#1 hand-made test!!
#1 hand-made test!!
III. VOCABULARY: Choose the best options to complete the following sentences. (10 pts)
21. We managed to _______ together a shelter to protect ourselves from the storm.
A. wrestle + with: to try very hard to deal with a problem or to make a difficult decision: B. huddle
C. grapple: tranh giành D. cobble: to do or make something quickly and not very carefully:
22. When the boat's engine failed, they were left _____ until help arrived.
A. spick and span: tidy B. hard and loose C. thick and thin: kien dinh D. high and dry: in a very
difficult situation without any help:
23. The CEO believed that cutting costs was the _____ to boosting profits.
A. sweet spot B. silver bullet : a simple solution to a complicated problem: C. straight arrow
D. smoke signal
24. Many thought his success was a _____, but he proved them wrong by consistently
delivering exceptional work.
A. flash in the pan B. nail in the coffin C. storm in a teacup D. shot in the arm: cú hít
25. "Will you be able to come to the party tonight?" "_____, I can’t."
A. Huzzah = hooray B. Egad C. Phwoar D. Alas
26. The spread of misinformation online can have detrimental effects if left _____.
A. unlimited B. untapped C. unchecked D. unsolicited: khong mong muon
27. The book was filled with personal _____ that brought the author's experiences to life.
A. analogies B. anecdotes C. euphemisms: nói giảm nói tránh D. metaphors
28. The party planning went _____, and the guests had a fantastic time enjoying the
festivities.
A. flyingly B. runningly C. soaringly D. swimmingly
29. The candidate's _______ during the debate impressed the audience.
A. eloquence B. inarticulateness C. verbosity: su dai dong D. succinctness: su ngan
gon
30. Despite facing numerous setbacks, her _______ determination drove her to pursue her dreams
relentlessly.
A. indomitable B. submissive C. compliant D. docile
31. The mayor's decision to implement new policies was met with widespread _______ from the
public.
A. dissent B. consensus C. concord: sự hòa thuận, hòa hợp (ý nghĩa chỉ sự đồng lòng,
hòa hợp giữa các cá nhân hoặc nhóm). D. harmony
32. The best travel books of this year fall into three main categories: _________ informational, narrative, and
anecdotal.
A. truly B. fully C. literally D. purely
D. purely: đơn thuần là cung cấp thông tin
33. Let me know of any pertinent developments, keep me in the ______.
A. sphere B. ring C. circle D. loop
34. “How did you know that he was lying?” – “It was just a ________ feeling.”
A. faint B. gut C. slight D. vain
35. Mike decided that election to the local council would provide a ________ for a career
in national politics.
A. milestone B. launchpad C. highway D. turning point
36. Not being able to find my phone number is a pretty_________excuse for not
contacting me.
A. fragile B. frail C. faint D. feeble: duoi ly, thieu thuyet phuc
37. We don’t want him to suspect we’re giving him a surprise party. Make sure you don’t
____________.
A. break the ice B. kick the bucket C. spill the beans D. sweep the board
38. He was a farmer who had been working in the fields for more than sixty years, but was still
_______________.
A. all the bit kicking B. alive and well-being
C. all the better D. alive and kicking
39. Once a major politician endorsed the young man’s candidacy, everyone _______ on the
bandwagon and started supporting him, too.
A. walked B. stepped C. jumped D. climbed
40.
We have a _______ tradition in my house of opening one present the night before Christmas.
