This drawing course, led by Stephen Davies, focuses on teaching beginners fundamental drawing techniques using traditional pencil and paper. Students will learn to draw freehand straight lines, shapes, and eventually apply these skills to create more complex structures and interior settings. The course also allows for exploration of digital drawing techniques, although they are not directly taught.
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This drawing course, led by Stephen Davies, focuses on teaching beginners fundamental drawing techniques using traditional pencil and paper. Students will learn to draw freehand straight lines, shapes, and eventually apply these skills to create more complex structures and interior settings. The course also allows for exploration of digital drawing techniques, although they are not directly taught.
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Hi, welcome to this drawing course.
My name is Stephen Davies, I'm a Senior
Lecturer in Product and Furniture Design at University for Creative Arts. So, in this introduction I'm just going to explain, you know, what you will gain from the course and to start off with, I just wanted to briefly cover the equipment that you will need to complete the course. Now you will basically need a number of pencils, I would suggest an HB, a 2B, a 4B and a 6P and obviously something to keep those sharpened with, and then the only other thing that you need for the course is a putty rubber, now they come like this and after a while they end up more like this, they are particularly good as you can mould them, you know, to rub out in a much more accurate way. Now, some of you may also like to explore the techniques covered on this course by using a digital pad and a sketchbook programme, now that's absolutely fine, those techniques won't be taught on the course but everything you learn on the course could be applied to using, as I say, a screen and a digital pen, if that's what you wanted to explore. I'll be teaching you with a traditional pencil and paper so obviously you will also need some quality cartridge paper. These drawings here, this drawing here and those I've produced for the course are on a A2 size, you could work smaller, but I would suggest when starting out an A2 size paper is better, and finally whilst you don't need a drawing board, I mean I have an angled drawing board here, you will need a flat surface, so a flat clean table would suffice. So, talking through the stages of the course and then I'm going to explain to you the types of drawings you could produce as you move on with your practise. So, the first stage of the course starts at real fundamentals, this course is really aimed at someone who's a beginner, someone who might be refreshing some basic schools they have, so I envisage that you're coming to this subject for the first time. So one of the aspects on the course will be exploring is drawing free hand straight lines and being able to do this confidently and with consistency, that may sound straight forward but I have found over the years of teaching the subject that its’ a fundamental that many students struggle with. So this will involve a number of drawing practises, drawing straight lines across the page, that parallel, you can see here, all free hand, all with confidence, straight lines down the page these ones being 90 degrees to the ones across the page and parallel to each other and also we then move on to drawing lines between points and you can see a number of points here, a free hand, fluid, confident straight line. Now that's one of the first aspects done in a number of stages that the course will cover. We then move on with those techniques to starting to draw structures, these simple rectangular blocks on the page, starting with one and then this example moves on to two, again this has a number of straight lines and point to point lines and we start to explore where you could use thick and thin line on the drawing to help these shapes stand off from the page. Now you can see from this drawing how this then progresses to starting to think just initially how this could be applied to actual objects, so we have the confident use of free hand straight lines, the system we use on the course works around two-point perspective, two points being here, perspective where the shapes recede and get smaller as they head off into the distance, and again, we will start to make an initial exploration into the practical application of this, I mean here, we started with the number of blocks that you are would have gained confidence in from the earlier session, and we’re starting to envision then as potentially a house and a street, here moving on a stage to putting this triangular, pitched roof shape on top of the rectangular block, still with the thick and thin line and also initially looking at some shading. As we move further we get more complex, so this shape is an abstract shape but teaches you lots of transferable skills that you can apply to your drawings, so we look at this diagram here and how that can create a circular shape in perspective, we’ve then got a hole in this block, a protruded cylindrical shape from the block and there's other protrusions here, with some shading and the thick and thin line, again, an abstract shape but some skills that you can transfer to all sorts of other drawings. We also explore, you know, shadow, how this can help this shape to sit on the page. Now, the final drawing we produced on the course is starting to apply these skills to a room setting. Now again, the skills you will learn will be applicable to subjects such as architecture, interiors, product, industrial design, so here we have an interior setting and you can see how we're applying that circular theory, here for the top of the arch and the top of the chair, obviously just a half circle but the same theory, and we've got objects, we've got a room setting, we've got our horizon and we've got our thick and thin line and I'll shading. Now once