MAHARISHI VIDYA MANDIR SR.SEC.

SCHOOL
THIRUVOTTIYUR, CHENNAI – 19

ACADEMIC YEAR: 2024 – 2025

ENGLISH (CORE – 301)

STUDENTS HAND BOOK

PROSE
1. THE LAST LESSON - Alphonse Daudet

CHARACTERS AND PLACES

Franz : A school student (He is a sensitive and honest school boy who accepts his
faultof ignoring his lessons.)
M Hamel : A teacher of French Language (He is a sincere and strict teacher of the
Frenchlanguage who is passionately patriotic. He emerges as an epitome
of an ideal teacher.)
Old Houser: An elderly villager who gathers with the children in M Hamel’s classroom to
hear last lesson
Watcher : A black smith
M Hamel’s Sister (an elderly woman)
Class : Consists of some students and some elderly people of the village
School : An Elementary School in the District of Alsace, in France
WORD MEANINGS
1. in great dread of: in extreme worry or fear
2. in unison: speaking together, or at the same time
3. counted on: dependent on
4. a great bustle: a lot of activity and noise
5. thumbed at the edges: having a slightly damaged appearance at the edges by frequent handling
or turning of pages
6. reproach ourselves with: to blame or accuse ourselves, to express disappointment in our
actions
7. Dread: to feel extremely worried or frightened
8. Sawmill: a place where wood is cut into boards or other forms with machines
9. Drilling: training in military exercises
10. Tempting: appealing or attracting
11. Resist: remain unaffected by, to stop yourself from doing something that you want to do
12. Town hall: a building in which local government officials and employees work and have
meetings
13. Bulletin board: a surface intended for the posting of public messages
14. Blacksmith: a person who makes and repairs things in iron by hand
15. Apprentice: someone who works for an expert to learn a particular skill or job, trainee
16. Bub: an informal way of addressing a boy or man; buddy; brother
17. Bustle: exciting activity and movement, busy and noisy scene
18. Unison: acting or speaking together, or at the same time
19. Rapping: striking or hitting
20. Commotion: a sudden, short period of noise, confusion, or exciting movement
21. Blushed: to become pink in the face, usually from embarrassment
22. Fright: a sudden intense feeling of fear
23. Frilled: having decorative ruffles or frills to make it more attractive
24. Solemn: very serious or formal
25. Mayor: chairperson of the municipal council
26. Postmaster: a person who is in charge of a post office
27. Primer: a small book containing basic facts about a subject, used especially when you are
beginning to learn about that subject
28. Thumbed: slightly damaged appearance by frequent handling or turning of pages
29. Mounted: to go up or onto
30. Grave: serious and sad
31. Thunderclap: used in similes to refer to something startling or unexpected.
32. Wretches: here it refers to an unfortunate happening
33. Saar: a river in northeastern France and western Germany
34. Nuisance: a thing causing inconvenience or annoyance
35. Cranky: bad-tempered, easily annoyed and angry
36. Sunday clothes: a person's best or newest clothing, as saved for Sundays and special occasions
37. Recite: to say a piece of writing aloud from memory
38. Dreadful: causing fear, shock, or suffering
39. Bah: an expression of disagreement or disregard
40. Reproach: expressing disappointment in actions that one has done, to blame
41. Anxious: feeling or showing worry, concerned
42. Mill: a factory where a particular substance is produced
43. Enslaved: to lose freedom of choice or action
44. Hold fast: continue to believe in or adhere to
45. Cooed: make a soft low sound
46. Gazing: looking at something for a long time, especially in surprise or admiration
47. Worn: damaged as a result of much use
48. Hopvine: the stock or stem of the hop (a climbing plant)
49. Twined: Achieve vertical growth by revolving the stems around a support
50. Trunk: a large, strong container that is used for storing clothes and personal possessions
51. Trembled: shake involuntarily, typically as a result of anxiety, fear or anger
52. Angelus: prayers are said in the morning, in the middle of the day and in the evening in the
Roman Catholic Church, the start is marked by the ringing of bells
53. Trumpets: a brass musical instrument
54. Drill: military training exercises
55. Pale: having less colour than usual
56. Choked: unable to speak or almost crying because of sadness or strong emotion
57. Might: strength, power
58. Vive La France: Long Live France
59. Gesture: a movement of part of the body, especially a hand or the head, to express an idea or
meaning

BACKGROUND OF THE STORY

 The story ‘The Last Lesson’ is set in the days of the Franco-Prussian war (1870-1871).
 The Prussian forces under Bismarck attacked and captured France. Prussia then
consisted of what now are the nations of Germany, Poland and parts of Austria.
 The French districts of Alsace and Lorraine went into Prussian hands.
 The new Prussian rulers discontinued the teaching of French in the schools of these
twodistricts.
 The French teachers were asked to leave.
 Read the story to find out what effect this had on life at school.

THE REGION OF ALSACE

 Located in northeastern France on the border with Germany.
 For several centuries the region of Alsace has alternately been a German and a
Frenchterritory.
 A long period of French rule ended in 1871 after the Franco-Prussian War.
 As the winner of the Franco-Prussian War, Germany annexed Alsace and the
adjoiningregion of Lorraine.
 It is at this time that the events of “The Last Lesson” unfold.

GIST OF THE LESSON

  Franz is afraid of going to school as he has not learnt participles.
 He wants to enjoy beauty of nature. The bright sunshine, the birds chirping in
thewoods, Prussian soldiers drilling but resisted.
 Bulletin board: all bad news, lost battles, the drafts and orders of the commanding
officers: wondered what it could be now
 The changes he noticed in the school.
 Instead of noisy classrooms everything was as quiet as Sunday morning
 The teacher does not scold him and told him very kindly to go to his seat
 The teacher dressed in his Sunday best.
 Villagers occupying the last benches
 To pay tribute to M. Hamel for his 40 years of sincere service and also to express
theirsolidarity with France.
 Hamel making the announcement that would be the last French lesson; realizes
that,that was what was put up on the bulletin board.
 Franz realizes that he does not know his own mother tongue
 Regretted why he had not taken his lessons seriously.
 Also realizes the reason why teacher was dressed in his Sunday best and villagers
sitting at the back.
 Hamel realizes that all three, the children, the parents and he himself are to be blamed
for losing respect and regard for the mother tongue.
 Always keep the mother tongue close to your heart as it is the key to the prison
ofslavery.
 Atmosphere in class: teacher teaching sincerely and patiently, students and
othersstudying with utmost sincerity.
 Franz wonders sarcastically if Prussians could force pigeons to coo in German.
 M. Hamel overcome with emotions could not speak and wrote on the black board
“LongLive France”.

Answer the following questions in 30 – 40 Words.

1. What fear did little Franz have when he started for school in the morning?
Ans. Franz was late for school that morning. He feared that the teacher would scold him. It
was because the teacher was to ask questions on participles. But Franz did not know a word
about participles.

2. What did Franz notice that was unusual about the school that day?
Ans. Franz noticed that there was pin-drop silence in the school that day like Sunday morning.
Usually there was a great noise in the school everyday which could be heard in the street. The
opening and closing of desks, lessons repeated in unison, the rapping of the teacher’s ruler
could also be heard.

3. What had been put up on the bulletin board?

Ans. There was a notice on the bulletin board. It was written that only German language would
be taught in the schools of Alsace and Lorraine. The order had come from Berlin. It was also
written that French language would not be taught in those schools.

4. Why did Franz think of running away and spending the day out of doors?
Ans. Franz had not learnt even a single word on participles. The teacher was to ask questions
on it. He feared that the teacher would scold him. So he thought of running away and spending
the day out of doors for enjoying so warm and so bright day, chirping of birds at the edge of the
woods and the drilling Prussian soldiers.

5. What did Franz see when he passed through the town-hall?

Ans. Franz saw a crowd in front of the bulletin-board of the town hall. For the last two years, all
bad news had come from there. He wondered what the matter could be there that day.
However, he did not stop there and hurried by as fast as he could.

6. What was Franz expected to be prepared with for school that day?
Ans. Franz was expected to be prepared with rules for the use of participles. It was because
the teacher had to ask the questions on participles. But poor Franz had not learnt anything
about them.

7. What was the most surprising thing Franz saw in his classroom?
Ans. Franz was quite surprise to see the villagers on the back benches. They were old Houser,
the former postmaster and many others. Everybody looked sad. Old Hauser had brought an old
primer. He was holding it open on his knees.
 8. What words of M. Hamel were a thunderclap to Franz?
Ans. M. Hamel told the children that it would be his last lesson to his class. Orders had come
from Berlin to teach only German in the schools of Alsace and Lorraine. He said that the new
teacher was coming the next day. These words came like a thunderclap to Franz.

9. How did Franz feel when M. Hamel said that it was his last lesson at school?
Ans. Franz was shocked. He cursed the Prussian rulers. He cursed himself also. He cursed
himself for not learning his lesson. He used to call his book nuisance. But now he was sorry
that he would never see M. Hamel again.

10. What changes did the order from Berlin cause in school that day?
Ans. The order from Berlin had caused a great change in the school. It was all quiet. There were
no noises. It was as quiet as Sunday morning. M. Hamel was wearing those clothes whichhe
generally wore on Sunday, inspection and prize days. He said it would be his last lesson. The
village people were sad and had come to thank M. Hamel for his forty years of faithful services.

11. What usual noises could be heard in the street when the school began?
Ans. One could hear the opening and closing of desks. Then there was the loud noise of
lessons repeated in unison. The teacher’s great ruler rapping on the table could also be heard.

12. How was M. Hamel dressed on his last day in the school?
Ans. Mr. Hamel was dressed in his best clothes. He was in his beautiful green coat and frilled
shirt. He was wearing a little black silk cap. He never wore this dress except on inspection and
prize days.

13. How did Franz’s feelings about M. Hamel and his school change?
Ans. The very idea that M. Hamel was going away and he would never see him again, made him
forget all about his ruler and that he was very cranky. He started liking and sympathizing with
him. He also listened his teacher’s teaching very carefully and understood each and every thing.
The class became interesting for him.

14. In the honour of The Last Lesson what were the changes on the teacher and the taught?
Ans. M. Hamel had put on his fine Sunday clothes and even his old students – the old men of
the village were sitting there on the usually empty back benches of the school room.

15. Why were even the old men of the village present in the school room on the Last Lesson
morning?
Ans. The village people – Old Hauser, the former Mayor, the former post master and several
others were present in the school room for thanking their master for forty years of his faithful
service. Thus they were showing their respect for the country that was theirs no more. They
were sorry, too, that they had not gone to school more.

16. What did M. Hamel say about the French language?

Ans. M. Hamel called French the most beautiful language of the world. He said that it was the
clearest and most logical language. He wanted his people to keep it alive and never forget it.

17. What happened when the Church-Clock struck twelve?

Ans. There were sounds of the mid-day prayer (Angelus). At the same moment the sound of
trumpets by Prussian soldiers was heard. They were returning from their drill. Mr. Hamel stood
up to say something. But something choked him and he could say nothing. He took a big piece
of chalk and wrote in big letters, “Long Live France!”

18. What did M. Hamel – the teacher, teach in the Last Lesson?
Ans. After questioning on participles, he talked of the French. He called it to be the most
beautiful, clearest and logical language. After the grammar, they had a lesson in writing. He
heard every lesson to the last then they had a lesson in history before the babies chanted - ba,be,
bi, bo, bu.

19. How did Franz take The Last Lesson in him? How it occurred so?
Ans. Franz was surprised to see that he understand The Last Lesson very well. All seemed to
him very easy. The reason was that he never had listened the lesson so carefully, and the
teacher had never explained to them everything with so much patience.

20 How did ‘The Last Lesson’ came to an end”?

Ans. The teacher M. Hamel could not speak. Something choked him. He wrote on the
blackboard in very large letters: “Vive La France!” With a gesture to the students with his hand
he hinted. “School is dismissed – You may go.”

Answer the following questions in 100 to 120 Words.

1. Describe the feelings, emotions and behaviours of M. Hamel on his Last day in
school.
OR Write a character sketch of M. Hamel.
Ans. M. Hamel was a strict man of discipline. He was a devoted teacher of French language.
He was a true patriot. He had boundless love for French language. He had been teaching the
students for the last forty years. He was very serious that his students should learn their
lessons. He was a true facilitator, guide and philosopher for his students. He was extra gentle
and polite in his last class. He was quite upset and broken heart as he had to leave the school
the next day. An order had come from Berlin to teach German only in the schools of Alsace and
Lorraine. He had worn his fine Sunday dress – the beautiful green coat, frilled shirt and the little
black silk cap – all embroidered.
Like a friend and guide, he advised the innocent villagers to shift their priorities and pay more
attention to learning at school. As a patient teacher he made Franz realize why he insisted on
learning the lessons in time and not postponing the learning. He called upon them to shake off
their delay and safeguard their language as it was key to their prison. We see him as a man of
deep emotions when he proudly writes ‘Viva La France’ on the black board in the end. Thus M.
Hamel is a true guide, an ideal teacher, philosopher and patriot to the core.

2. What unusual things did Franz notice when he reached his school?
Ans. The day was warm and bright. But there was unusual calm at school. Usually, when the
school began there was a great hustle and bustle. The opening and closing of desk could
beheard out in the street. Children repeated their lessons loudly in unison. The rapping of
the teacher’s rod on the table could also be heard. But that day it was all quiet. It surprised
Franz. Through the window of the school room, Franz saw all his classmates already in their
seats. M.Hamel was walking up and down with his terrible iron ruler under his arm. In a very
kind and gentle tone the teacher told Franz to go to his seat quickly. After getting over his
fear, Franzsaw M. Hamel in his beautiful dress green coat, frilled shirt and the little black
silk cap, allembroidered which he generally wore on school inspection day or prize distribution
days.
The most surprising thing for Franz was the presence of villagers on the back benches which
remained always empty. They were sitting quietly. They were old Houser, the former mayor, the
former postmaster with several others. They all were present there to pay tribute to M. Hamel
for his forty years dedicated service.

3. Justify the title of the Story “The Last Lesson”.

Ans. Alphonse Daudet has given a very suitable, balanced and the most appropriate title to this
story. There are two main themes in the story – the first is a hurtful as well as tearful departure
of M. Hamel from the school. The second theme highlights man’s nature of postponing the
lessons of life, quite forgetful to the fact that at any point of time circumstances may change
and he may never be able to learn the very lesson he had been postponing to learn. Life may
cut short his learning and it may unexpectedly prove to be his last lesson which happened
with Franz.
The people of Alsace always felt that there was plenty of time to learn their lessons. So they
did not give due importance to school. They preferred having their children work on farms and
mills instead of having them learn their lessons. Even Franz always looked for opportunity to
escape from school and was never serious about learning his lessons. Quite unexpectedly they
receive orders from Berlin after defeat in the war that French will no longer be taught in the
schools of Alsace and Lorraine. Then they awaken to the course of safeguarding their language
and attend the last lesson taught by M. Hamel, the French teacher. This story is aptly entitled
as it evokes a consciousness in the reader that he must learn his lessons in time.

4. Franz’s attitude towards school as well as towards M. Hamel changes when he comes to
know about the take over of his village by PrussiAns. Do you agree? Discuss with reference
to ‘The Last Lesson.’
Ans. Franz’s wants to enjoy outside as he has not learnt the lesson of participles. The teacher
will test the students on that day. He thinks of spending the glorious day outdoors in more
pleasurable manner but finally decides to go to school. On arriving at school he is met with an
unusual silence and a strange sight. The Last benches, which were always empty, are occupied
by village elders who look grim and solemn.
Franz is shocked to learn that this is to be the Last lesson on French. He suddenly realizes that
he hardly knows the language, and that he can’t write well enough in the language. He is
overcome with intense regret and remorse for not attending school, for taking the French
language granted, and for spending his time in trivial pursuits, when he should have been in
school.
Franz also realized that suddenly he did understand the grammar that M. Hamel was explaining
and wondered why he had not been attentive earlier. He was filled with unbidden and new
found appreciation for his teacher and for his school.

5. When a people are enslaved, as long as they hold fast to their language it is as if they had
the key to their prison. Comment.
Ans. The last lesson by Alphonse Daudet beautifully brings to light the brutality of war which
makes man insensitive to human feelings and emotions.
Mother tongue helps a person to express his feelings and thoughts intimately. Conquerors try
to subdue and control the people of the enslaved territory by enforcing many measures such
as imposing their own language. The enslaved natives also become victims of a restrained and
confined life with no hope of breathing freely in their own motherland. At such times of
enslavement, it is their language, the mother tongue which keeps their identity alive. It is the
key to their prison as the mother binds them together. It constantly reminds them of their
enslavement and brings them together urging them to fight for the liberation of their
motherland. M. Hamel, the French teacher reminds his countrymen to safeguard their
language to liberate themselves and maintain their identity.

6. Franz thinks, “Will they make them sing in German, even the pigeons?” What could this
mean?
Ans. The Last Lesson by Alphonse Daudet highlights linguistic chauvinism. Acquisition of
power over the Alsacians made the Prussians so domineering that they imposed even their
language on them.
Franz means that their pride cannot make them dominate their minds and hearts. They had
grown up using French as their language. Now taking it away from them would be unfair and
unkind. This language was natural to them as cooing is to the pigeons. Robbing them of it
would be not only difficult but next to impossible. It will be difficult to accept a language that
will be imposed on them. It causes pain to undo a known language and learn to communicate
in another. The purpose of language will be lost. Moreover, French bound them as brethren.
Franz mocks at the Berlin order which has imposed German language on the French people.
Powerful Germans can defeat France, but they cannot compel pigeons to coo in German. In
fact, no language can be imposed on the unwilling learners, especially a foreign language.
Value Based Questions
1. Franz’s feelings about M. Hamel and school changed gradually by the end of the text,
though he had a great disliking for both in the beginning of the story. It is said that first
impression is the best impression. Is it true in context of ‘The Last Lesson’? Definitely not.
Write a small paragraph of about 100 to 120 words penning down your views on, ‘A person
can be best judged in his first appearance only’.
Ans. A well-known dictum states that ‘appearances are deceptive’. In fact, it is true that one
cannot be judged in just one meeting. Actually, one or more meetings are not enough to judgea
person’s personality. Every person reacts differently on different situations at different times.
So it is not a matter of single appearances to form a judgement about a person. It might be a
prejudice. Now-a-days every person appears to be social and gentle. They want to be
presentable in the society. No matter what their background is. One’s clothes, gestures, habits,
etc. do not define one’s personality in just one appearance. Due time should be taken to form
opinion about a person. Different situations reveal different aspects of one’s personality.
Sometimes a life remains short to know a person. But sometimes even a few seconds are
enough to know one’s real face. Hence, it is not a matter of first or last impression but the
issue of time, needed to know one in one’s right colours.

2. While speaking his mouth choked and wrote, ‘Vive La France’ and finally by gesture he
said: “School is dismissed – you may go.” These lines show that M Hamel was greatly
attached to his motherland, profession and mother tongue. In other words, one should be
attached to his own land, cultures and customs. But today’s Indians are drowned in the
western colours. It shows that there is need to spread awareness about the feeling of
patriotism and other related factors. Write a paragraph in about 100 to 120 words highlighting
the issue.
Ans. Patriotism-An Unmatched Spirit: Patriotism is defined as one’s love for one’s customs,
culture, mother tongue, motherland and everything that is associated with one’s motherland.
One should be proud of what one’s country has given to him. In Indian context, people have
started adopting western culture. They are in the race of being ‘Modern’. This is really
surprising as well as pathetic. As an Indian, we own a rich and diversified culture which has
attracted foreigners too. Many patriots have sacrificed their lives in the name of their country
which has attracted foreigners too. Many patriots have a feeling that cannot be filled in the
hearts of Indians but it should be arisen and inculcated among the future generation of the
 country. The students or the youth of the country need to be indianised. Adaption of different
cultures is not bad. But forgetting our own culture for sake of other ones is not done. The need
of the hour is to inculcate the moral values, virtues, love for humanity and motherland among
the Indian youth. Patriotism is an undying and unmatched spirit that cannot be sacrificed for
anything.

2. THE LOST SPRING - Anees Jung

CHARACTERS AND PLACES

Saheb-e-Alam : A rag picker
Place : Seema Puri
Mukesh : Son of a bangle maker
Place : Firozabad

BACKGROUND
The story, “Lost Spring” describes the pitiable condition of poor children who have been
forced to miss the joy of childhood due to the socio-economic condition that prevails in this
man- made world. These children are denied the opportunity of schooling and forced into
labour early in life. Anees Jung gives voice to eliminate child labour by educating the children
and to enforce the laws against child labour by the governments strictly. The call is to end
child exploitation and let the children enjoy the days of the spring that will bring joy, smile and
excitement in their life.

VOCABULARY
1. Abound – exist in large numbers
2. Acquaintance – contact
3. Amidst – in the middle of
4. barefoot – wearing nothing in the feet
5. Bleak – empty
6. Bother – worry
7. Content – satisfied
8. Desolation – the state of being empty
9. Discarded – thrown away
10. Embarrassed – feeling ashamed
11. Excuse – a reason to justify a fault
12. Glibly – speaking or spoken in a confident way, but without careful thought or honesty
13. He would have a hard time believing it – it would be difficult for him to believe that his
name meant ‘the Lord of the Universe’
14. Hollow – meaningless
15. Lighting up – show joy and happiness
16. Metaphorically–symbolically
17. Mutters – to speak in a low voice
18. Panting – taking short and quick breathes
19. Periphery- outer area
20. Permits – legal documents
21. Perpetual state of poverty – never ending condition of being poor
22. Scrounging – searching for
23. Shuffles – slides them over each other
24. Squatters – a person who unlawfully occupies an uninhabited building or unused land
25. Tarpaulin- heavy-duty waterproof cloth
26. Tattered – torn
27. Transit homes – a temporary home
28. Wilderness- a wasteland

Story 2 – “I want to drive a car”

1. Amidst – in the middle of

2. Apathy – lack of concern
3. Auspiciousness – good omen
4. Baggage – burden
5. Bangs – hits
 6. Beam – shine brightly
7. Brightness of their eyes – here, refers to the power to see
8. Bureaucrats – government officials
9. Choked – blocked
10. Coexisting – present at the same time and place
11. Crumbling – falling down
12. Dawn on her – she will realize
13. Daylight hours – hours of the day when there is sunlight
14. Destiny – fate
15. Dingy – dark, dim
16. Distinct – separate
17. Drab – faded, colourless
18. Draped – covered
19. Echo – repeat
20. Furnaces – a closed room or container where heat is produced
21. Glass-blowing industry – industry related to making glass
22. God-given lineage – here, a profession carried on through the generations of a family
– glass bangle making
23. Greed – intense and selfish desire for something
24. Hauled up – dragged, taken away
25. Hovels – slums
26. Hurtling down – moving around
27. Imposed – forced upon
28. Impoverished – very poor
29. Labour – hard work
30. Lament – complaint
31. Looking straight into my eyes – with confidence and determination
32. Looms like a mirage – seems that it will be true in the future but actually it will not be
so
33. Mind – numbing – boring
34. Mounds – heaps
35. Piled – kept one on top of the other
36. Primeval – prehistoric
37. Reaped – received as a benefit
38. Renovate – repair
39. Rings – a sound which is repeated
40. Sanctity – the state of being sacred or holy
41. Ser – a unit of measuring quantity
42. Shanty town – a town that is full of small, roughly built huts
43. Slog – work hard
44. Soldering – joining
45. Spiral – here, a never-ending continuous process
46. Stigma – dishonor
47. Stinking – bad smell
48. To dare – do something courageous
49. Toil – physical hard work done to earn a living
50. Tongs – an instrument with two moveable arms joined at one end
51. Unkempt – not taken care of
52. Veil – a piece of fine material worn by women to protect or hide the face, cover or
hide
53. Vicious – cruel
54. Volunteers – freely offers to do something
55. Welding – joining
56. Welding – the process of joining metal or glass pieces by heating them
57. Withdraws – goes back
58. Wobbly – unsteady
59. Yard – the open area at the back of the house

GIST OF THE LESSON

Part – I : Sometimes I find a rupee in the garbage.
 1. The author examines and analyses the impoverished condition and traditions that
condemn children to a life of exploitation. These children are denied education and
forced into labour and hardships early in their lives.
2. The writer encounters Saheb - a rag picker whose parents have left behind the stormy
and floody life of misery in Dhaka to earn a living in Delhi.
3. His family like many others of rag pickers lives in Seemapuri. They do not have other
identification other than a ration card.
4. The children do not go to school and they are excited at the prospect of finding a coin
or even a ten rupee note scrounging the garbage.
5. It is the only way of earning the life they live in impoverished condition but are
resigned to their fate.
6. The writer is pained to see Saheb, a rag picker whose name means the ruler of the
earth, lose the spark of childhood and roams barefooted with his friends.
7. After sometimes from morning to noon the author encounters him in a tea stall and is
paid Rs. 800. He sadly realizes that he is no longer his own master and this loss of
identity weighs heavily on his tender shoulders.

Part – II : I want to drive a car.

1. The author then talks about another victim, Mukesh who wants to be a motor
mechanic.
2. Hailing from Firozabad, the centre of India’s bangle making and glass blowing
industry, he has always worked in the glass making industry.
3. His family like the others there do not know that it is illegal for children to work in
such close proximity to furnaces, in such high temperatures.
4. They are exposed to various health hazards like losing their eyesight as they work in
abysmal conditions, in dark and dingy cells.
5. Mukesh’s father is blind as were his father and grandfather before him.
6. They lead a hand to mouth existence as they are caught in the vicious web of the
money lenders, middlemen, police and the traditions
7. So burdened are the bangle makers of Firozabad that they have lost their ability to
dream unlike Mukesh who dreams of driving a car.

THEME OF THE LESSON

The theme of the story is the grinding poverty and the traditions which condemn poor
children to a life of exploitation. The two stories taken together depict the plight of street
children forced into labour early in life and denied the opportunity of schooling. The
callousness of the society and the political class only adds to the sufferings of these poor
people.

MESSAGE OF THE LESSON

The title ‘Lost Spring’ conveys and pictorises that childhood is like the spring. As everything
blooms in this season, in the same way the childhood should bloom but through the misery
of Saheb and Mukesh, we come to know about their stolen childhood. It is being destroyed
and dumped in the web of poverty, dirt and dust. They have a strong desire to come out of
this pitiable situation and work hard for their betterment. Let us have a strong determination
to realize our dreams.

Answer the following questions in 30 – 40 Words.

1. Who was Saheb? What was his full name? What was the irony about his name? Ans.
Saheb was a poor rag-picker. His full name was Saheb-e-Alam. It means Lord of the Universe.
But the poor boy had not even shoes to wear. Thus there was deep irony in his name.

2. What is Saheb looking for in the garbage dumps? Where is he and where has he come
from?
Ans. Saheb is a poor rag-picker. Every morning he comes to probe the garbage heaps in the
author’s neighbourhood. He is searching for gold in the garbage dumps. He lives in
Seemapuri area of Delhi. He has come from Dhaka, Bangladesh.

3. What explanation does the author give for the children not wearing footwear?
Ans. The rag-pickers were poor children. They always went about barefoot. They had become
used to it. Even if they had shoes, they look for excuses not to wear them. Some even said
that going barefoot was a tradition among them.

4. How does the author describe the area of Seemapuri?

Ans. Seemapuri is a place on the periphery of Delhi. Those who live here are Bangladeshis.
They came here in 1971. They live in structures of mud. They have roofs of tin and tarpaulin.
They are all rag-pickers. They have no sewage, drainage or running water.

5. What is the usual morning scene in the streets of the authoress Anees Jung?
Ans. Saheb roams about in the streets rag-picking with an army in his barefoot friends. They
appear like birds in the morning and disappear at noon.

6. What does garbage mean for the elders and children in Seemapuri?
Ans. Garbage to the elders has different meAns. It is their daily bread. It means a roof over
their heads. But for children it is even more. For them, it is a thing wrapped in wonder. For the
elders it is a means of survival.

7. How did Saheb feel working at a tea stall? What did he get there?
Ans. Saheb did not feel happy there. He had lost his carefree look. He was paid 800 rupees
and all his meals. But he was no longer his own master. He belonged to the man who owned
the tea shop.

8. Who was Mukesh? What was his aim in life?

Ans. Mukesh belonged to a family of bangle makers in Firozabad. He did not like the life of a
bangle maker. He wanted to be his own master. His dream was to become a motor mechanic.

9. What makes the city of Firozabad famous?

Ans. Firozabad is famous for its bangles. Every other family here is engaged in making
bangles. It is the centre of glass-blowing industry. It makes bangles for all the women of the
land.

10. What is the condition of children working in the glass furnaces of Firozabad?
Ans. About 20,000 children work in the glass furnaces of Firozabad. They have to work in
very hot temperatures. They work in dingy cells without air and light. They have to work all
day. Thus they lose the brightness of their eyes.

11. What does Mukesh’s grandmother say about her husband?

Ans. She says that her husband belonged to a family of bangle makers. She calls it god-given
lineage. It could not be broken. Her husband went blind with the dust from the polishing of
bangles. She calls it his Karma.

12. What does the writer say about boys and girls working in dark hutments?
Ans. These boys and girls work with their fathers and mothers. They have flickering oil lamps
in front of them. They weld pieces of glass into bangles. Their eyes get more used to the dark
than to the light outside. Many of them lose their eyesight before they become adults.

13. Who is Savita? What is she doing? What does the writer wonder about?
Ans. Savita is a young girl. She is soldering pieces of glass. Her hands are moving
mechanically. The writer wonders if she knows the sanctity of the bangles she is making.
They symbolize an Indian Women’s Suhaag.

14. Why don’t the poor bangle makers organize themselves into a cooperative?
Ans. There are cruel middlemen. They don’t let the bangle makers from any cooperative.
They put the police after them. They are caught and beaten by the police. They are put into
the jail on false charges of illegal acts. The poor bangle makers have no leader to guide them.

15. What forces conspire to keep the workers in bangle industry of Firozabad in poverty?
Ans. There are Sahukars, Middlemen, Policemen, Bureaucrats and PoliticiAns. All these form
a vicious circle. Poor bangle makers have been trapped in it for generations. Now they have
come to accept it as something natural.
16. How is Mukesh’s attitude to his situation different from that of his family?
Ans. Mukesh belongs to a family of bangle makers. These people think it a god-given lineage.
Mukesh wants to be his own master. He wants to become a motor mechanic. He wants to
break away from the family tradition.

17. What could this elderly woman’s husband achieve which many others couldn’t? Ans.
The husband of the elderly woman who could never enjoy one full meal in his entire life, has
made a house for the family to live in, a roof over head which many others fail to get.

Answer the following questions in 100 to 120 Words.

1 The life of bangle makers of Firozabad was full of obstacles which forced them to lead a
life of poverty and deprivation. Discuss with reference to ‘Lost Spring.’
Ans. The bangle makers of Firozabad were illiterate and very poor. They believed that they
had to follow their caste and family tradition from one generation to another. Moreover, they
were trapped into the vicious clutches of middlemen. They were afraid to form co-operatives
to safeguard themselves because they felt that they would be beaten up by the police and
jailed for doing something illegal. Circumstances created by politicians, policemen, sahukars,
middlemen and bureaucrats, they saw very little hope of escaping from their impoverished
life of misery and deprivation. Glass bangle workers worked in dingy cells, sacrificing their
precious daylight hours in close proximity to hot furnaces with high temperatures, blowing
glass, weldings, soldering the bangles and polishing the glass of the bangles. The
environment created health hazard. 20,000 children were involved in bangle making industry
in Firozabad and many of them lost their eyesight before they reached adulthood. They were
unaware that it was illegal for children to work in glass furnaces with high temperatures.
Their life was full of misery and deep despair. There was no hope of improvement in their life.

2. All children have dreams, so did Saheb and Mukesh. Do you think children like Saheb and
Mukesh will be able to fulfill their dreams? (Lost Spring)
Ans. Dreams keep us going on. They help us set our goals. All children have dreams. They
want to hold various posts such as doctor, engineer, writer, pilot, officer, politician etc.
Children like Saheb, who was a Bangladeshi refugee lived in a slum in Delhi. He went around
with his friends and picked up rags. He scrounged through the garbage dump for his survival.
When he saw children playing football, wearing good clothes and shoes his desire to be like
them was awakened. He also wanted to go to school, play games and lead a respectable life.
He had lot of patience and resilience. He left his job as a rag-picker and joined a tea-stall
where he earned Rs. 800 per month. He hoped that it would pave way for a better life. But in
most cases children like Saheb and Mukesh are never able to come out of their vicious circle
of poverty. Mukesh did not want to become a pilot. He just wanted to become a motor
mechanic. On the contrary some move from rag-picking to petty crimes. Only those who
possess ‘a never say die’ attitude and will power break open this circle of poverty and
become a part of the respectable world.

3 Justify the title of the story ‘Lost Spring.’

Ans. ‘Lost spring’ is an apt title for this story. Spring is the best season of a year. Being full of
colour, fragrance and freshness. It is also a season of renewal and growth. The childhood of
human life is often linked with spring, as it marks the beginning of human life and has a
tremendous scope for growth. It is full of joy, pleasure and play. Children anywhere in the
world are a great source of joy. But, ironically, millions of children like sahib and Mukesh
experience no spring in their lives. Their childhood is consumed in making a living. Education,
play and pleasure are not for them to enjoy. They must work to support themselves and their
families.
Thus ‘Lost Spring’ deal with two themes – the first theme deals with the miserable plight of
street children forced into labour early in life and denied the opportunity of schooling. The
second theme runs parallel to the major theme is the callousness of society and the political
class to these people’s misery. There is an utter lack of compassion, empathy and
commitment for the upliftment of these children of a lesser God. Thus the author has
metaphorically compared childhood with spring season. So the title is apt and sensitizes the
reader to the miserable plight of the poorest of the poor and emphasizes the urgent need to
end the vicious circle of exploitation through education, awareness, co-operative organization
and empowerment.

VALUE BASED QUESTIONS

Answer the following questions in 100 to 120 words
1. Most of us do not raise our voice against injustice in our society. Anees Jung in her
story, ‘Lost Spring’ vividly highlights the miserable life of street children and bangle makers of
Firozabad. What values do we need to inculcate among the people to bring back the spring in
the lives of these children.
Ans. Anees Jung wants to uplift the cause of street children and bangle makers. Children
living in Seemapuri do not go to school as there is no school. They are barefooted and spend
their days scrounging for something wonderful in heaps of garbage. The children lead
miserable lives, caught in the vicious circle of poverty into which they have fallen due to the
middlemen, sahukars, and law enforcement officials.

Media can create awareness about the underprivileged. We need to garner support from
youngsters and start night schools for children like Saheb-e-Alam. There is hope when Anees
Jung encounters youngsters like Mukesh who dares to dream. More people need to come
forward and create an environment in which these children dare to dream.

2. “None of them knows that it is illegal for children like him to work in the glass
furnaces with high temperatures”. What can be done to improve a lot of poor children in
India?
Ans. The problem of employment of children in hazardous conditions is prevalent in India.
The Government has taken measures to curb this malpractice. However, the implementation
of the laws must be stringent. The children must be provided with education. Moreover, the
parents also have to be made aware of the hazards and dangers their children face in such
working in hazardous conditions.
Most of the children working in Firozabad lose their eyesight before they become adults.
There is a vicious cycle of poverty due to middlemen, sahukars and law enforcers. A situation
must be created where the children can exercise their right to education and their parents
receive their dues.

3. ‘None of them know that it is illegal for children like him to work in the glass furnaces
with high temperatures in dingy cells without air and light’ These words from ‘Lost
Spring’ throw light on the grinding poverty that forces many children in India to lead a
life of exploitation whereby they have to slog in subhuman conditions. Driven by a
concern for such children, who lose their childhood and who go through an unjust
treatment, write an article in 100-150 words on ‘Child Labour in India.
’ Ans. CHILD LABOUR IN INDIA
A child, whose childhood has been snatched away, now works hard, day and night, to earn a
meagre pay. This is the scenario with more than 10 million children who are employed in
hazardous and dangerous trades and industries. At a tender age, they are forced to work for
10-15 hours under sub-human conditions. Fireworks factory, cashew nut industry, bangle-
making factories, carpet industry—there are innumerable such factories prevailing in our
country where these children are being exploited. They are underpaid and ill-treated. As a
result, they develop many life-long deformities like losing their eyesight, asthma, bone
deformity, etc.
In spite of the constitutional laws against child labour and RTE which enforces the right to
education for each and every child below the age of 14 years, these children are deprived of
any education. Their day starts in factories and ends there.
It is said that children are the future of a nation. We need to ponder on what kind of future are
we building. With so many children stuck in the clutches of child labour, we are building an
uneducated unhealthy and diseased India. So, it is high time that the government and society
work for these underprivileged children by strictly implementing the law and rehabilitating
them.

3. DEEP WATER - William Douglas

CHARACTERS AND PLACES

Douglas : Narrator of the story
YMCA Pool : A swimming pool runs by Young Men’s Christian Association
Yakima : Yakima is a US city located about 60 miles southeast of Mount Rainier in
Washington. It is also a river which has been called treacherous.

BACKGROUND
In this story, Douglas talks about his fear of water and how he finally overcomes it with
strong will power, courage, hard work, and firm determination. Once he took courage, the fear
vanished. That Shows most of our fears are baseless. Fear creates dangers where there is
none. The writer’s experiences further confirm the proverbial truth, “Where there is a will,
there is away.”

