A digital sound recording, unlike a vinyl LP recording, can be
manipulated and updated instantaneously. Editing may remove coughs and
interruptions and applause but the new version ceases to be an authentic
representation of the performance. A digital photograph can be enhanced,
with the sunset made brighter or the dog in the background removed, but it
is no longer a true representation of the event.
This malleability means that digital evidence is tricky both to authenticate
and to preserve. How do we know that a membership database is secure and
accessible only to those with proper authority? How do we know that a
message sent through Twitter shows the right time and date and so is
chronologically accurate? A critical archival task in the digital age is not just to
capture and preserve pieces of data but to ensure that, if they are to serve as
proof, they are captured with their authenticity intact. Only then can that digital
data serve as evidence for as long as needed, whether a week, a year or forever.
very first car he purchased, when he was 18, as a testimonial to that thrilling
first taste of adult life. If, 60 years later, that car becomes ‘vintage’ and is
considered a collector’s item, all the documentation surrounding its life may
have significant long-term value. The records may be seen as archives.
The challenge with this scenario is that the records need to have been
created in the first place, and then kept over decades, which demands that
the first owner, and all subsequent owners, need to share an abiding (perhaps
even obsessive) interest in the story of that vehicle. It takes remarkable
prescience to know in 1964 that one’s brand-new Chevrolet Corvette will
become a collector’s item in 2014. Sometimes, the records left behind are
valuable not because of the importance of their content but because they
survived, intact, against all odds.
Rather than wait and hope that authentic and accurate archives will come
into custody someday, many archivists prefer to work with the creators of
records and information now: raising awareness of and encouraging the
protection of valuable evidence. In governments or corporations, this advisory
work often comes as part of a formal records and information management
programme, which helps ensure that quality documentary evidence is kept for
as long as needed for legal, administrative, financial, historical and other
purposes.
In a structured record-keeping environment, archivists help the creators of
records and information to define some of their information sources as
‘transitory’: they have little long-term value and can be destroyed once they are
no longer needed. They define other information sources as records or
evidence, because they have evidential, administrative or other value that
warrants their retention for a certain time. The archivist also determines which
evidence has enduring value and should be kept permanently as archives.
Figure 1.1 on the next page summarizes the progression discussed thus far:
from data to knowledge, to information, to evidence, and finally to archives.
A portion of evidence
may be preserved as
archives for its enduring
value, worthy of
preservation as proof or
as information of long-
term interest to a wider
audience
Static
When a document is being generated – when meeting minutes are being
drafted or an e-mail message is being composed – that document is not
considered complete. It is a work in progress. But once the minutes are
complete or the e-mail message has been sent, the document becomes a
record. That record needs to be secured so that it cannot be changed,
intentionally or accidentally. It needs to be static, fixed in time and space, or
else it cannot easily serve as evidence of the transaction or event it documents.
The committee in charge of a particular activity is responsible for
confirming that the minutes of a meeting accurately represent the discussions
held and decisions made. So the committee needs to ensure that those minutes
are accurate when created and safeguarded ever after. If someone alters the
14 PART I: ARCHIVAL PRINCIPLES
minutes of a meeting after the document has been approved, that document
is no longer an authentic record of the meeting. Similarly, if an e-mail is sent
but the receiver edits the message later, the e-mail is no longer reliable
evidence. The removal of a page from Donald Trump’s day timer or the
deletion of ‘meet Mike’ from his digital calendar alters the evidential value
of the information.
In order to provide evidence, a record needs to be fixed in time and space:
a paper record should be filed securely, and a digital record should be secured
within a computer system so that no one can change the contents, which
would negate the authenticity of the evidence. Paper records such as written
memos or reports or letters are relatively easy to secure. They can be stored
away, with controls placed on access, so they cannot be lost or destroyed.
Digital records are harder to protect. The joy of computers is that they allow
data and information to be manipulated with great ease, but malleability of
digital data, which makes it so useful, means it is also extremely difficult to
manage and protect. Concepts of originality and uniqueness apply differently
in the digital world.
For instance, a membership database is a constant and ever-changing
snapshot of the number and nature of the members of an association or group.
Tracking memberships in a computer is so much easier than retyping lists or
adding and removing address cards in a Rolodex. But in order to rely on the
database as evidence, the organization needs to apply policies and procedures
to ensure that essential information can be confirmed for a particular time,
even if that time is months or years in the past. Was Alfredo a member in 1993
but not in 1994? Did Camelia pay her dues regularly every year? How many
members were late with their payments in 2006?
