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Art Blakey - Are You Real (Jazz Messengers) (4-4)

The document is a musical score for 'Are You Real' by Art Blakey & The Jazz Messengers, composed in 1958. It includes various notations for rhythm and instrumentation, specifically focusing on the bass drum and hi-hat patterns. The score appears to be structured in a 4/4 time signature, with detailed instructions for performance.

Uploaded by

Mario Calzada
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95 views1 page

Art Blakey - Are You Real (Jazz Messengers) (4-4)

The document is a musical score for 'Are You Real' by Art Blakey & The Jazz Messengers, composed in 1958. It includes various notations for rhythm and instrumentation, specifically focusing on the bass drum and hi-hat patterns. The score appears to be structured in a 4/4 time signature, with detailed instructions for performance.

Uploaded by

Mario Calzada
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Art Blakey & The Jazz Messengers - Are You Real

Art Blakey 4/4 1958


"Paris Olympia"t"

                    
6'59 Bass Drum time Harmonic roll

         
0

Binaire

  
    
                
       
    
5 Bass Drum time


    
                       
Hit Hat stop

  
9 3 3 3

+ Hit Hat 2/4 Binaire

   
                 
13 + Drive 3 3 3 3

+ Hit Hat 2/4

                                
       
17

 
                                     
          
21

 3  
                                                 
3 3

    
25 3 3 3 3 3 3 3 3 3 3 3 3 3 3

          


                      
30 3 3 3

3 3 3 3 3 3
3 3

         


                       
34 3 3 3

3 3 3 3 3 3 3
3

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