VOCABULARY

1. Ached – pained
2. Aping – copying
3. Aversion – dislike
4. Bob – jump
5. Bruiser – a person who is tough and aggressive and enjoys a fight or argument
6. Cable – thick rope
7. Canoes – small boats
8. Cascades – waterfall
9. Ceased – ended
10. Choked – unable to breathe
11. Command – order
12. Curtain of life fell – life came to an end
13. Deprived – to take away
14. Dizzy – faint, unsteady
15. Drop – slope from the shallow area to the deep area
16. Ducked – push or plunge someone under water
17. Expending – losing, giving out
18. Flailed – waved his hands
19. Handicap – a circumstance that makes progress or success difficult
20. In the midst of – between
21. Knocked me down – threw him down
22. Limp – lifeless
23. Miniature – small size
24. Oblivion – the state of being unaware or unconscious of what is happening around
one
25. Panic – fear
26. Paralysed – incapable of movement
27. Pounding – repeated beating
28. Pride – self-respect
29. Revived – brought back to mind
30. Rigid – hard
31. Ruined – destroyed
32. Seized – gripped
33. Seized – gripped
34. Shed – removed
35. Shrieking – screaming
36. Skinny – a thin person
37. Skinny – thin
38. Slack – to reduce
39. Specimen – example
40. Spring – push
41. Stark – severe
42. Strategy – plan of action
43. Strike out – extend
44. Stroke – a particular style of moving the arms and legs in swimming
45. Subdued – to overcome
 46. Suffocating – unable to breathe due to lack of air
47. Summoned – gathered
48. Surf – wave of the sea
49. Thrash – hit with force
50. Throbbed – felt pain in a series of beats
51. Tinge – touch of colour
52. To feel at ease – to feel comfortable
53. Tossed – threw
54. Treacherous – dangerous
55. Vestiges – traces
56. Water wings – A pair of inflatable waterproof bags designed so that one can be
attached to each arm, especially of a child learning to swim
57. Wits – intelligence
58. Wobbly – weak
59. Y.M.C.A. – Young Men’s Christian Association
60. Yakima – a place in Washington, USA
61. Yell – scream

INTRODUCTION
Swimming is only one of the numerous hobbies like canoeing, rafting, rock climbing, etc. But
it is a tedious exercise. Its popularity can be judged from the fact that it has been included in
the Olympics. But water which is the elixir of life is also very dangerous. We all know about
the fury of the floods, Tsunamis. When a boat capsizes, only the skilled swimmers survive.
This lesson by Douglas is autobiographical. It gives us a peek into the feelings of a drowning
person. He tells us about his harrowing experience when as a young boy; he was tossed into
a swimming pool. He was anxious to learn how to swim, but the bitter experience haunted
him for several years. Even earlier also he had a horrifying experience. He was with his dad
on the sea beach. A huge wave came and buried him under it. He ran out of breath. He
decided to master the art of floating on water. But the huge bully gave another push to his
fear of water. Long after wards he engaged an instructor who trained him step - by - step to
fulfill his desire. But it took him several months to overcome his fear. He learnt, however, a
valuable, life- saving lesson that one must try to challenge and overcome the fear itself.

THEME OF THE LESSON

In this essay William O. Douglas talks about his fear of water and how he finally overcomes it
by his courage, determination, handwork, strong will power, perseverance and the desire to
learn. If these are practiced, we can definitely achieve success in all our endeavors.

MESSAGE OF THE LESSON

In death there is peace. There is terror only in the fear of death. This is the message of the
lesson. Roosevelt had said, “All we have to fear is fear itself”. All terrors and fears are
psychological. We can overcome and conquer it. Only we have to be determined. Douglas
conquered the fear of water only by making himself a perfect swimmer.

GIST OF THE LESSON

1. William O. Douglas had fear of water since childhood.
2. At the age of three or four, he was knocked down and buried by a wave on a beach in
California.
3. He developed a great aversion to water.
4. At the age of ten or eleven he decided to learn to swim with water wings at the
Y.M.C.A pool since it was safe at the shallow end.
5. A misadventure: While sitting alone and waiting for others to come at the Y.M.C.A
pool, a big boy came and threw Douglas into deep end of the pool.
6. Douglas swallowed water and went straight down to the bottom of the pool.
7. While going down he planned to make a big jump upwards but came up slowly. Tried
to shout but could not.
8. As he went down the pool second time, he tried to jump upwards but it was a waste
of energy.
9. Terror held him deeper and deeper.
10. During the third trial he sucked water instead of air.
 11. Light went out and there was no more panic.
12. So, he ceased all efforts and he became unconscious.
13. He crossed to oblivion.
14. When revived he found himself vomiting beside the pool.
15. He was in grip of fear of water and it deprived him of the joys of canoeing, boating
swimming and fishing.
16. Finally, hired an instructor to learn swimming.
17. The instructor taught him swimming piece by piece.
18. He went to different lakes for trial and found tiny vestiges of fear still gripped him.
19. He challenged the fear and swam.
20. Swimming up and down the Warm Lake he finally overcame his fear of water.
21. He realized that in death there is peace and there is terror only in fear of death.

Answer the following questions in 30 – 40 words.

1.How did Douglas have an aversion to water?
Ans. It was at the age of three or four, Douglas in the company of his father was knocked
down and swept over by waves at California beach. Thereafter he feared water.

2. When did the writer join the YMCA pool and why?
Ans. The writer was then ten or twelve years old. He had a childhood fear of water. He
wanted to get over this fear. The YMCA had a swimming pool. It offered an opportunity to
learn swimming. That’s why the writer decided to join it.

3. What did the writer do to learn swimming at the YMCA pool?

Ans. The writer got a new pair of water wings. He tried to gather confidence by looking at the
other boys. He would try to paddle with his new water wings. He did two or three times on
different days. He began to feel at ease in the water.

4. What did the writer notice when he was sitting alone on the side of the YMCA pool?
Ans. There was no-one else at the pool. The writer was afraid to go in alone. So he just sat on
the side of the pool and waited. It was all quiet. The water was still. The tiled bottom was as
clean and white as a bathtub.

5. What did the eighteen-year-old boy do to the writer and why?

Ans. The eighteen –year-old boy who was looking a bruiser, saw the writer sitting alone on
the side of the pool. He cried,” Hi, skinny! How would you like to be ducked?” With this he
picked the writer up and tossed him into the pool. However, he later said that he was only
fooling.

6. Why was the writer at first not much frightened when he was thrown into the pool?
Ans. The writer went at once to the bottom of the pool. He was frightened, but not much. On
the way down, he made a plan. He would hit the bottom and make a big jump. Then he would
come to the surface like a cork.

7. How did Douglas feel when all efforts ceased?

Ans. It removed fear. A blackness swept over his brain. It was quiet, peaceful and nothing to
be afraid of. It is nice……… to be drowsy……. To float in space and tender arms around like
mother’s……. now he must go to sleep. The curtain of life fell. He became unconscious.

8. What did the writer remember that he came to himself after the misadventure at the
pool?
Ans. He remembered that he was lying on his stomach beside the pool. He was vomiting.
The chap who had thrown him in was saying, “But I was only fooling.” Someone said. “The kid
nearly died.”

9. How was the writer affected by his misadventure at the pool?

Ans. It shook the writer badly. After some hours, he was able to walk back home. He was
feeling very weak. He was trembling. He shook and cried when he lay on his bed. He could
eat nothing that night. A terrible fear filled his heart. He never went back to that pool again.
10. What did the writer finally do to get over his fear of water?
Ans. The writer used every way to overcome his fear of water. Finally, on one October he
decided to engage an instructor and learn to swim. He went to a pool and practiced five days
a week, an hour each day. In the seventh month he was built a swimmer.

11. What special method did the instructor use to teach the writer to swim?
Ans. The instructor put a belt round the writer. A rope was attached to the belt. It went
through a pulley. The pulley ran on an overhead cable. The instructor held on to the end of the
rope. Thus the writer went back and forth across the pool.

12. The writer says, “The instructor was finished. But I was not finished.” Why?
Ans. The instructor thought he had made a swimmer out of the writer. But the writer was still
not finished. He feared that when he was alone in the pool, his old fears would come back to
him. So he wanted to try still more in the pool.

13. How did Douglas make sure that he had conquered the old terror?
Ans. The writer visited some of the famous water spots. He swam across them
successfully. At last he went to Lake Wentworth in New Hampshire. He swam two miles
across the lake. Then he went and camped by the side of the Warm Lake. He swam across to
the other shore and back. He shouted with joy. He had conquered his fear of water.

14. What deep conclusion did Douglas draw from his various experiences of swimming?
Ans. During his experiences Douglas had known both the fear of death and the sensation of
death. He had come to the conclusion that there is terror only in the fear of death. In death
there is peace. Therefore, all one needs to fear is fear itself.

Answer the following questions in 100 words.

1. What was Douglas’ fear? How did he overcome that fear?
Ans. When Douglas was three of four years old, he was knocked down by the waves at
California beach. The overpowering force of water terrorized him and he developed an
aversion for it. The YMCA pool revived unpleasant memories of Douglas’ childhood when he
was tossed into the pool by a big boy. After this incident Douglas was determined to
overcome his fear of water. He engaged an instructor under whose supervision he practiced.
The instructor taught him to exhale under water and inhale by raising his nose. This exercise
helped Douglas shed his panic when he went under water. By kicking at the side of the pool
Douglas built up his stamina. He spent six months with his instructor and then he decided to
be on his own in the pool to ensure that he had fully overcome his fear. When he gained
enough confidence he went to lake Wentworth in New Hampshire. Next he swam across
Warm Lake confidently practicing different strokes in swimming. In this way his instructor
made a swimmer out of Douglas, piece by piece.

2. How did the swimming instructor ‘build a swimmer’ out of Douglas?

Ans. Douglas was determined to learn swimming to overcome his fear of water. Hence he
engaged a professional instructor who well understood the gravity of Douglas’ problem and
the intensity of the terror that gripped his heart. Instead of teaching him swimming in one go,
the instructor built a swimmer out of him bit by bit. First of all, to make Douglas get over his
fear of drowning, the instructor put a belt around his waist and attached it securely to a pulley
that ran on an overhead cable. For almost three months, he was repeatedly made up go back
and forth across the pool. Next he was taught to put his face under water and exhale and
also to raise his nose out of water and inhale. Later, for weeks together he was made to kick
with his legs at the side of pool. Thus, the methodical proceedings of the instructor built a
swimmer out of Douglas inch by inch.

Ans. At YMCA pool, a big boy teased William Douglas and tossed him into the pool. Douglas
went at once to the bottom. He was frightened but not out of wits. When his first attempt to
bounce out of water failed, deep terror gripped him. He summoned all his strength and made
a great spring upwards. He opened his eyes and saw nothing but yellow water. He swallowed
and choked. With legs paralysed, lungs aching and head throbbing, Douglas was unable to
shrik out for help. His very voice got frozen. He went down and down endlessly. He felt the
tiles under him. His toes reached out as if to grab them. And then strangely, there was light.
His eyes and his nose were out of water. But he started down a third time. He sucked for air
and got water. Then all efforts ceased. He relaxed. A blackness swept over his brain. He
crossed to oblivion and fell unconsciousness. Later, at some point of time, when he gained
consciousness, he found himself lying on his stomach beside the pool, vomiting. This
haunting fear followed him wherever he went. He stopped enjoying fishing, canoeing and
boating. Finally, he engaged an instructor to train himself to swim.

4. Even after growing up why does Douglas recount his childhood experience of almost
having drowned? At a larger level what does this experience teach him?
Ans. Even after attaining adulthood Douglas is not able to forget his brush with almost death.
He was about to be drowned as he could not come out of water. He was not even able to
shout for help. But he put up a brave front and managed to survive.
The childhood experience had badly affected Douglas. Abnormal childhood experience, both
positive and negative, remain with us. Douglas was no different. That being the reason for his
recounting all the details. For years the fear had gripped him. But he deserves admiration for
his strong determination, his courage and his will to overcome the fear. He finally managed
not only to learn swimming but also conquer the fear of water. At a large level he understood
that fear of death itself can be extremely scary. Also he understood that he had to take steps
to overcome that fear and not brood over it.

5. “All we have to fear is fear itself”. Describe Douglas’ experiences which led to making
of the statement.
Ans. Douglas has experienced both the sensation of dying and terror that the fear of death
can cause. Strong will, determination, courage as well as honest labour won over all his
terrors and fears. The will to live brushed aside all his fears. In reality all our fears are only
psychological, and can be easily won over, if we can control our mind. This realisation makes
Douglas resolve to learn swimming by engaging an instructor. This instructor, piece by piece,
built Douglas into a swimmer. However, his first step was to drive away Douglas’ fear of
water, before training him in swimming techniques. When Douglas tried and swam the length
of the pool up and down, small traces of his old terror of water would return. So, he went to
Lake Wentworth, dived at Triggs Island and swam two miles across the lake to Stamp Act
Island. Finally, he was certain that he had conquered his fear of water.

6. “I crossed to oblivion, and the curtain of life fell.” What was the incident which nearly
killed Douglas and developed in him a strong aversion to water?
Ans. The incident which nearly killed Douglas occurred when he was ten or eleven years old.
He had decided to learn swimming at the YMCA pool, and thus get rid of his fear of water.
One morning, when he was alone at the pool, waiting for others, a big bully of a boy tossed
him into the deep end of the pool. Though he had planned a strategy to save himself as he
went down, his plan did not work. Thrice he struggled hard to come to the surface, but failed
each time. He was frightened and got almost drowned in the pool, lost his consciousness
and felt that he would die. Though he was ultimately saved, this misadventure developed in
him a strong aversion to water.

7. Desire, determination and diligence lead to success. Explain the value of these
qualities in the light of Douglas’ experience in ‘Deep Water’.
Ans. The terror of water followed Douglas wherever he went. To get rid of it, he made a
strong determination. He decided to overcome his fear through his will power. He engaged
an instructor who would perfect him in swimming. The instructor first helped him drive away
his fear, and then gave him many exercises besides teaching him how to exhale and inhale in
water.
The practice went on for months together, during which his fear came back to haunt him, but
his desire and firm made him persist in his efforts. It was only through sheer determination
and diligence that Douglas could not only counter his terror, but also became an expert
swimmer.
He swam across and back large distances to ensure that his fear of water did not return.
Hence, desire, determination and diligence succeeded in removing his fear of water.
8. What misadventure did Douglas experience at the YMCA swimming pool?
Ans. As the timid Douglas sat alone at the side of the YMCA swimming pool waiting for other
people to come, a big boy, probably eighteen years old came there. He asked Douglas
whether he would like to be ducked. Saying this, he picked up Douglas and tossed him into
the deep end of the pool. Douglas landed inside the pool in a sitting position, swallowed
water and went at once to the bottom of the pool. Though Douglas was extremely frightened
he had his wits intact so on his way down he started to plan. He decided that when his feet
would hit the bottom he would make a big jump, come to the surface, lie flat on it and then
paddle to the edge of the pool.

9. Describe the efforts made by Douglas to save himself from drowning in the YMCA
swimming pool.
Ans. When his feet hit the bottom of the pool, Douglas summoned up all his strength and
made a great spring upwards thinking he would bob to the surface like a cork. But when
nothing like that happened, Douglas tried to yell but no sound came out. Now a great force
was pulling him under. He was paralysed under water, stiff and rigid with fear. Then in the
midst of the terror came a touch of reason that he should remember to jump when he hit the
bottom. As soon as he felt the tiles under him he reached out his toes towards them and
jumped again with all his strength. Yet again the jump did not make any difference. The water
was still around him. Stark terror took an even deeper hold on him and he shook and
trembled with fright. He could not move his arms and legs. He tried to call for help but
nothing happened. Finally, he ceased all his efforts and decided to relax as blackness swept
over his brain.

10. How did Douglas’ experience at the YMCA pool affect him and how did he overcome
his fear of water?
Ans. Douglas’ experience at the YMCA pool had a far reaching effect on him. He never went
back to the pool. He feared water. He tried to avoid it whenever he could. And whenever he
went to a pool, the terror that seized him in the pool would come back. His legs would
become paralysed. Icy horror would grab his heart. This handicap stayed with Douglas for
years.
It ruined his fishing trips. He lost the joy of canoeing, boating, and swimming. William
Douglas used every way to overcome his fear of water but with little success. It held him
firmly in its grip. Finally, one October, he decided to employ an instructor and learn to swim.
He went to a pool and practised five days a week, an hour each day. Douglas did succeed in
his mission. The instructor made him an expert swimmer.

11. How did Douglas develop an aversion to water?

Ans. Douglas developed an aversion to water in his early childhood. When he was three or
four years old, his father took him to a beach in California. The waves knocked him down and
swept over him. He was buried in water. He was frightened and perhaps this was the
moment his fear of water took root inside his mind. Further, when Douglas was ten or eleven
years old, he decided to learn to swim and went to the YMCA pool. Here an incident took
place that finally established his aversion to water as a big fear. One day when Douglas was
alone at the pool sitting on the edge and waiting for others to come, a big boy threw him into
the deep end of the pool.
What followed was a nightmarish experience for him. Douglas tried very hard and applied all
his knowledge to come to the surface of the water but to no avail. Somehow he was saved.
Thus after this fearful incident, his fear of water got implanted in his heart and mind
permanently.

VALUE BASED QUESTIONS

1. The story ‘Deep Water’ has made you realise that with determination and
perseverance one can accomplish the impossible. Write a paragraph in about 100 words on
how a positive attitude and courage will aid you to achieve success in life?
Ans. Determination and perseverance is a combination of attributes and abilities that drive
people to set goals for themselves and then to take the initiative to achieve these goals.
Douglas was able to overcome his fear of water by the values of positive attitude and
courage. Initially he was afraid of water but his grit and determination made him get an
instructor to train him and overcome his fear. Determination today leads to our success
tomorrow. It is that innate quality in our soul, which comes to surface when we face difficult
tasks. It is a reflection of our values taught to us by society and circumstances and enables
us to overcome all obstacles.

2. Roosevelt said, “All we have to fear is fear itself.” Do you agree? Why/why not? Ans.
The quote, “All we have to fear is fear itself”, by the American President, Franklin D Roosevelt,
it is absolutely true. It is only the fear of consequences which prevents us from taking an
action and hampers our progress. William Douglas’ fear of drowning makes him develop an
aversion to water. Hence, he avoids going near water bodies or indulge in water sports. When
he is able to overcome his fear with the help of the instructor, he succeeds. Likewise, there
are numerous incidents around us that show how fear cripples the mind of an individual and
society, and acts as a barrier to growth.
The other lessons in the textbook also support the view. The bangle makers of Firozabad in
‘Lost Spring’ fear that the police would put them in jail, so they accept their exploitation, and
do not organise themselves into co-operatives. It is only when we are able to overcome our
fear, that we can step ahead and progress in life.

4. THE RATTRAP - Selma Lagerlof

Characters and Places

A tramp with rattraps A crofter
Master Smith in the Ramsjo Iron Mill in Sweden
Iron mill owner
Helpers in the Mill : Blacksmiths
Edla Willmansson : Daughter of the Iron Mill owner

Gist of the lesson

1. ‘The Rattrap’ is a story that underlines the belief that essential goodness in human
beings can be aroused through sympathy, understanding and love.
2. Once a man went around selling small rattraps but he took to begging and thievery to
keep his body and soul together.
3. One day he was struck with the idea – the whole world is a big rattrap and it offers
riches as bait.
4. People let themselves be tempted to touch the bait then it closes in on them bringing
an end to everything.
5. One dark evening the rattrap peddler sought shelter in an old crofter’s roadside
cottage.
6. The old man gave him food, tobacco they enjoyed the card game too.
7. Next morning the peddler stole away his thirty kroners.
8. The rattrap peddler escaped into a big confusing forest and got lost.
9. While resting on the ground he recollected his idea that the world is a rattrap and
thought his end was near.
10. Hearing a thumping sound he reached Ramsjo ironworks for a night shelter.
11. The owner came on his nightly rounds and noticed the ragged wretch near the
furnace.
12. He took him as an old acquaintance ‘Nils Olof.’
13. He invited him to stay with them for Christmas but the stranger declined the offer.
14. His daughter Edla Willmansson persuaded to go home with him.
15. She requested him to stay for Christmas Eve only.
16. On his way to the Manor House the peddler thought that he had thrown himself into
the lion’s den.
17. The next day in broad day light the iron master realized the stranger was not captain
and threatened to call the sheriff.
18. Edla pleaded for him and asked him to stay back.
19. Christmas Eve at Ramsjo was as usual and the stranger slept and slept.
20. She made him understand that if he wanted rest and peace he would be welcome
next Christmas also. This had a miraculous effect on him.
21. Next morning they went for early church service leaving behind the guest who was
asleep.
 22. They learnt at church that a rattrap peddler had robbed an old crofter.
23. Edla becomes very upset.
24. They reached home immediately and learnt that the peddler had already left but had
not taken anything at all with him. Instead, he had left a small packet for the young girl
as a Christmas present.
25. She opened the packet and found a rattrap, three wrinkled ten- Kroners notes and also
a letter with a request to return the Kroners to the crofter.

VOCABULARY
1. Acquaintance: associate
2. Alarmed: Frighten
3. Amazement: wonder
4. Anvil: a heavy iron block with a flat top and concave sides
5. Apprentice: learner
6. Astonished: greatly surprised
7. Bait: Food placed on a hook to trap a rat, here it is referred to the comforts of life,
which is offered to trap someone
8. Barge: a long flat-bottomed boat for carrying freight on canals and rivers.
9. Bellows: air bag that emits a stream of air used for blowing air into a fire.
10. Bossy: Latin word ‘bos’ used for a cow
11. Boundless: limitless
12. Carved off: to divide something into parts
13. Cherished: to love, protect
14. Clatter: bang
15. Compassionately: showing sympathy for others
16. Comrade: A fellow soldier
17. Confidences: Secrets
18. Creamery: A factory that produces cheese and cream
19. Crofter: A person who works on a rented farm
20. Deigned: do something that one considers to be beneath one’s dignity
21. Despair: hopelessness
22. Dissimulate: pretend
23. Downhill: worst
24. Dreary: dull
25. Embarrassed: awkward, shy
26. Fist: A person’s hand bent
27. Flesh on his bones: here it means that the seller should eat good food to gain some
flesh on his body
28. Forebodings: a foretelling
29. Forge: A shop where metal is heated
30. Generous: liberal
31. Gleamed: Shone
32. Gloom: dark
33. Groomed: ready
34. Haughty: arrogant
35. Hesitating: to be reluctant
36. Impenetrable: impassable
37. In a good season: early enough
38. Inconspicuously: invisible or which is not noticeable
39. Incredulous: unbelieving
40. Interceded: intervened
41. Kronor: Currency of Sweden
42. Manor house: A large country house
43. Maw: jaws
44. Mjolis: a game played with playing cards
45. Modest: humble
46. Monotonous: boring
47. Odd Moments: A short period of free time.
48. Parson: Churchman
49. Peddler: seller
 50. Perspiration: sweat
51. Ploddings: walk heavily
52. Plods: walks heavily
53. Preach: advice
54. Prominent: Important
55. Prosperity: riches
56. Puckered: wrinkle
57. Queer: strange
58. Ragamuffin: A person in rags
59. Regiment: unit in the army or defence forces
60. Rolling mill: machine to roll metal into sheets
61. Scow: a flat-bottomed boat used for transporting cargo to and from ships in harbor.
62. Sheriff: chief executive officer of crown (in England)
63. Shoveled: move
64. Sifted: descended lightly or sparsely as if sprinkled from a sieve
65. Slouch hat: hat bend on one side of the head.
66. Smashed: badly broken
67. Smelter: A machine in which metal is melted to form into a shape
68. Snare: trap
69. Sooty panes: window panes covered in soot ( black powder produced when coal,
wood etc is burned.
70. Splendor: luxury
71. Stagger: To walk with difficulty
72. Starched collar: Starch is the stuff that makes your shirt collar look crisp and fresh.
73. Stuffed: to fill up with something
74. Summoned: gathered
75. Sunken: lowered
76. Tempted: convinced
77. Thickets: A dense group of bushes
78. Thumping: the sound of some heavy object beating
79. Thundered: make a loud noise
80. Tramp: vagabond, wanderer
81. Trudging: walking slowly
82. Undeceive: to tell someone that his belief is mistaken
83. Vagabond: wanderer
84. Valet: personal attendant
85. Whipped: beaten with a whip, here to hit something
86. Whole shoes: Proper fitted shoes
87. Wretch: miserable person

THEME OF THE STORY

The human beings are prone to fall into the trap of material benefits. It is the human
tendency to redeem oneself from dishonest ways. Hence, the whole world is called a big
rattrap which tempts the people towards its materialistic benefits, and brings about their
doom and never ending predicament. It also highlights the themes like human loneliness,
status and treatment meted out to have-nots and callous attitude of society and government
towards such people. One of the themes is that man is inherently good by nature. The society
and environment make them bad. Human goodness and kindness can bring about the
change in their attitude.

MESSAGE OF THE STORY

The rattrap is an interesting story. It has been told somewhat in the manner of a fairy tale.
The rattrap peddler is a poor man. He robs the same who gives him shelter and food. But he
is reformed by the compassionate behaviour of a young girl Edla. This story gives the
message that the essential goodness of man can be awakened through love and
understanding.

TITLE OF THE STORY

“The Rattrap” is an appropriate title as it is the story of a rattrap peddler. The author has used
the metaphor of a Rattrap to highlight the human predicament. Just as a rat is fooled by bait
and gets trapped, most human beings also fall into the trap of material benefits. The story
revolves around the incident of a man getting trapped due to his greed. Hence, the title is an
apt one.

BACKGROUND
Selma Lagerlof talks about the universality of human goodness that can be awakened
through understanding love, compassion and belief. Experience is the best of school masters
and the peddler was able to get a vital lesson after his encounter with situation and people
both. Finally his goodness surfaces and temporary phase of his bad practices ends. The
world turns to be a good place to live in.

Answer the following questions in 30 – 40 words.

1. From where did the peddler get the idea of the world being a rattrap?
Ans. The peddler was a very poor man who earned his living by selling the rattraps, he made
himself from the materials he got by begging. His mind, thus, was always preoccupied with
rattraps. The shelter, food, clothes, riches, and Joys that the world provides are all bits to
entrap man. When one is trapped, everything comes to an end.

2. Why was the tramp amused by the idea of the world being a rattrap?
Ans. The world had never been kind to the peddler. So he was full of bitterness against the
world. He had become a cynic and he enjoyed visualizing the world as a rattrap ready to enter
anybody who was tempted by the baits it had to offer. He knew that many people had been
ensnared and the others were still circling around the bait.

3. Did the peddler expect the kind of hospitality that he received from the crofter? Ans.
The peddler had never been treated kindly by the world. He has meted out a cold treatment
wherever he went. He was pleasantly surprised when the crofter treated him with warmth and
hospitality. Ordinarily, he always mates “sour faces” when he knocked anyone’s door for
shelter and food.

4. Why was the crofter so talkative and friendly with the peddler?
Ans. The old man was lonely and leading a dreary existence as he had no wife or children.
The old man was happy to get someone to talk to, even though it was a tramp. So he
welcomes the peddler and extended his hospitality towards him.

5. Why did the crofter show the 30 kroner to the peddler?

Ans. The crofter had nobody to share his happiness with. He was really satisfied and
overjoyed to earn 30 kroner in a month. Hence, he showed the amount to the peddler.
Another possible reason is that he suspected that his guest did not believe him.

6. Did the peddler respect the confidence respond in him by the crofter?
Ans. The peddler found it a little difficult to make both ends meet. His life was involved in
better struggles for mere survival. So, the moment he gets to know about the thirty kronor, he
is on an lookout to grab them as soon as possible. Finally, he steals the money by smashing
a windowpane and has no regard for the crofter’s faith.

7. What made the peddler think that he had indeed fallen into a rat trap? Ans. After
grabbing the money from the crofters the peddler is cautious enough to avoid the public
highway. He gets into The Woods but finally realizes that it is a big and confusing forest. The
end of the forest is nowhere in sight. He feels he has come to a dead end as he has been
walking around the same part of the forest. That’s when he recalls his thoughts about the
world being a rattrap and he realizes that he had indeed fallen into a rattrap.

8. Why did the ironmaster speak kindly to the peddler and invite him home? Ans. In the
glow of the furnace, the ironmaster mistook the peddler to be Nils Olof, his old regimental
comrade. He was overwhelmed with sympathy for his comrade when he saw him in terrible
condition. The ironmaster wanted the peddler to shed his inhibitions and enjoy on the
occasion of Christmas. Moreover, the ironmaster wanted to better his comrade’s future
prospects.
9. Why did the peddler decline the invitation?
Ans. The peddler did not disclose his real identity and did not make an effort to clear the
ironmaster’s misconception. This is because he thought he might get some money in the
bargain. But he had to decline the invitation also because of the fear of getting caught as he
had stolen the 30 kronor from that old man. To go up to the manor house would be like
“throwing, himself voluntary into the lion’s den”.

10. What made the peddler accept Edla Williamson’s invitations?

Ans. The peddler was taken in by Edla’s compassion and friendly behavior. He felt confidence
in her when she said: “you will be allowed to leave us just as freely as you came”. Thus the
warmth and sincerity shown by the ironmaster’s daughter mitigated all his fears.

11. What doubts did Edla have about the peddler?

Ans. Although young, Edla was a better judge of human character as compared to her father.
When she invited the peddler to the manor house, she concluded immediately that he had
either stolen some money or had an escaped from the Jail.

12. When did the ironmaster realize his mistake?

Ans. The ironmaster brought the tramp to his house mistaking him to be his old regimental
comrade. However, it was not so. The ironmaster realized this when the valet had given the
peddler a bath, a save, haircut and fine clothes. When he was brought before the ironmaster
in broad daylight, he understood that he had mistaken the tramp to be his formal comrade in
the light of the Furnace.

13. What did the peddler say in his defense when it was clear that he was not the person
the ironmaster had thought he was?
Ans. The peddler told the ironmaster that he never pretended to be the captain. Moreover, he
did not accept the ironmaster’s invitation to come to the manor’s house. In fact, he had
implored him to stay that night in the forge itself.

14. Why did Edla still entertain the peddler even after she knew the truth about him? Ans.
A compassionate girl, a true Christian, Edla could not bear the thought of a poor wretch been
turned out of the house on the evening of Christmas. She is pained at the idea that everybody
chases the vagabond away. So, she wanted that the peddler should “enjoy a day of peace
with us here just once in the whole year.”

15. Why was Edla happy to see the gift left by the peddler?
Ans. Edla became happy after seeing the gift of the peddler because “the gift” provided by
her father’s rigid belief that the peddler was a thief and nothing, including her belief in the part
of human being, could change him. However, “the gift” proved that her “belief” was right, so
she felt immense joy.

16. Why did the peddler sign himself as Captain Van Stahle?
Ans. Throughout his life, the peddler had never known respect. He was always treated coldly
by the world. For the first time in his life, he was honoured and respected as if he were a
captain. Even after the truth was exposed, the daughter continued to treat him in a similar
way. The way he was treated encouraged him to behave in a like manner. He signed the letter
as Captain von Stahle so as to underline the impact of Edla's goodness on him.

Answer the following questions in 100 in 120 Words.

1. What are the instances in the story that show that the character of the ironmaster is
different from that of his daughter in many ways?
Ans. The ironmaster misunderstood the peddler for an old acquaintance, whereas his
daughter could make out that the man was afraid, which was suggestive of him having stolen
something. Though the father and the daughter express compassion for the vagabond both
do so for different reasons. The ironmaster was sure to help the vagabond get over his tramp
manners because he had mistaken the latter for his old comrade. The daughter however
wishes to feed him and welcome him in spite of knowing that he was not Captain Von Stahle.
The father acts impulsively and casually and invites him without confirming the stranger’s
identity. On realizing his mistake, he recklessly wants to hand him over to the sheriff. Only
when he is threatened of ensnared by the rattrap of this world that he thinks otherwise. Edla
on the other hand shows a strong sense of observation. She rightly judges him to be a tramp
without any education. She persuades her father to let him stay because they had promised
him Christmas cheer. When the blacksmith’s daughter infects the protagonist with her true
altruism the peddler’s inner soul experiences a rapid transformation forms an ugly duckling
to a dazzling swan.

2. The story has many instances of unexpected reactions from the characters to others’
behaviour. Pick out instances of these surprises.
Ans. The story has many instances of unexpected reactions from the characters to others.
Used to being greeted by sour faces the crofter seems taken aback at the peddler’s request
for accommodation for the night. Then the peddler’s act of stealing does not match the
reader’s expectations. The breach of trust comes as a bit of a shock. Then the ironmaster’s
sudden invitation to the tramp comes as the next surprise. The peddler’s vehement refusal to
accompany him and later on accepting the invitation at Edla’s insistence all generate surprise.
Edla’s readiness to entertain the peddler even after knowing his reality was quite unexpected.
The most unexpected of gestures is when the peddler leaves for Edla a Christmas gift, a
letter of thanks and the stolen money to be returned to the old crofter. His transformation is
that which completes the chain of unexpected reactions.

3. The story “The Rattrap” focuses on human loneliness and the need to bond with
others. Comment.
Ans. ‘The Rattrap’ tells us the story of a lonely peddler who has nothing and no one to call his
own. He wanders from place to place mistreated and mistrusted by the world. Then we come
across the old crofter who leads a solitary life and hungers for company. He accords a warm
reception to the peddler as he views him as someone to talk to and pass a few lonely hours
with. It is his need to bond that makes him trust the peddler and show him his money.
Similarly, the ironmaster shows his eagerness for the peddler’s company mistaking him for
an old acquaintance. His wife is no more, his sons are abroad. And he has no one but his
eldest daughter at home. He offers his hospitality to the peddler wanting some suitable
company to ward off his loneliness. Even his daughter, a shy and modest girl, persuades the
peddler to stay with them on Christmas Eve as she has no one to look after and make
comfortable except her father. She looks forward to some company to make the occasion
more festive. Finally, the peddler is also enticed by the kindness of the ironmaster’s daughter
and the proposition of peace, rest, good food and excellent company for a change. The
theme of loneliness and the need to bond is projected strongly in all the characters in the
story.

4. The story is both entertaining and philosophical. Discuss

Ans. The narrative enthrals the reader toning down its philosophical didacticism. The fast
paced third person narrative together with graphic description of characters, elements of
humour, drama and irony make it an interesting read (Give examples). The element of
surprise with regard to the flow of events holds our interest. This is true of being accepted as
a guest by the crofter, breaking his trust, getting lost in the forest, being invited by the
ironmaster and subsequent refusal together with Edla’s insistence and peddler’s final
submission. The final acts of transformation and redemption make the narrative quite
gripping and entertaining. The author has used the metaphor of a rattrap to highlight the
human predicament. Just like the rats are trapped by cheese and food similarly men are lured
by land, food, shelter, clothing etc. these are baits. Those who touch them are trapped by
material benefits. The rattrap brings home the fact that human goodness is an intrinsic part
of one’s nature. It can be forever kept alive through love and understanding. No one is
infallible and in one’s weak moments is susceptible to falling to temptation. There could be
some individuals with the strength of character to break through the rattrap and discover the
essential human goodness. Thus, the story comes across as both entertaining and
philosophical.

5. The reader’s sympathy is with the peddler right from the beginning of the story. Why
this is so? Is the sympathy justified?
Ans. The peddler wins the readers’ sympathy for his way of life and how the world treats him.
The vagabond moves about selling small rattraps. As his business is not rewarding, he takes
to begging and petty thievery to keep his body and soul together.
His life is sad and monotonous. He plods along the road lost in his own meditation. He
Considers the Whole World as A Big Rattrap. The world has never been kind to him and it
gives him unwonted joy to think ill of it. Whenever he asks shelter for a night, he meets sour
faces. He is an unwelcome, unwanted and undesirable figure. The blacksmith at forge glance
at him only casually and indifferently. The master smith nods a haughty consent without
honouring him with a single word.
His sympathy is justified not only because he was a victim of circumstances but also
because he redeems himself in the end. Edla Willmanson’s kind and compassionate behavior
arouses the tramp’s goodness. He thanks her for her sympathy and returns the stolen money.

5. INDIGO - Louis Fischer

INTRODUCTION
This chapter is an excerpt from Louis Fischer’s famous book ‘The Life of Mahatma Gandhi’.
The writer observed Gandhiji’s work to fight for the cause of the voiceless, downtrodden
Indians who reeled (moved) under the rule of the indifferent, oppressive colonial British rule.
‘Indigo’ is one of the many episodes of Gandhi’s long political struggle. The chapter describes
the Champaran visit of Mahatma Gandhi which was undertaken casually on the entreaty
(request) of a poor peasant, Rajkumar Shukla, in the expectation that it would last a few days,
occupied almost a year of Gandhi’s life. The story describes Gandhiji’s struggle for the cause
of the sharecroppers of Bihar and how he asked the Britishers to leave the country. It
highlights the leadership shown by Gandhi to secure justice for oppressed people.