A. level-headed: binh tinh B. deep-seated : an sau vao mau C. time-honored D. sharp-
tongued: cay nghiet
21. D 22. D 23. B 24. A 25. D
26. C 27. B 28. D 29. A 30. A
31. A 32. D 33. D 34. B 35. B
36. D 37. C 38. D 39. C 40. C
IV. GUIDED CLOZE: Read the text below and decide which answer best fits each space. (10 pts)
FOOTBALL AS AN ART FORM
When filmmakers Douglas Gordon and Phillipe Parreno set out to make an art house movie about the legendary
French footballer Zinedine Zidane, they chose to film just one match between Real Madrid, the club for which
he was playing at the (41) ….................., and their great rivals Villareal. But instead of following the progress
of the match, the ninety-minute film would show something that had not been seen before; the (42)
….................... detailed movements of one man during an entire top-level football match. They hoped that the
audience would disengage from the match itself, and focus on this portrait of greatness. Every (43)
….................... gesture would be captured and they would see all of the player’s grace, athleticism and
competitiveness in great detail.
The film (44) ….................... is a fascinating work. Those who are not regular watchers of football will be
astonished at how (45) ….................... Zidane becomes actively involved in the game. For much of the ninety
minutes he moves around the field relatively slowly; saying nothing, expressing even less, and only
occasionally (46) ….................... into a lethargic jog. And then the ball arrives at his feet, and there is a flurry of
bewildering activity. The cameras (and there are seventeen of them (47) ….................... on him) struggle to
keep up. The defenders don’t (48) ……................. a chance. In a few touches, a couple of checks and feints,
Zidane has (49) ….................... them all behind. He crosses from the tightest of (50) ….................... and his
teammate is left with simplest of headers to score a goal.
(Adapted from CAE Practice Tests Plus/88)
41. A. point B. moment C. time D. occasion
42. A. clear B. steady C. precise D. slow
43. A. one B. single C. lone D. sole
44. A. following B. resulting C. concluding D. arising
45. A. partly B. scarcely C. rarely D. hardly
46. A. breaking B. changing C. opening D. starting
47. A. trained B. looking C. pointed D. staring
48. A. gain B. hold C. stand D. earn
49. A. missed B. left C. lost D. dropped
50. A. places B. positions C. areas D. angles
41. C 42. C 43. B 44. B 45. C
46. A 47. A 48. C 49. B 50. D
V. READING COMPREHENSION: Read the text and choose the best answer A, B, C or D. (10 pts)
The painted smile
Smiles make us smile, they are infectious. We are certain we understand what a smile means.
It's an expression of happiness or pleasure, easy to spot and easy to understand, and it charms
us. People seem at their most natural and spontaneous when they smile - we all know what a
forced smile looks like. We smile automatically when someone points a camera at us; it’s a
social and cultural reflex, and what we expect of a picture portrait. Yet the smile, like
everything else, has a history. If you walk around any art gallery and look at the portraits you'll
find very few genuine smiles. The same is true of early photograph portraits. They were, it
seems, unfashionable for a long period in the history of portraiture.
Physically, a smile itself is not complex - it comes when we contract the zygornotic major, a
muscle in the face - but the meaning of smiles changes with the mood of the times, and can
even be different for men and women in the same culture. Still walking around the gallery, you
will find more smirks than smiles. One reason for this may be that with a smile, what you see is
what you get, a frozen moment of happy unselfconsciousness. A smirk is more ambiguous,
allowing for several interpretations - condescension, flirtatiousness, boredom, and so on - and
forces a longer and deeper engagement with the painting from the viewer.
The most famous smile/smirk in portraiture 15, of course, Leonardo's Mona Lisa. Artists great
and small have been obsessed by it, critics too. It became a cult in the 19th century, and
millions of words have been written about what it might mean and what she represents. There is
something in it that draws us back to either confirm or revise our interpretation, always
demanding further examination. At first look she seems to be welcoming, inviting you to join
her; look again and she's changed her mind about you. Some she attracts, others she repels. To
the critic John Ruskin the painting was merely a caricature: to Walter Pater it contained
everything. To some it is romantic, to others it can illustrate that withering look women
sometimes bestow on obtuse men that illustrates the adage, 'He that will not when he may/Shall
not when he would'.
