Ryan LeibnizBinarySystem 1996
Ryan LeibnizBinarySystem 1996
REFERENCES
Linked references are available on JSTOR for this article:
https://www.jstor.org/stable/1399337?seq=1&cid=pdf-
reference#references_tab_contents
You may need to log in to JSTOR to access the linked references.
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide
range of content in a trusted digital archive. We use information technology and tools to increase productivity and
facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected].
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at
https://about.jstor.org/terms
University of Hawai'i Press is collaborating with JSTOR to digitize, preserve and extend access
to Philosophy East and West
Doctoral Candidate
The Yijing/ Binary System Episode has haunted scholars repeatedly during
in the Department
the last fifty years. The episode involved the remarkable discovery by
of Philosophy at the
Leibniz (and an associate) of the binary geometrical progression in a di-
University of Miami
agram associated with the Yijing that was said to have been created by
the mythical third-millennium father of Chinese writing, Fu Xi. A corre-
spondent in Beijing sent Leibniz a copy of the diagram, which depicted
yin and yang, apparent symbols of zero and one, in the order of Leibniz'
binary number system (Table 1). Leibniz thought he had discovered
evidence of a forgotten mathematical science in the Chinese past, and,
in spite of his sinological knowledge, he never found evidence to the
contrary. Thus, it has been left to contemporary scholars to explain
the apparent correspondence.
While the general trend in scholarship has rightly presumed that no
forgotten mathematical science existed in ancient China, the conclusion
that the Yijing / Binary System Episode was a mere coincidence has
perhaps not satisfied scholars, in view of the intricacy of the binary geo-
metrical progression and the temporal and spatial isolation of the Chi-
nese Diagram from the European.1
I will offer a qualification to this conclusion. What Leibniz meant
when he attributed "science" to the Diagram2 differs from corresponding
ideas in a Song dynasty context. However, the principal exponent of the
Diagram (Plate I), Shao Yong (1012-1077),3 used it in proto-scientific
fashion and grounded this use in metaphysical views similar to those of
Leibniz. Shao and Leibniz shared the view that the cosmos was created
according to the binary system, which is reflected in all things and dis-
coverable by human beings. Shao's use of the Diagram resembled some
of the basic themes of Leibniz' philosophy of science. Nevertheless, Shao
stopped short of pushing his Diagram toward a scientific number system,
since he believed that rigorously scientific thinking was perniciously
dualist and spiritually detrimental. With the picture filled out in this way,
we will be able to draw some revised conclusions about the reasons for
the haunting coincidence of the Yijing/ Binary System Episode.
59
0 0 0000 0
1 1 0001 1
10 2 0100 4
11 3 10001 9
100 4 10000 16
101 5 11001 25
110 6 100100 36
111 7 110001 49
1000 8 1000000 64
1001 9
Column 1: Period of 01
1010 10
Column 2: Period of 0
1011 11
Column 3: Period of 0010
1100 12
Column 4: Period of 00010100
1101 13
Etc.
1110 14
1111 15
C: Cubes
10000 16
000 0
10001 17
001 1
10010 18
1000 8
10011 19
11011 27
10100 20
1000000 64
10101 21
1111111 125
10110 22
11011000 216
10111 23
11000 24 Column 1: Period of 01
11001 25 Column 2: Period of 0001
11010 26 Column 3: Period of 00000101
11011 27 Etc.
11100 28
11101 29
11110 30
11111 31
100000 32
60
61
62
63
64
65
Those experiments are to be tried first in which the analogy to other experi-
ments promises some special effect. It is likely that things which are similar in
many known factors will also be similar, or at least approximately so, in other
factors not yet examined.43
66
67
God wills the things which he understands to be best and most harmo-
nious.... What then is the reason for the divine intellect? The harmony of
things. What the reason for the harmony of things? Nothing. For example, no
reason can be given for the ratio of 2 to 4 being the same as that of 4 to 8, not
even in the divine will. This depends on the essence itself, or the idea of
things. For the essences of things are numbers.50
Since all minds are unities, one can say that God is the primitive unity, ex-
pressed by all the others according to their capacity (portee). His goodness
has moved him to act and there are three primordialities in him-power,
knowledge, and will. From these there results the operation or creature which
is varied according to different combinations of unity and zero.51
68
[T]his is why the last (day) is the most perfect and the Sabbath, for everything
on that day is found to be made and full. Thus, 7 is written by 111 without 0.