CHARACTERS AND PLACES

Gandhiji : A prominent political leader of India (The Father of The Nation).
Rajkumar Shukla : A poor, emaciated (lean end thin) but resolute peasant of
Champaran.
Rajendra Prasad : A lawyer who later became the First President of India.
J.B. Kripalani : A professor of the Arts College in Muzzafarpur.
Malkani : A Government school teacher.
Sir Edward Gait : The Lieutenant Governor.
Kasturba bai : Gandhi’s wife.
Devdas : Gandhi’s youngest son.
Mahadev Desai and Narhari Parikh : Volunteer doctor.
Charles Freer Andrews : A follower of Gandhi

VOCABULARY
1. Abandoned: deserted, inhibited
2. Abstractions: something which exists only as an idea.
3. Accompanied: go along with someone
4. Accompanied: go somewhere with (someone) as a companion or escort
5. Adamant: firm
6. Advent: arrival
7. Advocate: supporter, protector
8. Alleviate: uplift
9. Amazement: surprise
10. Apparently: seemingly, evidently
11. Arable: land suitable for farming
12. Arrangement: Process
13. Assembled: gathered
14. Associates: supporters
15. Authorities: officials, power
16. Baffled: confused
17. bail: an amount of money that a person who has been accused of a crime pays to a
law court so that they can be released until their trial.
18. Boarded: get on, enter
19. Bully: trying to harm others considering them to be weak
20. Cawnpore: British name for the city of Kanpur
21. Champaran: A place in Bihar
22. Chided: criticize, scold
23. Civil Disobedience: peaceful form of political protest
24. Committed: dedicated
25. Compelled: forced
26. Compensation: payments
27. Complied: followed or obeyed
28. Conclusion: result, end of something
29. Concrete: solid
30. Conferred: granted
31. Conflict: to be against someone
32. Conscience: sense of right and wrong
33. Consequence: result
34. Consultations: discussion
35. Contented: willing to accept something, satisfied
36. Contract: agreement
37. Convention: agreement
38. Conveyance: transportation
39. Courthouse: court building
40. Deadlock: a situation in which no progress can be made
41. Deceitfully: dishonestly
42. Defenders: protector
43. Defiance: opposition
44. Delegates: Representatives
45. Demonstrations: protest
46. Depositions: a formal written statement
47. Desertion: action of leaving a place, organization etc
48. Distress: torture
49. Dreaded: regarded with great fear or apprehension
50. Emaciated: thin
51. En route: on the way
52. Entreaty: an earnest or humble request
53. Eruptions: here, a spot, rash, or other mark appearing suddenly on the skin.
54. Estate: property
55. Estates: property
56. Evidence: proof
57. Extorted: took forcibly
58. Extraordinary: exceptional, remarkable
59. Fear stricken: afraid
60. Forthwith: immediately, at once
61. Grievances: complaints
62. Guilty: at fault
63. Harbour: here, entertain
64. Haunches: thighs
65. Hitherto: Earlier, Previously
66. Humanitarian: Concerned with human welfare
67. Illiterate: uneducated
68. Imparting: pass on, giving
69. Indigo: plant that produces a blue color
70. Influential: powerful
71. Initial: at the start
72. Injustice: unfairness
73. Instructions: orders, commands
74. Intertwined: twisted, braided, knitted
75. Investigations: inquiries
76. Investigators: the inspectors
77. Irksome: irritating
78. Justified: marked by a good or legitimate reason
79. Leading: prominent, popular
 80. Learned: come to know
81. Liberation: release
82. Liberty: free
83. Lieutenant-Governor: deputy governor
84. Magistrate: civil officer who administers law
85. Maltreated: ill treat
86. Merely: only
87. Miserable: unhappy, sad
88. Multitude: a large number of people
89. Obliged: required, made legally bound to do something
90. Overtook: went ahead of him
91. Pacifist: Peace maker
92. Peasant: small farmer
93. Permitted: allowed
94. Pestered: bother, harass
95. Pleading: the action of making an emotional or earnest appeal to someone
96. Postpone: delay
97. Prestige: honour, esteem
98. Proceeded: begin a course of action
99. Prominent: Important, well known
100. Pronounce: declare or announce
101. Prop: support
102. Prosecutor: Lawyer or barrister
103. Protested: objected, disapproved
104. Protracted: lasting for a long time or longer than expected or usual.
105. Province: region, territory
106. recess: break
107. Reconvened: to start again after a small break
108. Representative: spokesperson, agent
109. Residents: locals
110. Resisted: opposed, to be against something
111. Resolute: determined
112. Reverted: returned
113. Self-Reliance: self-sufficiency, self-support
114. Sharecroppers: a tenant farmer who gives a part of each crop as rent.
115. Spontaneous: voluntary, unforced
116. Summoned: called
117. Superintendent: Manager, supervisor
118. Surrendered: to give in
119. Sympathy: support, pity
120. Synthetic: Chemical based, artificial
121. Tenacity: determination
122. Tenants: occupants paying rent in cash or kind
123. Throbbed: produced a lot of vibrations due to a huge crowd
124. Thugs: cheats
125. Triumphed: won
126. Unanimously: without opposition
127. Uninterrupted: continuous
128. Unquestioned: not examined or inquired into
129. Upshot: result, conclusion
130. Vehement: showing strong feeling; forceful, passionate, or intense.
131. Vehemently: in an intense manner
132. Volunteer: a person who offers his service free of cost
133. Wired: Telegraphed
134. Withdrew: left
135. Yeoman: a man who cultivates a small piece of land

BACKGROUND
Louis Fischer reviews 'The Life of Mahatama' observing closely 'The Champaran episode'. A
simple peasant's entreaty brings the historical change to learn courage and self-reliance to
protest against the wrong doers for their rights.

GIST OF THE LESSON

1. Gandhiji went to attend Annual Convention of Indian National Congress at Lucknow in
December 1916.
2. During the proceedings, a peasant from Champaran, named Rajkumar Shukla met him.
3. Under an ancient arrangement, Champaran peasants were sharecroppers.
4. Rajkumar Shukla was one of them. He was illiterate but resolute.
5. He didn’t leave Gandhiji until he agreed to visit Champaran.
6. Gandhiji would be in Calcutta on a certain date. Shukla received him from there and
then they boarded into the train to Patna.
7. Shukla first took Gandhiji to the house of a lawyer named Rajendra Prasad who later
became the President of Indian Natinal Congress and India.
8. Rajendra Prasad was out of the town and his servant didn’t allow Gandhiji to draw
water from the well thinking him to be an untouchable.
9. Gandhiji first decided to go to Muzzafarpur. He was received by Prof. J. B. Kriplani of
Arts College, at the railway station.
10. Gandhiji stayed at the house of Prof. Malkani for two days.
11. It was an extraordinary thing for Prof. Malkani to harbor Gandhiji because in smaller
localities people were afraid to show sympathy for the advocates for home rule.
12. As soon as Gandhiji reached Champaran, people went to see him.
13. The lawyers told Gandhiji that they represented peasant groups in the court and also
reported the size of their fee.
14. Gandhiji chided the lawyers for collecting such a big fee and told them its no use
taking their cases to the law courts.
15. The chief commercial crop in Champaran was Indigo. The landlords compelled all
tenants to plant three twentieths or 15 % of their holdings with indigo and surrender
the entire indigo harvest as rent.
16. Meanwhile Germany developed synthetic Indigo. The landlords asked the peasants to
pay them compensation for being released from the 15% agreement.
17. Later when the peasants came to know about the synthetic Indigo, they wanted their
money back. Gandhiji reached Champaran at this stage.
18. Gandhiji first went to the Secretary of the British Landlord’s association and then to
the British Official Commissioner of Tirhut Division. None of them helped Gandhiji
instead he was asked to leave Tirhut. But Gandhiji, instead of leaving Tirhut, went to
Motihari.
19. There again he got an official notice to quit Champaran. Gandhiji signed a receipt for
the order but he wrote on the back that he would disobey the order.
20. In consequence, he got summons to appear in the court.
21. Gandhiji informed all about it and the next morning all the people gathered in the court
premises.
22. The officials felt powerless without Gandhiji’s cooperation.
23. Gandhiji helped them to regulate the crowd but he had given them proof that their
might could be questioned.
24. Gandhiji told the court that he was caught in a conflict of duties. On the one hand, he
didn’t want to set a bad example as a law breaker and on the other hand, he wanted to
do national and humanitarian service.
25. When the court was reconvened, the judge said the he would deliver the judgement
several days later and meanwhile he allowed Gandhiji to be at liberty.
26. Later the Lt. Governor ordered the case to be dropped against him and it proved to be
the first victory of Civil Disobedience in Modern India.
27. In June Gandhiji was summoned by Sir Edward Gait. They had four protracted
meetings as a result of which an enquiry commission was set up.
28. The enquiry brought crushing mountain of evidences against the big planters.
29. Gandhiji asked 50% refund but the planters wanted to pay only 25%.
30. Gandhiji agreed even to that. He said the amount of refund was less important than
the fact that the landlords had been obliged to surrender part of the money and with it
part of their prestige.
31. Gandhiji was also concerned about the social and economical backwardness of
Champaran villages. He appealed to the people to volunteer their services.
 32. Primary schools were opened in six villages. Kasturba Bai taught the ashram rules on
personal cleanliness and community sanitation.
33. Health conditions were also miserable. Three medicines were available- castor oil,
quinine and sulphur ointment.
34. Gandhiji’s politics was intertwined with the practical day to day problems of the
millions. His was not a loyalty to abstractions; his was the loyalty to living human
beings.
35. Gandhiji’s lawyer friends wanted Charles Freer Andrews who was Gandhiji’s devoted
follower to stay in Champaran and help them but Gandhiji was vehemently opposed.
He told them to rely on themselves instead of seeking a prop in Mr. Andrews.

THEME OF THE LESSON

This story revolves around the issues of help to sharecroppers, Indian independence and self-
reliance. Gandhi ji visited Champaran at the entreaty of a peasant named Rajkumar Shukla to
remove sharecropping system from Champaran. In his attempt to do this Gandhi ji taught
them self-reliance as well. Moreover, he also had the first victory of Civil Disobedience
Movement in this process.

SETTING
Champaran is located in the foothills of the towering Himalayas near the kingdom of Nepal
where most of the action takes place. Apart from this, some other parts of Bihar also find a
mention in it

MESSAGE OF THE LESSON

The story 'Indigo' highlights the unequal economic system that existed during colonial British
rule. It resulted in Indian peasants suffering, while the British planters exploited them. It also
highlights the importance of Gandhi's decision to take up their case, which exposed the
unjust system.

Answer the following questions in 30 to 40 words.

1.Why was Gandhiji not allowed to draw water from the well?
Ans. Gandhi ji was very simple in his dress and manners. He was thin of body and had a dark
complexion. The servants had never seen him. They mistook Gandhi ji an untouchable. They
didn’t want to get well water polluted by allowing him to draw water out from the well. So they
did not allow Gandhi ji to draw water out from the well.

2. Where did Gandhiji go from Patna? What did he do there?

Ans. In order to get complete and true information about the peasant’s condition of
Champaran, Gandhiji went to Muzzafarpur. His mission was to free the farmers from the
injustice of the British landlords. He was received by professor J.B. Koiplani at the railway
station with a large number of students. He stayed there for two days and received much
more information about the share croppers of Champaran.

3. What did the Muzzafarpur lawyers brief Gandhi ji about Champaran peasants? Ans.
Just after reaching Muzzafarpur, Gandhi ji started collecting information about
Champaran share croppers. Muzzafarpur lawyer came to brief Gandhi ji about their cases of
Champaran peasants. They also reported about the size of the fees they charged from the
peasants for which Gandhi ji scolded them.

4. Why did Gandhiji conclude that they should stop going to courts taking such cases of
Champaran peasants?
Ans. Gandhiji found that the farmers of Champaran were badly crushed by the British
landlords. There were afraid of Britishers. Gandhiji found that the law courts could not make
them free from fear. So he concluded that the lawyers should stop going to the courts.

5. Why was Gandhiji told to leave Tirhut immediately?

Ans. Gandhi ji was told to leave Tirhut because he tried to collect facts from the secretary of
the British Landlords Association. He considered Gandhiji as an outsider and denied to give
him any information. The British official commissioner bullied Gandhi ji and advised him to
leave Tirhut at once. The messenger of Police Superintendent took him back and a court
notice was issued to him.

6. Why did the officials at Motihare feel powerless without Gandhi’s help?
Ans. The Champaran farmers heard that a Mahatma who had come to help them was in
trouble with the authorities. By the next morning the whole of Motihari was crowded with the
farmers. Their spontaneous demonstration, in thousands around the court house, made the
officials feel powerless. They requested Gandhi ji to help them regulate the crowd.

7. What did Gandhi ji do to do away with the cultures and social backwardness in the
Champaran villages?
Ans. Gandhi ji appealed for teachers to do away with the social and cultural backwardness.
The two new young disciples, Mahadev Desai and Narshare Parikh with their wives,
volunteered for the work. Several more from Bombay, Poona and other distant places joined.
Devdas and his mother Kasturbai also joined. She taught the rules of cleanliness and
community sanitation.

8. What was done to improve the miserable health condition?

Ans. A doctor volunteered his services for six months. There were three medicines available
– castor oil, quinine and ointment. Persons with coated tongue were given a dose of castor
oil. Those with malaria fever got quinine plus castor oil. Others with skin eruptions got
ointment plus castor oil. Mrs. Gandhi taught women individual and general cleanliness.

9. How was Gandhiji able to influence lawyers? Give instances.

Ans. Gandhiji's sincerity of purpose, convincing argumentation and a logical approach deeply
influenced the lawyers chiding them for over charging the peasants. He encouraged them to
court arrest for the poor peasant's cause, if he himself got imprisoned. He opposed even
seeking help from Mr. Andrews in their battle with Britishers.

10. How did the Champaran episode change the plight of the peasants? Ans. The
Champaran episode released the peasants from the mortal fear of British Landlords and
made them aware of their rights. Apart from getting back 25% of the compensation money,
they also learnt 'courage'. The episode thus marked a beginning of the cultural, social and
economic transformation of the poor and exploited peasants of Champaran. Within a few
years, the British planters abandoned their estates, which reverted to the peasants.

11. "Freedom from fear is more important than legal justice for the poor". Comment. Ans.
Securing legal justice in one single specific episode would have resulted in limited short term
benefits. But getting over perpetual fear of the oppressors as in the case of Champaran
episode brought about a permanent attitudinal change that helped the farmers face life more
boldly and live it more fruitfully. Hence freedom from fear is more important.

12. What made Mahatma Gandhi ji declares 'the battle of Champaran is won'? Ans. When
the lawyers reconsidered their decision about their course of action in the event of Gandhiji's
arrest, they volunteered to court arrest for the cause of the share croppers. Gandhiji was very
pleased and he expressed his satisfaction with these words of "the battle of Champaran is
won".

Answer the following questions in 100 to 120 words.

1. “Freedom from fear is more important than legal justice for the poor.” Do you think
that the poor of India are free from fear after Independence?
Ans. It is true that legal justice is important for the citizen of a country. But freedom from
fear is more important. It is because of the fear, everyone whether rich or poor, develops a
sense that something enormously wrong and dangerous or even fatal is going on. The fear of
any kind harasses the person and mass his capabilities, energies, happiness and even the
peace of mind.
During the settlement of the refund amount representatives of the landlord were afraid how
much around. They must have to refund. Similarly the Indian farmers were afraid of the
torture of British planters. In small localities no one was ready to give shelter to the lawyers.
Gandhi ji tried his best to free them from the fear of Britishers.
After Independence there is a great change in the social system. The poor and untouchable
classes are now enjoying more freedom. They are participating in every field of social, culture
and national life. Yet we can see that they are always afraid of communal riots, exploitation,
negligence, poverty, corruption, disease, ill health, regionalism etc. Politicians, bureaucrats
and the rich create havoc. That’s why for the success of democracy freedom from fear is the
primary need.

2. How was the Champaran episode a turning point in Gandhi’s life?

OR Why do you think Gandhi considered the Champaran episode to be a turning – point in
his life?
Ans. Champaran episode was a turning point in the life of Gandhi ji. He became successful to
give courage to the millions of people. The farmers were suffering from tyranny of the
Britishers. They ill-treated them. They illegally and deceitfully compelled them to surrender
15% earnings of their total holdings as a rent. Gandhi ji efforts helped them to get rid of this
problem. British planters abandoned their estates within a few years. Civil Disobedience won
victory for the first time and paved way for freedom.
Gandhi ji brought not only political and economic solution for the farmers but also took their
cultural and social upliftment. They were made conscious of personal cleanliness and
community sanitation. They were provided schools for teaching their children. Doctors were
managed for improving the health. Gandhi ji aimed at growing self – reliance among Indians.
Thousands of people demonstrated spontaneously against Britishers. Gandhi ji made the
British authorities realized that their power could be challenged by Indians. He tried to
mould a new free Indian who could stand on his feet. The Champaran episode gave Gandhi ji
self – confidence and direction to launch freedom movement throughout the country.

3. Why was the official Inquiry commission appointed? What did the findings of the
commission reveal? What was its impact on British planters?
Ans. British planters were exploiting the sharecroppers Gandhi ji complained against the
condition of share cropper then Sir Edward Gait, the Lieutenant Governor appointed a
commission to know the situation of indigo cultivators. The commission consisted of
landlords, Govt. officials, and Gandhi ji as the sole representative of the farmers.
The commissions found that the planters had collected money illegally and deceitfully from
the sharecroppers. They found huge evidence against the big planters. They all agreed to
make refunds to the peasants. Gandhi ji demanded 50% but the representative of the landlord
offered to return to the extent of 25% which Gandhi ji accepted to break the deadlock.
This settlement was adopted unanimously by the commission. To Gandhi ji the amount was
less important. More important was, the landlords had been obliged to surrender part of the
money and with it part of indigo – their prestige. The British planters who had been behaving
as lords above law for a long time, had to abandon their estates within a few years which
reverted to the farmers. Indigo sharecropping disappeared. Now the farmers saw that they
had rights and defenders. They learned courage.

4. Write a brief note on the sharecropping system in Champaran.

Ans. There were big indigo estates in the district of Champaran. All these belonged to the
British planters. The peasants working on these estates were all Indians. By an ancient long –
term contract, the planters had bound the farmers to a cruel system. Under this agreement,
the peasants had to plant indigo on fifteen percent of the land. The entire product went as
rent to the landlords. This system was irksome to the farmers but they were helpless. Then it
was known that synthetic indigo had been developed by Germany. The British planters now
found that producing natural indigo on their lands was not profitable. So they forced the
farmers to give compensation for releasing them from the contract. It was grave injustice
and the farmers opposed it. There was a long struggle under Gandhi ji’s leadership. The
landlords agreed to return 25% of the compensation they had extracted illegally. Thus at last
share – cropping system came to an end. By and by, the British planters left their estates.
These lands now came back to the actual peasants.

5. Why was Gandhi summoned to appear in the court? How did civil disobedience
triumph for the first time in India?
Ans. Gandhi had reached Motihari, the capital of Champaran, to study the problems of the
sharecropper peasants. He was on his way to a neighbouring village, where a peasant was ill-
treated. On the way, he was stopped by the police superintendent's messenger and ordered
to return to town. When he reached home, he was served with an official notice to quit
Champaran at once. Gandhi wrote on the receipt that he would disobey the order. So Gandhi
received a summon to appear in the court the next day.
Next morning the town of Motihari was black with peasants. Thousands of peasants
demonstrated voluntarily outside the court. The prosecutor requested the judge to postpone
the trial. Gandhi protested against the delay. He read out the statement pleading guilty. He
asked the penalty. The judge announced that he would pronounce the sentence after a two-
hour recess. He asked Gandhi to furnish bail for that period. Gandhi refused. The judge
released him without bail. After the recess, the judge said that he would not deliver the
judgment for several days. Meanwhile he allowed Gandhi to remain at liberty. Several days
later Gandhi received a letter. The case against him had been dropped. Thus, civil
disobedience had triumphed, for the first time in India.

6. What was the dispute between the Landlords and the Champaran peasants? What
role did Gandhiji play in resolving the dispute successfully?
Ans. When the news of the synthetic indigo reached the peasants they were able to see
through the manipulative game of the British landlords. Realizing that they had extorted
compensation illegally and deceitfully, the peasants demanded their money back. The
Landlords tried to silence the peasants with muscle power. It was at this point of time that
Gandhiji arrived in Champaran. An in-depth study of the cases laid bare the blatant injustice
of the Britishers. Gandhiji's through investigations, documentation and collection of evidence
became a cause of concern for the authorities. Edwards Gait, the Lt. Governor of Bihar
summoned Gandhiji and after four protracted interviews with him constituted a commission
of inquiry comprising Landlords, Government officials and Gandhiji as the representative of
the peasants. Gandhiji diligent collection of documents and evidence made them agree in
principal to refund the money. The Landlords expected that Gandhiji would demand full
repayment of the money which they had extorted from the share croppers, but Gandhiji asked
for only 50% as the settlement. After some deliberation it was settled that the peasants
would be refunded 25% of the money. Gandhiji accepted the settlement because he did not
want a deadlock between the Landlords and the farmers. Taking it to be a victory of principal,
he didn't attach much importance to the amount of money the peasants got. He gave more
importance of the victory of principals. Thus the issue got resolved.

7. Why do you think Gandhi considered the Champaran episode to be a turning point in
his life?
Ans. The Champaran episode began as an attempt to alleviate the distress of a large number
of poor peasants. But it became a turning point in Gandhi’s life. It built- up Gandhi’s
confidence that the British rulers could be made to bend and concede a popular demand. He
declared that British could not order him in his own country. It was during this struggle in
1917 that he decided to urge the departure of the British. When he came to Champaran, he
was appalled to see fear –stricken peasants and injustice of landlord system in Chamaparan.
His readiness to go to jail for the sake of seeking justice instilled courage among ordinary
people and motivated the lawyers for court arrest. He led civil disobedience by refusing to
leave Champaran even after he got the official notice. Civil disobedience triumphed for the
first time when the case for disregarding the official order against him was dropped.
Britisher’s agreement to pay 25 percent of the compensation made him and the peasants
confident.
It made the peasants realise that they had rights and defenders and he established that the
authority of the British could be challenged. He taught the lawyers a lesson of self-reliance by
dissuading them from seeking the assistance from an English man, Charles Andrew. Gandhi
never contended himself with larger and political solutions. He also made endeavour to bring
about cultural and social upliftment in the village.

8. How do we know that ordinary people too contributed to the freedom movement?
Ans. The author mentions several ordinary people who contributed to the freedom movement.
Rajkumar Shukla was instrumental in arranging Gandhi’s visit to Champaran. Professor
Malakai, despite being a government servant, harboured Gandhi when he arrived at
Muzzafarpur. When the news of Gandhi’s advent spread through Muzzafarpur and
Champaran, Sharecroppers from Champaran began arriving on foot to see their champion.
Their gathering in huge number at Motihari was the beginning of their freedom from the fear
of the British.
The lawyers also agreed to court arrest in case Gandhi went to Jail. Gandhi and the lawyers
conducted a detailed inquiry into the grievances of the farmers. They prepared cases for
about ten thousand peasants and collected relevant documents. Moreover, the masses
volunteered to help in bringing cultural and social reforms in the village. The two young men,
Mahadev Desai and Narihari Parikh and their views volunteered to work. Several people came
from Bombay, Poona and other distant parts of the land. Devadas, Gandhi’s youngest son
arrived from the ashram. Kasturbai taught ashram rules on personal cleanliness and
community sanitation.

9. Justify the appropriateness of the title “Indigo” to this extract.

Ans. The title ‘Indigo’ focuses our attention on the central issue of the chapter –exploitation
of indigo sharecroppers at the hands of cruel British planters. Britishers compelled them
through a long term agreement to plant indigo on 15 percent of their land and surrender the
entire harvest as rent.
After the development of synthetic indigo by Germany, The British planters extracted money
from the peasants as compensation from being released from the 15 percent agreement.
The peasants who wanted their money back filed civil suits. Rajkumar Shukla persuaded
Gandhi to take up the case of Indigo sharecroppers.
So indigo sharecropping exemplifies the injustice of the Britishers and Indians’ submission to
British authority. The exploitation of indigo sharecroppers led Gandhi to arrive in Champaran
to alleviate their distress. Peasants not only got back the compensation but also became
courageous and confident. They learnt the lesson of self-reliance.
The Champaran movement that centred on indigo sharecropping led to social and cultural
upliftment of the peasants. Their education, health and hygiene received due attention. Thus
the title ‘Indigo’ is highly suggestive and appropriate.

10. How did Gandhi use Satyagraha and non-violence to achieve his goal?
Ans. Non-violence and Satyagraha were the weapons used by Gandhi to secure justice for
oppressed peasants of Champaran. He adopted legal, moral and democratic path of
negotiation. Gandhi refused to leave Tirhut division in which Chamaparan district lay despite
being told by the British official commissioner to do so. Later he defied the official order to
leave Chamaparan for which he received summon to appear in the court. When the British
authorities could not regulate the unmanageable crowd at Motihari, he pacified the crowd in
polite and friendly way. Thus he gave concrete proof of the power of Satyagraha and non-
violence.
In the court he clarified that he did not want to set a bad example as a law breaker but
intended to render humanitarian and national service. His convincing argumentation baffled
the magistrate who released him without the bail. Later he fought the case of the peasants
peacefully by collecting evidences and the documents pertaining to the case. When the
Britishers agreed to pay the compensation he peacefully negotiated with the landlords and
accepted 25 percent of the amount due. So the peasants got a partial refund of the
compensation with the use of Satyagraha and nonviolence.

6. POET AND PANCAKES - Asokamitran

INTRODUCTION
Gemini Studios of Madras (Chennai) and its founder, S. S. Vasan lent substance and quality
to a fragile and unpredictable movie business. Poet and Pancakes, an excerpt from the book
‘My Years’ with Boss brings to life, the leading members, their talents and roles, their
frustrations and ambitions. It gives a panoramic (wide) view of the impact and affiliations of
those parts of Gemini Studios with regard to Independent India in its infancy, communism
and its counter productive anti-communism.

1. Affluent: having a great deal of money; wealthy

2. Andre Gide: A French writer, humanist, moralist, received the Nobel Prize for Literature
in 1947.
3. Anglo-Burmese: The Anglo-Burmese people, also known as the Anglo-Burmans, are a
 community of Eurasians of Burmese and European descent, who emerged as a
distinct community through mixed relations between the British and other European
settlers and the indigenous peoples of Burma from 1826 until 1948 when Myanmar
gained its independence from the United Kingdom.
4. Arthur Koestler: A Hungarian born British novelist, known for his novel Darkness at
Noon.
5. Averse: having a strong dislike of or opposition to something
6. Bafflement: confusion, bewilderment
7. Bare: empty
8. Barge in: to walk into a room quickly, without being invited
9. Blew over: to pass by or to end
10. Broadcasting: the transmission of programmes or information by radio or television
11. Catapulted: move suddenly or at great speed
12. Coat of mail: - a protective garment made of linked metal rings (mail) or of
overlapping metal plates
13. Cold logic: logic that fails to consider human factors such as culture, language, social
dynamics, personality and emotion
14. Communism: collectivism, socialism
15. Compunction: reluctance
16. Conjugal: relating to marriage or the relationship between a married couple
17. Conscious: aware
18. Contrary: opposite in nature, direction or meaning
19. Countermovement: a movement or other action made in opposition to another.
20. Countryside: from village
21. Covertly: secretly
22. Crimson hue: deep red colour
23. Critic: a person who judges the merits of literary or artistic works
24. Cubicle: a small partitioned-off area of a room
25. Deftly: effortlessly
26. Deliberately: on purpose
27. Demeanour: manner; attitude
28. Devadasis: In South India, a devadasi is a girl “dedicated” to worship and serve a deity
or a temple for the rest of her life. The system was outlawed in all of India in 1988.
29. Dhoti: a garment worn by male Hindus, consisting of a piece of material tied around
the waist and extending to cover most of the legs
30. Diction: the style of enunciation in speaking or singing; articulation
31. Direst: terrible
32. Drudge: a person made to do hard menial or dull work.
33. Dwarfed: cause to seem small or insignificant in comparison
34. Enlightened: having or showing a rational, modern and well-informed outlook
35. Epics: an exceptionally long and arduous task or activity
36. Etched: here, defined, described
37. Fiery: red-hot; scorching
38. Filial: relating to or due from a son or daughter.
39. Forbidden: not allowed; banned.
40. Forthcoming: about to happen or appear
41. Foul: bad
42. French window: each of a pair of glazed doors in an outside wall, serving as a window
and door, typically opening onto a garden or balcony
43. Genius: an exceptionally intelligent person
44. Genuine: true
45. Haunt: frequently visited by
46. Having a hand in: to be involved with something
47. Hideous: extremely ugly
48. Hierarchy: A system in which members of an organization or society are ranked
according to relative status or authority
49. Homilies: sermon; lecture
50. Hues: complexion
51. Ignazio Silone: An Italian writer, who was the founder member of the Italian
communist party in 1921, and is known for the book. The God That Failed, authored
 by him.
52. Ignominy: public shame or disgrace
53. Improvident: a person who does not plan his expenses and ends up wasting money
54. Incandescent: emitting light as a result of being heated; burning
55. Incriminating: making someone appear guilty of a crime or wrongdoing.
56. Integration: unification
57. Khadi: An Indian homespun cotton cloth
58. Lead: main
59. Leisure: time when one is not working or occupied; free time
60. Literary: associated with literary works or other formal writing
61. Literati: well-educated people who are interested in literature.
62. Louis Fischer: A well-known American journalist and a writer of Mahatma Gandhi’s
biography entitled
63. Loyalty: a strong feeling of support for someone
64. Madras Indian Christian: – a particular caste in Indian Christians of people from
Madras who have been converted to Christianity religion
65. Main players: actors performing the main roles
66. Manuscript: an author’s handwritten or typed text that has not yet been published
67. Mess: a building or room providing meals
68. Misery: a state or feeling of great physical or mental distress or discomfort
69. Overshadowed: was better than
70. Persevering: continuing in a course of action despite difficulty or delay in achieving
success.
71. Perverts: a person whose sexual behaviour is regarded as abnormal and
unacceptable.
72. played into their hands – to do something that one does not realize will hurt oneself
and help someone else
73. Potions: a liquid mixture
74. Prerequisite: a thing that is required as a prior condition for something else to happen
or exist
75. Prohibition: the act of forbidding something
76. Pursuit: hobby, activity
77. Refrain: lines that are repeated in poetry
78. Richard Wright: An American writer, known for his novel Native Son and his
autobiography Black Boy.
79. Sneaking into: doing something in a secretive or stealthy way
80. Sophistication: having a good understanding of the way people behave
81. Sprawling: spreading over a large area, detailed
82. Stephen Spender: An English poet essayist who concentrated on themes of social
injustice and class struggle.
83. Struck dumb: shocked
84. Subsidiary: secondary, supporting
85. Surmise: guess; suspect
86. Sycophant: a person who acts obsequiously (excessively obedient) towards someone
important in order to gain advantage
87. Tempramental: liable to unreasonable changes of mood.
88. The Life of Mahatma Gandhi. The Oscar winning film Gandhi is based on this
biographical account.
89. Tirade: a long, angry speech of criticism or accusation
90. Trapeze: a horizontal bar hanging with two ropes and free to swing, used by acrobats
in a circus
91. Unwittingly: unknowingly
92. Vaguely: in a way that is uncertain
93. Virtue: behaviour showing high moral standards; here, good luck
94. Woes: distress

THEME OF THE LESSON

The theme of the prose is basically set around personalities and events that used to take
place in Gemini Studios where the author used to work when Indian Cinema was still an
infant as an industry. The author also talks about a new India immediately after
Independence and also makes generalized comments about the country. Asokamitran talks
about the make-up department, the office boy, Kothamangelam Subbu and the legal adviser
and his deeds. He also makes comments about Communism that was prevalent in India
during those days.

TITLE OF THE LESSON

The title ‘Poet and Pancakes’ is both interesting and amusing. It arouses the curiosity of the
reader because there seems to be no connection between the two words poets and
pancakes. But as the reader reads the lessons, he discovers that there is a subtle and
humorous link between the two words. The two words joined together in a humourous way
indicate that the content of the lesson are going to be humourous. By describing the follies
(the trait of acting stupidly) and distinctive (typical) and peculiar personalities of the
characters to an individual, the writer justifies the title.

Gist of the lesson

 The Gemini studio was located in Madras (Chennai)
 The writer recounts his years in the company
 The make-up department was in the upstairs of a building that was believed to have
been Robert Clive’s stables.
 Pancake was the brand name of the make-up material used by the artists in Gemini
studios.
 The make-up room had the look of a hair-cutting salon with incandescent lights at all
angles around half a dozen large mirrors, writer speaks about the ‘fiery misery’ ‘of
those subjected to make-up.
 There was a great deal of ‘national integration’ in the department and a strict
hierarchy was maintained there.
 The players who played the crowd were the responsibility of the ‘office boy’ in his
early forties, a frustrated person, who turned all his anger towards Kothamanagalam
Subbu.
 The author’s job was to cut out newspaper clippings and store them in files.
 Most people including the ‘boy’ thought author was doing ‘next to nothing’.
 S. S. Vasan (editor of Tamil weekly Ananada Vikatan’) was the owner of the studios.
Subbu was No.2.
 Subbu-a Brahmin, had the ability to look cheerful at all times, could be ‘inspired when
commanded’, was tailor –made for films, had a separate identity as a poet and actor,
had genuine love for others, was charitable, always seen with The Boss, attached to
Story Department.
 Story Department-assembly of poets and writers, wore khadi
 A lawyer (legal adviser) -referred to as ‘the opposite’-caused the end of a brief and
brilliant career of a talented actress, looked ‘alone and helpless’, man of cold logic in a
crowd of dreamers, close to the Boss, wore pants, coat and a tie, attached to Story
Department, lost his job when the Story Department was closed down.
 Gemini studios –favorite haunt of poets, excellent mess which supplied good coffee,
Congress rule meant prohibition, almost everyone radiated leisure, wore Khadi and
worshipped Gandhi, averse to Communism.
 Visit of MRA (a kind of counter movement to international Communism) in 1952-
presented two plays ‘The Forgotten Factor’ and ‘Jotham Valley’ in a professional
manner, impressed Madras and Tamil drama community
 Another visitor-a poet from England, tall man, very English, addressed ‘a more dazed
and silent audience’, visit remained an unexplained mystery, staff did not know
whether he was a poet or an editor
 Author’s conviction about prose-writers–‘prose writing is for the patient, persistent,
persevering drudge’, short story contest by a British periodical ‘The Encounter’-found
in the British Council Library almost ‘untouched by readers’, discovered Stephen
Spender was the editor
 Author bought ‘The God That Failed’ years later–six essays describing the
disillusionment of six eminent men of letters with Communism, Stephen Spender one
among them, author suddenly realized the relevance of his visit to Gemini studios.

BRIEF INTRODUCTION OF GEMINI STUDIOS (CHARACTERS AND PLACE)

Gemini Studios: Gemini Studios was one of India’s pioneer movie factories. Situated in the
present-day Chennai, owned by S. S. Vaasan and worked by over 600 staff, the GS made
movies for Tamilnadu and other southern Indian states. Pancake was the makeup material
used by the GS.

The Office Boy: Office Boy was a grown-up man in the Makeup Department of the GS. He
was an incharge of the crowd make-up. He applied pancake on their faces with the help of a
dipped paint brush. Though his job was quite an easy one, the office boy considered himself
to be a greatly skilled artist.

Asokamitran: Asokamitran was one of the staff whose job was to collect information such
as news events from newspapers and magazines and to paste them in files. The other staff
considered his job out of place and most of them thought so high of themselves. Here are
some of the interesting staffs of GS.

Kothamangalam Subbu: Kothamangalam Subbu was another clerk. He was not as educated,
as fortunate and as supported by as the Office Boy, yet he reached the top of the GS. He was
a man of amazing genius. He was able to direct the directors. He suggested dozens of ways
to shoot a certain scene when the director failed to find one. He acted better than the heroes.
He wrote incredible poems. Though he was able to write more complicated ones that could
raise him to the status of a great poet, Subbu preferred writing them in simple Tamil to
enlighten the majority of Tamil people. The world of his time and later never recognized
Subbu as a poet yet he was a great unknown poet. Besides, he supported his far and near
relatives. But he had only enemies everywhere because he was very much close to the boss,
Vaasan.

Legal Advisor: The legal advisor worked in the Story Department. He was a lawyer and
provided legal advices to the writers yet he was known as the illegal advisor. The following
incident is one reason that gave him that name. Once a shooting was under progress. The
heroine, a highly emotional girl, got angry with the director and producer. While the whole set
stood stunned at this, the legal advisor recorded her voice without her permission and made
her listen to the playback, thus resulting the end of a rising actress.

Poets and writers: Gemini Studios had some great poets like Harindranath Chatopadhyaya
and a few others. Most of the insignificant poets considered so great of themselves. They
had no great talent, no great creativity, no political views yet they assumed the airs of the
greatest poets, wasting Vaasan’s money and time. They believed Gandhiji to be the last word
of politics and had developed an aversion to Communism.

Communism and MRA: Communism was a new political order that was spreading
throughout the world, especially in Asian countries. Communism preached equality of people
and abolition of poverty and class divisions while it discouraged private ownership. But
Communism won a negative impression due to the Capitalistic countries such as America.
MRA (Moral Rearmament Army) was an international team of actors and actresses that
spread anti Communist feelings throughout the world. The MRA came to Chennai and saw
how influential was Gemini Studios in the south of India. The team got permission from
Vaasan to stage their plays. Vaasan was only happy to give them permission because he
hoped that his staff would get inspiration from the international team. But little did Vaasan
know of their intentions. MRA staged their plays with hidden anti-communist messages and
went away and it was yet after some time that Vaasan realized that he had been fooled.

Stephen Spender: Anyway, Stephen Spender, who was once a prominent communist editor
and poet from England, came to the studio and gave his speech. His lecture was about
Communism on one side and about his struggles to establish as a poet on the other.
Whatever he spoke was great, exciting and inspiring, but no use because his accent was so
terrible that none of the Gemini staff could clearly understands what Spender had spoken.
They fell into shame for not being able to understand the poet and wished not to meet him
again.

Asokamitran’s meeting with Spender: The lesson ends with two incidents in which
Asokamitran, our author, met Spender; not face to face, but in two different ways. While
attempting to send his short story to England to participate in a contest, Asokamitran
happened to read The Encounter, a magazine that had Stephen Spender as its editor. On
another occasion he happened to read the book, the God that Failed, an article by Spender.

Answer the following questions in 30 – 40 Words.

1. How does the writer describe the make-up room of Gemini Studios?
Ans. The make-up room of Gemini Studios looked like a hair cutting salon. It had around half
a dozen mirrors with incandescent lights at all angles around them. The artists would feel the
heat emanating from these lights. Thus, the writer uses the term ‘fiery misery’ to denote the
uncomfortable situation of those subjected to make-up.

2. What was the great deal of national integration that was prevalent in makeup
department?
Ans. The make-up division of the Gemini Studios was an example of national integration.
According to the author, this is so because people from different regions and religious
groups worked together in the same department. The department was headed by a Bengali
who was succeeded by a Maharashtrian. The other helpers included a Dharwar Kannadiga, an
Andhra, a Madras Indian Christian, an Anglo-Burmese and the local Tamils.