So the smirk allows for a wider range of interpretation than the smile, but that doesn't really
explain why the smile was so rare for so long. One theory, is that back then everybody had
terrible teeth and didn't want to reveal a gap-toothed, black-toothed mouth to the world. But can
this really be the reason? At a time when everybody had bad teeth, would it have made people
particularly shy or embarrassed, or others less attractive? Yet, both painters and sitters did have
a number of reasons for being disinclined to encourage the smile.
The first consideration is practical - smiles are hard to do, for both painter and sitter. For the
sitter's point of view, you can use your own experience of having your photograph taken. [■]
When someone gets out their camera and asks you to smile, you do so quite easily; but if they
start fiddling about with focus and angles and depth of field, the smile freezes on your face. [■]
Imagine having to produce the same smile on demand when you go through the process of
having your portrait painted. [■] Besides, a smile isn't really an expression, it's a response, so
cannot easily be maintained or recorded. [■]
We have to remember what a portrait was for; what it meant and represented. Nowadays, we all
take thousands of pictures of friends and family, and they of us, often smiling, so we have a
record of ourselves in almost every mood and context, and we don't have to worry about being
defined by one picture. We also have to remember that smiling has a large number of discrete
cultural and historical significances, few of them being in line with our idea of it being a sign of
warmth, enjoyment or happiness. In fact, by the 17th century it was generally agreed that the
only people who smiled, in life and in art, were the poor, the simple, the drunk or the mad. You
wouldn't catch an aristocrat doing it.
You needed money to have your portrait painted by a known artist, and the portraits that hang in
the galleries are usually of prominent people: royals, politicians, generals, high society, Portraits
are for posterity. A smile would detract from their gravitas - these are serious people. The idea
was not to capture a mood, let alone a frivolous one, nor even a record of a certain person at a
certain time, but to provide an example, a moral certainty.
51. In the first paragraph, the writer suggests that
A. people in the past didn't smile as much as we do. B. portraiture wasn't as popular as it is
now
C. what makes us smile is culturally determined. D. historically, the smile was a social
reflex.
52. Why might an artist prefer to paint a smirk to a smile?
A. People will spend more time looking at the painting.
B. It is physically more complex to do than a smile.
C. A smile does not convey the personality of a sitter.
D. Because artists like to confuse their spectators.
53. Which statement best expresses the writer's view of the Mona Lisa?
A. Too much has been written about it. B. It defies any fixed interpretations.
C. It has become a cult object. D. It represents missed opportunities.
54. Why doesn't the writer believe the 'bad teeth' theory?
A. Smiling was generally frowned upon in those days.
B. People weren't so self-conscious in those days
C. In the past bad teeth weren't considered unattractive.
D. Sitters and artists had their own reasons for not smiling.
55. Why is it difficult to paint smiles?
A. Smiles elicit the wrong response from spectators.
B. They always look more natural in photographs.
C. People find it difficult to smile if not in the right mood.
D. It's hard to maintain a smile for the length of a sitting.
56. What does the writer say about portrait painting in the last two paragraphs?
A. Artists had to depict a serious expression for future generations.
B. Poor people never used to be chosen as subjects.
C. Sitters sometimes smiled to show they had a warm personality.
D. People cannot be represented by only one picture.
57. Look at the four squares [■] that indicate where the following sentence could be added to
the passage.
Not as a smirk, but a grimace.
Where would the sentence best fit?
A. First square B. Second square C. Third square D. Fourth square
58. The word ‘cult’ in paragraph 3 is closest in meaning to:
A. mysterious portrait B. controversial topic
C. popular painting D. peerless masterpiece
59. A “withering look” in paragraph 3 is one that is intended to make someone feel
A. delighted B. exasperated C. enchanted D. ashamed
60. The word ‘discrete’ in paragraph 6 is closest in meaning to:
A. separate B. interdependent C. abysmal D. unfathomable
We are all living in the past: the 61. _____ of 'now' is an illusion. The discovery, reported by a
team of scientists, has the bizarre consequence that your brain is collecting information about
the future of an event before it puts together what it thinks it saw at the 62. _____ of the event.