you've got to this stage in the course, which is the last drawing that I teach you, I talk you through, you, I then believed you will have transferable skills to start drawing confidently your own objects, a whole range of other objects related to art architecture, interiors and product, industrial design. So let's just look at some examples of these, now, these are taught on the course, I've shown you the aspects that are taught on the course, but this is where you might start to apply those skills. So here we have, you know, the start of an interior setting, this we have as what could be a rack of shelving, as a product or furniture, here we've got the start of what could be buildings receding off into the distance, all using exactly the same techniques that are taught on the course. Again here we have the start for room setting, with a cutaway wall, again, another example of a room setting with a block in the room, and here, you know, we can see how some of those exercises that you would have learned on the course could be applied to starting to explore a street scene with these buildings, windows, doors and pavements. A similar drawing but again, here, you know, we have the window in the room, some simple furniture again, using the thick and thin line techniques that are taught on the course, and another example of a building starting to take shape, again, you could use the skills and techniques from the course to be doing your own drawings like this. This example here, at the top here, we've got again, a building and another building, with a pitched roof, which I covered earlier as an example of something that's covered on the course, so you can combine the skills in different ways to start to explore your own designs, and again another simple start of room setting with a, with a, the window here built, you know, built from the theory that we cover on the course around the circle in perspective, you can see the horizon line in there with some shading. Now, the theory of drawing the circular shape and extending that, that's covered in the course, this is another example here of just a simple cylinder that you could start to explore much further what that cylinder could be, in terms of again, architecture, interiors, product, furniture, industrial design. This, again, is the start of exploring a product, could be a bottle, could be a whole range of things, and again this is simply using the theory that's covered on the course that starts with a rectangular block, you have the theory I teach of the of the circular shapes and where extending that out, so again, extending the practise you learn from the course, you could be starting to explore this in your drawings. This takes that a step further, a much more resolved bottle shape, but again, whilst now looking more complex, it does really use the basic theory that's covered on the course. Now this starts to apply some of the theory from the course, where you might be drawing products, again an electronic type device with a screen with buttons, thick and thin line, shading, now the theory you will learn on the course can be transferred quite simply to a whole range of shapes just like this. And again, this is similar, you know, we're looking at circular shapes, using initial block shapes and breaking these down with triangles which you would have covered with the technique used for the pitched roof, this time down a different angle, you know these could be the start of simple product forms that you might want to draw based on what you've learnt on the course. Now here we see a sheet that explores, you know, the kind of theory covered on the course and starts to imagine how we apply this theory of drawing the circle in perspective, but this actually is an enlarged view of a piece of, a piece of jewellery, so we have a jewel here mounted into the circular piece and linked with, with a chain effect. Now, this technique is actually just taking a number of the methods and techniques taught on the course and taking it to that stage further, you can see really the relationship there with the circle and starting to explore that here, you know, as you move on with practising what you learn on the course you'll gain more confidence, but we still have to circle, you know, the cylindrical shape and the hole and thick and thin line. So, this is an example of where you might take what you learn on the course and take it on further. I mean this is another example of a simple room setting, we've got this trellis type object, again, it's, whilst it's different, it's only using the kinds of theories that are cover on the course and this this ring feature here. Now, it might be that you want to use the course for things like scenery design, for example, theatre, so this is a simple example of someone exploring, it’s an example of mine, this is this is a simple example of exploring a stage set really, the steps was not covered on the course, are using exactly the same theory that the course teaches you, you know, we have the arch here a slope which again, is just a triangular piece, so yeah, with practise from what’s taught on the course you could be moving on to apply that theory to things like theatre stage scenery. So, that's really what is covered on the course, in brief, in the first half of this discussion and then showing you really, how you could extend that into your own drawing practise, and also just, just, talked about the simple tools that you will need, you know, pencils, something to sharpen your pencils with and the putty rubber and, you know, you may want to explore these techniques digitally with a digital pen, whilst that's not taught, the techniques could be applied in that fashion as well. So, I hope you enjoy the course and I look forward to seeing you in the first proper session.
How to Draw Quick Sketch_ to Capture Anything You See -- Erik Barrett -- United States, United States of America -- Independently Published -- 9798374048636 -- 915dfa4b900d1fc305a907b5481aa607 -- Anna’s Archive