3. Who was ‘office boy’ and why was he disappointed with his job?
Ans. The ‘office boy’ was enrolled in the make-up department for the makeup of the people
who formed part of crowd in the films. He used to mix his paint in a giant vessel and slapped

the paint on the faces of the players. He had joined the Gemini Studios years ago, aspiring to
become an actor, or a scriptwriter, or a director, or a lyricist. He was disappointed with the
studio that failed to recognise his talent.

4. What was the common perception of the staff for the author?
Ans. The job of the author was to cut newspaper clippings and file them. For the other
employees, all he seemed to be doing is tearing newspapers, which according to them did
not qualify as work.

5. Why was the office boy frustrated? Who did he show his anger on?
Ans. The office boy had joined the studio years ago in the hope of becoming an actor or a
screenwriter, or a director, or a lyricist. The fact that he ended up becoming none of these left
him frustrated. He used to direct his anger at the author even though it was meant for
Kothamangalam Subbu.

6. How was the legal adviser different from the others in Story department?
Ans. The legal advisor was a part of the story department at the Gemini studios. He wore
pants and a tie and sometimes a coat whereas everyone else in the Story Department wore
similar khadi dhoti with a slightly oversized and clumsily tailored white khadi shirt. Thus, the
lawyer stood out from others at Gemini Studios as if he is a dispassionate man who did not
take sides. Moreover, he was a logical man with no emotional attachment whatsoever.

7. What do we perceive of the political affiliations of people at Gemini Studios?

Ans. The people at Gemini Studios did not have any particular political affiliations. The
common political notions of the day managed to influence them but that was limited to
wearing khadi and admiring the Gandhian philosophy. They were averse to the term
‘Communism’ but had only an erroneous understanding of the concept.

8. Why was the Moral Re-Armament army a welcome change at the Gemini Studios?
Ans. Frank Buchman’s Moral Re-Armament army was welcomed at the studio mainly
because of their political association. The people at the Gemini Studios were averse to
Communism, and hence, were ready to play host to the MRA. Apart from that, the studio
people hardly had any occupation and suffered from boredom. The MRA came as a welcome
change to their monotonous days at the studio. Madras and Tamil drama community
included scenes of ‘sunset and sunrise in the manner of Jotham Valley’ in almost all of their
plays. This shows how the plays, staged by MRA, influenced Gemini Studios.
9. Why is the Englishman’s visit referred to as unexplained mystery?
Ans. The Englishman's visit to the Gemini Studios is referred to as an unexplained mystery
because no one could decipher his identity, whether he was a poet or an editor. Besides,
when he spoke, no one at the studio understood what he intended to say as his accent was
beyond their comprehension.

10. What does The God that Failed refer to?

Ans. The God That Failed was a compilation of six essays written by six eminent writers,
namely, Andre Gide, Richard Wright, Ignazio Silone, Arthur Koestler, Louis Fischer and
Stephen Spender. In each of the essays, the respective writers described “their journeys into
Communism and their disillusioned return’.

11. What does the writer mean by ‘the fiery misery’ of those subjected to make-up’? Ans.
The make-up room of Gemini Studios looked like a hair cutting salon. It had around half a
dozen mirrors with incandescent lights at all angles around them. The artists would feel the
heat emanating from these lights. Thus, the writer uses the term ‘fiery misery’ to denote the
uncomfortable situation of those subjected to make-up.

12. What is the example of national integration that the author refers to?
Ans. The make-up division of the Gemini Studios was an example of national integration.
According to the author, this is so because people from different regions and religious
groups worked together in the same department. The department was headed by a Bengali
who was succeeded by a Maharashtrian. The other helpers included a Dharwar Kannadiga, an
Andhra, a Madras Indian Christian, an Anglo-Burmese and the local Tamils.

13. Why was the office boy frustrated? Who did he show his anger on?
Ans. The office boy had joined the studio years ago in the hope of becoming an actor or a
screenwriter, or a director, or a lyricist. The fact that he ended up becoming none of these left
him frustrated. According to him, “great literary talent was being allowed to go waste in a
department fit only for barbers and perverts”. He used to direct his anger at the author even
though it was meant for Kothamangalam Subbu.

14. Subbu is described as a many-sided genius. List four of his special abilities.
Ans. Subbu was a multi-disciplinarian. He could provide solutions to problems and remain
cheerful all the time. He was an actor, a poet and a novelist.

15. Did the people at Gemini Studios have any particular political affiliations?
Ans. The people at Gemini Studios did not have any particular political affiliations. The
common political notions of the day managed to influence them but that was limited to
wearing Khadi and admiring the Gandhian philosophy. They were averse to the term
‘Communism’ but had only an erroneous understanding of the concept.

16. Why was the Moral Re-Armament army welcomed at the studio?
Ans. Frank Buchman’s Moral Re-Armament army was welcomed at the studio mainly
because of their political association. The people at the Gemini Studios were averse to
Communism, and hence, were ready to play host to the MRA. Apart from that, the studio
people hardly had any occupation and suffered from boredom. The MRA came as a welcome
change to their monotonous days at the studio.

Answer the following questions in 100 to 120 Words.

1. How does the author describe the incongruity of an English poet addressing the
audience at Gemini Studios?
Ans. The audience at the Gemini studios was not knowledgeable enough to understand the
thrills and travails of an English poet, of which the visitor poet-editor talked about, in his
speech. The studio made films for simple people whose limited resources did not provide
them with an opportunity to develop a taste in English poetry. The audience failed to
understand anything the poet said, all the more, because of the latter’s accent. The poet-
editor, in turn, looked baffled realizing the utter inappropriateness of his speech being
directed to such an audience.
2. What do you understand about the author’s literary inclinations from the account?
Ans. Though the author had a very tedious and unchallenging job at the studios, his interest
in literature and writing is apparent in his willingness to participate in the short story contest
organized by the British periodical, ‘The Encounter’. Moreover, the author appears to be a
keen reader visiting libraries and buying books on wide-ranging topics whenever he could
afford them. The narrative also establishes the fact that the author was one of the most
knowledgeable persons in Gemini Studios. His idea about how prose writing was not meant
for geniuses but for those with patience and perseverance, highlights his deep thoughts on
literature and creative writing.

3. The author has used gentle humour to point out human foibles. Pick out instances of
this to show how this serves to make the piece interesting?
Ans. ‘Poets and Pancakes’ has an underlying tone of humour which is satirical and has been
deployed by the author to point out human foibles. It is mainly manifested in his description
of the make-up room people. 8 The make-up room, he says, was in a building that had once
been the stables of Robert Clive. He further makes fun of the make-up team that slapped
make-up.

Ironically, the make-up turned any normal man into a hideous monster, far from being
presentable. He also refers to the fiery misery of the actors when their make-up was done
under the bright bulbs, large mirrors reflecting blazing heat. His description of Subbu’s No. 2
position in Gemini Studios, the frustration of the office boy and the opposite role played by
the legal adviser in the acting career of a countryside girl are humorously dealt with but
effectively bring out the flaws in the set-up. The showmanship of the boss and what
influences his guest list point out human weaknesses in a light-hearted manner. The humour
is at its peak in the description of the visit of Stephen Spender. S. S. Vasan’s reading a long
speech in his honour but he too knew precious little about him. Spender’s accent is highly
unintelligible. Then the author’s establishing long lost brother’s relationship with the English
visitor is also funny and humorous. All these slight digs at human foibles tickle in us humour.

4. Why was Kothamangalam Subbu considered No. 2 in Gemini Studios?

Ans. Kothamangalam Subbu was on the attendance roll with the story department and was
No. 2 at Gemini Studios not by virtue of any merit, but because he was a Brahmin with
affluent exposure. He was cheerful and had a sense of loyalty that placed him close to the
Boss. He was quick to delegate work to others. As if tailor-made for films, sparks of his
creativity showed in his suggestions on how to create shots. He composed poetry, scripted a
story and a novel. He gave direction and definition to Gemini Studios during its golden years.
He performed in a subsidiary role better than the main players. He had a genuine love for his
relatives and near and dear ones. His extravagant hospitality was popular among his relatives
and acquaintances, probably that is why he had enemies.

5. ‘In all instances of frustration, you will always find the anger directed towards a single
person openly or covertly… Do you think it is right to direct our anger towards someone who
is not responsible for the cause of anger? Justify.
Ans. No, it is not right to direct our anger towards someone who is not responsible for the
cause of the anger. We become angry when we find obstructions in out path and towards
growth, if someone challenges our authority, someone ridicules us and our self- respect is
hurt or when things not go the way you want them to be. Weaker people become the target to
vent out our anger because it is assumed that they won’t retaliate. But this is a wrong
practice and one should try to control one’s anger as far as possible.

7. THE INTERVIEW - Christopher Silvester

INTRODUCTION
The Interview by Christopher Silvester is an excerpt taken from his Penguin Book of
interviews. In this, he talks about various opinions of the celebrities regarding an interview; its
functions, methods and merits. It also consists of an excerpt from an interview with the
famous writer Umberto Eco.
Celebrity Opinion about Interview
V. S. Naipaul : People are wounded by interviews and lose a part of
themselves
Lewis Caroll : Horror of being lionised
Rudyard Kipling : It is immoral, crime, an offence against a person, an assault,
merits, punishment, cowardly and vile
HG Wells : Ordeal
Saul Bellow : Thumbprints on his windpipe
Denis Brian : Our most vivid impressions of our contemporaries are formed
through interviews
Mukundn Padmanabhan: from The Hindu - interviews Umberto Eco.
Umberto Eco : Versatile genius- Professor at the University of Bologna,

VOCABULARY
 Aesthetics: a branch of philosophy that deals with nature and appreciation of beauty
 Amusement: the provision or enjoyment of entertainment
 Assault: make a physical attack on
 Commonplace: not unusual; ordinary
 Condemnatory: expressing strong disapproval
 Contemporaries: a person or thing living or existing at the same time as another.
 Despise: hate, dislike
 Dissertation: a long essay on a particular subject, especially one written for a
university degree or diploma
 Elevator: a lift
 Eliminate: remove
 Ethical: relating to moral principles
 Extravagant: excessive or elaborate
 Fist: a person’s hand when the fingers are bent in towards the palm and held there
tightly, typically in order to strike a blow or grasp something.
 Formidable: inspiring fear or respect through being impressively large, powerful,
intense or capable
 Frustration: the feeling of being upset or annoyed as a result of being unable to
change or achieve something
 H. G. Wells: An English novelist, journalist, sociologist and historian he is known for
his works of science fiction. Wells best known books are The Time Machine, The
Invisible Man and The War of the Worlds.
 Hypotheses: theory
 Interstices: space, gap
 Intrusion: the action of intruding; intervention
 Joseph Stalin: A great Russian revolutionary and an active political organiser.
 Lionized: give a lot of public attention and approval
 Medieval: relating to the Middle Ages
 Narration: the action or process of narrating a story
 Ordeal: a very unpleasant and prolonged experience
 Perpetrated: commited; performed
 Persistent: continuous
 Petitioners: a person who asks for something
 Philosophical: relating or devoted to the study of the fundamental nature of
knowledge, reality, and existence.
 Primitive: ancient, olden
 Pursue: follow
 Repel: drive or force back
 Rudyard Kipling: A prolific writer who was known as the poet of the common soldier.
Kipling’s Jungle Book which is a story of Kimball O’ Hara and his adventures in the
Himalayas is considered as a children’s classic all over the world.
 Saul Bellow: A playwright as well as a novelist, Bellow’s works were influenced widely
by World War II. Among his most famous characters are Augie March and Moses. He
published short stories translated from Yiddish. He won the Nobel Prize for Literature
in 1976.
 Seminal: influential
  Serviceable: fulfilling its function adequately; usable
 Staggeringly: to an astonishing or shocking degree
 Unprecedented: never done or known before
 Unwarranted: not justified or authorised
 V. S. Naipaul: Known as a cosmopolitan writer. In his travel books and in his
documentary works he presents his impressions of the country of his ancestors that
is India. He received the Nobel Prize in Literature in 2001.
 Vile: extremely unpleasant
 Vivid: producing powerful feelings or strong, clear images in the mind.
 Wrecked: destroyed or severely damaged

GIST OF THE LESSON

Part – I
 Interview has become a commonplace of journalism. Opinions on the functions,
methods and merits of Interview vary considerably.
 Some claim it to be the highest form, a source of truth and in its practice, an art.
 Some despise the interview as an unwarranted intrusion into lives, which diminishes
their personality.
 V. S. Naipaul feels that ‘some people are wounded by interviews and lose a part of
themselves.’
 Lewis Carroll never consented to be interviewed for he believed it to be ‘a just horror
of the interviewer’. Rudyard Kipling considered it ‘immoral, a crime, an assault that
merits punishment’.
 H. G. Wells referred interviewing to be an ‘ordeal’,
 Saul Bellow describes it ‘like thumbprints on his windpipe’.
 Despite the drawbacks interview is a supremely serviceable medium of
communication. The most vivid impression of our contemporaries are the interviews
Part – II
 An extract from an interview of Umberto Eco interviewed by Mukund Padmanabhan.
 Umberto Eco was a professor with a formidable reputation as a scholar for his ideas
on Semiotics, literary interpretation and medieval aesthetics before he turned into
writing literary fiction. He attained intellectual superstardom with his publication “The
Name of the Rose’.
 In the interview Eco shares his idea of empty spaces in our lives just as they exist in
an atom, which he calls ‘Interstices’. He says that he makes use of these empty
spaces to work.

 Eco’s essays were scholarly and narrative. He likes to be identified more as a

university professor who writes novels.
 Eco’s ‘The Name of the Rose”, a serious novel, which delves into metaphysics,
theology and medieval history, enjoyed a mass audience. It deals with medieval past.
He feels that the novel wouldn't have been so well received, had it been written ten
years earlier or later

BRIEF INTRODUCTION
‘The Interview’ written by Christopher Sylvester throws light on various aspects of interview in
the field of journalism. Interview that was invented over 130 years, have become a
commonplace journalism. However, opinions of interview- of its functions, methods and
merits vary considerably. Part - II is an extract from an interview of Umberto Eco, author of
the popular novel, ’Name of the Rose’ by Mukund Padmanabhan from ‘The Hindu’. This
interview helps us to know many aspects of his writing style and ideas. Though he gives the
impression of doing many things at a time, he says, he is doing the same thing, pursuing his
philosophical interests through his writings and his novels. Through his modest answers, he
tells the secret of his success. He utilizes the ‘Interstices’ - empty spaces to his advantage.

THEME OF THE LESSON

The chapter is the reflection on the commendable and condemnatory aspects in interviews.
A part from being a record of varied views on this genre, the chapter contains also an excerpt
from an interview with a scholary celebrity.
MESSAGE OF THE LESSON
The chapter tells us that an interview can make a lasting impression. Moreover, as per an old
saying, when we make perceptions about a particular person, the original identity of their soul
is taken away. We learn how the most popular celebrities have criticized interviews.

Answer the following questions in 30 to 40 words.

1. What are some of the positive views on interviews?
Ans. Interview, in the 130 years of its existence, has become an inherent part of journalism. It
is a useful means of communication that is, at times, considered to be an art, serving as a
source of truth. Denis Brian has stated that in today’s world we get to know “our
contemporaries” through their interviews.

2. Why do most celebrity writers despise being interviewed?

Ans. Celebrity writers believe that interviews unduly interfere in their private lives. They regard
themselves as victims of interviews. They claim that the interview in some way ‘diminishes’
them, just like some ancient cultures believed that a portrait of a person takes away his soul.
Certain celebrities like V.S Naipaul have claimed that interviews leave them wounded, while
others like Rudyard Kipling have referred to it as a crime and an immoral act.

3. What is the belief in some primitive cultures about being photographed?

Ans. Some primitive cultures believed that getting oneself photographed would rob them of
their souls.

4. What do you understand by the expression “thumbprints on his windpipe”?

Ans. “Thumbprints on his windpipe” means to choke or suffocate somebody by applying
pressure on his throat. Saul Bellow uses this expression to refer to the pressure and
discomfort felt by a celebrity while giving an interview.

5. Who, in today’s world, is our chief source of information about personalities?

Ans. Interviews help us know our contemporaries and their opinions. They serve as a means
of communication between the celebrities and the audience. In this case, the interviewer is
endowed with a very special power and he becomes our chief source of information about
personalities.

6. Do you think Umberto Eco likes being interviewed? Give reasons for your opinion. Ans.
Yes, Umberto Eco, in all possibilities likes being interviewed. He readily answers every
question asked by Mukund Padmanabhan in an energetic and lively manner. He does not
seem apprehensive about sharing his secrets, experiences and opinions with the interviewer,
and consequently, the world. There is no indication throughout the interview that her dislikes
being interviewed.

7. How does Eco find the time to write so much?

Ans. Whenever Eco has a few moments to spare in between two different tasks, instead of
wasting them, he uses the time to write. Eco explains that just like the universe has empty
spaces, our lives too, have a lot of empty spaces or ‘interstices’, as he calls them. He even
gives an example of his working technique. He says that while waiting for someone to come
up the elevator he keeps himself busy.

8. What was distinctive about Eco’s academic writing style?

Ans. Eco’s writing style is strikingly different from that of the standard academic mode. The
academicians first make a thorough research, then move on to prove their hypotheses, and
finally, give their conclusion on that subject. The final outcome, therefore, comes out as
tedious. Eco, on the other hand, tells the story of his research, including his “trials and errors”.
While the scholars usually use a very depersonalised and dull manner, Eco’s style is
personalised and playful, and in the form of a narrative.

Answer the following questions in 100 words.

1. Do you think Umberto Eco likes being interviewed?
Ans. Yes, I think Umberto Eco likes being interviewed. Following are the reasons for my
opinion:
(i) I infer from the way Umberto Eco replied the questions put by Mukund Padmanabhan
that he likes being interviewed.
(ii) Eco seems to be in a relaxed mood and at ease throughout the interaction.
(iii) Eco replies questions with patience. He never seems to be in a hurry.
(iv) He shows his sense of humour when he says while waiting for Mukund’s elevator to
come up from the first to the third floor, he has already written an article.
(v) His statement, “I am a professor who writes novels on Sunday’s shows that Eco likes
being interviewed.

2. How does Eco find the time to write so much?

Ans. Eco finds the time to write so much in the following way.
(i) Umberto Eco himself says that he is a professor who writes novels on Sunday. Thus
he utilises his holidays for writing work.
(ii) He also points out that he started writing novels by accident He had nothing to do one
day and so he started. Novels probably satisfied nothing to do one day and so he started.
Novels probably satisfied his taste for narration. He writes from his heart. Writing being his
passion, he finds time anyhow or other to satisfy his passion.
(iii) Eco himself explains how he gets time for writing we have a lot of empty spaces in
our lives Eco calls these empty spaces. He says to his interviewer, Mukund, “While waiting for
your elevator to come up from the first to the third floor, I have already written an article”
Thus he works in empty spaces and finds time to write so much. These moments between
one action and the other actions provides him time for writing.

3. Imagine that you are Christopher Silvester. You have been invited to a seminar series
titled- 'Ethics and Techniques of Interviewing'. The organizers would like you to speak about
the challenges of conducting interviews, and skills interviewers must have in order to
conduct good and ethical interviews. Based on your reading of The Interview, Part I and II,
draft your speech. Include relevant details from the text in support of your answer.
Answer:
Ethics and Techniques of Interviewing- Common people think that an interview is the only
and best source of truth. It, according to them, is an art. Celebrities find themselves as
victims; they take interview as an unwarranted intrusion into their lives which somehow
diminishes them. Interviews are also described as thumbprints on windpipe because the
interviewee becomes exhausted by the questions of the interviewer. Despite its drawbacks,
the interview has its own advantages. Though, interview is an intrusion into the personal life
of the interviewee, it is always a supremely serviceable medium of communication. Through
the interviews only, we get vivid impressions of our contemporary celebrities. We get a
glance of their way of working for being a successful and well-thought-out reporter, who
always asks answerable and dexterous questions to his interviewees, one has to plan and
prepare to conduct an interview of a celebrity. Never ask ugly or your embarrassing questions
and make the celebrity whom you interview always feel comfortable with questions. Through
the interviews, readers not only get the information about the celebrities but many other
important aspects of interviewer's personality also come in their knowledge. Ask brief and
quality questions to his interviewees scrupulously. Let the interviewees speak in their own
manner and never try to interrupt or cross-question them.
In this way, interviewees will be free and frank with you. A prepared interviewer, in advance,
arranges the information and personality traits of his interviewees and then with full
preparations, starts his sessions. In all, I can say that all these traits make a disciplined and
dedicated interviewer.

8. GOING PLACES - A. R. Barton

Characters and Places

Sophie : A school going teenager

Jansie : A friend and classmate of Sophie Geoff : An elder brother of Sophie Derek : A
younger brother of Sophie Frank : Jansie’s brother
Danny Casey: A young Irish football player Tom : A great football player United :
Name of the football team Father & mother of Sophie

INTRODUCTION
The story revolves around a teenage girl Sophie, her family and friends. She is a daydreamer,
who is always lost in her dreams of becoming rich and sophisticated though in reality she
belongs to a worker family. The story suddenly twists up when Sophie makes a wild
imagination of meeting Danny Casey, a famous footballer. She also makes a story in front of
her brother that Casey will come to meet her on a fixed day as per a promise he made to her.

VOCABULARY
1. Abruptly: suddenly
2. Affections: fondness, love
3. Apparently: seemingly, evidently
4. Applause: clapping
5. Apprentice: learner
6. Approbation: Approval, acceptance
7. Arcade: Gallery
8. Boutique: a small shop selling fashionable clothes
9. Canal: waterway
10. Cape: wrap, stole
11. Chastened: subdue, humble
12. Chuffed: cheerful
13. Cluttered: untidy, litter
14. Component: part, piece
15. Cradled: hold
16. Crooked: bent
17. Crumbling: broken
18. Decent: adequate
19. Despondent: disheartened
20. Disdain: scorn, disrespect
21. Distractions: diversion, disturbance
22. Dragged: pull
23. Earmarked: set aside, reserved
24. Ecstatic: joyful excitement
25. Elapsed: pass, go by
26. Envisage: predict
27. Eruption: explosion
28. Exotic: foreign, non native
29. Exposing: uncover
30. Exultant: overjoyed
31. Fascination: captivation
32. Forbade: ban, prohibit
33. Freckled: pale/brown spot-on skin
34. Frowned: angry
35. Frowning: annoyed
36. Gawky: graceless
37. Gazelle: An Asian-African antelope
38. Glared: stare angrily
39. Grimaced: angry
40. Grimy: dirty, soiled
41. Grunt: a low rough noise
42. Hesitant: undecided
43. Hovered: fly
44. Hushed: quiet
45. Inaudible: unheard
46. Incongruity: inappropriate
47. Inquisition: questioning
48. Instinctively: without conscious thought
49. Jeered: tease someone
50. Kneeling: be in a position in which body is supported by knees.
51. Longed: wish
52. Lumbering: moving in awkward way
53. Mates: friends
 54. Melancholy: sad
55. Melodious: musical
56. Misery: discomfort
57. Momentarily: briefly
58. Muffed: messed up
59. Nosey: curious
60. Outlying: distant place
61. Pangs: sharp pain
62. Perhaps: maybe
63. Pilgrimage: religious journey, but here their devotion towards football Match
64. Prodigy: a young person with exceptional qualities
65. Reddening: blush
66. Resignation: departure, leaving
67. Reverently: with deep respect
68. Row: here, so much noise
69. Scooping: here, eating
70. Sighed: breathe out
71. Solitary elm: single tree (elm is a tall tree)
72. Sophisticated: worldly, Cosmopolitan
73. Startled: sudden shock
74. Stooped: shoulder bent forward
75. Strings: here, group
76. Suspected: guess, think
77. Thunderous: so strong like thunder of cloud
78. Tinkering: repairing
79. Unlikeliest: unexpected, doubtful
80. Wharf: dock
81. Wriggled: twist, turn

TITLE OF THE LESSON

Going Places' is an idiomatic expression meaning ‘to move a step for one's career. 'The
lesson is about Sophie's wish and fantasy to come out of the drudgery of belonging to the
lower strata of society to a higher one. Unfortunately, the protagonist, Sophie goes 'places' in
her fantasies to fulfill her dream but failed.

BACKGROUND
The whole story is about unrealistic dreams and how we love to indulge in them knowing all
the while that they have little possibility of coming true. But some, like Sophie, gets too much
involved in them and actually act on them. This is when disappointment makes its entrance
into life. The story seems to hint at us that it is okay to dream, but dream with limits. This is
the actual reality and do not believe too much in movies and novels where the characters
miraculously overcome their challenges. This is an unrealistic way of looking at things, but
sadly it is the true reality. Unless we are impossibly ambitious, hardworking, and have loads
of patience and perseverance, such dreams are best to be kept under locked unless we like
the taste of bitter disappointment.

GIST OF THE LESSON

1. Sophie dreams to have her own boutique that will be the best in the city. She wishes
to buy it as soon as she gets money. She also says that she can become an actress if
she gets to run a boutique on the side. Since she has no experience and no money to
make her wish come true, it can be called a dream and not a plan.
2. Jansie is practical and knows that both, she and Sophie are destined to work at the
biscuit factory. She advises Sophie to be sensible as she does not have the money or
experience to own a boutique. Jansie is very well aware of her financial background.
3. Sophie and Jansie are extremely different. Sophie is an escapist and dreams big. She
wishes for things that are far away from her reach. Jansie is practical and knows her
stature. She is aware of her situation and that money and experience can take one a
long way.
4. Casey is a young Irish football player who plays for United. He was skilled enough to
dodge the defenders easily and score goals. Sophie’s father admired him even though
 he was majorly into the old heroes. He also had 3 colored photos of Casey on his
bedroom wall.
5. Sophie’s dreams and disappointments are all in her head. She worships heroes and
imagines meeting Casey. She turns out to be sad because of her fantasies. They are
far from reality.
6. The story uses a lot of metaphorical expressions.
7. Sophie never really met Danny Casey. She had only seen him from a distance that too,
during the football matches.
8. The title ‘Going Places’ is suitable as the protagonist, Sophie, is a daydreamer and
goes to places solely in her mind. She practically started believing that Casey was a
part of her life, even though it was all her imagination. The unknown always
fascinated her, the reason why she was attracted towards her elder brother’s life.

Answer the following questions in 30 – 40 words.

1. Where was it most likely that the two girls would find work after school?
Ans. They were most likely to find work in a biscuit factory. They had already been earmarked
for it. It was also possible that they could get work in some shop.
2. What were the options that Sophie was dreaming of? Why does Jansie discourage her
from having such dreams?
Ans. She was dreaming to buy a boutique. She also dreamt to be an actress or a fashion
designer. She dreamt that she could be a manager to begin with. But Jansie had her feet on
the ground. She knew Sophie belonged to a poor family and all her plans were nothing but
imaginary dreams.
3. Why did Sophie wriggle when Geoff told her father that she had met Danny Casey?
Ans. Sophie had great fear of her father. She knew he didn’t like her mixing with outsiders.
When Geoff told about her meeting with Danny, the father became very angry. He looked at
Sophie in disdain. It was her fear that made Sophie wriggle.
4. Does Geoff believe that Sophie says about her meeting with Danny Casey?
Ans. Geoff doesn’t believe what Sophie says. When Sophie tells about the meeting, he at
once says, “It’s never true”. When Sophie insists that she has met him, he asks her, “All right,
What does he look like?” These words clearly show that Geoff very much doubts what Sophie
says.
5. How does Sophie’s father react when he learns of Sophie’s meeting with Danny Casey?
Does he believe her story?
Ans. The father is very angry to learn that Sophie has met Danny. He doesn’t believe it to be
true? But he expresses his displeasure by looking at her in disdain. Later he says, “This is
another of your wild stories”.
6. How does the father react when Sophie says that Danny Casey is going to buy a shop?
Ans. The father doesn’t believe a word of what Sophie says about Danny. When she says that
Danny is going to buy a shop, the father says, “This is another of your wild stories.” He further
adds, “One of these days you are going to take yourself into a load of trouble.”
7. What secret does Sophie tell her brother about her meeting with Danny Casey in the
arcade?
Ans. Sophie tells her brother that she had asked for an autograph from Danny Casey. But
neither of them had any paper or a pen. So, they just talked a bit. And just as he was leaving,
he offered to meet her the coming week.

8. How does Sophie include her brother Geoff in her fantasy of her future?
Ans. Sophie is an ambitious and outgoing girl. In her fantasy, she imagines herself riding
behind his brother on his bike. He is wearing new shining leathers. She is wearing a yellow
dress. Her cape is flying out behind. She even imagines people rising to greet them and
applauding.

9. Why didn’t Sophie want Jansie to know about her story with Danny?
Ans. Sophie feared that if Jansie knew the story, she would tell the whole neighbourhood.
Then thousands of people would flock to her house. They would ask what the thing was all
about. And when her father saw all this, he would be very angry. He could even murder her,
she thought.

10. Sophie and Jansie were classmates and friends. What were the differences between
them that show up in the story?
Ans. Jansie was a down-to-earth girl. She had no false dreams. She knew her limitations and
those of Sophie also. But Sophie was an ambitious girl. She lived in a world of dreams. She
had plans that could never come true.

Answer the following questions in 100 words.

1. Sophie has her own dreams and disappointments, but they are all her creations- the
creations of her own mind. Justify the statement.
Ans. Sophie is a school going girl. She belongs to a poor family. But she is highly ambitious.
She always lives in the dream world. She talks with Jansie about her dream world who
forbids her against such false dreams. She has created a world of her own which has no
relation with the harsh realities of life. She dreams to have the finest boutique in the city. She
thinks of becoming an actress and run the boutique as a side business. She wishes to
become a manager. She even thinks to become a fashion designer. Although she has no
source of money yet she dreams of big and beautiful things.
Sophie develops a romantic fascination for Danny Casey, a young Irish football player and the
hero of her dreams. Her father calls it another of her “wild stories”. Even Geoff does not
believe her. She is an incurable dreamer. She always thinks about Danny. She sits alone and
waits for his arrival. She becomes sad when he does not come. Her dreams shatter. These
dreams and disappointments are all the creations of her mind.

2. Compare and contrast Sophie and Jansie highlighting their temperament and
aspirations.
Ans. Sophie and Jansie are class-fellows and friends. They belong to lower middle-class
families. But they are poles apart in their character and temperament. Jansie knows and
believes in the harsh realities of life. She is sensible and worldly wise. She lives and wants to
live and work as per her standard and status. She is satisfied and happy with what she has.
But on the other hand, Sophie is totally blind to the harsh realities of life. She is a day and
night dreamer. She desires what is beyond her reach.
She dreams of big and beautiful things. She wants to become a manager, fashion designer
and an actress. She wants to have a boutique. She wants to marry Irish football player Danny
Casey. She is a hero-worshipper. She develops a fascination for him. She is an incurable
dreamer and escapist. She shares her secret only with her elder brother. At last, she becomes
sad and helpless but she doesn’t become wiser. She remains a romantic dreamer. Jansie is
practical and realist. She has no such unrealistic dreams.

3. Who was Danny Casey? How was he adored by the family of Sophie, and especially by
Sophie and her father?
Ans. Danny Casey was an Irish Prodigy. He was a wonder boy of football. He had won the
hearts of his countless fans. He played for United. Sophie’s family was obsessed with the
Irish genius. Sophie’s father compared young Danny Casey to another great football player
Tom Finney. He wished that Casey might be that good someday. Geoff considered him the
best and hoped that Casey would prove even a better player than Tom Finney. His father
thought that he was too young for the First Team.

Sophie adored Danny Casey. She had a romantic fascination for the Irish Prodigy. Her young
heart throbbed for her hero. She imagined Casey coming to her. She would sit under an elm
tree, waiting for Casey and dreaming of him. She realized that he would not come. This made
her sad and dejected. Sophie became a victim of her own dreams and disappointments.

4. “It’s natural for teenagers to have unrealistic dreams.” On the basis of your reading
comment on the advantages and disadvantages of such fantasizing.
Ans. Our dreams are an integral part of our lives. Devoid of dreams, life will become dull,
drab morbid. It’s our dreams which remain our motivating force and make us strive for a
better life. Teenage is that phase in one’s life when one is preparing oneself to face the
challenges of life. Teenagers are still not acquainted with harsh realities of life and get
enchanted and allured with what life has to offer. Much of their dream world is influenced by
movies and media where the Cinderella Syndrome forms the basis of their creation. The
teenagers see the ordinary simple people like them, making it big as rock stars in just a span
of three hours. Their dreams draw them into this glamorous world. They idolize their heroes
and think that achieving high in life is not a distant dream. They start nurturing unrealistic
dreams like Sophie in the story. No doubt it is important for us to dream high. If one doesn’t
one can never be successful in life. However, dreaming the unachievable can be damaging to
the personality. We hear many cases of youngsters getting into depressions, developing
suicidal tendencies. Sometimes they even commit suicide, which is the outcome of
unrealistic goals and unrealized dreams. Dreams are certainly a part of life but if not dealt
with adequately, they may prove to be extremely harmful.

5. Justify the title of the story, ‘Going Places.’

Ans. This is an exotic journey into the dream world and thus is aptly titled. It’s only in dreams
that we can travel to the remotest parts in the world, dine with a celebrity or be on the top of
the world. Most of us can go to places only in the world of our dreams. The reality however is
contrary to this and confines us to the four walls of a room. Sophie who lives in the world of
her dreams, finds her reality quite suffocating. She belongs to a lower middleclass family but
imagines herself to be the owner of the best boutique in town. She sometimes sees herself
as the manager of some store, an actor or a fashion designer. It’s in her dreams that she
visits the Royce and meets Danny Casey, the sensational sports star. She even fixes up a
date with him in her imagination and actually travels to the place and waits for him to show
up. Sophie is seen to be moving from one dream to another in her mind.When the harsh
reality stares at her face, she refuses to let it defeat her. She continues to dream. The title
‘Going Places’ thus suits the character and the story.

POEM
MY MOTHER AT SIXTY-SIX – KAMALA DAS

GIST OF THE POEM

 Poetess travelling to Cochin airport with her old mother in a car.
 Looks at wan, pale face of her dozing mother.
 Old fear of losing her mother returns.
 Sprinting trees and merry children provide the scene of childhood full of vigour.
 After the security check the old familiar ache returns.
 Tries to hide her emotions by smiling.
 Bids good bye to her mother with a hope to see her again.

Enrich your vocabulary

Doze : a short, light sleep
Ashen : very pale, like ash.
Corpse : a dead body.
Sprinting : here, shooting out of the ground. Spilling : here, to move out in great
numbers.
Wan : unnaturally pale, as from physical or emotional distress. Ache : pain.
IN A NUT-SHELL
The poet is driving from her parent’s home to Cochin airport by car, her mother by her side—
dozing –open mouthed very pale, colorless and frail‐like a dead body indicating that her end
was near. The poet looks at her and feels intense pain and agony to realize that soon death
will cast her mother away from her. She tries to divert her mind, looks outside at the young
trees and happy children bursting out of their homes in a playful mood (a contrasting image).
After the security check at the airport, she looked again at her mother’s face - pale and cold.
‘Familiar ache‐my childhood fear’ – the poet has always had a very intimate and close
relationship with her mother and she has always felt the fear of being separated from her
mother hence it is familiar. The poet reassures her mother that they will meet again.

My Mother at Sixty-Six Summary

The author had come to see her parents at their home. While returning, when she was
traveling to the Cochin airport to get back from where she had come, she saw her old and
pale mother sitting beside her in the car. She had dozed off and was sleeping open-mouthed,
appearing like a corpse since she was getting old. She realized that her mother was getting
as old as she looked. Putting this thought away, the author looked out of the window and saw
the trees sprinting, and children coming out of their homes and playing. The passing trees
and children playing were the replicas of her childhood and the passing of time.
As she reaches the airport and gets her security check-in done for boarding the flight, she
looks at the distance between her and her mother. She looks at her old, pale, wan mother
who is getting older. She has compared her to winter’s moon since winter is the last season
of the year and her mother was in the last phase of her life. Similarly, winter is white which is
a reflection of her grey hair. As she looks at her mother, an old ache hits her body and mind.
The kind of pain and feeling she had felt years back during her childhood when she was
leaving her home for the first time. She felt a similar ache today on leaving her mother as she
gets old and pale like a winter’s moon. With all the pain in her heart, she bid goodbye to her
mother and said, “See You Soon Amma.

She smiled while bidding her goodbye and kept smiling at her because she wanted to leave
her Amma with positive and happy thoughts. She wanted to inform her that she was going to
be okay and they were going to meet again soon.

Line by Line Explanation of the poem

I saw my mother, beside me, doze, open mouthed, her face ashen like that of a corpse- She
describes her mother as that lying beside her like a corpse because she was getting old and
looking pale because of the pain of her daughter going away. Her mother was sleeping with
her mouth open which indicates that she was in deep sleep and deep sleep reflects pain. Her
face was ashen like a corpse because of her old age and pain put together. Since she was
getting old and was probably nearing her death, she has been compared to a corpse.

Looked out at Young Trees sprinting, the merry children spilling out of their homes-
Sprinting means passing by. As she watched the trees sprint, she realized that her childhood
had gone. The sprinting trees were the reflection of the passing of time, and they helped the
author realize that she has become a grown-up lady now. The merry children spilling out of
their homes is also a depiction of childhood, which is obviously missed a lot.

I looked again at her, wan, pale as a late winter’s moon- When the author looked at her
mother, she appeared to her as a winter’s moon since winter is about snow, white, serenity,
and paleness. These words exactly describe the situation of her mother. Her grey hair
appeared as winter’s snow, the paleness of her face explained the moon. This can also be
described in another manner. Winter is the last season of the year and since her mother is in
the last phase of her life, she has been compared to winter.