When digital records are deemed archival, steps must be taken to ensure
that, while the evidence can still be used and shared and interpreted widely,
the original data cannot be tampered with or changed. Still, researchers
should be able to take advantage of the fact that the data is in digital form,
reordering elements in a database to reach different conclusions based on the
outputs of the analysis. The archival challenge is to balance the public’s ability
to use evidence in creative ways, whatever its form, with the need to ensure
the resulting evidence remains inviolable.
Unique
In addition to being static, archives are also considered unique. Uniqueness
does not derive from each individual piece of paper or data element being
unlike any other but from the fact that the evidence – if maintained with its
WHAT ARE ARCHIVES? 15
content, context and structure intact – presents a single sequence of facts and
information. The minutes of a meeting, stored in the company’s official
record-keeping system, may not be unique in the purest sense: the three pages
in a file folder may very well not be the one and only version in existence.
Quite the contrary. The administrative assistant may have printed and filed
the ‘master’ version but also e-mailed copies to each of the dozen members
of the committee for their information. Duplicates abound. The uniqueness
of the ‘official’ copy, whether paper or electronic, derives from its content,
context and structure: as evidence stored safely within the company’s records
system, located among other records related to that same meeting.
Still, each copy of the meeting minutes may also be unique in its own
context. The committee chair may have annotated her copy with notes to help
her prepare for the next meeting. Another committee member may have put
the minutes in a digital folder along with a series of e-mails about tasks he
has to complete in the next month. As discussed in Chapter 3 and again in
Chapter 11, preserving the order in which documents are created, used and
stored can be central to preserving not just content but also context and
structure, infusing archives with the quality of uniqueness.
Authentic
Archives should also be authentic. This means that the item in question can
be proven to be what it purports to be: that the contract between Robert
Kessler and William Edelman is legitimate, or that the diary was written by
Adele Chiabaka. Authenticity is demonstrated if it is possible to prove that
the person who appears to have created, sent or received a piece of evidence
actually did create, send or receive that piece of evidence. Further, authenticity
means being able to prove that the record or data element is exactly the same
now as it was when it was first created and then stored for later use.
For paper records, the existence of original signatures, the use of letterhead
paper or the addition of official stamps and seals (the hallmark, as it were, of
medieval officialdom) are all indicators of the authenticity. Handwriting, for
instance, can be analysed to authenticate the authorship of a document. The
six remaining signatures purported to be in William Shakespeare’s hand have
been studied in microscopic detail to confirm his authorship, even though he
spelled his name differently each time. Storing records securely and protect-
ing them from unauthorized access also help to ensure authenticity. As noted
already, the challenge with digital evidence is ensuring that such an easily
changeable piece of information is secured so that it remains stable and
authentic over time.
16 PART I: ARCHIVAL PRINCIPLES
Language: English
The Web
By
Emerson Hough
Author of
“The Mississippi Bubble,” “54-40 or Fight,”
“The Magnificent Adventure,” etc.
A Revelation of Patriotism
The Web is published by authority of the National Directors of the
American Protective League, a vast, silent, volunteer army organized
with the approval and operated under the direction of the United
States Department of Justice, Bureau of Investigation.
Made in U. S. A.
The Web
To
THE UNKNOWN AMERICANS
unnamed, unhonored
unrewarded
who made this history possible
THE CALL OF THE PRESIDENT OF THE
UNITED STATES
“It is a distressing and oppressive duty, Gentlemen of the Congress,
which I have performed in thus addressing you. There are, it may
be, many months of fiery trial and sacrifice ahead of us. It is a
fearful thing to lead this great peaceful people into war, into the
most terrible and disastrous of all wars, civilization itself seeming to
be in the balance. But the right is more precious than peace, and we
shall fight for the things which we have always carried nearest our
hearts.... To such a task we can dedicate our lives and our fortunes,
everything that we are and everything that we have, with the pride
of those who know that the day has come when America is
privileged to spend her blood and her might for the principles that
gave her birth and happiness and the peace which she has
treasured. God helping her, she can do no other.”
