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Digital Spectral Analysis
To my children : Guillaume, Aurélien, Anastasia, Virginia, Enrica
Digital Spectral
Analysis
parametric, non-parametric and advanced methods
Edited by
Francis Castanié
First published 2011 in Great Britain and the United States by ISTE Ltd and John Wiley & Sons, Inc.
Apart from any fair dealing for the purposes of research or private study, or criticism or review, as
permitted under the Copyright, Designs and Patents Act 1988, this publication may only be reproduced,
stored or transmitted, in any form or by any means, with the prior permission in writing of the publishers,
or in the case of reprographic reproduction in accordance with the terms and licenses issued by the
CLA. Enquiries concerning reproduction outside these terms should be sent to the publishers at the
undermentioned address:
www.iste.co.uk www.wiley.com
The rights of Francis Castanié to be identified as the authors of this work have been asserted by him in
accordance with the Copyright, Designs and Patents Act 1988.
____________________________________________________________________________________
Library of Congress Cataloging-in-Publication Data
Digital spectral analysis : parametric, non-parametric, and advanced methods / edited by Francis Castanié.
p. cm.
Includes bibliographical references and index.
ISBN 978-1-84821-277-0
1. Spectral theory (Mathematics) 2. Signal processing--Digital techniques--Mathematics. 3. Spectrum
analysis. I. Castanié, Francis.
QA280.D543 2011
621.382'2--dc23
2011012246
Printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne.
Table of Contents
Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xiii
Chapter 1. Fundamentals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Francis CASTANIÉ
1.1. Classes of signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
1.1.1. Deterministic signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
1.1.2. Random signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
1.2. Representations of signals . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
1.2.1. Representations of deterministic signals . . . . . . . . . . . . . . . . 9
1.2.2. Representations of random signals. . . . . . . . . . . . . . . . . . . . 13
1.3. Spectral analysis: position of the problem . . . . . . . . . . . . . . . . . . 20
1.4. Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
2.3. Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
2.4. Examples of application . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
2.4.1. LTI systems identification. . . . . . . . . . . . . . . . . . . . . . . . . 57
2.4.2. Monitoring spectral lines . . . . . . . . . . . . . . . . . . . . . . . . . 61
2.4.3. Spectral analysis of the coefficient of tide fluctuation . . . . . . . . 62
2.5. Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
Preface
The oldest concept dealt with in signal processing is the concept of frequency,
and its operational consequence, the constant quest of frequency contents of a signal.
This concept is obviously linked to the fascination for sine functions, deriving
from the 19th Century discovery of the “magic” property of the sine functions, or
more precisely complex exponentials: it is the only function set able to cross what
we call today “linear invariant systems” without going out of this set, i.e. the output
of such a system remains in the same class as the input. The distribution of
qualifying quantities, such as power or energy of a signal over frequency, the
so-called spectrum, is probably one of the most studied topics in signal processing.
The concept of frequency itself is not limited to time-related functions, but is much
more general: in particular image processing deals with space frequency concept
related to geometrical length units, etc.
We can, with good reason, wonder on the pertinence of the importance given to
spectral approaches. From a fundamental viewpoint, they relate to the Fourier
transformation, projection of signals, on the set of special periodic functions, which
include complex exponential functions. By generalizing this concept, the basis of
signal vector space can be made much wider (Hadamard, Walsh, etc.), while
maintaining the essential characteristics of the Fourier basis. In fact, the projection
operator induced by the spectral representations measures the “similarity” between
the projected quantity and a particular basis: they have henceforth no more – and no
less – relevance than this.
The predominance of this approach in signal processing is not only based on this
reasonable (but dry) mathematical description, but probably has its origins in the
fact that the concept of frequency is in fact a perception through various human
“sensors”: the system of vision, which perceives two concepts of frequency (time-
dependent for colored perception, and spatial via optical concepts of separating
xiv Digital Spectral Analysis
power or resolution) and hearing, which no doubt is at the historical origin of the
perceptual concept of frequency – Pythagoras and the “Music of the Spheres” and
probably other proprioceptive sensors (all those who suffer from seasickness have a
direct physical experience of the frequency sensitivity).
Whatever the reasons may be, spectral descriptors are the most commonly used
in signal processing; realizing this, the measurement of these descriptors is therefore
a major issue. This is the reason for the existence of this book, dedicated to this
measurement that is classically christened as spectral analysis. The term digital
refers to today’s most widely spread technical means to implement the proposed
methods of the analysis.
The change to digital processing tools was first done by transposition of earlier
analog approaches, adapting the time axis to discrete time signals. Second, a
simultaneous increase in the power of processing tools and algorithms opened the
field up to more and more intensive digital methods. But beyond the mere
availability of more comfortable digital tools, the existence of such methods freed
the imagination, by allowing the use of descriptors derived from the domain of
parametric modeling. This has its origin in a field of statistics known as analysis of
chronological series (see [BOX 70]), the so-called time series, which was
successfully applied by G. Yule (1927) for the determination of periodicities of the
number of sun spots; but it is actually the present availability of sufficiently
powerful digital methods, from the mid-1970s, which led the community of signal
processing to consider parametric modeling as a tool for spectral analysis, with its
own characteristics, including the possibilities to obtain “super resolutions” and/or
to process signals of very short duration. We will see that characterizing these
Preface xv
estimators with the same criteria as estimators from the analog world is not an easy
task – the mere quantitative assessment of the frequency resolution or spectral
variances becomes a complicated problem.