And felt that old familiar ache, my childhood’s fear- The author felt an old familiar ache when
leaving her mother and standing across yards to bid her mother a sweet goodbye. She felt so
because the pain reminded her of the time when she was leaving home for the first time and
was going through the same pain. It was her childhood fear because it was a terrible feeling
to leave home for the first time. She did not want that feeling to return because she did not
want to feel that pain again, she did not want to leave her mother at such an old age and go
away.

All I did was smile and smile and smile- She smiled at her mother despite all the heaviness
and pain that she was feeling because she wanted to leave her mother with a smile. She
wanted to let her mother know that she was going to be okay and she was happy with her life.
She wanted to say that they are going to meet again soon and she is already happy about
seeing her again, whenever the time permits. The author wanted to leave her mother on a
good note with positive and happy vibes. It was also to cover the fear of losing her because
of her old age.

THEME
My Mother at Sixty-Six by Kamala Das brings out the reality of inescapable ageing, decay and
death through a simple incident. She feels worried at the thought of her separation from her
mother. She realizes how much her mother and she herself have aged when she looks at the
‘young trees sprinting’ and ‘merry children spilling out of their homes’. She smiles and bids
farewell saying that she would soon meet her again.
TITLE
The title, ‘My Mother at Sixty-six’ is an excellent example of showing an ever-unfailing
relationship between a daughter and her mother. The title is apt as the subject of the poem is
the poet’s aged and frail mother. ‘My Mother’ at once establishes the context in which
Kamala Das is writing – the mother’s unexpected pain and the poet’s worry about her
mother’s frail health, old age and perhaps, inevitable death. The title prepares us for the frail
old mother and her daughter’s concern for her.

CENTRAL IDEA
Aging is an important phase of human life. A person enters his childhood, experiences youth
when he is full of energy and dreams to have luxury of life. Finally, he approaches his old age
and encounters death. Relationship between people becomes stronger at every aspect of life
and they can’t bear separation due to aging.
In this poem, the poet relates a personal experience. She brings out a common paradox of
human relationships and portrays a sensational separation of a mother and a daughter. She
has been able to capture almost all the emotions which a daughter is filled with, on bidding
farewell to her beloved mother. Sometimes we do feel deep sympathy for someone but we
fail to express it in a proper manner.

Answer the following questions in 30 to 40 words.

1. How does the poet describe her mother in the poem?
Ans. The poet describes her mother as an old lady who has become pale, weak and worn out.
She often dozes and remains unconscious about herself like a dead body.

2. Why does the poet look outside? What activities does the poet see outside the car
window?
Ans. The poet feels very sad thinking that her mother is nearing death. This painful thought
makes her worried and anxious. So, in order to divert her attention from her mother, she
looks outside. The poet sees young trees running past them. She also sees little children
coming out of their homes in a merry mood. She sees life and vitality in the outside world.

3. Why are the young trees described as ‘sprinting’?

Ans. The young trees are described as sprinting’ as the movement of the racing car makes
the trees appear as if they are running along.

4. Why is the mother compared to the late winter's moon?

Ans. The mother is compared to the late winter’s moon because like the moon of winter
season, the poet’s mother also looks pale, dull and grayish.

5. What childhood fears do you think; the poet is referring to in the poem?
Ans. The poet feels uneasy and unprotected with the thought of losing her mother. She does
not expect to see her mother again on her return. So, she shows a childish unwillingness to
leave her mother.

6. Why has the poet brought in the image of the merry children ‘spilling out of their
homes’?
Ans. The poet, Kamala Das, has used the image of merry children spilling out of their homes
to bring a contrast between the old age and childhood. Her mother’s pale, colourless face
stands for old and fading age. Merry children symbolise the spring of life, vigour and
happiness. They also symbolize spontaneity of life in contrast to the passive and inactive life
of her aged mother.

7. What does Kamala Das do after the security check up? What does she notice?
Ans. After the security check up, the poet stands a few yards away from her mother and
gazes at her mother. She notices the declining age and finds her pale and worn out than ever
before.

8. The poet compares her mother to many things. Pick out two similes which reinforce
this comparison.
Ans. (a) The two similes are: “Her face ashen like that of a corpse.”
(b) “I looked again at her wan, pale as a late winter’s moon”

9. Cite an example of one device of contrast that the poet uses in the poem.
Ans. The device of contrast that the poet uses in the poem is old age of her mother and the
young trees and children playing merrily. The poet compares youth, energy, vitality and
jubilance of childhood.

10. What do the parting words of the poet and her smile signify?
Ans. The poet’s parting words, ‘see you soon, Amma’ are expressive of the dilemma and
confusion in her mind. They not only hide her anxiety and fear about her mother’s rather frail
health but reflect also a faint hope that the old woman would survive long enough for the two
to meet again.

11. Why did the poet say “see you soon Amma”? What does the poet actually mean by
“smile and smile and smile…? ‟? What kind of smile is it?
Ans. The poet said, “See you soon Amma” in order to give her mother moral support and
encouragement. She said so to give her mother hope that she would see her again. By “smile
and smile and smile...” she means to make herself and her mother hopeful to see each other
again. It is actually a painful smile. The poet tries to conceal the swelling emotions by smiling.
By using this poetic device of repetition, the poet has made the poetic language rich by
depicting many hidden emotions through “smile”.

12. Discuss mother- daughter relationship as described in the poem.

Ans. Mother- daughter relationship as described in the poem is very sensitive and full of love,
care and emotions. Mother has a deep emotional link to her children and does not want them
to be away. In particular, when the mother reaches her old age, she becomes more
concerned and worried about her children. Daughter also tends to bear a specific kind of
emotional link to her mother. She tries to remain close to her mother and feels very bad and
worried when separated from her. In this poem, the mother does not want her daughter to
leave her; similarly, the daughter gives a mysterious and indefinable smile which is to show
unwillingness and anxiety of leaving her mother.

13. “My Mother at sixty-six” is an emotional account of the poet about her old mother.
Discuss.
Ans. “My Mother at sixty-six” is an emotional account of the poet about her old mother. She
feels very sad and depressed on seeing her pale, weak and worn out. She tries her best to
divert her thought but remains unsuccessful and this thought haunts her mind every now and
then. Till the end of the poem, she feels very sad and disappointed about the declining age of
her mother. She is unable to express her fears and emotions to her mother with the thought
of disheartening her. She bids goodbye to her mother by just smiling in order to hide her hurt
feelings and encourage her mother.

14. How does the poet's mother look like? What kind of images has the poet used to
signify her ageing and decay?
Ans. The poet's mother is at sixty-six. She is sitting beside her. The mother is dozing as old
people usually do during the journey. She keeps her mouth open. This is also a sign of old
age. Her face looks pale and faded like ash. Actually, she is an image of decay and death. Her
'ashen' face looks like that of corpse.

15. Why does the poet feel her old familiar ache and what is her childhood fear?
Ans. The sight of her mother's corpse-like face arouses ' that old familiar ache' in her heart.
Her childhood fear returns. The fear is that with ageing comes decay and death. Ageing and
decay are inevitable. No one avoids them. Perhaps she herself may have to face all these
things. This idea is quite painful and fearful to her.

16. Describe the contrast of the scene inside the car with the activities going on outside.
Describe the use of images that poet employs to strike that contrast.
Ans. Inside the car sits an old mother beside the poet. She is sixty-six and ageing. Her 'ashen'
face is pale and lifeless like a corpse. The world outside provides a stark contrast. The
'young' trees seem to be running past or sprinting. The children are making merry. The 'ashen'
and 'corpse-like' is contrasted with the 'young' trees 'sprinting' outside and the merry children
coming out of their houses.

17. What were the poet's feeling at the airport? How did she hide them?
Ans. The poet experienced two opposite and contrasting feelings at the airport. The ashen
and the pale face of her mother brought an image of decay and death. But she immediately
hid her feelings. She composed herself and tried to look normal. She smiled continuously to
assure her mother that they would meet again soon.

18. Describe the poetic devices used by Kamala Das in 'My Mother at Sixty-Six'.
Ans. Kamala Das ' My Mother at Sixty-Six’ is rich in imaginary. The use of simile is very
effective. Her face has been described as 'ashen'. The ashen face is 'like that of a corpse'.
Again the 'wan, pale' face of a mother is compared to ‘a late winter's moon'. The poem excels
in contrasts

2. KEEPING QUIET - Pablo Neruda

GIST OF THE POEM

 In this poem the poet wants to make the readers understand the importance of work
and its effect.
 He requests us to keep quiet till he counts up to twelve for perfect introspection.
 He requests us not to use any physical and mental languages for a while as they will
become a hurdle in keeping quiet.
 When there is no rush, no movement and no noise of engines, the threat of sudden
strangeness will tie all of us together into an exotic moment
 This will bring relief to the fishermen in cold sea and the salt gatherers will also be
able to look after their injured bleeding hands.
 A good sense will also prevail on the war-mongers as they will understand the futility
of the same
 When the environment is endangered, human-existence is threatened, the survivor of
the war will realise the futility of war.
 The poet urges us not to mistake inactivity to death.
 He clarifies that single-minded indulgence in the rat-race of self-centered goals
leading to materialism is unwarranted.
 Keeping quiet and discharging our duties peacefully will evolve better understanding
in us.
 The achievement of mental peace will lead us to introspection
and mutual understanding.
 The absence of these two traits amounts to various conflicts in the world.
 With the development of mutual understanding comes empathy and then our life
becomes a pleasant experience.
 The poet says like the earth the potentials may not be exhibited all the time.
 Finally, he declares his departure while persuading us to keep quiet.

THEME OF THE POEM

In the war-stricken world, the poet has emphasized the need to introspect and bring in the
spirit of brotherhood among the people of the world.

TITLE OF THE POEM

The title is very appropriate as the poem celebrates the necessity of quiet introspection and
silence. This moment of silence will act as an antidote to war, violence, hatred, exploitation
and turmoil. By keeping quiet, mankind can try to understand himself and stop harming
himself and others with death and destruction.

CENTRAL IDEA OF THE POEM

In the poem the poet tries to tell us that we should stop our destructive activities and keep
quiet for some time. By keeping quiet he means that we should look into ourselves and see
what our behaviour is doing to others. We should analyse ourselves and change accordingly.

MESSAGE OF THE POEM

To promote the international brotherhood, peace and cooperation we need to introspect our
activities in regards to the community.

SUMMARY
This poem advocates the importance of silence and self-introspection. It can transform not
only the life of an individual but also the face of the earth. The poet says that it does not need
much time to look within and examine oneself. It will take only as long as it will take to count
to twelve. During this time of introspection (self-examination), one should keep quiet and say
nothing at all. It will give him a strange feeling of togetherness with all others.

Although it may seem a little strange in the beginning, it will eventually bring us all together.
This silence will be free from ‘the disturbing sounds of engines and people rushing to get
their work done’ for some time. He feels contended imagining the change that will be brought
about in those moments. The men who hurt their hands while collecting salt will get a little
rest. Even the people who seek fresh wars, using fatal gas and weapons, will put on clean
clothes and get a chance to walk among their brothers.

They will lead a hatred-free and calm life, giving a halt to their destructive activities.

The poet clarifies that his wish should not be considered as a case for “total inactivity”. He
only wants to interrupt the sad, cruel and baleful activities of the world for a few moments
and make the people introspect their actions. In fact, what he says is connected with life, not
with death. Activity is very essence of life. Inactivity is death but for a fresh, better and useful
activity, a little stillness is essential.

The poet uses the image of the earth to show how life exists in seemingly dormant things. In
winter, the earth becomes so still and silent that it seems to be dead. But later in spring, it
seems to be lively again. It has new beauties and colours added to it. Similarly, after a little
quietness and silence, man can resume his activities in a fresh and better manner.

Stanza 1
Now we will count to twelve
and we will all keep still.
For once on the face of the Earth
let’s not speak in any language,
let’s stop for one second,
and not move our arms so much.

In the first stanza, the poet says asks the audience to hold on, stop doing anything and count
to twelve and then keep still i.e. silent. The phrase “count to twelve” is symbolic. I may signify
our daily routine or even unity (as clock’s hand unite at 12).

Whatever the meaning be, the poet is asking us to keep silent. At this moment, we will not
speak in any language (because languages create barriers and divide us) and instead, keep
silence which is the universal language and thus uniting factor.

In the next line, the poet again says that let us stop for a second and not move our arms i.e.
let us leave our work and quest for worldly things and instead keep silence.

The first stanza, depicts that the poet is not in the favour of barriers which divide us and even
our worldly desires

Stanza 2
It would be an exotic moment
without rush, without engines,
we would all be together
in a sudden strangeness.
Fishermen in the cold sea
would not harm whales
and the man gathering salt
would look at his hurt hands.
According to the poet, when we will leave all our worldly affairs aside and remain silent, it will
be an exotic (strange) moment as there will be no rush and no engines (i.e., machines). We
will all be together in a sudden strangeness which will be the uniting factor (as we all will be
silent which is a universal language).

The poet further says that during the moment of stillness, no fisherman would harm any
whales in the cold sea i.e., there will be no killing of any animal for our benefits.

In addition, the person who gathers salt at sea coast would stop doing his work and instead
look at his hands which are hurt and wounded because of excessive work.

During this stillness, all of us would wonder why we are doing anything and it will surely have
some impact on us and our thinking.

Stanza 3
Those who prepare green wars,
wars with gas, wars with fire,
victory with no survivors,
would put on clean clothes
and walk about with their brothers
in the shade, doing nothing.
What I want should not be confused
with total inactivity.
Life is what it is about;
I want no truck with death.
In this stanza, the poet talks about war, According to him, all the people who prepare green
wars (i.e. destroy the environment by cutting the trees), wars with gases (pollute environment
with their industries and factories), wars with fire (destroy and kill others with weapons) and
those who have victories with no survivors (i.e. the powerful people who defeat others by
killing them) may put on clean clothes and instead of doing that, walk with their brothers in
the shade (of tree) and do nothing.

Here, the poet discusses everything which humans do for selfish reason including
deforestation, industrialisation, wars and battles. According to him all these people should
stop for a moment and instead of hate, they may preach fraternity and love.

In the next line, the poet makes us understand that he does not mean total inactivity. Instead,
he is asking for no more harm to anybody.
According to him, life is what it is about i.e., we have life and we should live instead of
fighting. The poet further says that he is saying this because he does not want any truck with
dead bodies.

This line is deep and emotional. As I said in the beginning, the poet has experienced the
worst effect of World War II and hence he does not want to see the mass deaths and
destruction.

Stanza 4
If we were not so single-minded
about keeping our lives moving,
and for once could perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with death.
In this stanza, the poet says that if we were not so single-minded (i.e., selfish, greedy and
materialistic) about keeping our lives moving (i.e., for growing ourselves), this keeps silence
for sometimes, it will definitely interrupt (i.e. take away) the sadness of never understanding
ourselves and of threatening ourselves with death.

In other words, the poet considers our greed, our selfishness and materialistic mindset as the
root cause of wars, murders, and destruction. According to the poet, this mentality never
allows us to understand ourselves, i.e., our soul which always wants peace and fraternity.

The poet believes that if we keep silence for a moment, we will be able to cure our sadness
which is a part of our lives.

Stanza 5
Perhaps the Earth can teach us
as when everything seems dead
and later proves to be alive.
Now I’ll count up to twelve
and you keep quiet and I will go.
In the last stanza, the poet takes the example of Earth to make us understand the importance
of patience. According to the poet, Earth can teach us everything because nature is slow and
at one instance, it may look dead. However, with patience and perseverance, it proves to be
alive. e.g., trees grow so slowly that they may look dead. But with time, they grow huge.

In the end, the poet again repeats the first lines. After saying everything, he says that it is the
time for action. He asks us to count up to twelve and then keep quiet so that he may go now
(as his aim will be accomplished which is changing our mentality).

Answer the following questions in 30 to 40 words.

1. What does the poet call an exotic moment and why?
Ans. The poet calls the moment of calm introspection ‘an exotic moment’. He calls it so
because it will give us a very unusual feeling. We shall feel ourselves as one with all others.
We will come out of all our greed, selfishness and cruelty.

5. What does the poet say about those ‘who prepare green wars?
Ans. The poet says that there are people who enjoy making wars. They want to win victories
even if there are no survivors after the victory. The poet says that these people will stop
making wars if they can take out sometime for quiet introspection. They will then look upon
all others not as their enemies but as their brothers.

6. What should not be confused with total inactivity? Why?

Ans. The poet says that we should stop all our activities for a few moments and do quiet
introspection. But his, this saying should not be confused with total inactivity. He says that
the essence of life is activity while inactivity is death.

7. How, according to the poet, can earth teach us?

Ans. When it is winter, everything on the earth seems to be dead. But later in spring, it is
proved that the earth is alive, not dead. It has new colours and beauties added to it. Similarly,
after the silence and stillness of quiet introspection, man can start his activities in a better
and purposeful manner.

8. Explain: ‘sudden strangeness’.

Ans. Just after counting to twelve, all of a sudden, we all become ‘silent and still’. It is a
sudden strangeness.

9. Explain: ‘a huge silence’.

Ans. When for once, all of us on earth, are in silence and stillness, it becomes very
widespread silence all around.

10. Explain: ‘interrupt this sadness’.

Ans. Interference in sadness of life means getting rid of it at that moment to create
cheerfulness.

11. What are the two types of sadness named in the poem ‘keeping Quiet’?
Ans. One is ‘sadness of never understanding ourselves’. The other is threatening ourselves
with death.
3. A THING OF BEAUTY - John Keats

Enrich your vocabulary

Bower : A pleasant shady place under trees
Morrow : The following day
Wreathing : Surround / encircle.
Spite : Desire to offend / annoy someone. Despondence : Disheartened/
hopeless/ depressed
Noble : Of superior quality / having high moral principles Pall a cloud :
(here) a dark cloud of gloom and sadness.
Spirits : The soul where lie our emotions and character. Sprouting : To develop
suddenly in large numbers.
Shady boon : A shade which is helpful to someone. Rills : Streams of running
water.
Covert : Not openly known or displayed.
Grandeur : So as to impress.
Dooms: Last day of existence.
Immortal : Living forever/ never dying Heaven's brink : The door of God's
home.
Gloomy : Sad
Boon : Blessing
Brake : A process to slow down
Grandeur : High rank or socially important
Mighty : Enormous
Brink : Edge

GIST OF THE POEM

 Based on a Greek legend, the poem is an excerpt from 'Endymion'
 According to the poet a beautiful thing is a constant source of joy. Its loveliness never
ends but increases forever.
 It gives sweet dreams and peaceful sleep, fine breathing and good health. Hence, a
boon to all.
 We are surrounded by jealousy and disappointment.
 The ignoble qualities make our life gloomy and miserable resulting in suffering and
pain.
 A thing of beauty removes the gloom (sadness) from our spirits.
 The sight of nature such as- clear streams of water, daffodils (a flower), musk-rose
and forest thickets -make our lives sweet, soothing and happy
 This beauty is also experienced in grandeur of the dooms that we have imagined for
our powerful dead forefathers - Doom-refers to the ruins of the great deeds of the
legendary heroes.
 Lovelier than lovely tales, the incessant beauty of nature is pouring unto us like an
immortal drink through an endless fountain from the heaven meaning that nature's
beauty acts as an elixir for humanity.

THEME OF THE POEM

The theme of the poem rests in the opening line of the poem. A beautiful object is treasured
in our mind because it provides us eternal and everlasting joy. This happiness never fades
into nothingness but multiplies manifold whenever it flashes on our mind.

CENTRAL IDEA OF THE POEM

Beauty is a heavenly tonic/drink – an endless fountain of nectar. This beauty comes in
different forms– a tale, a poem, a play, a lovely object of nature or the heavenly bodies. It
soothes our spirits and gives us good health, sound sleep and mental peace. It removes
sadness from our lives and gives an everlasting joy.

MESSAGE OF THE POEM

Keats, an ardent lover of nature, in his poem refers to the powers of nature. He urges
mankind to realize these powers and make his life enjoyable and worth living. He tells us how
a thing of beauty provides perennial joy to us.
TITLE OF THE POEM
The poem 'A thing of beauty' is written by John Keats. It is the poem where poet described
about the importance of life and the beauty of life. It is like a romantic poetry. The poet
picked up here the beauty of life like if we don't do anything wrong life will be colourful. We
can get limitless happiness in life. Corruption, greed, murder these are not the quality of life.
John Keats is a famous poet. He has perfected this poem by its title, figure of speech, inner
meanings, rhythmic words.

SUMMARY
The poet says that a thing of beauty brings eternal and everlasting joy and delight. These
beautiful things will always continue to mean the same and will never pass on being useless.
These beautiful things are also like shady places that give you peaceful sleep with sweet
dreams, health, and quiet breathing. We, as people, are often attached to the earthly things
around us, and these beautiful and simplistic things bind us together with the earth like a
flowery band. At the same time, there are hard and materialistic or plastic things that keep us
away from attaining eternal happiness. They distract us from the small and beautiful things
that bring pleasure and happiness. These materialistic things draw people towards gloomy
days, unhealthy habits, and darkened ways. The reason for these gloomy days and unhealthy
habits is the human’s attraction towards materialistic things. These bring negativity to the
lives of people. In spite of all this darkness, there exist small things of beauty that move our
souls far from dark spirits and negativity. Sun, moon, old and young trees, animals such as
sheep, flowers such as daffodils, greenery, streams, and all these simple earthly things of
beauty bring us happiness and pleasure. These things keep us away from all the negativity
and turn our sorrows into happiness. The water streams that we talked about provide us with
relief from the scorching heat of the sun, during summers. Forests are filled with musk roses
that are pleasurable to our eyes. The tales of our brave soldiers, the dead ones, and the ones
who fought for our safety sacrificing their own, these are things of beauty. The small and
simple things are easily found in and around us. These are our sources of motivation,
pleasure, and happiness. They help us stay away from all the negativity life often shows upon
us. These things of beauty are the never-ending fountain showered by the almighty upon the
people. It is an immortal drink, something that is never going to end.

Stanza 1
The poem begins with the famous line A thing of beauty is a joy forever meaning that a
beautiful thing always gives joy to humans. It will never Pass into nothingness i.e. its beauty
will never die, instead of its loveliness increases.

The poet then compares the thing of beauty with a number of other things to describe how
much important it is for us. According to him, it is a bower quiet for us i.e. it is like the
peaceful shade of plants for us.

It is a sleep full of sweet dreams, and health, and quiet breathing. By comparing the thing of
beauty by all these things he wants to prove that it has a significant role to play in the life of
human beings.

Stanza 2
In the next stanza, the poet says that as the thing of beauty is fundamentally important to us,
every morning, we collect the flower-like charm of the beautiful things and make a band of it
that gives us joy.

There are unhappy moments in our life. We lack nature in the inhumane materialistic life. We
have to face unhealthy ways, griefs and even failures.

But in spite of all these gloomy things, a thing of beauty takes away all these troubles and
gives us joy and peace.

Stanza 3
In the third stanza, the poet gives examples of things of beauty that give us joy and
happiness. Examples include the Sun, the Moon, trees old, and young [that grow up and give
peaceful shade to our spirit (innocent sheep)], daffodils (that make the earth green), pure and
cool streams.

There are summers in which the fair musk-rose blooms that shine (sparkle) the season.
Stanza 4
Finally, the poet refers to the beauty of the grandeur (magnificent and impressive memory) of
the mighty dead i.e. the martyrs who sacrificed their lives for the good cause. There is the joy
of the lovely tales that we have heard or read which we hear about them.

Thus, nature is the endless fountain of immortal drink which it pours unto us from the
heaven’s brink. The line means that nature gives us immortal joy that comes from heaven
and hence it is the ultimate source of happiness.

Answer the following questions in 30 to 40 words.

1. How does a thing of beauty provide us shelter and comfort?
Ans. John Keats is a great Romantic poet. He creates images that soothe our senses. Nature
bestows us with things of rare beauty. It keeps the shade of trees ready for us to be
comfortable and peaceful in it. Beautiful things also provide peace and security so that we
can enjoy sound sleep. We are able to enjoy sweet dreams, good health because of them.

2. What spreads the pall of despondence over our dark spirits? How is it removed? Ans.
Man makes his life miserable and full of suffering because of his own actions. The pall of
despondence is the sadness that is a result of one’s own actions. A thing of beauty works
wonders for man and removes the cover of gloom from his dampened spirits.

3. How do the ‘daffodils’ and ‘clear rills’ enrich our environment?

Ans. Daffodils are lovely white flowers that bloom in green surroundings. The “clear rills” or
clear streams of water create cooling comfort or passage for themselves as they pass
through the thick bushes and ward away the heat of the sun.

4. What is the ‘grandeur of the dooms’ and ‘endless fountain of immortal drink’?
Ans. The “grandeur of the dooms” is a reference to our mighty and dead ancestors who have
created beautiful objects for us. On the other hand, the “endless fountain” is the everlasting
joy provided to us by the bounties of nature in the form of nectar pouring on us from heaven.

5. What makes human beings love life in spite of all troubles and sufferings?
Ans. Human beings love life because nature is the best healer and brings beauty and joy to
our life. The memory of beautiful experiences helps us to bear our sorrows.

6. How is a thing of beauty a joy forever?

Ans. John Keats, a great Romantic poet, considers that a thing of beauty is a joy forever. It is
a constant source of happiness and pleasure. Its loveliness increases every moment. A thing
of beauty is never devalued. It never passes into nothingness.

7. How do we bind us to the earth every morning?

Ans. Like all the Romantic poets, Keats stresses the unbreakable bond of man with nature
and the earth. The beauties of the earth fascinate man. Every object of nature is a source of
beauty and happiness. Every day we are weaving a wreath through these beautiful things.
This flowery band binds us with the earth.

8. Why does Keats associate 'grandeur' with 'the mighty dead'?

Ans. The 'mighty dead ' were people of great power, authority and grandeur. They were
wealthy, brave and awesome people. They are dead in their grave but their grandeur and glory
survives. It is believed that they will be handsomely rewarded on the doom’s day.

9. How is the pall of despondence moved away from our dark spirits?
Ans. Man makes his life miserable by his own nature and actions. He faces miseries and
pains. Amid these miseries and sufferings, a thing of beauty provides the only hope to
humanity. A thing of beauty works wonders. It is a joy forever. It removes the pall of
despondence ad sadness from our 'dark spirits'.

10. What is the message that John Keats wants to give through 'A thing of Beauty'? Ans.
The very first line of the poem conveys the message of the poet. John Keats was a
worshipper of beauty. A thing of beauty is a joy forever. Beauty never fades. Nor is it devalued.
It never passes into nothingness. A thing of beauty removes the pall of sadness and sorrows
and gives us joy and pleasure.

11. Mention any two things which, according to Keats, gives us pain and suffering. Ans.
According to Keats man suffers from pain and suffering due to the inhuman dearth of noble
natures on earth and due to the inhuman and hostile attitude that makes our days sad and
darkness our ways with distress and wretchedness.

4. ROADSIDE STAND - Robert Frost

vocabulary
Out with : Extended
Traffic : Vehicles
Sped : Passed in great haste and speed
Roadside stand : A little shed that sells cheap essentials for the passersby Dole :
Piece, City money: Big amount of money
Feel in hand : The poor people do not want promises. They want the promises
To be fulfilled. Feel money in hand is different from having money between the giver and the
taker
Being : Life
Expand : Improve
Crossly : Angrily
They had none: They had no gas to sell
Didn’t it see : Haven’t you seen?
Requisite lift of spirit: The most important thing to make one feel confident and safe (money)
The voice of the country: Cry of the poor villagers
I can’t help owning the great relief it would be: I keep on feeling an unreal relief of the
villagers
At one stroke : Instantly
As I come back into the sane: As I come back to my senses/reality
My pain : My pain is the sufferings/plight of the poor people
Put me out of my pain: I hope you the rich promise to open your hands for these poor
people

GIST OF THE POEM

 The rural folk have erected a roadside stand by adding a shed to an old house by the
side of the road.
 They sell berries, squash, etc.
 The 'polished' city people feel irritated at the shabby stand which is clumsily painted
and the signs turned into wrong direction.
 The roadside people have self-respect, their aim is not to beg but to earn some cash
to improve their living standard.
 The rural folk are promised a better life by re-locating them near cities and
rehabilitating them.
 But the 'greedy good doers' and `beneficient beasts of prey'(politicians, etc.) exploit
and cheat these honest, hardworking rural people.
 The stand owners suffer a 'childish longing' i.e. a desire that city people would stop
and purchase a few items, thus helping them to earn hard cash.
 But this longing is `vain'(useless) as the car owners stop only to enquire about fuel,
where the road was leading to and for taking a U-turn.
 The poet feels the pain and disappointment of the people at 'roadside stand'.
THEME OF THE POEM
The poem A Roadside Stand depicts the lives of the rural poor. Robert Frost is critical of the
contemptuous way in which the city dwellers look at the villagers who yearn to sell their
vegetables by setting up a roadside stand by the side of the high way. He reminds us that the
economic well- being of a country depends on a balanced development of the villages and
the cities.

CENTRAL IDEA OF THE POEM

‘A roadside Stand’ highlights the stark reality of class difference between the city rich and the
rural poor and calls for deepest sympathy and concern for the latter. The roadside stand
owner, representing the rural poor, complains of the indifferent attitude of the city folk as
represented by the city motorists and appeals to them to come forward to relieve the rural
poor of their want and poverty.

MESSAGE OF THE POEM

There is a universal appeal to the rich and the government for the upliftment of the poor rural
folk. The poor rural folk can make progress only when the rich do not exploit them. The
government and the big money magnets should take the responsibility to improve the
condition of the poor. Instead of promises grass root action should be taken the right
direction for their betterment. Let their hopes not shatter in this materialistic and dazzling
world.

TITLE OF THE POEM

The poem “A Roadside Stand” is an apt title. It highlights the poignant picture of the deprived
section of the society who are born in misery, spend their life in misery and die in misery.
Their wish to live a life of dignity is a just a dream never to be fulfilled. On the one hand the
affluent city dwellers enjoy the dazzle of the world to the fullest of their desire. But on the
other hand, the poor rural folk want their fresh and pure goods to sell to earn some gold
(money) for the betterment of their life. They also want to give good education to their wards
to change their lot. But their dreams shatter when the city dwellers do not bother to have
even a look to their goods. They even hate thinking that their sheds mar the natural beauty.
They just make enquiry about their direction and move on. Thus, this title describes the gap
between haves and haves not. So, the title is quite apt.

SUMMARY
The poem says that a little old house with a little new shed outside is present at the edge of
the road, where traffic passes by. The shed is used as a shop by the people living in the
house. The roadside stand pleads for the traffic to stop by and buy something so that they
can earn at least bread for their survival.

The poet says that the polished traffic/rich people traveling in the car pass by without
stopping at the roadside stand. And even if they stop, they do it to watch the scenery or have
a look at the landscape or check the directions (ask for directions). The shop offers wild
berries in wooden boxes, and crook-necked golden squash with fungus on top of it, because
no one buys it. But, instead of buying these, people stop by to see the beauty of the
mountains.

Frost says that these people obviously have money in their pockets but they wish to be mean
and cross by. He says that the people stopping and having a close look at nature does not
upset him, but the unsaid sorrows of the people living their upset him a lot. The people make
their roadside stand outside the city and wish to feel the money in their hands. It is called city
money since the money belongs to the riches of the city. So, they want to impart that they
wish to become rich like the people of the city. This money will ensure that there is
advancement in their lives and they live the life as shown in movies films and portraits. The
life that the government wishes them to provide.

Robert points out the news of the relocation of deprived people and the fake promises that
they were adorned with by the government. They have been sifted to locations near theaters
and stores, with the promise that they will be looked after. The greedy good-doers are the
people who try to do good things just for the sake of name, to derive their own benefits from
it. The benefits that they promise to provide the underprivileged people are enforced upon
them by the authorities. These benefits are calculated and forced upon them even if they
don’t want them. These beneficent beasts of prey sleep all day by stealing the peaceful sleep
of the underprivileged people. Working during the day time and sleeping at night was the
pattern followed in ancient times but now these people are unable to sleep peacefully at
night, given the burden of so-called benefits enforced upon them by the authorities.

He says that he feels the sadness and pain of the people at the roadside stand and he is
thoughtful if he would be able to bear the tireless work they do and all of it goes in vain.
There is sadness all around the roadside stand. They wish to get customers all day and keep
praying for the cars to stop. They pray to hear the brakes of the car and screeches of the tire.
But even if they stop by, they do so to inquire about the prices of the farmers. Some stop to
take a U-turn and others to ask the way ahead.

Some also stop by to ask for gallons of gas despite they not having them. The poet questions
them, do they not see that the roadside stand does not have a gallon of gas?

The poet says that the countryside is still far from money and gain. The positive spirit
towards life is still missing in the countryside since people don’t have an abundant amount of
money there. The voice of the country complains of their condition and lack of money but all
of it goes in vain since their voices are never heard. He says that it would bring him such
relief to put the pain and miseries of these people away and free them from the unsaid and
untalked burden they face in their lives. His emotions drive him to think of this thing but the
next day when he gives thought to this with a fresh mind, he realizes that it is impossible for
him to put their sorrows away. He realizes how can someone out of the blue take away all the
pain they deal with in their lives.

Answer the following questions in 30 to 40 words.

1. What should the government do for the rural Poor?

Ans. The government should give food, cloth and shelter to the rural poor. Facilities of health,
education and opportunities employment are very necessary for their up lift.

2. What do you mean by ‘polished traffic?

Ans. Polished traffic refers to the rich city dwellers travelling in big, luxurious cars. They
appear to be ‘polished’ outside but their minds do not understand the sufferings of the poor
people.

3. Explain, ‘passed with a mind ahead.’

Ans. The city people who passed by the roadside stand were self-centred and their minds
were restless with greed for money and ambitions for great profits in their business.

4. What are the usual complaints made by the city men when they stop at the roadside
stand?
Ans. The rich people to and from the cities usually have the same sets of complaints. Having
failed to see the wretchedness of the poor, they complain that the roadside stand, with the
tasteless way in which it is painted, ruined the beauty of the nature. Another complaint is that
direction boards are wrongly written.

5. State the reasons for which the cars from the city halt at the roadside stand?
Ans. Some cars stop at the roadside stand to take a reverse and some of them ask for
directions to their destinations. A few of them demand fuel.

6. Why and where was the roadside stand set up?

Ans. The road side stand was set up at one edge on a busy road in countryside. It was set up
to attract the city folk who passed from there. It was hoped that the stand would fetch some
cash to the rural poor.

7. What is the ‘childish longing ‘that the poet refers to? Why is it ‘in vain’?
Ans. The poet refers to intense and futile desires of owners of roadside stand to sell goods
to the passers- by. It is vain because not many people stop by things from them.

8. Which things irritated those passers-by who stopped at the Roadside stand?
Ans. If at all the passers- by stopped, they were upset with the artless paint of the roadside
stand. They complained that the stand marred the scenic beauty of the landscape. They also
complained about the wrong signs put up on the board.

9. What is “the party in power” keeping away from these rural poor?
Ans. The party in power is indifferent towards the pathetic condition of these rural folk. It is
depriving these villagers of a luxurious/comfortable lifestyle.

10. What does the life of the ‘moving pictures’ imply?

Ans. The life of moving pictures implies the glamorous life style of the rich people- full of
luxuries and comforts, unlike the life of the poor village folk who are leading a miserable life,
struggling hard for their existence.

5.AUNT JENNIFER’S TIGERS - Adrienne Rich

Vocabulary
Prance : Walk or move around with high springy steps.
Topaz : A bright yellow coloured stone.
Denizens : (here) an animal that lives or is found in a particular place. Sleek :
Elegant
Chivalric : Being courteous esp. to women, an act of a gentleman. Ordeals :
Extremely severe tests or experiences.
Prancing : To move around proudly.
Fluttering : To move in quick, irregular motions as if being agitated.

GIST OF THE POEM

 The desire of a woman for freedom & strength has been brought out by the poet.
 Aunt Jennifer has embroidered bright yellow tigers on a screen.
 These tigers move about freely, fearlessly & confidently in the green forests.
 They are not afraid of the hunters.
 In contrast, Aunt Jennifer is weak & nervous.
 To make her embroidery she finds the ivory needle hard to pull.
 The wedding ring is symbolic of the burden of commitments & bindings of married
life.
 Her marriage with uncle has taken away her freedom & confidence to live life the way
she wishes.
 After her death, the mark of the wedding ring will continue to show her sad, burdened
life.
 She is mortal (dies) whereas the embroidery of tigers (Art) that she has made is
immortal.

RELEVANT BACKGROUND
Adrienne Rich is an American poet who was born in 1929. She was brought up in a well-off
family. Adrienne was the elder of two daughters. Her father was a doctor and her mother was
a music composer. She grew up in with a Jewish father and a Protestant mother. As a result
of this mixed marriage she was used to tensions between her parents. Rich felt dominated by
her father’s strong personality while growing up. It was he who most guided her as a young
poet. This wasn’t always to her liking as he expected her to write her poems his way. When
Rich was growing up men dominated and women were expected to become dutiful wives in
their adult lives. All these elements may have influenced the picture of marriage which Rich
drew in this poem. At the heart of, the poem is an image of a husband who controls and
frightens his wife. Rich wrote a lot of poems based on everyday experience. In the poem
‘Aunt Jennifer’s Tigers’, Rich mocks the weakness of Aunt Jennifer, and the clout (punch) and
authority of her husband in their marriage. Rich was also fascinated by how people could use
a hobby like art- work to create a happier and prettier world than their daily life. Rich has been
one of America’s most important female poets for the past fifty years.
VALUES RAISED IN THE POEM
Respect for women, equality, equity, gender sensitivity, empathy, feminism, value for art.