February 1, 1919
On the occasion of the dissolution to-day of the American Protective
League and the final termination of all of its activities, I take the
opportunity to express to its National Directors and all other officers
and members my personal thanks for their assistance to me and to
my Department during the period of the war. I am frank to say that
the Department of Justice could not have accomplished its task and
attained the measure of success which it did attain without the
assistance of the members of the League.
Your reward can only be the expressed thanks of your Government.
As the head of the Department of Justice, under which the American
Protective League operated, I render you such thanks with sincere
pleasure. Upon the occasion of a request from a member of the
Committee on the Judiciary of the House of Representatives for an
expression of opinion by me as to the adoption of a joint resolution
by the Congress of the United States, extending the thanks of
Congress to the members of the League, I have urged in strong
terms the adoption of such a resolution, as one justly earned by the
organization during an extended period of devoted and effective
service.
The work of your organization will long be an inspiration to all
citizens to render their full measure of service to their country
according to her need, without reward, and with abundant zeal.
Respectfully,
T. W. Gregory
Attorney General
AUTHOR’S PREFACE
“Signed!”
The one word, spoken by a young officer of the U. S. Army, a strip of
paper in his hand, confirmed to his associates the greatest news the
world has ever known. It was the corrected foreword of peace. The
armistice had validly been signed by Germany.
In these first days of peace, the streets were full of shouting,
laughing, weeping men and women gone primitive. The sane and
sober population of America, engaged in sending a third of a million
men a month to join the two millions on the front in France, turned
into a mob. Their frenzy was that of joy. The war was over.
On the day following the confirmation of the armistice, some who
had sat together in a certain room in Washington were scattered. Six
thousand resignations of Army officers were handed in within
twenty-four hours. The room in which the news of the war’s end was
thus received was one in the Military Intelligence Division of the
General Staff in Washington. There lie the secrets of the Army. All in
that room were officers of the Army, or soon to be such. All were
volunteers. I may with propriety say that for a time I had sat with
those who had ear to the secret voices of the world, in the tensest
atmosphere I ever knew.
It was whispers that “M. I. D.” heard—the whispers of perfidious
men, communicating one with the other, plotting against the peace
of America, the dignity of our Government, the sacredness of our
flag, the safety of American lives and property. Here sat the
authorized agents of the Army, employed to hear such whispers,
enlisted to catch the most skilled and unscrupulous spies the world
has ever known, the agents of a treacherous and dishonorable
enemy.
All those connected with the Military Intelligence Division daily felt
also the touch of this great, silent, smooth-running machinery of the
Department of Justice, whose governmental mission it was to do
detective work on the largest scale this country ever knew. We heard
the voice of the War College through the official liaison therewith;
also those of the General Staff, the War Department, the Post Office
Department, the cable censors, the censors of the Expeditionary
Forces. It all worked as an interlocking, vast, silent machine—a
solemnly, almost mournfully silent machine, of which America knows
almost nothing, the rest of the world nothing at all.
Day by day, in ghostly silhouette, passed sinister figures, themselves
silent; those who plotted against America. All the deeds that can
come from base and sordid motives, from low, degenerate and
perverted minds; all the misguided phenomena of human avarice
and hate and eagerness to destroy and kill—such were the pictures
on the walls of “M. I. D.”
I have spoken of certain essential liaisons against espionage and
propaganda. More often seen than any other initials in the desk
algebra of “M. I. D.” were three initials—“A. P. L.” This or that
information came from A. P. L. This was referred to A. P. L. for more
light. Every questionnaire of a man applying for a commission in the
Army was referred back to A. P. L., and A. P. L. took up the question
of his unswerving and invincible loyalty. A. P. L. found slackers and
deserters in thousands. A. P. L. found this or that spy, large or little.
A. P. L., obviously, had a busy mind and a long arm.
Yet if you should look in the Governmental Blue Book for this
powerful branch of our Government, you could not find the initials
there at all. Very many Americans never heard the name of this
wholly unofficial organization which passed on so many
governmental questions, was of so much aid in so many ways to the
Government. A. P. L. is not and never was a part of any state or
national arm, service, department, or bureau. But openly and
proudly it has always been definitely authorized to carry on all its
letter-heads, “Organized with the Approval and Operating under the
Direction of the United States Department of Justice, Bureau of
Investigation.” These are its credentials.
