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HindustaniPercussion MS

The document outlines the marking scheme for the Class XII Hindustani Music Theory Paper on Percussion Instruments for the academic year 2024-25, consisting of a total of 30 marks. It includes three sections with various questions focusing on topics such as Tevra Tala, Ada Laya, Tigun, Gharana, and composition development. Candidates are required to explain concepts, provide examples, and develop compositions based on specified criteria.

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milanjangir00000
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25 views2 pages

HindustaniPercussion MS

The document outlines the marking scheme for the Class XII Hindustani Music Theory Paper on Percussion Instruments for the academic year 2024-25, consisting of a total of 30 marks. It includes three sections with various questions focusing on topics such as Tevra Tala, Ada Laya, Tigun, Gharana, and composition development. Candidates are required to explain concepts, provide examples, and develop compositions based on specified criteria.

Uploaded by

milanjangir00000
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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HINDUSTANI MUSIC

Percussion Instruments Code 036


MARKING SCHEME
CLASS XII (2024-25)

One Theory Paper – 2 hrs Total Marks – 30

S.No. SECTION-A Marks


1. 4. 1
2. 3. 1
3. 3. 1
4. 2. 1
5. 1. 1
6. 3. 1
7. 4. 1
8. 2. 1
SECTION-B

9. The candidate is expected to explain the specialties of Tevra Tala and write 2
its Theka in Ada Laya with Matra ,with Vibhag, Tali, Khali, Bol etc.

(OR)

The candidate is expected to explain about Ada laya, Notation, Division in


this.
.
10. The candidate is expected to explain term style, founder, Specialty of 2
compositions, and prominent compositions performed.

(OR)

The candidate is expected to explain about Nathdwara parampara with its


founder, specialty and Style of playing .

11. The candidate is expected to explain term of Tigun ,its Laya, Bols, Matras 2
and Division with examples.

(OR)

The candidate is expected to explain Tala Sultala and Jhaptala their Bols,
Matra, Vibhag, Tali, Khali and compare them
12. The candidate is expected to explain Term laya and its importance in music. 2
(OR)

The candidate is expected to explain Tala Rupak and write its depiction
numbers through numbers in Thah and Dugun in Tala Notation.

13. The candidate is expected to explain term Gharana and its characteristics 2
and give name of 6 Gharanas.
(OR)

The candidate is expected to explain Gharana Nanna panse - Style,


Specialty, how this gharana was developed and its special features ,

SECTION-C

14. The Candidate is expected to develop composition (Kayada) based on bols 6


of Dhatete Dhatete dha dha. in Tala Notation System.

(OR)

The candidate is expected to write Rela with Paltas and Tihai with Tala
Notation depicting it with Bols .

15. The Candidate is expected to explain about origin of Pakhavaj based upon 6
different opinion and which he /she supports.

(OR)

The Candidate is expected to explain about the order of sequence of


composition of Delhi Gharana When a solo performance of Tabla Is being
presented.

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