THEME OF THE POEM

1. Marriage is unequal due to male domination/Inequality: The woman is the centre of
the poem, Aunt Jennifer, is a nervous and fearful wife. She lacks inner conviction or ‘certainty’,
unlike the tigers she portrays. Aunt Jennifer is ‘mastered’ in her life. She lives a life of
inequality. She is so nervous that her fingers ‘flutter’ through the wool she is using in her
tapestry or panel. The poet portrays the marriage of Jennifer as an unhappy one for her. Aunt
Jennifer feels the burden of duty and obedience. This is shown by the symbol of the wedding
ring that she wears. It is described as her husband’s property: ‘Uncle’s wedding band’. It ‘sits
heavily’ on her hand because he dominates her life. Her life with her husband is described as
a life of ‘ordeals’. The poem, therefore, provides a negative picture of marriage. The poem is
probably saying that the ‘Uncle’ or husband is behaving like a tiger, and the tigers are
‘chivalric’ like the husbands. Each world is the reverse of what it should be.

2. The world of art is happier than the real world/Dream versus Reality: Aunt Jennifer’s
hobby is making designs and pictures from wool. Jennifer produces wool tapestries that she
places on panels. The creatures she places there are free and proud, the opposite to herself.
She is ‘ringed’ or mastered in marriage and, therefore, she is not free, but controlled. It seems
that she creates a happier looking world than the one she lives in. She makes precise and
brightly coloured pictures like the sharp yellow tigers of the poem, pictured against a green
background. These bright contrasting colours are probably much more vivid than Jennifer’s
everyday world. Her artistic work will live on after she dies, as, according to the poet, her
tigers will ‘go on prancing’. The figures she creates are stronger and happier than she is. They
are proud and ‘prance’ about, unlike their creator, who is nervous and fears her husband. The
word ‘prance’ or parade contrasts sharply with ‘fluttering’, meaning trembling. The tigers do
not fear the men the aunt places under some trees in her tapestry. Therefore, the imaginary
tigers produced by Aunt Jennifer live a type of proud and free life that she can only dream
about. Perhaps Aunt Jennifer uses art as an escape from her troubles. In her artwork
Jennifer imagines the kind of life she would have liked.

TITLE OF THE POEM

“Aunt Jennifer’s Tiger” is an appropriate title in that it refers to a tapestry Aunt Jennifer has
made. It contains some ferocious tigers. The title also suggests the “tiger like terror” Aunt’s
husband was. She was in constant fear of him and felt trapped and suffocated in marriage.
She felt that her husband was her master and she was a tame animal who must carry out his
command. It is a very suggestive title, indeed.

CENTRAL IDEA OF THE POEM

"Aunt Jennifer's Tigers" by Adrienne Rich is how the power of the patriarchy controls
women's bodies but not their minds. The poem makes this point by presenting the wild,
exotic, powerful tigers embroidered by Aunt Jennifer and contrasting them with Aunt Jennifer
herself.

MESSAGE OF THE POEM

“Aunt Jennifer's Tigers” is a statement of conflict in women, specifically between the impulse
to freedom and imagination. Aunt Jennifer wants a life that she embroiders on the panel. She
wants a colourful vibrant life which every woman should have the power to create.

SUMMARY
Stanza 1
Aunt Jennifer's tigers prance across a screen,
Bright topaz denizens of a world of green.
They do not fear the men beneath the tree;
They pace in sleek chivalric certainty.

According to the poet, Aunt Jennifer’s tigers prance across a screen. The word prance means
to leap forward. Screen refers to the canvas on which Aunt Jennifer is craving the tigers. The
very first line gives impression of the art of Aunt Jennifer i.e. it is free, bold and hopeful.
They are bright and vibrant like topaz (a yellow coloured precious stone). In other words, the
yellow skin of those tigers is bright and appealing. They seem to be the denizens (inhabitants)
of a green world. Green world is symbolic. It either means forest or hope or a utopian place
which does not exist on earth.

In the third line, the poet says that those tigers (carved by Aunt Jennifer) do not fear the men
beneath the tree. Men probably refer to hunters and tree refers to the forest (which exists in
the world). This symbol (men under tree) gives the impression of humans dominating the
nature. However, here the situation in different. The tigers do not fear those hunters at all.

The tiger’s pace (move) in sleek (elegant) and chivalric way. The word chivalric was used for
knights in old times. However, here the poet personifies the tigers. According to her, these
tigers are fearless, they do not fear humans and move ahead in chivalric way.

In this stanza, the poet describes the art i.e. tigers and their characteristics put by the artist
i.e. Aunt Jennifer.

Stanza 2
Aunt Jennifer's finger fluttering through her wool
Find even the ivory needle hard to pull.
The massive weight of Uncle's wedding band
Sits heavily upon Aunt Jennifer's hand.
In this stanza, the poet talks about the artist i.e. Aunt Jennifer and her condition which is on
contrary to that of her tigers. According to the poet, Aunt Jennifer’s finger flutters through her
wool (which she uses for craving the tigers). The word ‘flutter; is used for birds which means
flapping the wings quickly. Here, it refers to the inability of Aunt Jennifer to use her fingers.

It is difficult and hard for her to pull the ivory needle. It looks like she is facing problems while
carving the tigers. There are probably two reasons for that. Either her husband does not allow
her to do that or she has become weak to psychological problems (of her failed marriage).

The next two lines are very important as they depict the reality. According to the poet, the
massive weight of Uncle’s wedding band sits heavily upon the hand of Aunt Jennifer. A band
is not that heavy. So, the poet is referring to something psychological.
The poet uses “Uncle’s wedding band” which means he is dominating the life of Aunt Jennifer.
In addition, as the band is heavy, it means she is bearing the weight of her filed marriage
which she cannot escape. This depicts the reality of woman’s condition during 20th century.
A woman had to bear the problems of marriage because she had nowhere to go. The poet
throws light on this aspect of society.

Aunt Jennifer finds difficult to carve the tigers due to the fear of her husband and the
psychological problems. Yet, she manages to carve it.

Stanza 3
When Aunt is dead, her terrified hands will lie
Still ringed with ordeals she was mastered by.
The tigers in the panel that she made
Will go on prancing, proud and unafraid.
According to the poet, when Aunt will die, her terrified hands will still have the ring of
marriage on them. So, though she will die, the ordeals i.e. bad experiences (of her marriage)
which mastered her (i.e. dominated her life) will remain with her. However, her art i.e. the
tigers in the panel (canvas) will keep moving with high spirits, proudly and fearlessly.
In other words, though she will die, her tiger will remain alive, fearless, proud and bold (unlike
her). This line gives the powerful message i.e. art has no boundaries, no obstacles. A woman
can feel liberated only with her art.

Answer the following questions in 30 to 40 words.

1. How do ‘denizens’ and ‘chivalric’ add to our understanding of the tiger’s attitudes?
Ans. Denizens means inhabitants of a forest. Tigers are the inhabitants of forest. They live in
the world of green. They love to live in their natural habitat. They are brave and warlike. They
freely prance and unafraid of human beings. They walk elegantly.

2. Why do you think Aunt Jennifer’s hands are ‘fluttering through her wool’ in the second
stanza? Why is she finding the needle so hard to pull?
Ans. Aunt Jennifer seems to have grown very old and weak. That is why her hands are
fluttering through her wool. She is finding it hard to pull the ivory needle because her weak
hands are trembling.

3. What is suggested by the image ‘massive weight of uncle’s wedding band’?

Ans. Aunt Jennifer’s marriage was just like a heavy band put on her. With her marriage, she
lost all of her former freedom. Now she was tied to the daily chores of uncle’s home. She had
no liberty or will of her own.

4. Of what or whom is Aunt Jennifer terrified in the third stanza?

Ans. Aunt Jennifer is terrified of the hard chores she has been performing so far in her life.
She is afraid that she will have to do the same ones even after her death.

5. What are the ‘ordeals’ Aunt Jennifer is surrounded by? Why is it significant that the
poet uses the word ‘ringed’? What are the different meanings of ‘ringed’ in the poem?
Ans. Aunt Jennifer’s ordeals are the ordeals of keeping her husband happy. She can do
nothing against the wishes of her husband. The word ringed’ conveys the idea that Aunt
Jennifer can never get out of her slavish routines.

6. Why do you think Aunt Jennifer created animals that are so different from her own
character? What might the poet be suggesting through this difference?
Ans. Perhaps Aunt Jennifer has created through the tigers a picture of her own husband.
There is also a suggestion that women create men but those very men dominate and
tyrannizes over women when they grow up.

7. Interpret the symbols found in this poem.

Ans. The two main symbols used in the poem are the tigers and the screen. Tigers represent
the creative energy of woman. The screen represents the range on which that creative energy
works. Thus tigers are symbol of men produced by woman. The screen is a symbol of the
woman’s life on which men prance about.

8. Do you sympathize with Aunt Jennifer? What is the attitude of the speaker towards
Aunt Jennifer?
Ans. Aunt Jennifer wins all our sympathy. She works tirelessly to create her tigers. The tigers
prance across the screen fearlessly. The speaker feels great sympathy for Aunt Jennifer. She
says that while Aunt Jennifer will be lying dead in her grave, her tigers will still go on prancing
proud and unafraid.

9. After Aunt Jennifer’s death, where will the tigers in the panel go?
Ans. Even after Aunt Jennifer’s death the tigers in the panel can’t run away. They are made
by Aunt Jennifer by her fine design work with her wool. The tigers will go on jumping, proud
and unafraid as before.

SUPPLEMENTARY READER

1. THE THIRD LEVEL - Jack Finney

INTRODUCTION
The Third Level by Jack Finney is an interesting story that is set after the world wars.
Consequently, the life was full of fear, insecurity, war & worry. This story talks about the
figments of imaginations that can be used to escape from reality. It takes readers back in the
time of joy and peace. Charley, the protagonist wants to escape from the harsh realities of
modern world and imagines the world of 19th century where the people were living peaceful
life and they had ample time for themselves. The story weaves together psychological
journey of the narrator into the past, present and progresses towards future.
VOCABULARY

 Railroads: Metal tracks on which trains run

 Stack: A pile of objects, typically one that is neatly arranged
 Psychiatrist: A medical practitioner specializing in the diagnosis and treatment of
mental illness
 Refuge:(a place that gives) protection or shelter from danger, troubles, unhappiness,
etc.
 Blocks: Group of things considered together
 Issue: A set of newspapers or magazines published at the same time or a single copy
of a newspaper or magazine
 Subway: A railway system in which electric trains travel through tunnels below ground
 Gabardine suit: A suit made from thick cloth especially used for making coats
 Suburban trains: Residential trains
 Ducked: Lower the head or body quickly
 Bumping: Knock or run into something
 Booth: Small temporary structure used for providing information, selling goods, or
staging shows.
 Flickering: unstable
 Gaslights: A type of lamp that uses gas as fuel
 Spittoons: A metal or earthenware pot typically having a funnel-shaped top, used for
spitting into
 Glint: A small flash of light, especially a reflected one
 Frowned: Bring your brows together indicating disapproval, displeasure, or
concentration
 Derby hat: Hard felt hat with a rounded crown
 Leg-of-mutton sleeves: A sleeve that is full and loose on the upper arm but close-
fitting on the forearm and wrist
 Locomotive: Engine of a train
 Stack: Chimney in steam engines
 Tremendous: Great in amount, size, or degree
 Fare: The money paid for a journey on public transport
 Skin: Cheat
 Premium: A sum added to an ordinary price or charge
 Fussing: Show unnecessary or excessive concern about something
 Postmark: An official mark, typically showing the place that it was sent from and the
time or date that it was sent
 Porch: A covered structure in front of the entrance to a building
 Hay: Dried grasses and other foliage used as animal feed
GIST OF THE LESSON
 Grand Central Station of New York has two levels. But Charley, a thirty-one-year-old
resident of New York, talks about a third level. He believes in the existence of this
hypothetical third level and claims to have been there.
 Charley visits a psychiatrist friend to talk about this problem. The psychiatrist calls it
a “waking dream wish fulfillment” and rationalizes Charley's experience by saying that
the “modern world is full of insecurity, fear, worry, and war...” and everybody wants to
escape a “temporary refuge from reality.” According to him, even hobbies like stamp
collection is a manifestation of this escape. Charley thinks about his grandfather who
didn’t need any refuge from reality. Charley’s grandfather started his collection.
 The fast-growing Grand Central station at times seems to be amazing to Charley. He
had lost his way a couple of times earlier too while taking the subway.
 Once, he entered the lobby of the Roosevelt Hotel while the other time he emerged at
an office building that was three blocks away. But this time when he loses his way,
something unique happens. He visits the third level!
 Charley keeps walking in the quiet corridor, angling left and slanting downward, till he
reaches an architecturally old station that is completely different from the two
familiar levels.
 The antiquated small room with fewer ticket counters and train gates, a wooden
information booth, flickering open flame gas lights and brass spittoons remind him of
 the architecture of the 1800s.
 He also finds that people are dressed in outmoded outfits. He notices that the date on
the newspaper ‘The World’ is printed June 11, 1894. As he tenders money to the clerk
at the counter to buy two tickets, he realizes that he needs to have old currency bills
to do so.
 He had always wanted to travel to Galesburg with his wife, Louisa. In his mind, it is “a
wonderful town still, with big old frame houses, huge lawns, and tremendous trees. ”
 It is a place with long and pleasant summer evenings and where people have time for
each other.
 So, the next day during lunch, he exchanges three hundred dollars for old style bills
amounting to some two hundred only.
 The loss doesn’t bother him much as he believes that in Galesburg everything will be
cheaper and that he can manage even with a small amount. But, he could never again
find the corridor leading to the third level.
 His wife Louisa is worried after knowing all this and asks him not to look for the third
level any further. Suddenly Charley realizes that his friend, Sam Weiner, is nowhere to
be found, so he and his wife keep looking for him in the weekends.
 Philately is not just stamp collection but a broad term including the study of stamps,
postal history and other related items.
 When a new stamp is issued, on the first day, people mail a blank paper to
themselves and then retain that unopened letter with the date on the postmark. Such
an envelope is known as a ‘first day cover’. Charley has inherited his grandfather’s
collection of first day covers.
 One day while fidgeting (restlessness/move restlessly) with his stamp collection,
Charley comes across a letter that was not there earlier. It bears the postmark on a
faded six-cent stamp with a picture of the President Garfield.
 The envelope was sent on July18, 1894 to Charley's grandfather in Galesburg and was
addressed to Charley.
 The letter was written by Sam Weiner, who was Charley's psychiatrist! Sam has
reached Galesburg and is having whole of a time there.
 He also invites Charley and Louisa to Galesburg. When Charley goes to the stamp and
coin store, he is apprised of Sam's exchanging eight hundred dollars for the old
currency bills.

THEME OF THE STORY

The story ‘Third Level’ clearly explores the science fiction genre (classification) of ‘time
travel’. Jack Finney, the recipient of the world fantasy award interweaves fantasy with the
reality in the most futuristic projection of time travel. Charley wishes to be transported to the
third level, the world of 1894 which is supposedly much happier and quieter place to be. It is
one of the most concise and entertaining story about time travel. The question whether the
third level exist in real or only in charley’s mind can be inferred from Sam’s
letter. The story also dwells on the theme of escapism, not only as a psychological refuge
from the grim realities of the present-day world but also as a desire to stay with the past or to
keep the past alive in the complexities of the present. In the story charley not only expresses
desire to escape but also prepares and tries very hard, a desire which is not contested by the
wife either. Sam is also happily escaped with no plans to resort to his old profession along
with scores of other people who cross the grand central everyday… to escape seems to be an
all-pervasive feeling.

MESSAGE OF THE STORY

The modern world is full of insecurity, fear war, worry and all the rest of it and all people want
to escape from them. They just want a little peace and relaxation from these situations.

TITLE OF THE STORY

Oppressed by the pulls and pressures of modern life, man yearns for an escape from all the
tensions and worries. He looks for a level of existence that would yield peace and tranquility.
Trying to delve deeper into life, he wanders whether it is possible for him to live on a different
plane and he looks for this ideal world, hopping to come across it someday. It is this Utopian
world that the author has chosen to call the third level.
Third level can also refer to a level of reality that exists in our mind only and not in space and
time. It is this faculty of mind that makes virtual travel in time possible and opens
innumerable ways to escape, defence mechanization and rationalization. Hence ‘the Third
Level’ is an appropriate title.

SUMMARY
The Third Level tells the story of a 31-year-old guy named Charlie (not Charlie Sheen). One
fine evening, while rushing home, he decides to take the subway from the Grand Central
Station in New York City. He ends up finding himself on the Third Level of the Grand Central
Station (there were only two levels). There, Charlie observes spittoons lying on the floor. He
observes that people wear wearing derby hats and gold watches, which they kept in their vest
pockets. He also sees a Currier & Ives locomotive.

Realising that he’s gone back in time, Charlie tries to buy tickets to Galesburg. During the
lunch hour, the next afternoon, Charlie withdraws all his savings (nearly 300 US Dollars) to
buy old style currency notes. Charlie narrates this incident to Sam, his friend who works as a
psychiatrist. Sam concludes that the Third Level is nothing but a mere figment of Charlie’s
imagination. The miseries which the modern world, full of war, worry and terror, had to offer
made Charlie hallucinate about the existence of the Third Level.

Charlie succeeds in finding evidence related to the Third Level’s existence. He discovers a
letter addressed to him by his psychiatrist friend Sam. The letter was dated July 18, 1894. It
seemed that Sam wasn’t as incredulous of the Third Level as he had appeared to be.

The story clearly explores the concept of time travel. Jack Finney explores the mentality of a
common man. He succeeds in exposing the vulnerable side of a common man. A myriad of
problems conspired to corrupt Charlie’s mind. It further robbed him of his senses, and in his
panic induced state, he hallucinated about the Third Level at the Grand Central Station. Even
though it was hard for Charlie to believe his eyes, he decided to stay there, in the year 1894.

What stands out in the entire story is the extent of ease with which Jack Finney was able to
bring out a common man’s craving for peace and security. Like any common man, Charlie too
appreciated the so-called ‘pleasures’ of everyday life and the security of the familiar. He
wanted to stay in the past because 1894 was much more peaceful, secure, serene. The world
in 1894 hadn’t seen the repercussions of war. The insecurities that came with war, terror, and
disease had got the better of common folks like Charlie who wanted a transient relief from
the harsh realities of life.

All in all, The Third Level brings us to the conclusion that people find it hard to make peace
with unpleasant things they come across in life. The story further makes the reader realize
that the past and future are real illusions. They exist in the present, which is all there is.

Answer the following questions in 30 – 40 Words.

1. How do Charley's wife Louisa and his friend Sam react to the narrator’s observation?
Ans. Charley the narrator states that there are three levels at Grand Central Station. His
assertion is based on his personal observation. But his friend Sam said that Charley was
unhappy and wanted to escape. His wife Louisa was shocked and worried. They both
disbelieved him.

2. What do you learn about Galesburg, Illinois during 1894?

Ans. Galesburg has been described peaceful place that was not ravaged by the two world
wars. It has old framed houses, huge lawns and splendid trees with expanded branches. The
men would smoke cigar talk quietly. The women would be waving palm leaves fAns. They
have ample time for themselves.

3. What do you know about the 'First Day Cover '?

Ans. When a new stamp is issued in any country, stamp collectors buy some and use them to
mail envelopes at their address on the very first day of release. They put a blank paper in the
envelopes. The postmark proves the date of issue. The envelope is called a first day cover. It
remains unopened.
4. Do you think that the third level was a medium of escape for Charley? Why? How did
Charley’s psychiatrist friend interpret his unique experience?
Ans. Yes, the third level was a medium of escape for Charley from the unhappy modern -
Grand Central Station. Charley did not agree with his psychiatrist friend when the latter called
his experience of visiting the third level ‘a waking-dream wish fulfillment.’ His friend tried in-
vain to make him realize that his hallucinations are a result of his strong desire to escape to
the peaceful times of the 1890s.

Answer the following questions in 100 Words.

1. The story reveals refuge from reality to illusion. Do you think it is obvious to escape
from reality of life?
Ans. Jack Finney portrays Charley's transition from reality to imaginary world through the
story the Third Level. lt seems probable as the author employs authenticity to the experience.
Charley worked late night at the office and was in hurry to reach his apartment to be with his
wife Louisa. He thinks of taking the subway since it seems faster than bus. Grand Central
Station has been described mysterious and mushrooming with subways, staircases and
corridors that leads to many ways and places. Moving through the tunnel Charley recounts
his past experience that appears safe and quite normal. Modern world is full of insecurity,
fear, war, worry and tension. He wants to escape from the harsh realities of modern world.
His friend Sam also agrees with the escape theory. They claim that our hobbies also lead us
to a temporary escape from reality. Finally, his psychiatrist friend reaches the Third Level and
suggests Charley and his wife Louisa to keep on searching till they get it. The story weaves
psychological phenomenal yarn to make it obvious.

2. What does the third level refer to?

Answer. The Grand Central Station of New York has subways on two levels from where the
commuters take trains to different destinations. No third level was ever built. However, the
protagonist of the story, Charley, believes in the existence of a third level, operating in a
timeframe of 1890s. The third level signifies an escape from the modern world that is “full of
insecurity, fear, war, worry and all the rest of it....” The period of 1890s represents a peaceful
life not possible in the present era. From this level, the protagonist wants to travel to
Galesburg, Illinois, with his wife Louisa. For him, it is a part of reality while his psychiatrist
friend calls it a “waking-dream wish fulfillment.”

3. Would Charley ever go back to the ticket-counter on the third level to buy tickets to
Galesburg for himself and his wife?
Ans. After reading the story we get to know that Charley was interested in travelling to
Galesburg with his wife Louisa. However, he couldn’t locate the third level again. The first-
time round, he found the third level by accident. When he reached the ticket-counter, he
realised that the currency he had with him was not useful as it belonged to a different period.
He went back to convert his three hundred dollars into the “old-style currency” that could
enable him to buy two tickets to Galesburg. However, when he returned to the Grand Central,
he could not find the corridor leading to the third level. He couldn’t go back looking for the
third level as his wife was too worried about him. Moreover, he himself had stopped looking
for it after sometime.

4. What do you infer from Sam’s letter to Charley?

Ans. The letter was addressed to Charley but mailed to his grandfather in Galesburg, Illinois.
It was mailed in 1894 and now appears in his grandfather’s collection. The letter was
suddenly found among the first-day covers where it had never been seen earlier. Moreover,
the contents of the letter are exactly what Charley thought about Galesburg of 1890s. Sam's
letter to Charley is a mystery that blends together the worlds of reality and fantasy, and thus,
needs further exploring. There are two perspectives from which one can look at the letter. At
one level, it proves that Sam has reached Galesburg of 1984. However, if we look at a deeper
level, we can infer that the letter is just another instance of his hallucination or dreams of
escapism. It is possible that while Charley was looking at the old first-cover letter, he was
carried away to a different world where the letter was sent to Charley by Sam. The letter
reflects Sam’s undeterred urge that forces him to keep looking for the third level.

2. TIGER KING
Ramaswamy Aiyer Krishnamurthy: (09-09-1899 to05-12- 1954) Pen name ‘Kalki’
CHARACTERS AND PLACES
The Tiger King : A hero of the story, the Maharaja of Pratibandhpuram, also known as His
Highness Jamedar, General Khiledar-Major, Sata-Vyaghra samhari, Maharajadhiraja Visva
Bhuvana samrat, Sir Jilani Jung Jung Bahadur, M.A.D., A.C.T.C., or C.R.C.K.
Crown prince : A ten-day old baby who later became the Maharaja of Pratibandhpuram.
Chief astrologer : A royal foreteller of the state.
Durai : Means “chief, leader” in Tamil. A British high-ranking officer & his secretary
Dewan : A chief administrative office of the Maharaja.
Duraisani : The wife of the high-ranking British officer, a greedy woman who took all the
50 or so diamond rings for herself.

INTRODUCTION
Kalki takes his readers to the days of autocratic and eccentric kings. These kings lived under
the thumb rule of the British, hence they fear them. In order to make the story mysterious
Kalki has added supernatural element in the story. The haughty king disapproved the
prophecy made by the astrologer about his death, but his death from the wooden tiger (100th
tiger) approved it.
The story ‘The Tiger King’ is satire on the conceit of those in power. Most of the time the
rulers are not interested in serving the people or work for the welfare of the public; instead,
they spend their time foolish pursuits. Even the coteries who surround these power centers
are interested in taking advantage of the proximity for their own welfare. This is a story about
transience-of life, of power and reverberates (echo) the maxim (precept): “Too many slips
between a cup and a lip.”

TITLE OF THE LESSON

“The Tiger King” is a very appropriate title for the story for several reasons. First of all, the
king is crazy about tiger hunting so much that he marries a princess whose father’s kingdom
has a sizeable tiger population. He kills one hundred tigers just to fulfill his vow. Secondly,
the king with all his frenzy, anger and ruthlessness is as ferocious as a tiger. Thirdly, he dies
of a silver prick received from a wooden toy tiger. Finally, the prediction that a tiger would
cause the king’s death also comes true. Since the story revolves round the king and the
hundred tigers that he kills, it could not be better titled than “The Tiger King”.

IRONY
‘The Tiger King’ is replete (filled with) with irony that reveals the follies of autocratic and
willful (obstinate) rulers who flout all laws and bend them to suit their selfish interests. The
dramatic irony in the story is sharp when the Tiger King alone is unaware that his bullet had
not killed the hundredth tiger. The other characters and the readers anticipate his doom as he
celebrates his triumph over his destiny. We realize how misplaced the King’s pride at killing
the first tiger was. The astrologers had prophesied, “You may kill ninety-nine tigers like this,
but your death will be brought on by the hundredth tiger.” The King wanted to prove the
astrologer

wrong and to save his life. Ironically, to avert death he actually invites it. The lofty titles used
to introduce the Tiger King, suggesting an invincible ferocity are indeed ironic for he is finally
killed by a cheap, crudely made wooden toy tiger which became the tool of Nature’s revenge.
He had killed a hundred tigers in vain and must be punished for it. Irony is indeed sharp when
the surgeons announce the operation successful and declare the king dead.

THEME OF THE LESSON

Animals and birds are as much part of the nature as human beings. The destruction or
haphazard killing of one species may not only lead to its extinction, but it will adversely affect
the ecological balance. Those animals which serve as food for the wild animals, will increase
in large number, if the beast of prey are wiped out. Each species, howsoever fierce, deadly,
ferocious or poisonous has its role in maintaining ecological balance in nature.

MESSAGE OF THE LESSON

The story tiger king conveys that getting obsessed too much in winning over something and
losing the control over oneself leads only to mishappening and upheavals. The tiger king’s
extreme urge to win over the prophecy lead to his death.

VOCABULARY
1. Strategic - Calculated.
2. Stuka bomber - A German dive bomber and ground-attack aircraft.
3. Hasty retreat - A quick withdrawal.
4. Imperative - Extremely important; crucial.
5. Indomitable - Impossible to overcome or defeat; invincible.
6. Final Abode - Final residence - heaven.
7. Demise - A person's death.
8. Compelled - Force or oblige someone to do something.
9. Astonishing - Extremely surprising or impressive.
10. Prophets - A person regarded as an inspired teacher or proclaimer of the will of God.
11. Transfixed - To become motionless because of horror, wonder, or astonishment.
12. Stupefaction - Astonishment and shock.
13. Enunciated - Say or pronounce clearly.
14. Intently - With great attention.
15. Squeaky - Having or making a high-pitched sound or cry.
16. Incredible - Unbelievable.
17. Bulletins - A short official statement or broadcast summary of news.
18. Quake - To shake with fear.
19. Growl - To make a low, rough sound, usually in anger.
20. Terrifying - Causing extreme fear; very frightening.
21. Beware - Be cautious and alert to risks or dangers.
22. Rumour rife - A widespread story or report of uncertain or doubtful truth.
23. Hindsight - Understanding of a situation or event only after it has happened or
developed.
24. Nanny - A person, typically a woman, employed to look after a child in its own home.
25. Court of Wards - The Court of Wards was a legal body created by the East India
Company whose purpose was to protect heirs and their estates when the heir was
deemed to be a minor and therefore incapable of acting independently.
26. Thrilled - Have a sudden feeling of excitement and pleasure.
27. Beast - An animal, especially a large or dangerous four-footed one.
28. Drawled - Speak in a slow, lazy way with prolonged vowel sounds.
29. Tuft - A bunch or collection of hair, held or growing together at the base.
30. Incoherent - Expressed in an incomprehensible or confusing way.
31. Proclamation - A public or official announcement dealing with a matter of great
importance.
32. Fling - Throw or hurl forcefully.
33. Confiscated - Taken or seized with authority.
34. Leapt - Jump or spring a long way, to a great height, or with great force.
35. Resolve - Decide firmly on a course of action; strong determination.
36. Boar - A tusked Eurasian wild pig from which domestic pigs are descended.
37. Dewan - A chief treasury official, finance minister, or prime minister in some Indian
states.
38. Durai - Chief; leader; conqueror.
39. Carcass - The dead body of an animal.
40. Relented - To act in a less severe way towards someone and allow something that
you had refused to allow before.
41. Deliberations - Long and careful consideration or discussion.
42. Telegram - A message sent by telegraph and then delivered in written or printed form.
43. Despatched - Send off to a destination or for a purpose.
44. Forthwith - Immediately; without delay.
45. Duraisani - Wife of the chief or leader.
46. Retain - Continue to have; keep possession of.
47. Unforeseen hurdle - Unpredicted problem or difficulty that must be overcome.
48. Standstill - A condition in which all movement or activity has stopped.
49. Extinct - No longer in existence.
50. Harakiri - Ritual suicide by disembowelment with a sword, formerly practised in Japan
by samurai as an honourable alternative to disgrace or execution.
 51. Brandishing - To wave something in the air in a threatening or excited way.
52. Shuddering - Characterised or accompanied by violent shaking or vibration.
53. Summoned - Order someone to be present.
54. Babble - Talk rapidly and continuously in a foolish, excited, or incomprehensible way.
55. Crack of laughter - To laugh with great enthusiasm; intense, uncontrollable laughter.
56. Statistics - Collecting and analysing numerical data in large quantities.

57. Native states - The former semi- independent states of India, ruled by Indians but
subject to varying degrees of British authority.
58. Adorned - Make more attractive.
59. Fever pitch - A state of extreme excitement.
60. Tally - Total; count.
61. Savage - Fierce, violent, and uncontrolled.
62. Wary - Cautious; careful.
63. Gloom - A state of depression or despondency.
64. Dispelled - Make disappear; banish.
65. Ascertained - Find out for certain; make sure of.
66. Wantonly - In a deliberate and unprovoked way.
67. Flout - Openly disregard; defy.
68. Fury - Wild or violent anger.
69. Obstinacy - Stubbornness.
70. Rage - Violent uncontrollable anger.
71. Forthwith - Immediately; without delay.
72. Discontented - Dissatisfied.
73. Catastrophic - Causing sudden great damage or suffering; disastrous.
74. Shoved - Push roughly.
75. Satyagraha - It is a particular form of nonviolent resistance or civil resistance.
76. Haul - Pull or drag with effort or force.
77. Wandered - Walk or move in a leisurely or aimless way.
78. Supplication - The action of asking or begging for something humbly.
79. Crumpled heap - Collapsed on the ground.
80. Elation - Great happiness and excitement.
81. Procession - A number of people or vehicles moving forward in an orderly fashion,
especially as part of a ceremony; parade.
82. Hastened - Move or travel hurriedly.
83. Bafflement - A state of being utterly confused or bewildered.
84. Whizzing - Move quickly through the air with a whistling or buzzing sound.
85. Tomb - A monument to the memory of the dead, erected over their burial place.
86. Spare - Give to.
87. Annas - A former monetary unit of India and Pakistan, equal to one sixteenth of a
rupee.
88. Craftsmanship - The quality of design and work shown in something made by hand;
artistry.
89. Carved - Cut or engraved to produce an object, design, or inscription.
90. Carpenter - A person who makes and repairs wooden objects and structures.
91. Slivers - A small, thin piece of something cut or split off a larger piece.
92. Quills - Any of the main wing or tail feathers of a bird, or the hollow sharp spines of a
porcupine, hedgehog, or other spiny mammal.
93. Pierced - To go into or through something.
94. Suppurating sore - The formation of pus in the infected area.
95. Consultation - The action or process of formally discussing.
GIST OF THE LESSON
 The Maharaja Sir Jilani Jung Jung Bhadur was called “Tiger King”
 When he was just 10 days old, he asked intelligent questions to the astrologer and
was told that he would be killed by a tiger. He uttered “Let tigers beware!”
 No other miracle took place, the child grew like any other Royal child drinking white
cow’s milk, taught by an English tutor, looked after by an English nanny and watched
English films.
 When he was 20, he was crowned as king. It was then the whisper of the prediction of
his death by the tiger reached the Maharaja’s ear and he in turn to safe guard himself
 killed a tiger and being thrilled he told the astrologer who replied that he can kill 99
tigers but should be careful with the 100th.
 From then he started killing tiger and none was allowed to hunt tigers. A high-ranking
British officer visited the state that was fond of hunting tiger and his wish was
declined.
 The officer requested for getting a photograph with the tiger killed by Maharaja and
this request was rejected.
 So, to please the officer’s wife, he sent 50 diamond rings expecting that she would
take
 1 or 2 instead she kept all the rings costing 3 lakh rupees and sent ‘thanks’ to the
Maharaja. Thus, his state was secured.
 In 10 years, he killed 70 tigers and didn’t find any in Pratibandapuram. So, he decided
to marry a girl from royal state which had more tigers to complete his target.
Whenever he visited his in-laws, he killed 5 to 6 tigers. So, he killed 99 tigers and was
feverishly anxious to kill the 100thbut couldn’t find true news about the presence of a
tiger near a village, proved disappointing.
 Now the Dewan was warned of his danger. So, he visited ‘People’s Park in Madras’
and brought an old tiger, kept it reserved and finally placed it in the forest and
informed the Maharaja.
 The Maharaja in excitement took aim and shot the tiger and left the place with great
triumph. The bullet missed the target and the weak and old tiger became unconscious
hearing the sound of the bullet. Then the hunter killed the tiger and brought it in grand
procession.
 It was the 3rd birthday of the Maharaja’s son and he wanted to buy a present from the
toyshop. He bought a wooden tiger which was poorly carved.
 While the Maharaja was playing with the prince a tiny sliver of the wooden tiger
pierced his right hand which later caused his death. Thus, the hundredth tiger takes
his final revenge upon the “Tiger King”. Then nemesis (curse) proved right.

Answer the following questions in 30 – 40 words.

1. Who is the Tiger King? Why does he get that name?
Ans. The Maharaja of Pratibandpuram is called the Tiger king. As soon as the boy was born,
the astrologer predicted that the royal infant would be killed one day by a tiger. Hearing these
words, the ten-day old prince spoke "Let tigers beware"! After becoming a king, he went on a
tiger hunt and started killing tiger one after another. Thus, he came to be known as the Tiger
King.

2. What did the royal infant grow up to be?

Ans. The royal infant grew taller and stronger day by day. He grew up to become the warriors
of warriors, hero of heroes, champion of champions. He grew up to be a tiger king. He started
killing tigers fearlessly.

3. How was the Tiger king brought up?

Ans. As a child the tiger king was brought up like all other princes of that time. He drank milk
of an English cow. He was looked after by an English nurse. An English teacher taught him.
He watched English movie only.

4. Even though the Maharaja lost Rs.3 lakhs, he was still happy. Why?
Ans. Though the tiger king had lost three lakh rupees he was happy because he felt that he
had succeeded in saving his kingdom. He spent 3 lakh rupees to pay the bill of various rings
that he had sent as gift to the wife of the British officer to prevent tiger killing. To the tiger
king each tiger was very important as he needed to kill one hundred tigers.

5. How did the Tiger king feel after killing the hundredth tiger?
Ans. The tiger king felt on top of the world. He was elated and his happiness kept no bounds.
He had proved the astrologer's prediction wrong. He ordered his men to bring the tiger to
capital in a grand procession. A tomb was erected over it.

6. How did the state astrologer react to the comment "If the hundredth tiger were also
killed"?
Ans. The state astrologer was dead sure of his prediction. He, with conviction, announced
that he would cut off his ceremonial tuft, crop his hair short and become an insurance agent
if his prediction would prove wrong. These words had so much impact that it appeared that
the hundredth tiger would definitely kill the king.

7. How will the Maharaja prepare himself for the hundredth tiger which was supposed to
decide his fate?
Ans. The Maharaja thought that he had to be extremely careful with the last tiger. It seemed
easier to find tiger's milk than alive tiger. He announced a three-year exemption from all taxes
for that village in which hundredth tiger was seen and set out on the hunt at once with
extreme care.

8. How did the Dewan try to help the Maharaja achieve his mission?
Ans. The Dewan made advance arrangements for a tiger from People's Park in Madras. One
night he and his wife dragged the tiger to their car, shoved it into the seat and took it straight
to the forest. There he hauled the beast out of the car and pushed him to the ground near
Maharaja's camp.

9. Why did the Dewan decide to give up his own tiger to be killed by the Maharaja? Ans.
The Dewan decided to give up his own tiger to be killed by the Maharaja because he was
warned by the Maharaja to produce a tiger to complete his vow of killing 100 tigers. He
feared that if Maharaja did not get a tiger to hunt, he would be angry and the result would be
catastrophic and he might lose his job.

10. What was the Dewan's tiger like? How did he take it into the forest?
Ans. The Dewan had brought an old tiger from the People's Park in Madras and hid it at home.
It was a weak and senile tiger. He and his aged wife dragged the tiger to the car and shoved it
into the seat. He drew the car to the forest. There he hauled the beast out of the car and
pushed him to the ground near Maharaja's camp.

11. Why did the Maharaja decide to marry?

Ans. The Maharaja had killed all the tigers of Pratibandpurm. So he decided to marry a girl
from royal family in whose estate had a lot of tigers which would help him to fulfill his aim.

Answer the following questions in 100 words.