Our brains seem to work in a similar way to the slightly delayed 63._____ of live TV shows to
provide an opportunity for fast editing changes. The delay 64._____ which our brains process
visual information has now been measured by scientists, providing new insights into 65._____
we use vision to make sense of the world.
Human 66._____ of the outside world seems to be delayed by a minimum of 80 thousandths
of a second. This is comparative to live television, which can be broadcast after a delay of about
three seconds to 67._____ for editing. 'What you think you're seeing at any given moment is
68. _____ influenced by events in the near future’, the scientists say in their report. They used
a technique called 'the flash-lag phenomenon', which 69. _____ as a visual illusion to the brain.
They discovered that human brains seem to develop conscious awareness in an 'after-the-fact
fashion', 70. _____ information from both before and after an event before committing to a
decision about what happened
61. idea 62. time 63. broadcast 64. with 65. how
66. perception 67. allow 68. actually 69. acts 70. analyzing/ analysing/ processing
Part 2: Read the following passage and choose the most suitable sentence from A to G on the list for each
gap from 71 to 77. There are two extra sentences which you do not need to use.(7pts)
Freddy's Flight
It was a Sunday afternoon in June of 1936, the day after her graduation from high school, and
Freddy was off alone on a cross-country flight, the longest she had ever made, from Dry
Springs to San Luis Obispo and back. The most direct route lay north, over Big Pine Mountain
In the San Rafael Range, across the valley to the east of Santa Maria, past the Twitchell
Reservoir, and over the Arroyo Grande, directly Into the airport at San Luis.
71
Pinpoint accuracy and precision in this department was, once you could fly, the next essential
key to becoming a true pilot it wasn't as mysterious, Freddy thought, as she'd first expected it
would be. Basically, it meant flying with a knowledge of where she was at all times, knowledge
gained by constantly reading the earth and its landmarks, instantly comparing that knowledge
with the chart on her knee and resolutely staying on the magnetic compass headings she decided
on before she set out.
72
As she passed over the little town of Ojal, which was exactly where It should be, Freddy
allowed her mind to tum to the future. Starting tomorrow, she would begin her summer job,
working six days a week at the Van de Kamp bakery at Beverly and Western. The chain of
bakeries owned a hundred windmill-shaped shops all over Los Angeles. Her job began at six In
the morning, when the bakery opened, and ended at two in the afternoon, when the next shift
took over.
73
Freddy groaned. Her destiny was obviously bound to selling cookies and cakes, which she
loathed but these sweet things were one of the few businesses that seemed to be doing well in
these hard times. Still, daily suffocation in the smell of warm sugar became a minor matter
when it meant money for her summer flying time and enough left over to begin, only to begin,
worse luck, to save for a down-payment on a plane.
74
She was determined to own her own plane. Even the cheapest of the leading low-priced planes,
the Taylor, the Porterfield Zephyr, and the Aeronanca Highwing, each cost a fortune. Her sister,
Delphine, had received a new car for her eighteenth birthday, and all her friends had said how
lucky she was. In car terms wanting to buy an inexpensive aeroplane was like wanting to own a
Packard, the most expensive car in the country. Obviously, she had to find a second-hand
machine that she could put into shape, on terms that would let her pay for it over a long time.
75
She knew that she didn't stand a chance in any of the speed dashes that covered a short distance,
with the planes going full out. Only planes of far greater horsepower than one she could dream
of owning stood a chance in the various speed competitions, and then, only when they were
flown by pilots with greater experience. During the past few years, Interest in speed flying had
grown so rapidly that some records only stood for a few days before another pilot managed to
surpass them.