And it is only in this manner of writing that the perfection of the septenary,
which is considered sacred, is seen. And it is even more remarkable that its
character has some relation to the Trinity.52
The binary system shows that a One is the sufficient reason for all things.
Leibniz even surmised, in Figurist fashion, that Fu Xi had considered
Genesis in designing the Diagram. Thus, for Leibniz, the fact that the bi-
nary system corresponds to Biblical numerology (and to his own basic
metaphysical ideas of the ultimate origination of things) supported his
view that his system corresponded to the world.
Hence, Leibniz' view that the double geometric progression was a
real symbol of God's creation shows that correlative thinking was neither
alien nor unimportant to him. But if Leibniz maintained an interest in this
kind of correlative thinking, Shao thoroughly indulged himself in it. His
sacred text was a short passage from the Xici chuan of the Yijing: "In the tfiW
Changes there is taiji. It produces the two forces." The two forces pro-
duce the eight trigrams. Shao interpreted this passage as follows:
Each of the myriad things embodies the order of the taiji, the two forces, the
four images, and the eight trigrams.... Each of the trigrams has a nature and
substance, but none can be separated from its connection to qian and kun. * h
The myriad things receive their nature from heaven, but each has its own
nature.53
Taking the lead from ancient tradition, Shao explained this basic starting
point in his cosmological system:
Yang interacts with yin, and yin interacts with Yang, producing the four
images of heaven. The hard interacts with the soft and the soft interacts with
the hard, producing the four images of earth. Thus, the eight trigrams are
established and, when they are layered together, the myriad things are sub-
sequently produced from them.54
69
70
The woodcutter said to the fisherman, "I have carried firewood and lifted one
hundred jin without any strain to my body. But if I add ten jin, I strain. If I may
ask, Why?"
The fisherman said, "... When it comes to fish and firewood, there is a
difference. But the desire and strain for them are the same. Whether it's one
for whom one hundred jin is beyond his strength or one for whom ten jin is i
beyond his strength, the amount beyond one's strength, even if it were one
speck, would be harmful. How much more would ten jin?"62
71
The sun causes heat, the moon causes cold, the stars cause light, and the
zodiacal spaces cause night. Night, heat, cold and light together exhaust the
transformations of heaven. Water makes rain, fire makes wind, ground makes
dew, and stone makes thunder. Rain, wind, dew and thunder together exhaust
the changes of the land. Heat transforms the nature of things, cold transforms
the feeling of things, light transforms the forms of things, and night transforms
the substance of things. Substance, nature, feeling, and form together exhaust
the influences of moving on stationary [things]. Rain changes walking things,
wind changes the flying things, dew changes grassiness of things, and thunder
changes woodiness of things. Walking, flight, grassiness, and woodiness
together exhaust the responses of things.63
The woodcutter said to the fisherman, "That by which people can be con-
Philosophy East & West scious of the myriad things-how do you know it is true?"
72
73
a lb r .= s
Fig. 2. a, the Luo Shu, the ancient magic square; b, the He Tu (River Diagram), a deriva-
tion of the Luo Shu; c, origins of the taiji symbol. From Schuyler Cammann, "Some Early
Chinese Symbols of Duality," History of Religions 24, c 1985, UniVersity of Chicago Press.
Reprinted with Permission.
The ascent is waxing and the end is waning. That is why yang [i.e., life,
growth, etc.] arises at the bottom and yin arises at the top.75
The woodcutter said to the fisherman, "The four images produce the eight
trigrams. What are the eight trigrams called?"