1. There is a satire on the conceit of those in power. How does the author employ the
literary device of dramatic irony in the story?
Ans. Dramatic irony is a situation wherein the author as well as the reader is aware of the
situation, but the character is completely ignorant of the same. The character behaves in the
most inappropriate manner or expects the opposite of what fate holds in store for him. Kalki
has very skillfully employed dramatic irony in this story. After killing the first tiger, the haughty
king shows off the dead tiger to the astrologer. He wants to prove that he is more powerful
than the tiger and also that he was a king and could do anything he desired. Once he kills the
hundredth tiger, which actually does not die, he feels elated for having proved the prediction
wrong. Ironically a mere sliver on a wooden tiger leads to the death of the king.
Through the dramatic irony the author drives home the point that people in power behave in a
conceited and ruthless manner. They refuse to respect the words of elders and finally are
defeated. As readers we are able to foresee the doom of the king. But he is so drunk in power
that he mindlessly continues his act of killing the tigers.

2. The author through the story 'The Tiger King' is trying to comment on man's ill-
treatment of animals. Justify.
OR
What is the indirect comment of the author on subjecting innocent animals to the willfulness
of human beings?
Ans. The author wants to tell his readers that man is living in a world created by God and
every creature in this world has an equal right to live his life. God wishes that all living beings
should live in harmony with each other. There is no need to interfere in the existence of other
living beings. Those who intrude into the privacy of others or kill fellow human beings, birds,
trees or beasts for pleasure are guilty of committing the gravest and most unpardonable sin.
Through this story the author is trying to comment on the way man is treating animals. The
tiger king symbolizes the cruel, insensitive, foolish man who for his own gains, kills the tigers.
This act of the king is against the divine. We all are expected to lead a normal life. All
creatures and animals also have the right to live a respectful life. Thus, the author exposes
the folly, cruelty and heartlessness of human beings with regard to their behavior towards
innocent animals. And then there is the case of British offices also. He wants to have a tiger
killed simply because he wants himself photographed holding the gun and standing over the
dead tiger. Thus, the author wants to convey a message 'Live and let others live.'

3. The astrologer's prediction about the death of the Tiger King came to be true. Do you
agree with this statement? Explain why and why not?
Ans. Yes, I agree that the astrologer's prediction about the death of the tiger king came to be
true. The astrologer at the birth of the Tiger King predicted that the death would come to the
king from the tiger. He told the Maharaja that he might kill 99 tigers but he must be cautions
with the hundredth tiger.
When the king came to know that he was destined to be killed by a tiger someday, he hit
upon a campaign of tiger hunting. When tigers became extinct in his kingdom, he married a
girl of a state which had a large tiger population. Thus, he was able to kill ninety-nine tigers.
The Maharaja felt elated when the hundredth tiger was killed. But the destiny had something
else in store for Maharaja. The Maharaja's bullet had missed its target and the tiger had only
fainted and not died. One of the hunters killed the tiger as they feared losing their jobs.

The Maharaja presented a wooden tiger to his son on his third birthday. While playing with his
son, a tiny sliver of the toy pierced his right hand which caused infection in the arm. He was
operated upon and died on the operation table. Thus, he was killed by the hundredth tiger and
the astrologer's prophesy came to be true.

4. Do you think the Maharaja's minions were sincere and loyal to him or are they driven
by fear when they obey him? Do you find a similarity in today's political order? Ans. The Tiger
King was an eccentric, whimsical and foolish character. He never saw reason. When he is
told about the presence of a tiger, he immediately announces tax exemption for the villagers.
But when the tiger is not traced he doubles the taxes. He throws officers out of their job.
Under such circumstances one can't expect officers and minions to be loyal to the king. They
obey him not because they respect him but because they are afraid of losing their jobs. They
bow before him to avoid his anger. The Dewan brings an old tiger for the king to hunt, in order
to save his job. The hunters also do not inform him that the hundredth tiger was not dead.
They fear his anger and keep quiet. Even the state astrologer is afraid of speaking the truth in
front of him. They only pretend to be loyal to him but in reality, have no respect for him.
The situation today is virtually the same. Everybody in the ruling and serving class is busy
serving his own end. Nobody dares bring out the truth in front of the powerful one.

5. How did the Tiger King meet his end? What is ironical about his death?
Ans. It was the third birthday of the Maharaja's son. He had purchased a wooden toy tiger for
his son's birthday gift. But it had been made by unskilled carpenter. It had tiny slivers all over
its surface. One of these pierced the Maharaja's right hand while playing with his son with the
toy. Although the king pulled it out but infection developed in the king's hand. In four days, it
developed all over the arm. The king died while being operated upon.
The king's death is ironical. He was happy to think that he had killed the hundredth tiger. He
was fulfilled his vow and disproved the prediction of the royal astrologer. He ordered to bring
the tiger to the capital in grand possession. But he didn't know that the hundredth tiger was
not killed by him but by other hunters. That is indeed quite ironical. It is also ironical that this
brave and fearless king dies of a mere 'silver' on the body of a wooden tiger. Thus, nemesis
overtakes the king ultimately and ironically death does come to him from a tiger.

3. Journey to the End of the Earth

Tishani Doshi
INTRODUCTION
In ‘Journey to the End of the Earth’ Tishani Doshi describes the
journey to the coldest, driest and windiest continent in the world: Antarctica. The world’s
geological history is trapped in Antarctica. Geoff Green’s ‘Students on Ice’ programme aims
at taking high school students to the ends of the world. Doshi thinks that Antarctica is the
place to go and understand the earth’s present, past and future.

THEME OF THE LESSON

In 'Journey to the End of the Earth' aims at the exploration of the landmass covered by ice-
cap of Antarctica will surely reveal vital information about the birth and evaluation of the
earth. And the sub-theme is the need of saving the planet Earth from total annihilation
(destruction) and the role the school students can play in this gigantic task.

MESSAGE OF THE LESSON

The author gives us the message that rarely visited regions of the earth (North and South
Poles) are a store house of information and we can learn a lot about the earth’s past, present
and future if we dig deep into them. It also warns man against too much interference with
nature and excessive encroachment on and dominance over Nature which is injurious to the
future of mankind and that ‘the threat of global warming is very real’.

TITLE OF THE LESSON

The title of the story 'Journey to the End of the Earth' is an account of author’s personal
experience to the journey to Antarctica with a group of high school students on board
‘Akademik Shokalskiy. We know the earth is round and if at all, ends are to be found they are
either at the bottom (the South ploe) or the top of the earth (the North pole) the word ‘End’
used in the title is very forceful and meaningful, because the scientists continually warn us
against the catastrophic effects of the excessive “depletion of ozone layer”. So, judicious use
of natural resources is a must if we want to escape ‘End’ of the earth. Thus, the title is most
appropriate and true to its meaning.

VOCABULARY

1. Bon Voyage - It is a French phrase that translates to "good journey" or "have a good
trip" in English.
2. Aboard - On or into.
3. Equator - The imaginary line that divides the Earth into the Northern Hemisphere and
the Southern Hemisphere.
4. Time zones - Time zones are regions of the Earth that have the same standard time.
5. Checkpoints - Locations where formalities or inspections take place, often used for
security or administrative purposes.
6. Ecospheres - Refers to distinct ecological systems or environments characterised by
their unique organisms and interactions.

7. Expansive - Something that is vast or covers a large area.

8. Landscape - All the visible features of an area of land, often considered in terms of
their aesthetic appeal.

9. Horizon - The line at which the earth's surface and the sky appear to meet.

10. Profound - Deep, significant, or thought-provoking.

11. Landmass - A large, continuous area of land on the Earth's surface that is distinct and
separate from bodies of water such as oceans or lakes.
12. Amalgamated - Combining or merging multiple things or entities into one unified
whole.

13. Supercontinent - A vast landmass formed when multiple continents come together
and merge into a single large landmass.
14. Flora and fauna - Flora and fauna are terms used to refer to plant and animal life,
respectively, in a particular geographical region or ecosystem.
15. Thrived - Grown, prospered, or succeeded in a healthy or vigorous way.
16. Grasp - To understand or comprehend.
17. Cordilleran folds - A chain of mountain ranges, typically characterised by complex
 folding and faulting.
18. Pre-Cambrian granite shields - Ancient and stable geological formations are found in
many parts of the world.
19. Mind-boggling - Extremely perplexing, astonishing, or overwhelming to the mind.
20. Jamming - Collision and compression.
21. Buckle - Bending, folding, and warping.
22. Drifting off - Slowly moving.
23. Drake Passage - A body of water located between the southern tip of South America
and the South Shetland Islands of Antarctica.
24. Circumpolar current - An ocean current flowing from west to east around Antarctica.
25. Frigid - Extremely cold temperature.
26. Desolate - A place or a situation that is deserted, empty, or barren.
27. Prospect - The anticipation or expectation of what the experience might be like.
28. Metabolic - The chemical processes that occur within living organisms to maintain
life and support various bodily functions.
29. Ping-pong ball - A small, lightweight ball used in the sport of table tennis.
30. Devoid - Entirely lacking or free from.
31. Perspective - A particular point of view, interpretation, or way of looking at things.
32. Mighty - Very large, powerful, or impressive.
33. Midges - Small two-winged insects that form swarms and breed near water or marshy
areas.
34. Mites - Tiny arthropods that have eight legs and play various ecological roles as
decomposers, parasites, pollinators, or predators.
35. Icebergs - Large masses of ice that have broken off from glaciers or ice shelves and
are floating in the sea.
36. Surreal - Anything that is strange, dreamlike, or beyond ordinary reality.
37. Austral summer - It refers to the summer season in the Southern Hemisphere.
38. Ubiquitous - Present or found everywhere or appears to be everywhere at the same
time.
39. Avalanche - A sudden and rapid flow of snow, ice, and debris down a mountainside or
a steep slope.
40. Calving - Splitting and shedding.
41. Consecrates - To make something sacred or to devote it to a particular purpose.
42. Immersion - A state or experience of being deeply engaged or fully absorbed in
something.
43. Geological - Relating to the study of the earth's physical structure and substance.
44. Prognosis - The predicted or expected outcome of a situation.
45. Paltry - Small, insignificant, or meagre in amount, value, or importance.
46. Ruckus - A noisy or chaotic disturbance or commotion.
47. Etching - Leaving a lasting mark or imprint; engraving.
48. Dominance - The state or condition of having power, control, or authority over others.
49. Unmitigated - occurring in an uncontrolled manner, without any attempts to minimise
the associated consequences.
50. Hotly Contested - Strongly disputed or argued with passionate or heated exchanges.
51. Disrupted - Causing disturbance or interruption to something.
52. Sustained - Maintained, continued, or prolonged over some time.
53. Pristine - Original, untouched, or unspoiled.
54. Ice-cores - Cylindrical samples of ice that are extracted from glaciers, ice sheets, or
polar ice caps.
55. Foster - To encourage or facilitate the development of ideas, relationships, or qualities.
56. Carting - Transporting or accompanying.
57. Policy-makers - Individuals or groups who have the authority and responsibility to
formulate and implement policies.
58. Blasé - A state of indifference or boredom resulting from familiarity or a perceived
lack of novelty or significance.
59. Latitude and longitude - Geographical coordinates are used to specify locations on
the Earth's surface. Latitude measures the distance north or south of the Equator,
while longitude measures the distance east or west of the Prime Meridian.
60. Retreating - Shrinking and receding.
61. Ice shelves - Floating sheets of ice that extend from the edge of land into the ocean.
 62. Collapsing - Falling down, breaking apart, or disintegrating.
63. Ecosystem - It is a complex network comprising living organisms and their physical
environment.
64. Biodiversity - The variety and variability of life on Earth, including all living organisms,
ecosystems, and the ecological processes that sustain them.
65. Repercussions - The consequences of a particular action or event, especially an
undesirable one.
66. Assimilate - To absorb and incorporate nutrients into the body after digestion.
67. Synthesise - The process of creating or producing molecules, compounds, or
substances within living organisms.
68. Wondrous - Remarkable and awe-inspiring.
69. Depletion - The reduction or exhaustion of a resource or substance.
70. Parable - A fictional story or narrative that conveys a lesson.
71. Metaphor - A figure of speech or literary device used to convey a deeper meaning by
drawing a comparison between two different things.
72. Epiphanies - A sudden and profound realisation.
73. Wedge - To insert or fit oneself tightly or firmly into a narrow or constrained space.
74. Peninsula - A landmass that is surrounded by water on three sides while connected to
the mainland on one side.
75. Gangplank - A movable plank or bridge used to board or disembark from a ship or
boat.
76. Kitted out - fully equipped or dressed with all the necessary gear or accessories for a
specific purpose or activity.
77. Gore-Tex - It is a well-known brand of waterproof, breathable fabric often used in
outdoor clothing.
78. Glares - Sunglasses or tinted eyewear.
79. Stark - Extreme, severe, and lacking any other elements or colours.
80. Periphery - Outer edges, boundaries, or margins of something.
81. Crabeater seals - A species of seals found in the Southern Ocean surrounding
Antarctica.
82. Sunning - The act of exposing oneself to sunlight.
83. Ice floes - Large pieces of floating ice.
84. Revelation - A profound or significant realisation that leads to a deeper understanding
of a transformative experience.
85. Mammoths - An extinct group of large, shaggy-haired elephants with long, curved
tusks.
86. Woolly rhinos - An extinct species of rhinoceros that lived during the Pleistocene
epoch.
87. Idealism - A belief or mindset characterised by holding high ideals, principles, or
values.

SUMMARY
 The author finds out about a Russian research vessel, Akademik Shokalskiy, that was
traveling to the coldest continent of the world, Antarctica.
 After traveling for 100 hours when she touches the land of Antarctica, she finds
herself relieved and amazed by the beauty, loneliness, and mystery of Antarctica. She
was shocked by the fact that India and Antarctica were part of the same landmass.
 The description of how countries were formed- Six hundred and fifty million years ago,
a giant amalgamated southern supercontinent, Gondwana existed near For 500
million years Gondwana thrived, but around the time when the dinosaurs were wiped
out and the age of the mammals got underway, the landmass was forced to separate
into countries, shaping the globe much as we know it today.
 She says that Antarctica is a reflection of the past, history, and the future that will
come ahead of us. It is significant to understand the Cordilleran folds and pre-
Cambrian granite shields; ozone and carbon; evolution and extinction.
 Description of Antarctica- It’s like walking into a giant ping-pong ball devoid of any
human markers — no trees, billboards, buildings. You lose all earthly sense of
perspective and time here. The visual scale ranges from the microscopic to the
mighty: midges and mites to blue whales and icebergs as big as countries. Days go
on and on and on in surreal 24-hour austral summer light, and a ubiquitous silence,
 interrupted only by the occasional avalanche or calving ice sheet, consecrates the
place.
 Human Impact- The rapid increase of human populations has left us battling with
other species for limited resources unmitigated burning of fossil fuels has now
created a blanket of carbon dioxide around the world, which has increased the earth’s
average global temperature. Climate change, melting of ice sheets, disruption of
ocean currents, and more can take place in the near future.
 Since Antarctica displays history, and is a crucial element in the present and reflection
of the future, she says that Antarctica is the place to be for knowing Earth’s past,
present, and future.
 Students on Ice was the student program she was in. It is aimed at taking high school
students to the ends of the world and providing them with inspiring educational
opportunities that will help them foster a new understanding and respect for our
planet. With Students on Ice, he(head of the program, Geoff Green) offers the future
generation of policy-makers a life-changing experience at an age when they’re ready
to absorb, learn, and most importantly, act.
 It became famous because it’s easy to be blasé about polar ice caps melting while
sitting in the comfort zone of our respective latitude and longitude, but when you can
visibly see glaciers retreating and ice shelves collapsing, you begin to realize that the
threat of global warming is very real.
 Phytoplankton, are those grasses of the sea that nourish and sustain the entire
Southern Ocean’s food chain and they help in producing the process of
photosynthesis. Scientists warn that a further depletion in the ozone layer will affect
the activities of phytoplankton, which in turn will affect the lives of all the marine
animals and birds of the region and the global carbon cycle.
 Antarctica, because of its simple ecosystem and lack of biodiversity, is the perfect
place to study how little changes in the environment can have big repercussions.
 Before putting an end to their program, they decided to walk on the ocean. They
walked on a stark whiteness that seemed to spread out forever. Underneath our feet
was a meter-thick ice pack, and underneath that, 180 meters of living, breathing, salt
water.
 As the program was about to end, she realized that the youth might have the
enthusiasm to end the environmental misery. She says, “But after spending two
weeks with a bunch of teenagers who still have the idealism to save the world, all I
can say is that a lot can happen in a million years, but what a difference a day makes!”.

Answer the following questions in 30 to 40 words.

1. What is ‘Students on Ice?
Ans. ‘Students on Ice’ is an educational expedition to Antarctica. It takes high school
students to show them the terrifying impacts of human activities in Antarctica so that, the
students will realise that the end of the earth is quite near and therefore something should be
done to save the planet.

2. Why did Geoff Green decide to take high school students to Antarctica?
Ans. Geoff Green didn’t find any good in taking curious celebrities to Antarctica until he
thought of taking high school students. He believed that the high school students are the real
future policy makers of the earth and the young enthusiasm in them would easily understand
the seriousness of the threat that poses the earth by visiting Antarctica and they would act
their bit to save the planet from further deterioration.

3. Why is Students on Ice programme a success?

Ans. When one stands in the midst of the calving ice-sheets, retreating glaciers and melting
icebergs, one realises that the threats to the earth are real. It is different and way more
pragmatic from talking about Antarctica from the comfort zones of our warm countries and
therefore being in Antarctica is a shocking realisation.

4. Why are the youngsters called the future policy makers of the earth?
Ans. The youngsters according to Geoff Green are the future policy-makers because it is
them who will bring substantial changes as they grow up. More than that, the more educated
youth of today is the hope for the earth as many students are more informed and more aware
of the weakening strength of the planet.

5. How do geological phenomena help us to know about the history of humankind? Ans.
Geological phenomena certainly help us to know about the history of humankind. A giant
southern supercontinent- Gondwana did exist 650 million years ago. The climate was much
warmer. It had a huge variety of flora and fauna. Gondwana thrived for 500 million years.
Finally, it broke in to separate countries as they exist today. It was the stage when dinosaurs
were wiped out and the age of mammals started.

6. What are the indications for the future of humankind?

Ans. Rapid human population growth and limited resources exert pressure on land. Burning
of fossil fuels has only helped in increasing the average global temperature. Melting of ice-
caps, depletion of the ozone layer and global warming are the real and immediate dangers for
mankind. They will affect the lives of all the marine animals and the birds of the region.

Answer the following questions in 100 to 120 words.

1. How is the study of Antarctica useful to us?
Ans. The world’s geological history is trapped in Antarctica. Therefore, the study of
Antarctica shows that India and Antarctica were part of a supercontinent named Gondwana.
This supercontinent existed 650 million years ago. The climate of Gondwana was much
warmer. It fostered a huge variety of flora and fauna. Then about 150 million years ago,
dinosaurs were wiped out. The age of mammals started. Gondwana was forced to separate
into countries. The globe was shaped much as we know it today. A cold circumpolar current
was created. It made Antarctica frigid.

2. What lessons can be learnt from an expedition to Antarctica?

Ans. While in Antarctica, one can witness the ice-sheets breaking, water level rising, seals
taking sun bath on the ice floes. One can also walk on the thin layers of ice and feel the life
under ones feet. One can see icebergs as big as a small country. And earlier these ice sheets
were many times bigger than their present size. One can see a green patch of phytoplankton
– a microscopic grass that feeds the entire marine life. Lastly, if one can get a chance to dig
a bit, one can be lucky to see the fossils of half a million years old animals, plants and birds
that got killed in the previous ice-age. This way one can learn the lesson of the slow
impending death of the planet earth and therefore take some constructive

4. THE ENEMY - Pearl Sydenstricker Buck

CHARACTERS AND PLACES
Dr. Sadao Hoki : A Japanese doctor trained by AmericAns.
Sadao’s father : Much concerned about his son’s education, a true patriot.
Hana : Wife of Dr. Sadao, met in America, became friends and got married in Japan.
Tom : An American prisoner of war, a soldier of U.S. Navy.
The old General : A sick Japanese army General, needed an operation, trusted only Dr.
Sadao.
An officer : A messenger of the General.
Gardener : An old gardener in the house of Dr. Sadao.
Yumi : Hana’s maid servant.
The cook : An old cook in the house of Dr. Sadao.
House of Dr. Sadao: A house built on a narrow beach near the sea.

VOCABULARY
1. A stain of red: blood stain
2. Absolute state: a state run by kings having total powers
3. Amazement: surprise
4. Anatomy: the branch of science concerned with the bodily structure of humans,
animals, and other living organisms, especially as revealed by dissection and the
separation of parts.
5. Anatomy: the branch of science concerned with the bodily structure of humans,
animals, and other living organisms, especially as revealed by dissection and the
separation of parts.
6. Anesthetic: a substance that induces insensitivity to pain
7. Apologise: feel sorry
8. Assassins: professional killers
9. Assuage: decrease, reduce
10. Battered: torn and worn out
11. Beachcomber: a vagrant who makes a living by searching beaches for articles of
value and selling them
12. Beginning to stir: gaining consciousness.
13. Bitter: unpleasant
14. Blond: light – coloured, yellowish colour
15. Blond: of light colour
16. Bluntly: in a straight – forward manner
17. Boughs: branches of trees
18. Briskly: quickly
19. Burden: here, it refers to a dead body.
20. By word of mouth: people tell it to each other rather than it being printed in written
form.
21. Cardinal: basic, first
22. Cares of his life: problems and responsibilities that he faced during his life
23. Chilled: freeze due to cold weather
24. Chrysanthemum: a flower
25. Compelled: forced
26. Comprehending: understanding
27. Concise: short
28. Consequence: result
29. Contemptuously: disrespectfully
30. Conviction: firm belief
31. Courteously: politely
32. Crept: crawled
33. Crimson: bright red colour
34. Cross: angry, disappointed
35. Crouched: sit in a squatting position
36. Dereliction: failure to perform one’s duty
37. Despised: hated
38. Dignity: respect
39. Dismayed: shocked
40. Distress: sadness
41. Dragged: pulled
42. Dusk: the time of sunset
43. Eaves: part of the roof that meets or overhangs the wall of a building
44. Ebbing: decreasing gradually
45. Execution: legal punishment
46. Fathom: a unit of measuring the depth of the sea.
47. Feeble: weak
48. Fierce: dangerous
49. Flashlight: torch
50. Fluttered: trembled
51. Fortifying: putting security at a place
52. Fowl: cock, hen
53. Gall bladder: the small sac-shaped organ beneath the liver, in which bile is stored after
secretion by the liver and before release into the intestine.
54. Gasped: to catch one’s breathe due to astonishment
55. Gasping: struggling to breathe, unable to speak
56. Gaunt: gloomy, weak
57. Gay: happy
58. Grateful: thankful
59. Grieving: in a state of sadness
60. Gripping: holding tightly
61. Guts: informal word for bravery and determination
62. Haggard: looking exhausted and unwell, especially from fatigue, worry, or suffering.
63. Haori: a loose outer garment worn over the kimono.
64. Heedlessly: carelessly
65. Her face the colour of sulphur: sulphur is a yellow coloured element. The clause
means that her face became pale – yellowish in colour.
66. Hesitated: paused in indecision before saying or doing something.
67. Horizon: the line at which the earth’s surface and the sky appear to meet, skyline
68. Hypodermic: needle, syringe, injection
69. Impulsive: sudden, thoughtless
70. impulsively: to do something suddenly without thinking
71. Incisions: surgical cuts
72. Inclined: bent towards one side
73. Indispensable: necessary
74. Inert: motionless
75. Infected: affected
76. Influenza: a highly contagious viral infection of the respiratory passages causing fever
77. Kerchief: square piece of cloth
78. Kimono: a traditional Japanese garment.
79. Knelt: sat on her knees
80. Leaned: bent forward
81. Leaped: jumped
82. Manchuria: Manchuria (Northeast China) is the homeland of the Manchu people. To
the Chinese, the region is simply known as the Northeast. Manchuria is made up of
China’s three north-eastern most provinces: Liaoning, Jilin, and Heilongjiang.
83. Marred: spoiled
84. Menace: danger, threat
85. Miserable: in poor condition
86. Mistress: a woman in a position of authority or control
87. Moaned: a low cry in pain
88. Moaned: made low, soft sounds due to pain
89. Modern: relating to the present or recent times as opposed to the remote past.
90. Moss: a very small soft green plant
91. Muttered: spoke
92. Nodded: lower and raise one’s head slightly and briefly, especially in greeting, assent,
or understanding, or to give someone a signal.
93. Nursed him: taken care of him
94. Nursery: a room in a house for the special use of young children.
95. Overwhelmed: full of emotions
96. Paid no heed: did not pay attention to
97. Pallor: an unhealthy pale appearance
98. Partitions: structures dividing a room into parts
99. Patriotism: love for one’s country
100. Pawnshop: a store that lends money in exchange for a valuable thing that
they can sell if the person leaving it does not pay an agreed amount of money by an
agreed time
101. Peculiar: strange
102. Pine needles: very thin, sharp leaves that grow on pine trees
103. Piteously: causing you to feel sad and sympathetic
104. Porcelain: a white vitrified translucent ceramic also called China used for
making utensils, pottery, etc.
105. Post: pole
106. Precise: accurate
107. Prejudice: preconceived idea or opinion
108. Prick: slightest amount
109. Probed: searched
110. Profound: very great or intense
111. Pulse: heartbeat
112. Pulse: heartbeat
113. Pulse: heartbeat
114. Quivered: shivered, trembled
115. Raw: uncooked
116. Reason: an idea backed by common sense
117. Refrain: a sound that is repeated time and again
118. Repulsion: a strong dislike
119. Repulsive: awful, terrible
120. Resistance: the refusal to accept or comply with something
121. Retching: vomiting
122. Rose: stood up
123. Rugs: blanket
124. Runs out: finishes
125. Rustling: the sound made by footsteps
126. Ruthless: harsh, merciless
127. Ruthlessness: harshness
128. Saturate: wet
129. Scars: marks
130. Sea moss: a kind of seaweed
131. Sentimentality: being emotional
132. Shaggy: hairy
133. Slatternly: dirty, untidy
134. Solemn: serious and concerned
135. South pacific: the part of the Pacific Ocean that lies in the southern
hemisphere.
136. Southern sunshine: the door of the office which opened into the garden faced
the South direction. This means that the sunshine which entered the office was not
direct and bright instead it was a shady sunshine.
137. Spiked: covered with sharp points
138. Springs:
139. Staggered: walk unsteadily as if about to fall
140. Stanch: stop or restrict (a flow of blood) from a wound.
141. Sterilized: disinfected
142. Stoop: bend forward
143. Stout: fat, big
144. Strain: stress
145. Strewed: to be scattered untidily over a place or area
146. Stubbly: unshaven, bearded
147. Stubbornness: firm determination
148. Stupor: a state of unconsciousness
149. Submerged: here, sink into the sea
150. Sulphur: a chemical element used as a disinfectant
151. Summon: to gather
152. Sun drops: the Sun sets
153. Superficial: existing or occurring at or on the surface
154. Superstitious: irrational beliefs
155. Supper: an evening meal, typically a light or informal one.
156. Suspected: doubted
157. Sustained: continued
158. Tended: cared for, looked after
159. The General was in the palm of his hand: he had control of the general
160. There was a faint colour in his cheeks: his pale yellow coloured cheeks were
turning pinkish in colour which indicated that he was recovering
161. Thrust: pushed
162. Timid: showing lack of courage or confidence
163. Tokonoma alcove: The word ‘toko’ literally means “floor” or “bed”; ‘ma’ means
“space” or “room.” In English, tokonoma is usually called alcove. It is a part of a room
where things are displayed.a niche or an alcove in a Japanese home for displaying a
flower arrangement, kakemono, or other piece of art.
164. Traitor: a person who betrays his country
165. Twig: branch of tree
166. Twilighted: at the time of twilight i.e. sunset or sunrise.
167. Unaccustomed labour: not used to perform hard work
168. Vial: a small container, typically cylindrical and made of glass, used especially
 for holding liquid medicines.
169. Vitality: energy, life
170. Wail: cry loudly
171. Washed: bathed
172. Weary: tired
173. Whence: where
174. Wistaria wine: a flowering plant used for decoration
175. Yonder: at some distance in the direction pointed at
176. Zeal: great energy or enthusiasm in pursuit of a cause or an objective

TITLE OF THE LESSON

“The Enemy” is an apt title for the story that has Second World War as the background that
eventually culminates in dropping of atom bombs on Hiroshima and Nagasaki by America.
Under these circumstances an American P.O.W. sailor, by no chance, could be treated as a
friend by the Japanese. The servants in Dr. Sadao’s house vehemently protest against his
presence and treat him as their sworn enemy; so much so that they severe their long
standing relationship with the Sadao over to the police. For the masses that constitute
majority of the population all the world over, all individuals belonging to the country, their
nation is at war with, are their enemies. The Sadao couple too considers Tom to be their
enemy; but being educated, they have a broader and more generous view of life, and in spite
of reservations, mental conflicts and various other odds they are confronted with, they take a
humanistic view. The doctor’s professional ethics also urge him to treat the American sailor
as a patient. Neither Dr. Sadao, nor Hana, at any stage consider him to be their friend in spite
of the fact that they have spent a number of years in the States. Hence “The Enemy” is a
befitting title for the story.

INTRODUCTION
The Enemy is a story written by Pearl Sydenstricker Buck. It is about a Japanese surgeon,
Sadao. He went to study in America and meets a Japanese girl, Hana, there. He marries her
and brings her back to Japan to settle down.

THEME OF THE LESSON

The story revolves around the ethics of war. Does one's obligation to one's country super
cede one's obligation to family and to humanity? Sadoa was faced with the conflict to choose
between professionlism and patriotism. The end actually gives us the correct answer as to
what motive should rule our decision to choose between country, family and humanity.

BACKGROUND & SETTING OF THE LESSON

In “The Enemy,” a story set in Japan during World War-II, an American-trained Japanese
surgeon pulls a wounded American sailor, presumably an escaped POW, from the surf behind
his home. It is wartime and a doctor needs to make a life or death decision.

MESSAGE OF THE LESSON

The Enemy' gives the message that humanism transcends all manmade prejudices and
barriers. Dr. Sadao upholds the ethics of medical profession in treating an enemy. The story
is a great lesson of peace, love, sympathy, fellow feeling and humanism.

Characters
Dr. Sadao Hoki: A Japanese doctor trained by Americans.
Sadao’s father: much concerned about his son’s education, a true patriot.
Hana: Wife of Dr. Sadao, met in America, became friends and got married in Japan.
Tom: An American prisoner of war, a soldier of U.S. Navy.
The old General: a sick Japanese army General, needed an operation, trusted only Dr. Sadao.
An officer: A messenger of the General.
Gardener: an old gardener in the house of Dr. Sadao.
Yimi: Hana’s maid servant.
The cook: an old cook in the house of Dr. Sadao.
Place :House of Dr. Sadao: a house built on a narrow beach near the sea.

Summary
Sadao was a Japanese surgeon. He studied in America and returned with Hana, a Japanese
girl whom he met there, and married her in Japan and settled down comfortably. While most
of the doctors were sent to serve the Japanese army in the World War II, Sadao was allowed
to stay home because he was wanted by the old General who was dying. But one night into
his uneventful life came an American Navy-man, shot, wounded and dying. Though unwilling
to help his enemy, Sadao took the young soldier into his house and provided him with
medical aid. He was in danger from that moment. Soon his servants left him. Dr. Sadao saw
that the soldier was getting well and absolutely alright. Once his patient was no more in need
of him, the doctor turned out to be his assassin, conspiring to kill him in his sleep. He
informed the General of the American and the General promised, he would send his private
men to kill the American. Sadao awaited the American’s death every morning but to his
gloom the man was still alive, healthier and posing danger to him. At this point Sadao
becomes the real man in him, a true human being who realizes the essential worth of human
life and universal brotherhood. He thinks beyond countries and continents and races and
wars. He finds no reason to believe that the American is his enemy. Sadao rescues the
American. Thus Sadao rises above narrow prejudices and acts in a truly humanitarian way.

GIST OF THE LESSON:

 Sadao, a Japanese surgeon finds a wounded American soldier on the beach near his
house.
 He is unable to throw him back though he was his enemy as he was a doctor and his
first duty was to save a life.
 Hana, his wife, though initially reluctant because it was dangerous for all including the
children to keep the enemy in the house, joins her husband in operating and nursing
the enemy soldier back to health, even though the servants desert the house.
 Hana assists Dr. Sadao in operating the soldier in spite of her physical discomfort and
hesitation.
 Though it was war time and all hands were needed at the front, the General did not
send Sadao with the troops as he is an expert surgeon and the General needed him.
 Sadao tells him about the enemy soldier but he does not take any action as he is self-
absorbed and forgets his promise that he would send his private assassins to kill the
enemy and remove his body.
 Taking advantage of the general’s self-absorption Sadao decides to save the soldiers
life. After the soldier is out of danger Dr. Sadao helps him to escape from his house to
safety.

Answer the following questions in 30 - 40 words.

1. Who was Dr. Sadao? Where was his house?
Ans. Dr. Sadao was a Japanese surgeon who had mastered the art of surgery in America. He
was also a scientist who was trying to find a way that would render wounds completely clean.
He lived in a ' square store house' located on a rock above a narrow beach that was outlined
with bent pines.

2. Will Hana help the wounded man and wash him herself?
Ans. Yes Hana will help the wounded man because her husband wishes so. Although Hana
did not want to help him as he was a war prisoner. His husband also did not want to help him.
Yet as the ethics of the doctor he decided to help him. When the maid- servant refused to
wash the wound she was forced by the situation to help her husband and washed the wound
of the enemy soldier, Tom, to save his life.

3. What will Dr. Sadao and his wife do with the man?
Ans. Dr. Sadao and his wife took the man inside the house. He operated the man and saved
his life. He examined him carefully and served him well. Hana helped her husband to operate
the wounded man. She nursed the man kindly and sympathetically as none of the servants
entered the room.

4. Will Dr. Sadao be arrested on the charge of harbouring an enemy?

Ans. Dr. Sadao could be arrested on the charge of harbouring an enemy. Japan was at war
with America. Giving shelter to a sailor the U.S. Navy was anti- national work. But he was a
true patriot. He told everything to the old General that he had just performed the duty of a
doctor to save the life of patient visited his house. He was a famous and respectable citizen
of his country. Therefore, the possibility of his arrest was very remote.

5. Why did Dr. Sadao decide to stop the bleeding of the wounded American soldier? Ans.
Dr. Sadao was a committed doctor. His medical ethics made him attend to the soldier. He
considered him only as a wounded individual who needed immediate medical care. He
packed the wound with the help of wild sea moss to stop the bleeding immediately.

6. Why did Dr. Sadao not want to throw the wounded soldier back into the sea?
Ans. When Dr. Sadao and his wife saw the wounded soldier, their first reaction was to throw
him back into the sea. Dr. Sadao hated AmericAns. For him all Americans were his enemy.
But since the soldier was wounded, the doctor inside Sadao prompted him not to take that
step.

7. Why did Dr. Sadao not accompany the Japanese troops?

Ans. Dr. Sadao did not accompany the Japanese troops because the General was ailing and
he might require a surgery any time. For this he trusted none other than Dr. Sadao. Also Dr.
Sadao was working on a discovery to make wounds entirely clean. So he was required in
Japan.

8. Sadao realized that the General would never be able to give him away and that he was
secure. What was it that made him feel this way?
Ans. The General had undergone another surgery and Dr. Sadao was the only person whom
he trusted. The doctor was indispensable as far as the General was concerned. The doctor
realized that even if he is arrested for sheltering an enemy sailor, the General would save him.

9. What secret plan did the General have about the American sailor staying under the
care of Dr. Sadao?
Ans. Dr. Sadao was burdened with the sense of guilt at shielding and harbouring an enemy
sailor. So he told the General everything about the American prisoner. The General offered to
send his own private assassins to Sadao's house at night to help him get rid of the American.
He planned that his assassins without much aid and noise would kill the man by causing
internal bleeding and would also dispose of the body.

10. Hana told Yumi to wash the soldier. How did Yumi react?
Ans. Yumi was the governess of their children. When Hana requested her to wash the
wounded man, she answered bluntly and refused to touch the soldier. She said that she had
nothing to do with a white man and especially a dirty one. She threatened that if she was
forced, she would leave the job and finally she left the job.

Answer the following questions in 100 words.

1. Write the character sketch of Dr. Sadao Hoki.
Ans. Dr. Sadao was an expert surgeon in the art of healing wounds. He was a scientist too. At
the age of 22, his father sent him to America to study surgery and medicine. There he fell in
love with Hana but married after returning from Japan when his father was convinced that
the girl was pure Japanese. He was very generous and loyal to his country. His wife Hana
was also sympathetic, kind, obedient and faithful wife.
Dr. Sadao was good at heart. He was an obedient son of a patriot father. He fulfilled the
dream of his father. He was also a loving husband. He cared for his wife's sentiments. He
even regards the views of his wife. On finding the war prisoner on the shore, he seeks
complete approval of his wife before bringing the wounded man in.
He had great feelings for his patients. He did not care for anything while treating the patient.
He even informed his servants about the wounded soldier of America. He saved his life. He
also told the whole event to the General. He helped the prisoner of war, in making good
escape. Thus we can say Dr. Sadao was an obedient son, loving and caring husband, dutiful
and expert professional, a great patriot and above all complete human being. General Takima
trusted him the most.

2. Write the character sketch of Hana.

Ans. Hana is a perfect model of women. She is a good wife, a perfect companion, wise
homemaker and an excellent human being. When her servants decided to leave the house,
she takes care of all the jobs with ease. Her qualities of head and heart make her take a
balanced and human view about the wounded American prisoner of war; an enemy of Japan.
In her zest for patriotism, she does not lose sight of the fact that the wounded American in a
human being first and an enemy afterwards. Her active participation in all vital decisions that
the couple takes, speaks volumes for her presence of mind, confidence and determination.
Whether to handover the prisoner of war to the police or allow him to escape is the question
that puzzles her badly. She co-operates her husband to perform the operation successfully.
In spite of all her tension, worry and fear, she carries herself with dignity and confidence while
dealing with her revolting servants. She handles the situation coolly.
In brief, she is an ideal model of women. She is a perfect wife, a capable and devoted mother
and a skilled home maker.

