Marxim in V for Vendetta
Marxim in V for Vendetta
Friedrich Engels. At the core of Marxist thought is the conviction that societal evolution
occurs through class conflict, particularly the struggle between the ruling class, known as the
bourgeoisie, and the working class, referred to as the proletariat. Marxism promotes the
overthrowing of capitalist structures and the creation of a classless, stateless society where
V for Vendetta (2005), a cinematic adaptation of the graphic novel created by Alan
Moore and David Lloyd, can be analyzed from a Marxist perspective, especially in terms of
its portrayal of class conflict, the function of the state, and the concept of revolution.
The first concept of The Oppressive State and Class Hierarchy (Glaberman, M. (1996)
is shown in the early stage of the movie where a broadcast is shown to justify the bitter
control of the government over its people. The government utilizes its media to sustain the
false sense of safety and calmness among the common people so they feel safe under the
control of the state. There is a scene in the movie where Evey is arrested and interrogated,
which shows the brutality of the police to suppress the public. That is how the fascist state
makes its people aware of their class based treatment and behaviour. The Marxist theory calls
it the tool of the ruling class flexing its power over the working class.
The second example is for the class struggle and the proletariat (Vladimir Ilyich
Lenin, Karl Marx). In this movie, the character V shows the proletariat concepts by calling
the common people to stand up against the oppression of the fascist government. V just does
not want to overthrow the government, but also aims to stimulate the sense of togetherness
and power among the public. In one scene, V says “People should not be afraid of their
governments. Governments should be afraid of their people.” which highlights the key
concept of marxism: The revolution can only succeed when the oppressed class becomes
conscious of its power and unites to challenge the ruling class (Karl Marx, Critique of the
Gotha Programme). There is one scene in which V destories the Old Bailey building to
provoke or ask the people to stand up against the capitalist system and break the class
structure, so there can be no difference among the classes defined by the fascist government.
The third concept is the Revolution and Marxist Liberation (Spickard, J. V. (1992))
which is the end goal of V (the main character of the movie). A marxism concept in which
the oppressed or the working class overthrows the ruling class or the fascist government. In
the whole movie, V showcases the struggle of inspiring the general public for a collective act
and highlighting that is is not about him but about the people of the state that are oppressed.
In the movie, there are different moments where he shows the people their collective power
and what they can do with it. Especially in the final moment, where hundreds of thousands of
people come out on the street wearing the same mask as the V wears, is the result of his
struggles. That goes on to become a revolution and then overthrows the government.
In the whole movie, the narrative is completely in line with the concepts of Marxism
starting from the portrayal of class hierarchy and struggle, the ideological role and
233–237. https://doi.org/10.2307/25144042
https://www.marxists.org/archive/lenin/works/1914/granat/ch05.htm
3. Karl Marx, Critique of the Gotha Programme (Karl Marx and Frederick Engels,
http://www.jstor.org/stable/24459977