A. P. L., the mysterious power behind our Government, was no
baseless fabric of a vision, as hundreds of Germans and pro-
Germans can testify through their prison bars; but it passes now and
soon will “leave not a wrack behind.” As these pages advance, the
word issues for its official demobilization. It was honorably
encamped on a secret and silent battlefield, but now, once more to
use a poet’s word, it has “folded its tents like the Arab, and silently
stolen away.” It was, and is not. You never have known what it was.
You never will see its like again.
“A. P. L.” means the American Protective League. It means a silent,
unknown army of more than a quarter million of the most loyal and
intelligent citizens of America, who indeed did spring to arms over
night. It fought battles, saved lives, saved cities, saved treasures,
defended the flag, apprehended countless traitors, did its own
tremendous share in the winning of the war. It saved America. It did
protect. It was a league.
It did all this without a cent of pay. It had no actual identification
with the Government. Yet it has won scores of times the written and
spoken thanks of our most responsible Government officials. Its aid
in the winning of the war can not be estimated and never will be
known. Not even its full romance ever can be written. May these
hurrying pages save all these things at least in part, though done in
the full consciousness that their tribute can be but a fragment of the
total due.
The American Protective League was the largest company of
detectives the world ever saw. The members served without earlier
specialized training, without pay, without glory. That band of citizens,
called together overnight, rose, grew and gathered strength until
able to meet, and absolutely to defeat, the vast and highly trained
army of the German espionage system, which in every country of
the globe flooded the land with trained spies who had made a life
business of spying. It met that German Army as ours met it at
Chateau-Thierry, and in the Argonne, and on the Vesle and on the
Aisne. Like to our Army under arms—that Army where any of us
would have preferred to serve had it been possible for us to serve
under arms—it never gave back an inch of ground. Growing stronger
and better equipped each day, it worked always onward and forward
until the last fight was won.
A. P. L. has folded its unseen and unknown tents. It will bivouac
elsewhere until another day of need may come. Then, be sure, it will
be ready. On the day that the American Protective League
disbanded, it had no money in the treasury. It had spent millions of
dollars, and had brought to judgment three million cases of
disloyalty. There, obviously, unwritten and unknown, scattered in
every city and hamlet of America, was a tremendous story, one of
the greatest of all war stories, the story of the line behind the guns.
When the men of long or of transient connection with M. I. D. had
shaken hands and said good-bye, the National Directors of the
American Protective League asked me to stop on and write the
history of the American Protective League. And so, in large part, as a
matter of loyalty and duty, with millions of pages of records at hand,
with a quarter of a million friends I have never seen, who never
have seen one another, who never otherwise would know the
identity of one another, I began to do something which most
obviously and certainly ought to be done. This book is written alike
that these quarter million unpaid soldiers may know of one another,
and that a hundred million Americans may also know of them
accurately, and thank them for what they did.
Before I had done the last page of the strange history, I knew that I
had felt an actual reflex of the actual America. I knew that I had
been in touch with one of the most astonishing phenomena of
modern days, in touch also with the most tremendous, the most
thrilling and the most absorbing story of which I ever knew.
EMERSON HOUGH
Washington
District of Columbia
United States of America
February 14, 1919.
CONTENTS
Book I: The League and Its Work
CHAPTER PAGE
I The Awakening 19
II The Web 29
III Early Days of the League 38
IV The League in Washington 44
V The Law and Its New Teeth 55
VI German Propaganda 62
VII The German Spy Cases 82
VIII The Spy Himself 107
IX Handling Bad Aliens 120
X The Great I. W. W. Trial 133
XI The Slacker Raids 141
XII Skulker Chasing 148
XIII Arts of the Operatives 163
Book II: The Tales of the Cities
I The Story of Chicago 179
II The Story of New York 199
III The Story of Philadelphia 210
IV The Story of Newark 226
V The Story of Pittsburgh 239
VI The Story of Boston 246
VII The Story of Cleveland 256
VIII The Story of Cincinnati 267
IX The Story of Dayton 276
X The Story of Detroit 285
XI The Story of St. Louis 293
XII The Story of Kansas City 303
XIII The Story of Minneapolis 310
XIV The Story of New Orleans 324
XV The Story of California 332
Book III: The Four Winds
I The Story of the East 363
II The Story of the North 381
III The Story of the South 418
IV The Story of the West 438
Book IV: America
I The Reckoning 453
II The Peace Table 473
Appendices 483
BOOK I
THE LEAGUE AND ITS WORK
THE WEB
CHAPTER I
THE AWAKENING