3. Why did Dr. Sadao let the wounded American soldier escape? Explain highlighting his
character.
Ans. The job of a doctor is to save the life and not to take it. When Dr. Sadao treats the
wounded American soldier, he turns a blind eye and a deaf ear to everything else except his
patient. With great precaution he takes out the bullet from near the young wounded man's
disposal, Dr. Sadao starts feeling guilty and restless. He remains restless for three nights and
days. Then he manages to escape the American soldier. After all America and Japan are at
war and not Tom and Dr. Sadao. So his decision to save the American soldier's life is the best
possible solution to the problem. Finally, his helping the prisoner of war, in making good his
escape, asserts that the doctor has a heart of gold. He is a good, dutiful, loving and
professionally sound man. He is also a patriot who never thinks the soldier his own
countrymen. Being a doctor he saves the life of that soldier considering him a human being.
On the whole all this shows that the doctor was basically good at heart.

4. Sadao claims to hate all Americans who he regards as his enemies and yet he revives
a dying Americans and leaves no stone unturned to nurse him back to health. What does this
contradiction tell you about him?
Ans. It is true that Sadao hates Americans but he is aware of the fact that he is first a doctor
then a Japanese. The soldier is first an injured, helpless individual who needs treatment and
then an American or Japanese.
Dr. Sadao did not show his dislike towards the wounded American soldier. His duty bound
him as a doctor. As a doctor he was expected to save a dying person, to give him treatment
and nurse him back to health. This is exactly what he did. This shows that Sadao was duty
conscious and had the maturity to segregate emotion from duty. In this process all his
servants left him but he stuck to his stand. He gives a lease of life to the American and once
he is fit, he helps him escape as well.
At least Sadao was kind, affectionate doctor who believed in taking care of his patients. He
sees any sick, injured person as someone who needs immediate attention.

5. Justify the title 'The Enemy.'

Ans. 'The Enemy' is an apt title for the story. It is written in the background of the Second
World War when America dropped atom bombs on Hiroshima and Nagasaki. Under these
circumstances an American prisoner of war, by no way could be tr4eated as a friend by
Japanese. The servants in Dr. Sadao's house vehemently protested against his presence and
treat him as their sworn enemy; so much so that they severe their long standing relationship
with the Sadao over this issue. They want the enemy to be immediately handed over to the
police. For the masses that constitute majority of population all the world over, all individuals
belonging to the country, their nation is at war with, are their enemies. The Sadao couple too
consider Tom to be their enemy; but being educated, they have a broader and more generous
view of life, and in spite of reservations, mental conflicts and various other odds they are
confronted with, they take a humanistic view. The doctor's professional ethics also urges him
to treat the American soldier as a patient. Neither Dr. Sadao nor Hana, at any stage consider
him to be their friend in spite of the fact that6 they have spent a number of years in America.
Hence
'The Enemy' is a befitting title for the story.
 5. ON THE FACE OF IT - Novelist Susan Hill

TITLE OF THE LESSON

The title of the story ‘On the Face of It’ seems to be very appropriate. The idiom ‘On the Face
of It’ means from appearance alone or apparently. In the play, Derry is frustrated and has lost
self-esteem due to people’s attitude to him. Everyone thought that his burnt face was terrible,
and he was handicapped. Similar was Mr. Lamb’s case. He had lost one leg in a bomb
explosion. Apparently both Mr. Lamb and Derry had deformities. But Mr. Lamb enabled Derry
to have faith in himself and look at the bright side of things and to learn to live with his
deformity. Their physical handicap was an apparent thing for them as well as for the world.
But the most significant thing is the strength of one’s soul. Mr. Lamb was a mentally strong
person who handled his own handicap and loneliness very effectively. He became
instrumental in Derry change his views about himself and his deformity and start taking
things positively. The play deals with the acceptance of the fact that things are not always as
they appear, i.e. physical handicap has nothing to do with the mental strength and positive
attitude to life.

INTRODUCTION
The story is about an adolescent kid, Derry, who has a consumed face, and Mr. Lamb, who is
an impaired elderly person with a counterfeit leg made of tin. Derry accidentally enters his
garden to conceal himself from individuals who scorn him due to his revolting face. Mr. Lamb
invites him to his nursery and urges him to have an ordinary existence, abandoning his past.

THEME OF THE LESSON

The play revolves around the idea that people with physical disabilities suffer from loneliness
and mental pain. The play gives us an insight into how appearances are deceptive.

SETTING OF THE LESSON

The story starts with a teenage boy (Derry) who enters a garden. Due to an accident when
acid befell on his face and got burned on one side. He was afraid of facing people that's why
he has gone there to hide. Because other people tease him for having such a face.

MESSAGE OF THE LESSON

The play's message is that scars do not transform a person and that handicaps must be
embraced by both people and society." Deny had to confront prejudice as a result of his
scarred face, and he had become gloomy as a result.

GIST OF THE LESSON

 Derry enters Mr Lamb’s garden thinking that it is empty. When Mr. Lamb asks him to
be mindful of the apples, he realizes that the garden is not empty.
 Derry wants to take his leave but Mr Lamb denies it and says that he is open to
everyone who wants to visit his garden
 The conversation continues and Derry talks about his insecurity saying that he thinks
people are afraid of him. He continues and says that he thinks his face might be the
most terrible thing one sees in their life.
 Mr Lamb changes the subject and tells him that he makes delicious jelly out of the
crab apples. He should visit him often.
 During the conversation, Mr. Lamb asks Derry what does he see across the wall. To
which Derry replies that he sees some weed. Mr. Lamb explains to him that for some
they are just weeds, while for some there are flowers, fruits, and all such lovely things.
He wanted to teach Derry that beauty lies in the eyes of the beholder and that it
depends on the way you see life.
 Then Mr Lamb tells him about his tin leg and how he got his leg blown off. He adds
that kids call him Lamey-lamb and that does not trouble him at all.
 Derry shares an incident at the bus top where a woman tells her friend, “Look at that
terrible thing” while pointing at his face. To this Mr Lamb asks him, does he also think
the same way?
 When Derry tells him that he does not like being near people because they would
comment on his face or be afraid of him, Mr. Lamb tells him a story. There was a man
 who locked himself up in a room. He was afraid, you see. Of everything. Everything in
this world. A bus might run him over, or a man might breathe deadly germs onto him,
or a donkey might kick him to death, or lightning might strike him down, or he might
love a girl and the girl would leave him, and he might slip on a banana skin and fall
and people who saw him would laugh their heads off. So he went into this room, and
locked the door, and got into his bed, and stayed there. Then a picture fell off the wall
onto his head and killed him. Jerry laughs a lot.
 The conversation continues a lot longer and Derry returns home promising Mr. Lamb
that he will come back. Mr. Lamb tells himself that everyone says that but never
comes back.
 As Derry returns home, he has an argument with his mother over Mr Lamb. She stops
him from meeting him and going there. Derry argues and says that he says things that
matter to him, things that no one has ever told him, he likes being there, and he wants
to go back. His mother tries to stop him but he says that if does not return to Mr.
Lamb, he will never go anywhere in this world.
 Mr. Lamb was up on his ladder, trying to grab the crab apples. As he does so, his leg
slips and he falls hard to the ground. By the time, Derry comes running to the garden
and says look I told you I would come back. He sees Mr Lamb lying on the ground in
dead silence. He walks up to him, assures him that he is there with him, and weeps
hard.

VOCABULARY
1. Crab apples: a small sour apple
2. Creak: a harsh sound of wood
3. Daft: silly, foolish
4. Dribble: to fall slowly
5. Fuss: show of anger, worry
6. Hive: dome shaped structure in which bees live
7. Monstrous: horrible
8. Occasional: sometimes
9. Panting: quick breaths
10. Peculiar: strange, unusual
11. Pretend: fake, make as if
12. Rustling: whisper, low sound
13. Scrump: steal from garden
14. Signify: be a sign of
15. Stare: to look at
16. Startled: feeling a sudden shock
17. Steady: stable
18. Strike; hit
19. Swish: a hissing sound
20. Tentatively: hesitant
21. Tresspassing: enter without permission
22. Underneath: directly below
23. Weed: unwanted plant
24. Whispered: To say something very slow
25. Windfalls: unexpected gain, jackpot

Answer the following questions in 30 - 40 words.

1. Who is Mr. Lamb? How does Derry get into his garden?
Ans. Mr. Lamb is an old man. He has lost one of his legs in the war. Now he has a tin leg in
its place. He lives in a big house and has a garden of his own. Derry gets into his garden not
to steal or pick up apples. He does so because he liked the place and thinks that nobody is
inside it. He climbs over the garden wall and comes inside.

2. Which peculiar thing does Derry notice about Mr. Lamb?

Ans. Mr. Lamb advises Derry that he should keep his ears shut. People usually say so many
things and he should ignore them all. All these seem peculiar to Derry and all the questions
asked by Mr. Lamb are not understood by him. So he calls Mr. Lamb a peculiar person.
3. How does Mr. Lamb try to remove the baseless fears of Derry?
Ans. Derry suffers from an acute sense of self- hatred and rejection on account of his burnt
face. Mr. Lamb tells him that there is so much beauty in the world to be explored and
appreciated. He suggests Derry that hatredness is the worst enemy of human beings. It
would harm Derry more than any bottle of acid. It will kill him within. So, he should not
complain his looks.

4. Why did Derek enter Mr. Lamb's garden?

Ans. All the children of the neighbourhood used to steal apples from Mr. Lamb's garden. He
never used to close the gates. Derek entered his garden out of curiosity. He wanted to
explore and see around when it was deserted.

5. What does Mr. Lamb do every day?

Ans. Mr. Lamb lives all alone in a large house with a big garden. All the neighbourhood
children visit his garden for crab apples, pears, toffee and jelly. During the day he is busy
picking apples, making jellies and toffee. He likes talking to the children who come to his
house. He likes to read as well.

6. How does Derry get an ugly face and why does he say that people are afraid of him?
Ans. Derry had an ugly face because acid fell on that part of his face. It became burnt.
Whenever people saw him, they stared at him and became afraid of him. People said much
cruel things about his face. Somebody said that he had got a terrible face and his mother
could love. All these saying hurt Derry badly.

7. What kind of a house did Derry want for himself?

Ans. Derry wanted a house with a garden, open windows and no curtains. The gates of the
house should be always open. Mr. Lamb's house was like that. When Derry told Mr. Lamb
that he wanted a house like his, Mr. Lamb told him that he could come there anytime he felt
like.

8. Why do you think Mr. Lamb changed the subject when Derek was talking to him about
being unwanted?
Ans. Derek talks to Mr. Lamb about handicapped people being ugly and consequently the
society does not want them. Mr. Lamb deliberately changes the subject to apple picking and
jelly making to prevent Derek from getting into a self- pity mode. He does not want Derek to
feel miserable.

9. Why does Derry tell Mr. Lamb that he is afraid of seeing himself in the mirror?
Ans. Derry tells Mr. Lamb that he is afraid to see his face in the mirror as his face is terribly
scarred. His face was burnt with acid and because of it he draws much attention. Some
people are repulsed by its ugliness, while others regard him with pity, but in Derry's own
perception, most people are afraid of it.

10. Why is one green growing plant called a 'weed' and another 'flower'? What does Mr.
Lamb mean by this statement?
Ans. Mr. Lamb believes that God has created the entire Nature. It sis man who has given
different names to different creatures and species. All are living beings and all grow and
multiply. There are certain inherent differences which we need to respect and appreciate.

Answer the following questions in 100 words.

1. How did Mr. Lamb's meeting with Derry become a turning point in Derry's life?
Ans. Me Lamb was an old man who had lost his leg in a bomb explosion. Derry was a young
boy of 14 years. His face was burnt from one side as a bottle of acid fell on him. Due to his
disfigured face, he had become defiant and withdrawn. He had developed a complex and
remained withdrawn from people. When Derry sneaked into Mr. Lamb's garden, he met Mr.
Lamb and they got talking about his failure to come with his disfigured face and people's
uncharitable remarks. Mr. Lamb tried to console Derry. He told him to face harsh realities of
life bravely. He tried to make him understand that it was the inner beauty of a person that
matters. Lamb encouraged him to look at the world around him. Slowly Derry started finding
a lot of truth, sense and inspiration in Mr. Lamb's words. Derry appeared quite impressed by
the way. He suddenly found a friend in Mr. Lamb. All this helped Derry to start loving life and
people around him and that had brought a turning point in his life.

2. Both Derry and Mr. Lamb suffer physical disabilities but their attitude towards life and
people is totally different. Highlight their contrasting traits in your own words.
Ans. Derry's one side of the face has burnt as acid fell that side of his face. He suffers from a
tremendous sense of inferiority complex. He is always conscious of the fact that his face is
'bad,' 'terrible' and ' the ugliest thing.' People commented him. He tries to escape people. He
allows himself alienated from the world. He is never in the mainstream of life. He thinks that
no one will ever love and kiss him except his own mother. He can't stand people staring at
him or passing uncharitable remarks. He is like an open wound-touchy and hyper sensitive.
On the other hand, Mr. Lamb has a positive attitude towards life, things and people. He
doesn't allow his physical disability to come in his way. He accepts life as it comes. He is
open minded and open hearted. He keeps the gate of the garden open all the times. All are
welcomed by him. He loves everybody and everything. He doesn't find solace in escapism but
he remains in the mainstream of life. Children tease him by calling ' Lamey-lamb' but he
doesn't mind it. On the other hand, he gives them jelly and toffees. He has lost his one leg in
the bomb explosion in the war yet he enjoys life at his best. He enjoys sitting in the sun,
reading books and growing weed plants and flowers. He collects honey, makes jelly and
dealing with peop0le and things.

3. Explain: "It is the thinking and something inside us provide to get prominence."
Ans. Derry has developed inferiority complex in him because of his ugly face. He thinks that
no one of this world will ever love and kiss him. He is afraid of seeing people and likes to live
in seclusion. Mr. Lamb traces inferiority in Derry. In order to remove this complex, he explains
that in his garden weeds and flowers and found which form life and beauty of the garden. He
then reminds him, the fairy tale of Beauty and the Beast. Derry knows how a princess loves a
beast who turns into a handsome prince when she kisses. It is because he has something
very beautiful inside him. Derry is too good from inside. His face is not important. The
important thing is what he thinks and feel and what he wants to see and find out. Mr. Lamb
tells Derry that he has brain and limb. He can attain whatever he chooses in case he sets his
mind on it. He should not care for others what they say. This has a very healthy effect on the
boy.

6. MEMORIES OF CHILDHOOD

BEFORE YOU READ

This unit presents autobiographical episodes from the lives of two women from marginalised
communities who look back on their childhood, and reflect on their relationship with the
mainstream culture. The first account is by an American Indian woman born in the late
nineteenth century; the second is by a contemporary Tamil Dalit writer.
Gertrude Simmons Bonnin, born in 1876, was an extraordinarily talented and educated Native
American woman who struggled and triumphed in a time when severe prejudice prevailed
towards Native American culture and women. As a writer, she adopted the pen name ‘Zitkala-
Sa’ and in 1900 began publishing articles criticising the Carlisle Indian school. Her works
criticised dogma, and her life as a Native American woman was dedicated against the evils of
oppression.
Bama is the pen-name of a Tamil Dalit woman from a Roman Catholic family. She has
published three main works: an autobiography, ‘Karukku’, 1992; a novel, ‘Sangati’, 1994; and a
collection of short stories, ‘Kisumbukkaaran’, 1996. The following excerpt has been taken
from ‘Karukku’. ‘Karukku’ means ‘Palmyra’ leaves, which with their serrated edges on both
sides, are like double-edged swords. By a felicitous pun, the Tamil word ‘Karukku’, containing
the word ‘karu’, embryo or seed, also means freshness, newness.

CHARACTERS AND PLACES

Gertrude Simmons : The narrator of the story
Zudewin : A friend of Gertrude Simmons (Zitkala-Sa)
A pale-faced woman : A teacher or a member of staff at the Carlisle Indian Industrial
School in Carlisle.
Bama : The narrator of the story
Annan : Elder brother of bama

INTRODUCTION (PART – I)
This account relates to an American Indian woman who becomes the victim of racial
discrimination. She is admitted to a school where native Indians do not get respect, honour,
dignity and due weightage in America. She is forced by the whites to follow their traditions
and traits. Simmons is dragged out and tied to a chair to shingle out her long hair. She cries,
struggles, kicks, resists, shows reluctance and she ultimately feels like one of the many
animals driven by a herder.

SUB- TITLE: “THE CUTTING OF MY LONG HAIR”

She was shocked to know that the school authorities were going to cut her long hair as it was
the system of that school. But in her community shingled hair was worn only by cowards. So,
she hid herself under a bed in a large room. The loss of her hair was the worst indignity that
she went through.

INTRODUCTION (PART – II)

The lesson describes the story of a fun loving little girl. She loves to observe every bit of thing
happening in and around her street. But one day she while noticing an incident comes to
know about the reality of a social evil in our country that is the practice of untouchability.

SUB-TITLE: “WE TOO ARE HUMAN BEINGS”

The sub-title “We Too Are Human Beings” by Bama is an extract from her autobiography
‘Karukku’. It is a loud piercing cry of a small child who cannot bear to see the people of her
caste being segregated and ill-treated. She is shocked when she learns from her brother that
there are two classes of people in their set up-the upper and lower-and that the upper caste
people consider themselves to be superior and those of so called lower caste to be inferior.
Sometimes the latter are given inhuman treatment, too. They have been taught from their
childhood that if they touch the lower caste people, they will be polluted. The sensitive child
is unable to digest it, because she feels that every human being is equal and her class
justifiably deserves to be treated as human beings. Thus she takes her brother’s advice
seriously and works very hard to stand first in the examinations.

TITLE OF THE LESSON

The title 'Memories of Childhood' is very appropriate and suggestive. The chapter aims to
showcase the bitter memories of the childhood of two women of different cultures through
their autobiographical extracts of social discrimination and oppression and the resulting
feelings of rebellion in them later in life. Zitkala-Sa and Bama, both look back at their
childhood reflecting upon the indignities and conflict between races and cultures respectively,
which they had to face as children. Though the women were young, they knew well of the
injustice and oppression that prevailed and were determined to face the odds and stand
against it. The atrocities they faced as children, propelled them into becoming rebels against
the marginalisation of the underprivileged section of the society, and they went on with their
fight against injustice.

THEME OF THE LESSON

Memories of Childhood explore a common universal theme of prejudices and humiliation
faced by marginalized communities from mainstream culture and how both brave girls use
their talent, understanding, wit and education to stand up for their own and community rights.
Both use the power of pen to fight oppression.

MESSAGE OF THE LESSON

The lesson 'Memories of Childhood' is a portrayal of two autobiographical accounts. One by
American Indian woman and the second by a Tamil Dalit writer. Both stories highlight the
women's oppression, class barriers, racialism, discrimination and exploitation that tend to
pull them down.
GIST OF THE LESSON
 The story begins with the introduction of the Carlisle Indian School. The narrator
describes her first day at school. It was very cold and unpleasant as there was a lot of
snow around. The entire extract deals with Zitkala-Sa’s shingling of hair. When she
came to this school, she found it a strange place where everything seemed to be
mechanical. A very loud and metallic bell rang for breakfast. There was an annoying
clatter of feet on the entire bare floor. She is unnerved because of so much noise.
 Here, she finds that all the girls start marching to the dining room after hearing the
bell. They have been supervised by a pale-faced woman. Small girls wore aprons and
had shingled hair. The girls were dressed in clinging clothes. The breakfast was
served and eaten very mechanically. There was a bell to stand, another to sit, next to
pray and after that another to start the breakfast. All this was totally new for the
narrator.
 Her friend Judewin warned her that the pale-faced woman was talking about the
cutting of her long hair. The narrator did not want her hair to be shingled because, in
her community, shingling of hair was considered as inauspicious and undignified.
Only the traitors or the mourners had their hair shingled. Though her friend told her
that they would have to submit as others were stronger. The narrator decided to
struggle and not to submit. She creeps upstairs unnoticed and hid herself under the
bed in a dark corner. But finally, she was discovered and dragged out. She scratched
and kicked but was forcibly taken downstairs and was tied fast to a chair. Her thick
braids were cut off. And with this, she lost her spirits. She realised the indignities
suffered by her after she was separated from her mother. She was tossed here and
there like a wooden puppet and felt humiliated like a coward. She was treated like an
animal and no one came to comfort her.

We Too Are Human Beings

 In this story, Bama narrates the experiences of a young Dalit school girl in a south
Indian village. The narrator had never heard of untouchability being talked about
openly by anyone but she felt, experienced and was humiliated by what she saw.
While coming back from school, she used to spend a lot of time watching all the fun
and games, entertaining novelties, oddities, shops in the bazaar on the way. She used
to watch performing monkeys, a man pedalling for days, the activities at Maariyaata
temple, the statue of Gandhiji, the sweets and snacks, hunter gipsy and wild lemurs in
cages. She used to hear the political parties giving speeches, saw the puppet show,
street plays, coffee shops, fruit trees and peddlers selling fruits, snacks, halwa and
iced lollies.
 While on the way, she saw an interesting scene outside the landlord’s house. Here a
threshing floor was set up with the landlord watching the proceedings. Some people
were driving cattle for threshing the corn. She saw an elder of her community carrying
a big packet in a funny manner which made her laugh. He gave this packet which
contained vadais to the landlord without touching it and the landlord opened the
packet and ate the vadais.
 Bama narrates this incident to her brother with all the comic details. But to her
surprise, her brother is not amused. The narrator is told that the landlord was of upper
caste and their touch would pollute the food. This made the narrator sad and angry
and felt outraged at the exploitation. She condemns it as a curse against humanity.
She strongly believed that their community should boycott and refuse to do petty
errands. She came to know that despite being so educated, her brother was
questioned about his caste. All the Dalits used to live together in a separate place
away from the upper class.
 Annan, her brother, told the narrator that they are not respected or given dignity due to
their community.
 He said that education is the only way to gain respect. The narrator was advised to
work hard and learn. She obeyed her brother with great determination and studied
hard. She stood first in her class. Many people tried to befriend her.

Answer the following questions in 30 to 40 words.

1. What does Zitkala-Sa remember about her ‘first day in the land of apples’?
Ans. It was a bitter-cold day. The snow still covered the ground. The trees were bare. A large
bell rang for breakfast. Its loud metallic sound crashed through the belfry overhead and
penetrated into their sensitive ears.

2. How did Zitkala-Sa react to the various sounds that came when the large bell rang for
breakfast?
Ans. The annoying clatter of shoes on bare floors disturbed the peace. There was a constant
clash of harsh noises and an undercurrent of many voices murmuring an unknown tongue.
All these sounds made a bedlam within which she was securely tied. Her spirit tore itself in
struggling for its lost freedom.

3. Where were the girls taken and how?

Ans. The girls were marching into the dining room in a line. The Indian girls were in stiff
shoes and tightly sticking dresses. The small girls wore sleeved aprons and shingled hair.
They did not seem to care that they were indecently dressed.

4. “I felt like sinking to the floor”, says Zitkala-Sa. When did she feel so and why? Ans. It
was her first day at school. She was marching into the dining room with other girls in a line.
She walked noiselessly in her soft moccasins. But she felt that she was immodestly dressed,
as her blanket had been removed from her shoulders. So, she felt like sinking to the floor.

5. “But this eating by formula was not the hardest trial in that first day”, says Zitkala-Sa.
What does she mean by ‘eating by formula’?
Ans. The ringing of a large bell summoned the students to the dining room. Then a small bell
tapped. Each pupil drew a chair from under the table. Then a second bell was sounded. All
were seated. A man’s voice was heard at one end of the hall. They hung their heads over the
plates. The man ended his mutterings. Then a third bell tapped. Everyone picked up his/her
knife and fork and began eating.

6. How did Zitkala-Sa find the ‘eating by formula’ a hard trial?

Ans. She did not know what to do when the various bells were tapped and behaved unlike
others. When the first bell rang, she pulled out her chair and sat in it. As she saw others
standing, she began to rise. She looked shyly around to see how chairs were used. When the
second bell was sounded, she had to crawl back into her chair. She looked around when a
man was speaking at the end of the hall. She dropped her eyes when she found the paleface
woman looking at her. After the third bell, others started eating, but she began to cry.

7. What did Judewin tell Zitkala-Sa? How did she react to it?
Ans. Judewin knew a few words of English. She had overheard the paleface woman. She was
talking about cutting their long, heavy hair. Judewin said, “We have to submit, because they
are strong.” Zitkala-Sa rebelled. She declared that she would not submit. She would struggle
first.

8. ‘Why, do you think, was Zitkala-Sa so opposed to cutting of her hair?

Ans. Zitkala-Sa had heard from her m other that only unskilled warriors, who were captured,
had their hair shingled by the enemy. Among their people, short hair was worn by mourners,
and shingled hair by cowards. Since she was neither, she was dead against cutting of her
long hair.

9. How did Zitkala-Sa try to avoid the inevitable loss of her long hair?
Ans. She crept up the stairs and passed along the hall. She did not know where she was
going. She turned aside to an open door. She found a large room with three white beds in it.
The windows were covered with dark green curtains. She went to the corner farthest from the
door and crawled under the bed in the darkest corner.

10. How was the search made for Zitkala-Sa?

Ans. First, they called out her name in the hall in loud voices. Then the steps were quickened.
The voices became excited. The sounds came nearer. Women and girls entered the room.
They opened closet doors. They peeped behind large trunks. Someone threw up the curtains.
The room was filled with sudden light. Someone stooped, looked under the bed and found
her there.
11. How was Zitkala-Sa treated on being traced from her hiding place?
Ans. Zitkala-Sa was dragged out. She tried to resist by kicking and scratching wildly. But she
was overpowered. She was carried downstairs and tied fast in a chair. She cried aloud and
kept shaking her head.

12. What did Zitkala-Sa feel when her long hair was cut? ‘
Ans. When she heard them remove one of her thick braids, she lost her spirit. She had
suffered utmost indignities there. People had stared at her. She had been tossed about in the
air like a wooden puppet and now her long hair was shingled like a coward’s. In her anguish,
she moaned for her mother. She felt herself as one of the many little animals driven by a
herder.

13. Which words of her brother made a deep impression on Bama?

Ans. While returning home, Bama’s elder brother told her that although people do not get to
decide the family they are born into, they can outwit the indignities inflicted upon them. It left
a deep impression on her.

14. Name some of the novelties and oddities in the streets that attracted Bama?
Ans. These included the performing monkey, the snake charmer’s snake, the cyclist who had
kept on biking for three days, the spinning wheels, the Maariyaata temple and the huge bell
hanging there. She also noticed the pongal offerings being cooked in front of the temple.

15. What were the articles in flit stalls and shops that fascinated Bama?
Ans. She saw the dried fish stall by the statue of Gandhiji; the sweet stall, and the stall selling
fried snacks. There were many other shops next to each other. Then there was the
narikkuravan hunter gypsy. He had his wild lemur in cages. He sold needles, clay beads and
instruments for cleaning out the ears.

16. What sort of shows or entertainments attracted the passers-by?

Ans. Sometimes various political parties put up a stage. They addressed people through their
mikes. There might be a street play, a puppet show, or a “no magic, no miracle” stunt
performance. There was some entertainment or the other happening there from time to time.

17. Which actions of the people would Bama watch keenly in the bazaar?
Ans. She watched how each waiter in the various coffee clubs would cool the coffee. He
would lift a tumbler high up. Then he would pour its contents into another tumbler held in the
other hand. She observed how the people, chopping up onion, would turn their eyes
elsewhere to avoid irritation in their eyes.

18. Why was Zitkala-Sa in tears on the first day in the land of apples?
Ans. On the first day in the land of apples, Zitkala-sa was in tears. The main reason of tears
was that her hair was mercilessly cut. She had heard from her m other that only unskilled
warriors, who were captured, had their hair shingled by the enemy. That is why she shook her
head in resistance.

19. Which fruit or sweet delicacies did she observe in the bazaar?
Ans. There would be mango, cucumber, sugar-cane, sweet potato, palm-shoots, gram, palm -
syrup, palm-fruit, guavas and jack-fruit, according to the season. She would see people
selling sweet and savoury fried snacks, payasam, halva, boiled tamarind seeds and iced
lollies each day.

20. How were the threshing proceedings going on in the corner of the street?
Ans. There was a threshing floor set up in the comer of the street. People were hard at work.
They were driving cattle in pairs, round and round, to tread out the grain from the straw. The
animals were muzzled so that they couldn’t eat the straw. Bama stood there watching for fun.
The landlord was watching the proceedings. He was seated on a piece of sacking spread
over a stone ledge.

21. What, do you think, made Bama want to double up and shriek with laughter?
Ans. Bama saw an elder of their street coming along from the direction of the bazaar. He was
a big man. He was carrying a small packet, holding it out by its string. The manner in which
he was walking along ma de Bama want to double up. She wanted to shriek with laughter at
the funny sight.

22. How did the elder approach the landlord and offer him the packet?
Ans. The elder went straight up to the landlord. Then he bowed low and extended the packet
towards him. He cupped the hand that held the string with his other hand. The landlord
opened the parcel and began to eat the vadais.

23. What explanation did Bama’s elder brother Annan give her about the elder’s “funny”
behaviour?
Ans. Annan told Bama that the man was not being funny when he carried the package by the
string for his landlord. The upper caste people believed that others must not touch them. If
they did, they would be polluted. That was the reason why he (the elder man) had to carry the
package by its string.

24. How did Bama react on learning about untouchability?

Ans. Bama became sad on listening how the upper caste people behaved towards low caste
persons like them. She felt provoked and angry. She wanted to touch those vadais herself.
She wondered why their elders should runerrants for the miserly rich upper caste landlords
and hand them over things reverently, bowing and shrinking all the while.

25. How did the landlord’s man behave with Annan?

Ans. The man thought that Annan looked unfamiliar, and asked his name respectfully.
However, his manner changed as soon as Annan told his name. The man immediately asked
the name of the street he lived in. The purpose was to identify his caste from the name of the
street.

26. How, according to Annan, was the caste system discriminatory? How can one
overcome the indignities?
Ans. Annan said that the lower caste people were never given any honour or dignity or
respect. They were deprived of all that. Thus, the caste system was discriminatory. But, if
they studied and made progress, they could throw away those indignities.

27. What advice did Annan offer Bama? What was the result?
Ans. Annan advised Bama to study with care and learn all that she could. If she was always
ahead in her lessons, people would come to her of their own accord and attach themselves
to her. Bama followed her brother’s advice and studied hard. She stood first in her class, and
because of that, many people became her friends.

Answer the following questions in 100 words.

1. Why did Zitkala-Sa feel oppressed in new establishment?
Ans. Since the day, the author was taken away from her m other, she had suffered extreme
indignities. People had stared at her. She had been tossed about in the air like a wooden
puppet. Her blanket had been removed from her shoulders. She felt that she was immodestly
dressed. She was so shocked and oppressed that she felt like sinking to the floor. Later, her
soft moccasins were taken away. These were the traditional footwear of the local Indian
American. They were replaced by squeaking shoes. She saw other Indian girls in stiff shoes
and tightly sticking dresses. The small girls wore sleeved aprons and shingled hair. The worst
indignity she suffered was the cutting of her long hair. The coward’s shingled hair ma de her
moan with anguish. She felt she was not a human being but one of the little animals driven by
a herder. The systematic erosion of their culture and disrespect to women was quite
oppressive.

Q2. “But this eating by formula was not the hardest trial in that first day”, says Zitkala- Sa.
What do you understand by ‘eating by formula’ and how did she find it a hard trial?
Ans. There was a fixed procedure laid down for breakfast. Zitkala-Sa calls it ‘eating by
formula’. The ringing of a large bell summoned the inmates to the dining room. Boy s and
girls entered the dining room in lines from separate doors. Then a small bell was tapped.
Each of the pupil drew a chair from under the table. The writer also did so. She supposed this
act meant they were to be seated. So she slipped into the chair. She found others standing.
Just when she began to rise, looking shyly, the second bell sounded and all sat down. Then
she heard a man’s voice at one end of the hall. She looked around to see him. But all the
others hung their heads over their plates. She found the paleface woman watching her. When
the man ceased his muttering s, a third bell was tapped. Everyone picked up his knife and
fork and began eating. She began to cry. She was so afraid that she could not do anything
further. Her discomfiture was caused by her unfamiliarity with the procedure. However, she
found it a difficult experience—a sort of trial.

3. “I will not submit! I will struggle first!” says Zitkala-Sa. What was she going to resist
and why? What efforts did she make and what was the outcome?
Ans. Zitkala-Sa had long, heavy hair. Her Mend Judewin had overheard the paleface woman
talk that their hair was to be shingled. Zitkala-Sa decided to resist it. Among their people,
short hair was worn by mourners, and shingled hair by cowards. Unskilled warriors captured
by the enemy also got their hair shingled. Cutting a woman’s long hair was thus against their
tradition and culture. She tried to avoid it. She crept up the stairs quietly and hid herself under
the bed in a room with darkgreen curtains. She had crawled to the comer farthest from the
door and lay close in the darkest comer. Soon she heard her name shouted in the hall. Then
the steps were quickened and voices became excited. Women and girls entered the room.
They opened closet doors and peeped behind large trunks. Someone threw up the curtains.
The room was filled with sudden light. Someone stooped, looked under the bed and saw her
there. She was dragged out though she resisted by kicking and scratching wildly. She was
carried downstairs and tied fast in a chair. She cried aloud and kept shaking her. head till the
scissors cut her long hair.

4. What diversions in the streets, shops and the bazaar attracted Bama, tethered her
legs and stopped her from going home?
Ans. There were many novelties and oddities that attracted Bama. These included the
performing monkey, the snake charmer’s snake, the narikkuravan huntergypsy’s wild lemur in
cages, -the cyclist who had been pedalling for three days, the spinning wheels, the Maariyaata
temple and its huge bell. She also noticed the pongal offerings being cooked in front of the
temple. There was a dried fish stall near the statue of Gandhiji. There was a sweet stall and a
stall selling Med snacks. There were many shops next to each other. The public meetings of
political parties, street plays, puppet shows, and stunts were other entertainments. She would
watch how the waiters would pour coffee from a tumbler held high to another low down to
cool it. Then she saw people who chopped onion kept their eyes to another side to avoid
irritation. She admired the various fruits that cam e to the bazaar according to the season.
She also noticed people selling sweet and savoury fried snacks. These were the usual scenes
and sights that tethered her legs and stopped her from going home.

5. How did Bama react to the threshing proceedings in a corner of their street and the
spectacle of a big man carrying a packet by its string?
Ans. Bama watched the threshing floor, people working with cattle to tread out the grain and
the muzzled animals with a child’s curiosity. She stood there watching the fun. The landlord
was also watching the proceedings. He was seated on a piece of sacking spread over a ledge.
Then she saw a big man, an elder of her street, coming along from the direction of the market.
The manner in which he was walking along made her want to double up. She wanted to
shriek with laughter at the sight of such a big man carrying a small packet by its string,
without touching. She thought that the package might come undone and its contents fall out.
‘Then the elder went straight upto the landlord, bowed low and extended the packet towards
him. He cupped the hand that held the string with his other hand. The landlord opened the
parcel and began to eat the vadais. She found the whole scene quite funny and amusing. She
related it to her brother in all its comic details.

6. How did Bama’s brother explain the elder’s behaviour to her? What was her
immediate reaction?
Ans. Bama’s elder brother, Annan, told her that the big man was not being funny when he
carried the package by the string for his landlord. The upper caste people believed that others
must not touch them. If they did so, they (people belonging to upper caste) would be polluted.
That was why he did not touch the contents but held the packet by its string. Bama didn’t
want to laugh any more now. She felt terribly sad. She could not understand how the vadai,
first wrapped in a banana leaf and then parcelled in a paper, would become disgusting if one
of them held that package in his hands. She felt so provoked and angry that she wanted to
touch those vadais herself straightaway. She wondered why they had to fetch and carry for
these people. She was infuriated that an important elder of theirs went meekly to the shops
to fetch

snacks and then handed them over reverently, bowing and shrinking to the fellow who sat
there and stuffed them in his mouth. She felt that they too were human beings. Their people
should not do petty jobs for the miserly rich upper castes. They should work in their fields,
take home their wages and leave it at that.

7. What indignities did the caste system heap on the lower castes? How could they end
the discrimination? How did Bama react to her brother’s advice?
Ans. According to Annan, the caste system was highly discriminatory. It put the lower castes
in a very disadvantageous position. They were never given any honour, dignity or respect.
They were deprived of all that. The only way to end this social discrimination was self-
improvement. They should study hard and make progress. Then they could throw away all
those indignities. He advised Bama to study with care and learn all that she could. If she was
always ahead in her lessons, people would come to her of their own accord and attach them-
selves to her. The words “work hard and learn” became the guiding principles of Bama’s life.
She studied hard with all her breath and being. She was almost in frenzy. She stood first in
her class and, because of that, many people became her friends. This was the beginning of
her illustrious career.

8. What oppression and discrimination did Zitkala-Sa and Bama experience during their
childhood? How did they respond to their respective situations?
Ans. Zitkala-Sa was a victim of social and cultural oppression by the victors who had
overpowered them by their sheer strength. They were prejudiced towards Native American
culture and women. They adopted force and oppression to compel the natives to shed their
age-old traditions and custom s. The cutting of the long hair of Zitkala-Sa is a symbol of their
oppression. She opposed this prejudice and oppression by rebelling against it. She protested
with all her strength. Bama was a victim of caste system. She had seen, felt and experienced
the evils of untouchability when she was studying in the third standard. She felt humiliated by
what it was. She struggled hard against this social discrimination. She studied hard and
topped in her class. Many students became her friends. Thus, both Zitkala-Sa and Bama
fought the existing circumstances with courage and determination and ended the prejudice,
discrimination and oppression.