"They are called heaven, earth, fire, water, lake, mountain, thunder, and
wind. They alternate between the characteristics of flourishing and declining,
and ending and beginning. Thus, when they are layered, the sixty-four
[hexagrams] arise from this, and the way of the Changes is set up."76
In the Diagram we see yin and yang alternately flourishing and declin-
ing, just as we see ones gradually replace the zeros in the binary number
system. Since the order in the Diagram emerges from the basic assump-
tion that creation is driven by yin and yang, the structure of the waxing
and waning of all things is determined by this creation. Therefore, this
structure is knowable a priori, for Shao. Thus, there is an observational
Philosophy East & Westcomponent in Shao's view of waxing and waning:
74
Not only natural phenomena, but also historical periods are the
subjects of waxing and waning:
If one investigates [the way of heaven and human affairs], the historical peri-
ods can be seen. This is the principle of waxing and waning.78
The chief result of Shao's interest in the periodic series of the Diagram
was the hallmark of his system: his calculation of the cyclical history of
the world. Shao calculated the duration of one cycle (yuan), twelve ep-
ochs, as 129,600 years. Like each month, each epoch was marked by
the incremental progress of yang (or yin) with a change of a line that
hadn't been changed before in that cycle. For example, the second,
third, and fourth epochs and months were represented by the following
hexagrams: __, __, __. (In Plate I the hexagrams representing the twelve
months [and twelve epochs] are indicated by arrows.)
This is as close as Shao came to recognizing the place-values in the
binary system. He never explained the fact that these equal periods of
time are represented by hexagrams that are not evenly spaced apart. The
spaces between the hexagrams in question increase geometrically, but,
since they represent equal periods of time (months, for example), they
presumably ought to be evenly spaced around the circle in the Diagram.
Shao never spoke to this discrepancy.79 Furthermore, even though Shao
was adept at arithmetic, he never recognized the squares and cubes in
the series. But the point is that Shao saw the series as an important cos-
mological clue, rather than merely deriving the hexagrams by dumb,
mechanically repeated division.
Instead of quantitative and verificational experimentation, Shao em-
phasized a religious perspective on the Diagram. He says:
The study of xiantian is the law of the mind. Therefore, the diagrams all arise
from within oneself. The myriad changes and the myriad affairs are produced
in the mind. Although the diagrams lack texts, on any day I speak of them and
have never been separated from them. For the principles of heaven and the
myriad things lie in them.80
75
Li 3I KI
6\ K'a
8
K'un
Plate I. The Diagram: Shao's calculation of the cyclical history of the world. Arrows in-
dicate the twelve months (and twelve epochs). From Yu-Lan Fung, History of Chinese
Philosophy, Vol. 2, Princeton University Press, 1953. Reprinted with Permission.
76
... do we not say universally that fire ... usually flares up and burns when
wood is kindled, even if no one has examined all such fires, because we have
found it to be so in those cases we have examined? That is, we infer from
them and believe with moral certainty ... but this moral certainty is not based
on induction alone and cannot be wrested from it by main force but only by
the addition or support of ... universal propositions which do not depend on
induction but on a universal idea....83
This universal idea was that the simplest concept would yield the widest
explanatory power. It played a crucial role in induction by supporting
the notions that similar causes produce similar effects and that the ex-
istence of undetected causes ought not to be assumed.
Shao's system was not rigorous science in the early-modern sense,
for the a priori and observational components were not subjected to the
methodological revision to which Leibniz and his contemporaries put
Western science. As we have seen, Shao's explanation of fire being ex-
tinguished by water is empty. And he certainly lacks the kind of in-
ference more geometrico that Leibniz rightly held would preserve truth.
He provides no reasons to support his inferences about the natures of the
trigrams. For example, why should thunder be represented as it is (==)?
Shao's a priori principles were not as scientifically sophisticated as
Leibniz'. Yet they were coherent principles that relied on an idea of A.
James Ryan
77
78
to the degree that its power is greater over the things that surround it, and its
suffering from external things is less. Hence, since the power proper to the
mind is understanding, ... only to the extent that our reasonings are right are
we free, and exempt from the passions which are impressed upon us by sur-
rounding bodies.93
Phenomena, whether great or small, all have the principle of heaven and
human beings. To cultivate oneself is up to people. Whether one meets or James A. Ryan
79
The images and numbers of heaven can be obtained and calculated, but the
working of its spirit cannot be obtained and measured. Heaven can be
exhaustively explained with principle, but it cannot be exhaustively explained
with forms. How can the techniques of astronomy exhaustively explain
heaven by means of forms?98
80
Conclusion
That Shao Yong placed such caveats on his philosophy of science
shows that, for spiritual and epistemological reasons, Shao thought that
technical uses of the Diagram ought to be limited. Hence, understand-
ably, Shao would not have endeavored to develop a number system with
the Diagram. But it does not show, against the other evidence, that the
meanings of the Diagram and the binary number system were worlds
apart. For the other evidence shows that the role of the Diagram in
Shao's philosophy bore significant, and not purely formal, similarity to
Leibniz' binary system.
