The document outlines essential literary terms for 9th-grade students, including definitions and examples for concepts such as alliteration, characterization, narrative poetry, and theme. It covers various literary devices and techniques, such as irony, symbolism, and figurative language, providing insights into their roles in literature. Additionally, it explains the structure of different genres and the importance of sound devices in poetry.
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Literary Terms to Know for 9th Grade
The document outlines essential literary terms for 9th-grade students, including definitions and examples for concepts such as alliteration, characterization, narrative poetry, and theme. It covers various literary devices and techniques, such as irony, symbolism, and figurative language, providing insights into their roles in literature. Additionally, it explains the structure of different genres and the importance of sound devices in poetry.
Download as DOCX, PDF, TXT or read online on Scribd
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Literary Terms to Know for 9th Grade – Mr.
Pastore
1. Alliteration – this is like a tongue twister. Alliteration is when
there is a repetitive consonant sound at the beginning of a word within a line of literature or poetry. For example, the repeating ‘D’ sound in “Deep into the darkness peering, long I stood there wondering, fearing; Doubting, dreaming dreams no mortal ever dared to dream before,” from “The Raven” shows alliteration.
2. Autobiography – a writer’s account of his or her life. Generally,
an autobiography focuses on the most significant events and people in the writer’s life over a period of time. Richard Wright’s Black Boy is an example of an autobiography. The excerpt “The Rights to the Streets of Memphis” comes from Wright’s autobiography.
3. Characterization– The way a writer creates and develops
characters’ personalities. There are four basic methods an author uses: a. The writer may make direct comments about a character’s personality or nature through the voice of the narrator b. The writer may describe the character’s physical appearance c. The writer may present the character’s own thoughts, speech, and actions d. The writer may present pertinent thoughts, speech, and actions of other characters
There are different character types as well:
a. Flat Character – an undeveloped character with very few character traits b. Round Character – a character who exhibits a variety of characteristics c. Static Character – a character who does not change throughout the course of the story. d. Dynamic Character – a character who changes due to the events of the story.
4. Narrative Poem– This type of literature tells a story or recounts
events. Like a short story or a novel, a narrative poem has the following elements: plot, characters, setting, and theme. “The Raven” by Edgar Allan Poe is an example of narrative poetry. 5. Setting – Setting is the time and place of the action of the story. Some settings are described minimally; however, in “The Scarlet Ibis” and “The Cask of Amontillado” settings are described in detail and become major contributors to the stories’ overall effect and meaning.
6. Mood – the feeling or atmosphere that a writer creates for the
reader. Descriptive words, and figurative language contribute to the mood of a work, as do the sound and rhythm of the language used. Poe creates a mood of dread in most of his stories through careful word selection.
7. Foreshadow – when an author drops hints in their stories that
can clue the reader about what may happen later on in the story.
8. Personification – when an author of a story gives human
qualities to a non-human object. For example – The sun climbed slowly over the mountain and into the sky.
9. