gm-dream-reader
gm-dream-reader
Dream reader
Tanya Tynjälä
Illustrations: Christian Ayuni Bogotá:
Educactiva, Norma, Yellow Tower
collection, 156 p. 2012.
ISBN: 978-958-00-1685-4
Dream Reader: Chloé is a shy teenager who loves to write, but hasn't found her
own style yet. Her parents love her very much, but they don't fully understand
her. The arrival of an experienced novelist into his life will change his story. She
will show him that books, like dreams, are born from fantasy, from the freedom
to imagine, from dreams. Chloé, determined to learn everything she can from
her mentor, will solve some of the mysteries of literary creation through the
method that the writer teaches her. Thus, you will discover that each story is its
own universe in which anything can happen.
1. Why write?
• Discuss with your students the reasons that may lead a writer to create
stories. Listen carefully and then ask them: Why do you think writers decide
one day to tell stories? Is it a necessity, a vocation, a profession? Which
writers do you admire? How difficult do you imagine it is to create a story?
What do you feel when you finish reading a story or a poem? Would you be
willing to create a story or novel?
• Please review the following links:
http:// Porqueeremos.blogspot.com/ and
http://elpais.com/diario/2011/01/02/eps/1293953215_850215.html.
In these links you will find reflections on the craft of writing such as these:
“I should say that I write because I don't know how to do anything else, but I'll
try a deeper answer: I think that reality doesn't make any sense. Things happen
around you in an erratic, often contradictory way, and one day you die. The
things you believed in stop being true from one moment to the next. Novels, on
the other hand, have a beginning, a middle, and an end. The characters are
headed somewhere - glory, self-destruction, or nothing - and their actions have
consequences along the way. “I write stories to invent something that makes
sense.”
Santiago Roncagliolo (Peru).
“I write because I can't stop the constant whirlwind of images that cross my
head, and some of these images move me so much that I feel the compelling
need to share them. I write to have something to think about when, in the dark
solitude of a half-sleep, at night, in bed, before going to sleep, fears and
anxieties assail me. I write because while I do so I am so full of life that my
death does not exist: while I write, I am untouchable and eternal. And, above
all, I write to try to give Evil and pain a meaning that I know they do not actually
have.”
Rosa Montero (Spain).
“I would prefer to formulate the question like this: Why do we write? Long ago,
when I was young, I heard Samuel Beckett answer: “I have no other choice.”
The possible answers are all plausible but with a question mark. Do we write
because we fear death? Because we are afraid of living, because we are
nostalgic for our childhood, because time has passed quickly or because we
want to stop it? Do we write because we feel nostalgia, regret, due to longing?
Why would we have wanted to do something and didn't do it or why shouldn't
we have done something that we did? Why are we here and why do we want to
be there and if we were there would it have been better for us to stay here? As
Baudelaire said, life is a hospital where every patient wants to change beds.
One person thinks that he would heal faster if he were by the window, and
another thinks that he would be better off by the heater.”
Antonio Tabucchi (Italy)
Yellow Tower
• Encourage students to read the two links
above and select the answers that stood out to
them the most. Then, orally support why you
chose them.
Yellow Tower
• Read page 46 with them and ask them to discuss whether they have ever felt
like their peers didn't understand them, like Chloé, and what they did or would
do in such cases. Reflect with them on how they should handle rejection
situations.
• Invite them to identify other key moments in history. Stop, for example, on
page 55, when Chloé meets her new friends; on page 86, when her parents
understand that imagination is not bad; on page 108, when Chloé's and JP's
work is accepted for publication.
3. The “muses”
• Organize a plenary session with your students on the role of “muses” in the
creative process of writers.
• Start by telling them that, although their most remote origin has not been
established, in Greek mythology they are generally considered daughters of
Zeus and Mnemosyne, memory. At the feasts of the gods, the muses sang,
and Apollo accompanied them playing the zither. It is said that they came
down to earth and sought out men, whose inspiration they encouraged.
These privileged men could sometimes hear them and took their voices as
their own ideas and thoughts, which they themselves were sometimes the first
to be surprised by.
• Then, invite them to investigate: How many muses existed? Who was the
“muse” of the great writers? What does it depend on today for a “muse” to
visit us?
Talking and writing about Dream Reader
• Invite students to select an object that they know little about.