76
Now that was more like real flying. Freddy brooded. Sometimes she felt that she'd been born
too late, and everything worthwhile in flying terms had already been done. Amy Johnson had
flown a smaller and far less powerful plane than this Ryan more than halfway round the world
eight years earlier, and where was she, Freddy, but right on course over the Twitchell Reservoir,
a lousy man-made body of water, not an ocean or a sea or even a big river? At this rate she'd
never get out of California!
77
(CPE Past Examination Papers December 2008)
She couldn't help the way she felt about flying, but all this made it such an expensive passion.
Wasn't there someone somewhere who would like to advance the cause of American aviation by
paying her bills? No, there was not, Freddy answered herself, the great days of the pioneers
were past. Well, she might be too late for fame, but there had to be something left to do, and she
was going to find it!
A. Her father had given her a string of real pearls for graduation, but her mother, bless her, had
come through with hard cash. The pearls were the first valuable jewellery Freddy had ever
owned. Maybe, she speculated, she could pawn them."
B. Freddy cautiously put the plane into a dive, and as soon as she'd reached a proper speed, she
began to pull the hose of the plane upward. Gradually, she pushed the throttle until it was fully
advanced. What bills, after hours of meticulous navigation, to make this final rushing, heart-
pounding leap into the sky.
C. A far easier Idea would have been to simply follow the coast north and tum east at Pismo
Beach. But that wouldn't have given her any practice in navigation, and during the months she'd
been working with Mac toward her private pilot's license, which she obtained just over a month
ago, Freddy had been studying navigation as hard as she could.
D. Because of the inconvenient hours, she would be well-paid-twenty-five dollars a week, as
much as a trained secretary could hope to make. To Freddy, It meant that she would be able to
fly several afternoons a week as well as on weekends.
E. At the small airport, Freddy ate the sandwich lunch she'd brought along, and had the plane
refilled, anxiously noting the price of aviation fuel. Her mother paid for the insurance, without
which she wouldn't have been able to continue to fly, but Freddy had to pay for fuel herself.
F. However, there were cross-country races held around the Los Angeles area, in which planes
flew from one refuelling stop to another, toward a goal that might be hundreds of kilometres
away. Each plane carried a handicap, based on its own best possible performance, so that the
winner was the pilot who flew the smartest race, the most precise plot, the most resourceful
pilot-and sometimes the luckiest.
G. This was crucial as winds aloft could push a plane off course in a few minutes of inattention,
so Freddy watched with vigilance for checkpoints on the ground that should be coming up on
the right, to the left or directly underneath her wings. If there was the slightest deviation, she
immediately made a correction for the wind.
H. If she didn't own a plane of her own, Freddy asked herself, spying the peak of Big Pine
Mountain right on course, and beginning to gain altitude, what future was there for her in
flying? Or, more precisely, in racing.
71. C 72. G 73. D 74. A 75. H 76. F 77. E
Part 2. Complete the passage with appropriate forms from the words given in the box. (5 pts)
At the age of sixteen, Dutch teen Laura Dekker has become the youngest person ever to single-handedly
(101)__________ the globe. Since she was little, Laura has displayed a natural (102)__________ to pick up
sailing skills with ease, having finished her first solo sail at six. Ten years later, she departed from the St
Maarten yacht club in the presence of her close family and many (103)__________ to embark on her (104)
__________ world-crossing journey. Over the next few months, Laura learnt to become (105)__________,
enjoying the company of only her ship through various obstacles that would prove to be (106) __________ for
many of her peers. Despite her (107)__________ accomplishments, her journey was met with a
(108)__________ start full of resistance from the Dutch authorities. Laura found the multiple court sessions
she had to attend to be even more draining than the responsibilities she had to shoulder during her (109)
__________ voyage. Having experienced such (110)__________ events, Laura is now considering the
possibility of settling in New Zealand after she fulfils her personal goals.
101. circumnavigate
102. (pre)disposition
103. well-wishers
104. long-awaited
105. self-reliant
106. taxing/overtaxing
107. remarkable
108. rocky
109. one-man/one-woman
110. disquieting