What We Did in Vietnam - Current Affairs
What We Did in Vietnam - Current Affairs
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What We Did In
Vietnam
I
n any attempt to explain or tell the
story of “The Vietnam War” as a whole, the
people who should command most of the focus
are the Vietnamese. That should go without
saying, really. The United States lost 58,000
soldiers in the war, while multiple millions of
Vietnamese lives were lost, possibly nearly 4
million. This is 20 to 60 times as many deaths, almost half of
whom may have been civilians. Yet needless to say, in America’s
voluminous national literature about the war, including tens of
thousands books, dozens of Hollywood films, and numerous
documentaries, the Vietnamese experience is not treated as
being ten times as tragic and important as the American
experience. In fact, the ratio goes in the other direction: even in
antiwar depictions, the story of the Vietnam War is almost
always told from the perspective of American soldiers. The
Vietnamese are nameless fungible extras.
I am tempted to call this “understandable.” On the face
of it, it doesn’t sound crazy to say that Americans see the war
through American eyes. Ken Burns said that when he worked
on the epic documentary The Vietnam War (co-directed with
Lynn Novick), he included a number of Vietnamese voices
under pressure but wanted to “pull them back” because he was
making an “American film” to honor Vietnam veterans and heal
national wounds. If we actually consider what this means,
though, it’s not really “understandable” at all, or at least not
defensible. A documentary called The Vietnam War that isn’t
mostly about Vietnamese people isn’t about The Vietnam War
and it isn’t really a documentary. It might be a moving
collection of anecdotes, but a deliberately “American” film is
intentionally excluding most of the people affected by a
historical event, solely because of their nationality. (As
historian Christian Appy asks: “Is it possible to make a film for
one side’s combatants and still remain neutral?”) Yet Burns’ and
Novick’s film remains a drastic improvement over previous
efforts, in that Vietnamese people do actually show up in it
(though they are rarely humanized to the same degree).
There is a standard (infuriating) justification offered for
why domestic portrayals of historical events treat other
participants as scenery: the audience demands it. People don’t
want to watch films about Vietnamese peasants being blown
up, they want to watch films about the moral anguish of good-
hearted American boys who had to blow up Vietnamese
peasants. Oliver Stone made two Vietnam War films about
American soldiers, which made $150 million each and won
Oscars. Then he made one about a Vietnamese woman. It
flopped, earning $5 million on a $33 million budget. 1978’s The
Deer Hunter, a trashy melodrama in which the Vietnamese exist
as sadistic racists who are there to be shot, won five Oscars
including Best Picture. But the fact that it’s hard to make
Americans care about Vietnamese lives is the opposite of a
justification for ignoring those lives. It’s a disturbing caution
that we probably have deep-rooted nationalistic and racial
biases that will inhibit our ability to understand and empathize
with other people’s pain, and which continue to fashion the
prism through which we view our history.
The selective attention to suffering can occur
unconsciously, without anyone noticing they are doing it. I am
sure Ken Burns didn’t even think about the implications of
dwelling mostly on U.S. policymakers, troops, their families,
and antiwar activists. But this failure to afford equal status to
Vietnamese people in accounts of the war has allowed the
United States to avoid coming to terms with the full human
cost of its actions. Comforting national myths about the
Vietnam War as a “noble mistake” have let the country to make
peace with what happened, without ever having to seriously
probe what the war looked like from the other side. In fact, it
can be very difficult to find English-language studies of the
Vietnam War that prioritize Vietnamese sources. But when we
do try to examine the war fairly and neutrally, and give all lives
the same weight, we inevitably come to conclusions that should
be highly discomforting for Americans who would like to treat
the war as a well-intentioned tragedy rather than a lasting moral
stain on the country and a serious challenge to the idea of
America as a “force for good.”
The magnitude of devastation in Vietnam is difficult to
comprehend. To watch The Vietnam War, you would get the
general impression that the war largely consisted of soldiers
jumping out of helicopters and tramping through rice paddies
and up hills (to the tune of “Green Onions,” “Magic Carpet
Ride,” and, of course, “All Along The Watchtower”). But the
most damage was inflicted from the skies, in massive aerial
bombing campaigns that turned significant parts of the country
into moonscapes. Over a seven-year period, U.S. and South
Vietnamese aircraft flew 3.4 million combat sorties. From 1965
to 1968, the United States was dropping 32 tons of bombs per
hour on North Vietnam. 25 million acres of farmland were
subject to saturation bombing, and 7 million tons of bombs
including 400,000 tons of napalm were dropped in Southeast
Asia (including Laos and Cambodia) during the conflict. This
is more than three times as many tons of bombs than were
dropped in all of World War II, and the combined power of the
explosives amounted to more than 640 Hiroshimas. In Quang
Tri province, “only 11 of the province’s 3,500 villages went
unbombed,” and the province’s capital district was “saturated
with 3,000 bombs per square kilometer.” When Air Force Chief
of Staff Curtis LeMay promised to bomb North Vietnam “back
into the Stone Age,” he was not bluffing. (Laos, however, had
even more explosives dropped on it, and by the end of the U.S.’s
9 years of aerial attacks it was the most bombed country in the
history of the world. And since ⅓ of the bombs failed to
explode, 50,000 people were killed or maimed there in the
decades after the bombing stopped.) A North Vietnamese
soldier described what a U.S. bombing raid felt like from the
ground:
From a kilometer away, the sonic roar of the B-52
explosions tore eardrums, leaving many of the jungle
dwellers permanently deaf. From a kilometer, the
shockwaves knocked their victims senseless. Any hit within
half a kilometer would collapse the walls of an unreinforced
bunker, burying alive the people cowering inside. Seen up
close, the bomb craters were gigantic—thirty feet across and
nearly as deep… The first few times I experienced a B-52
attack it seemed… that I had been caught in the Apocalypse.
So at that time they had this game called Guts. Guts was
where they gave the prisoner to a company and everyone
would get in line and do something to him… So they took
the NVA’s clothes off and tied him to a tree. Everybody in
the unit got in line. At least 200 guys. The first guy took a
bayonet and plucked his eye out. Put the bayonet in the
corner of the eye and popped it. And I was amazed how
large your eyeball was. Then he sliced his ear off. And he hit
him in the mouth with his .45. Loosened the teeth, pulled
them out. Then they sliced his tongue. They cut him all
over. And we put that insect repellent all over him. It
would just irritate his body, and his skin would turn
white…. I don’t know when he died. But most of the time he
was alive. He was hollering and cursing. They put water on
him and shaking him and bringin’ him back. Finally they
tortured him to death.
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