It can be one from the classroom or from your home.
• Ask them to apply the creation technique that A. EITHER. taught Chloé to
spend the day with one of the objects and put it under her pillow. Then, tell
them to write a story about that object. The following questions may help:
Who do you think the object belonged to? What could it have been used for?
What could that object have witnessed? Has it ever been important to
anyone?
• Invite two volunteers to share their stories with the class. After the
participation, congratulate the writers and encourage everyone to write for
different purposes: to invent stories, to reflect on their actions, to accompany
themselves, to set goals, etc.
• Reflect with students about the creative process of the writer and every artist.
Tell them that each person can develop their own creation strategy.
• Ask if anyone likes art, creation. For those who answer yes, invite them to
share with their classmates if they have any special strategies for doing so.
• You can also share with them some creative techniques that were mainly
used by avant-garde writers. For example, you can explain the surrealist
poets' technique known as "exquisite corpse," whereby poets would take
turns writing a verse on a sheet of paper, then fold it over to cover the last
thing someone wrote, then pass the sheet to the next person to add a new
phrase.
Towe Yellow
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Collective construction
We can all be writers
This story shows us, among other things, that we can all write creatively if we
want to and if we are willing to work hard for it. We can also discover in this
story that art and literature can be means to face difficult situations. To help
appreciate these aspects, invite readers to develop the following activity.
• In groups of four students, ask them to create an anthology of their own
creations. Tell them to review the stories they have created so far and
select the ones they want to include in it. You can also create others.
Suggest that they complement their work with drawings and prepare a
cover.
• Invite them to share their anthology with other groups. Then, tell them that
they must give a booklet with a congratulation to the group where they
highlight what they liked the most. Make sure that messages are made
with respect and constructive meaning.
• Finally, congratulate your students for their work and remember that
literature, whether as readers or writers, is an interesting path that allows
our imagination to continue developing.
Internet Links
• The author's biography can be found at the following link:
http://biosdelosblogsh.blogspot.com/2012/04/tanya-tynjala.html. You can
also check out an interview with the writer at this address:
http://perinquiets. com/2013/10/narrative-must-have-a-poetic-dimension/
• The writer's official website is here: https://www.face-book.
com/pages/Tanya-Tynj%C3%A4l%C3%A4-P%C3%A1official-gina/
169246349843821
• Material for developing creative writing can be found at the following link:
http://www3.gobiernodecanarias.org/medusa/ ecoblog/ esuasan/material-
para-trabajar-la-escritura-creativa/. There you can download files and
other materials.
• Another interesting page on the subject: http://xn--pequeosescrito- res-
jxb.es/.
Social Sciences
Women and writing.
Ask students what they know about the first Colombian female writers. Write
your answers on the board. I told them that in the beginning there were not
many women writing fiction or journalism in our country. However, in the first
decades of the 20th century, several women began to stand out in this field,
such as Helena Araujo, author of La M de las moscas.
Then encourage them to research women and writing in Colombia. The aspects
that must be taken into account are the historical-social context, the most
representative works of the selected writers and their influence on Colombian
literature. Then, help them prepare a group presentation to share their
research. It can be done during the month of March, as part of the celebrations
for International Women's Day.
Literal reading
There are only ten, go to the bus stop and feel free to
get on
any of them. The driver will tell you where to stop.
2. Remember and
answer.
c. What first advice did A. give you? EITHER. to Chloé about writing and
how the little writer took it?
Yellow Tower
5. Write true (T) or false (F), as appropriate.
4. Order the following objects according to how they appeared in the story.
( ) Baby slippers
( ) Wooden stick
( ) Porcelain baby
( ) A rare keychain
( ) Agenda
Inferential reading
5. Analyze and answer.
a. Why do you think A. EITHER. agreed to help Chloé begin the process of
becoming a writer?
b. Explain why you think Chloé's parents ultimately accepted A's friendship.
EITHER. and her daughter.
Critical reading
6. Write a brief reflection on the friendship between Chloé, JP, Patricia,
Ariana, Chip and Dale. What do you think about the way they related?
8. Give your opinion. Do you agree with A. EITHER. when he argues that interesting things happen
to all of us, but sometimes we are too busy to see them. Justify your answer and provide an
example that is not mentioned in the book.