Part 1 brings together the processing tools that contribute to spectral analysis.
Chapter 1 lists the basics of the signal theory needed to read the following parts
of the book; the informed reader could obviously skip this. Next, digital signal
processing, the theory of estimation, and parametric modeling of time series are
presented.
Part 3 obviously deals with parametric methods, studying first the methods based
on models of time series, Capons methods and its variants, and then the estimators
based on the concepts of sub-spaces.
Francis CASTANIÉ
May 2011
Bibliography
[BEN 71] BENDAT J.S., PIERSOL A.G., Random Data: Analysis and Measurement Procedures,
Wiley Intersciences, 1971.
[BOX 70] BOX G., JENKINS G., Time Series Analysis, Forecasting and Control, Holden-Day,
San Francisco, 1970.
[HLA 05] HLAWATSCH F., AUGER F., Temps-fréquence: Concepts et Outils, Hermès Science,
Paris, 2005.
[HLA 08] HLAWATSCH F., AUGER F. (eds), Time-frequency Analysis: Concepts and Methods,
ISTE Ltd, London and John Wiley & Sons, New York, 2008.
[MAR 87] MARPLE S., Digital Spectral Analysis with Applications, Prentice Hall, Englewood
Cliffs, NJ, 1987.
PART 1
PART III.
Now Maggy’s twasome in a swoon,
A counsel held condemns the loon,
The cushle mushle thus gaed roun’,
Our bonny Clark,
He’ll get the dud an’ sarken gown,
That ugly sark.
Consider, sirs, now this his crime,
’Tis no like hers, or yours, or mine,
He’s just next thing to a divine,
An’ vow, ’tis odd,
Sic men should a’ their senses tine,
An’ fear o’ God.
’Tis strange what mak’s kirk folk sae stupit,
To mak or meddle wi’ the fuca’it,
Or mint to preach in sic a pu’pit,
The senseless fools,
Far better for them hunt the tyouchot,
Or teach their schools.
They hunt about frae house to house,
Just as a tailor hunts a louse,
Still girding at the barley-juice
An’ aft get drunk,
They plump into some open sluice,
Where a’ is sunk.
A plague upo’ that oil o’ ma’t,
That weary drink is a’ their fau’t,
It made our Dominie to hal’t;
The text fulfil,
Which bids cast out the sa’rless sa’t,
On the dunghill.
They are sae fed, they lie sae saft,
They are sae hain’d, they grow sae daft;
This breeds ill wiles, ye ken fu’ aft
In the black coat,
Till poor Mess John, and the priest-craft,
Gaes to the pot.
I tald them then, it was but wicked
To add affliction to the afflicted,
But to it they were sae addicted,
They said therefore,
Th l t b t h ld b i k d
The clout about me should be pricked,
At the kirk-door.
But yet not kirk nor consterie,
Quoth they, can ask the taudy fee,
Tell them in words just twa or three,
The deil a plack,
For tarry-breeks should ay gae free,
An’ he’s the Clark.
I then was dumb! how I was griev’d!
What would I gi’en to be reliev’d!
They us’d me waur than I had thiev’d,
Some strain’d their lungs,
An’ very loud they me mischiev’d
Wi’ their ill tongues.
Had you been there to hear and see
The manner how they guided me,
An’ greater penance wha could dree!
A Lettergae,
Wi’ sic a pack confin’d to be,
On gude Yule-day.
Young Jack wi’ skirls he pierc’d the skies,
I pray’d that death might close his eyes,
But did not meet with that surprise,
To my regret,
Sae had nae help, but up an’ cries
Het drinks to get.
This laid their din; the drink was stale,
An’ to’t they gaed wi’ tooth an’ nail,
An’ wives whase rotten tusks did fail
Wi’ bread an’ cheese,
They birl’d fu’ fast at butter’d ale,
To gie them ease.
They ca’ upon me, then dadda,
Come, tune your fiddle, play us a
Jigg or hornpipe, nae mair SOL FA,
My bonny cock;
The kirk an’ you maun pluck a craw
About young Jock.
Play up, Sae merry as we hae been,
Or, Wat ye wha we met yestreen,
Or Lass will ye lend me your leam?
Or, Lass will ye lend me your leam?
Or, Soups o’ brandy,
Or, Gin the kirk wad let’s alane,
Or, Houghmagandy.
Sic tunes as these, yea, three or four,
They call’d for, ill mat they cour,
Play, cries the cummer, wi’ a glour,
The wanton toudy,
Wha’ did the Dominie ding o’er,
Just heels o’er goudy.
O’ music I had little skill,
But as I could, I played my fill,
It was my best to shaw good will;
Yet a’ my drift,
Was best how I might win the hill
The wives to shift.
Sae leaving them to drink het ale,
I slipt awa’, an’ let them rail:
Then running till my breath did fail,
I was right glad
Frae kirk and wives to tak’ leg bail,—
Nae doubt they said.