Shao's system lacked vital features of science, such as falsifiability.
Leibniz Shao
81
NOTES
82
14 - Ibid., p. 176. Against the Cartesians, who argued that motion (the
product of mass and velocity) is conserved, Leibniz argued that
it is force-"vis viva" (the product of the mass and velocity-
squared)-that is conserved. See "A Brief Demonstration of a
Notable Error of Descartes and others Concerning a Natural Law"
(1686), in Gottfried Wilhelm Leibniz, Philosophical Papers and James A. Ryan
83
16 - There are similarities between li and the monads. Both terms rep-
resent noumena and indicate the rational unity or "fit" of things in
nature. Like the Chinese, Leibniz was organicist in his thinking.
Thus, both the monads and the li of individual things reflect the
situation in which they are placed. But while there is no indication
that particular li are causally independent of each other, each
monad plays out only its internal rationality and is not effected by
external causes. There is little sense of mechanistic necessity in ii.
For one can deviate (usually with disastrous results) from one's ii,
but deviation from one's monad, or what is contained in one's
concept, is impossible. See Mungello's discussion in Leibniz and
Confucianism, pp. 79ff. Leibniz also equates ii with the Aristote-
lian formal cause "entelechy" (DNTC, p. 76).
26 - See Don J. Wyatt, "Chu Hsi's Critique of Shao Yong: One Instance
of the Stand against Fatalism," Harvard journal of Asiatic Studies
Philosophy East & West 45 (1985): 649-660.
84
85
42 - L, p. 79.
ff!j iI 45 - Shao Yong, Huangji jingshi shu (Sibu beiyao ed.), 7A.24b (here-
after referred to as HJJS). All translations of Shao given here are my
own.
86
54 - Ibid., 7A.24b.
55 - Ibid., 8B.6b-7a.
56 - See, for example, HJJS, 6.15a; Birdwhistell, Transition, pp. 138 ff.,
and Fung Yu-lan, A History of Chinese Philosophy, 2 vols. (Prince-
ton: Princeton University Press, 1953), vol. 2 :469ff.
58 - These ideas were not original in Shao, but are found in the "Shuo-
gua" section of the Yijing: "... heaven and earth receive their
determinate positions; mountain and [lake influence each other];
thunder and wind excited each other the more, water and fire did
each other no harm (Legge, I Ching, p. 424).
87
71 - Suffice it to say that the 7 and 2 were switched with the 4 and 9,
and a 10 (two fives) was added to the middle. Cammann ("Some
Early Chinese Symbols of Duality") provides a detailed explan-
ation of the evolution of both diagrams.
72 - Ibid., p. 234.
73 - Shao counts zhen as female, even though it is the trigram for the
"eldest son," and sun as male, even though it is the "eldest daugh-
ter." He might not have had to force this fit if he had realized that
the Diagram corresponds to, and was probably derived from, the
Luo Shu. However, in the second century A.D., a lasting mistake
was made, and the Diagram was associated with the He Tu
(Cammann, "Some Early Chinese Symbols of Duality," p. 252). As
Cammann shows (ibid.), the members of the family of trigrams
match the Luo Shu sequence, which, when fire (li) and water (kan)
are considered to be androgynous (as they traditionally are con-
sidered), provides for the following alternation of yin and yang
a o 0 asel4:-- trigrams: qian (yang), dui (yin), ii (yin/yang), zhen (yang), kun (yin),
j~
74 - However, Shao associates the He Tu and Luo Shu chiefly with the
King Wen diagram in HJJS, 9.1 ff.
75 - HJJS, 7B.la.
88
86 - Ibid., 8B.27b.
89
98 - HJJS, 8A.16b.
100 - Wyatt, Smith, et al. show that Shao speaks of models (fa) as i
rior to principle (li) (Sung Dynasty Uses of the I Ching, p. 129)
101 - HJJS, 8B.29a.
90