The Lettergae has plaid the fool,
And shifted the repenting-stool.
To kirk and session bids good-day,
He’ll o’er the hills and far away.
THE SEQUEL.
Now, loving friends I hae you left,
Ye ken I neither stole nor reft,
But when I found myself infeft,
In a young Jack,
I did resolve to change the haft
For that mistak’.
An’ reasons mae I had anew,
For I had neither horse nor cow;
My stock took wings an’ aff it flew,
Sae a’ was gone,
An’ deil a flee had I was new
Except young John.
Too aft my thirsty throat to cool,
I went to visit the punch bowl,
Which makes me now wear reddish wool
Instead o’ black;
Or I must foot the cutty stool
Wi’ deil a plack.
The chappen-stoup, the pint an’ gill,
Too aft I caused for to fill,
Ay loving those wha would sit still,
An’ wet the mouth,
Ne’er minding that the Tullo-hill,
Leads people south.
O but that loving laird Kingswells
My blessings flow where his foot swells,
Lang life to him whate’er befals,
God be his guide,
He’s cured a thousand thirsty sauls,
An’ mine beside.
O had I but thae days again,
Which I sae freely spent in vain,
I’d strive some better for to ken.
What future chance
Should blaw me here out o’er the main,
An’ sae near France.
But since that ills maun ay befall
The chiel that will be prodigal;
When wasted to the very spaul
He turns his tusk,
F t ’ f t t hi l
For want o’ comfort to his saul,
On hungry husk.
Now since I’m aff sae mony a mile,
There’s naething got without some toil,
I’ll wait; cross fortune yet may smile,
Come want, come wealth,
I’ll tak’ a pint in the mean while,
To Heilden’s health.
Sae, for a time, friends fare ye weel,
My pot companions, true and leel,
I wish ye all a merry yule,
Much mirth and glee
Nae mair young Jacks into the creel
That day for me.
Some other Yule may yet cast up,
When we again shall meet,
To drown our sorrows in a cup,
In case we live to see’t.
G R O AT ’ S -W O RT H O F F U N
FOR A PENNY.
Being a Collection of the best Jokes, Comic
Stories, Anecdotes, BonMots, &c.
The Piper who was carried away for dead during the Plague
in London, but revived before interment.—See p. 22.
PRINTED FOR THE BOOKSELLERS.
A
G R O AT ’ S -W O RT H O F F U N
FOR A PENNY.
The Grey Ass.—Shortly after the Battle of Waterloo, and while the
Duke of Wellington was at the height of his popularity, the Boniface
of a village inn somewhere in England, whose establishment
flourished under the name of ‘The Grey Ass,’ resolved to add to the
popularity of his house by substituting a painting of the Great
Captain, for the one which had so long dangled above his door. So
resolved, so done. A travelling artist was employed; the ‘Grey Ass’
was obliterated; and the Duke ‘reigned in his stead.’ Alas, however,
for the uncertainty of human calculations; this event, to which he
had looked forward with the certainty of its increasing his business,
and consequently his coffers, proved to our landlord a source of
bitter vexation and disappointment;—a rival in the village had
adopted his discarded sign, and as the country bumpkins were
better acquainted with their old friend the Ass, than with his new
successor, the consequence was that they followed their old
acquaintance and left the Duke ‘alone with his glory.’ This was not to
be borne; our landlord, having nothing else to do, put his brains to
steep to devise some plan to counteract his fatal error; and the
result of his cogitations appeared shortly after in an addition to his
signboard, immediately under the figure of the Duke, on which was
painted, in large letters, the significant intimation—‘This is the Old
Grey Ass.’ Whether the exhibition of the Duke of Wellington, with
such an addition to his titles, produced the desired effect, we have
not learned.
A person desiring to be witty at the expense of a Jew whom he
met, accosted him thus—‘’Tis a wonder, Isaac, that we never hear of
the death of a Jew, or a Jack-ass; how does it happen, eh?’ ‘Well,
mishter,’ replied Isaac, ‘I does’nt rightly know; but perhaps you and I
will be the first in this neighbourhood.’
The following exquisite lines, the result of a true appreciation of
the sublime and beautiful in nature, are copied from the Album kept
at a small inn on the Banks of the Windermere, in Cumberland—
I never eats no meat,
Nor drinks no beer,
But sighs and ruminates
On Windermere.
Mr. Ogilvie, minister of the parish of Lunan, in the county of Forfar,
had a great deal of eccentricity in his composition. One Sunday an
old woman, who kept a public-house in the parish, with whom Mr.
Ogilvie was well acquainted, fell asleep in the church during sermon
—not an uncommon occurrence. Her neighbour kept jogging in
order to awake her. Mr. Ogilvie observing this, cried out, ‘Let her
alane, I’ll waken her mysel’, I’ll warrant ye.’—‘Phew! phew!
(whistling) a bottle o’ ale an’ a dram, Janet.’—‘Comin’ Sir.’ was
instantly replied.—‘There now,’ says the minister, ‘I tald ye it wadna
be lang afore that I waken’d her!’
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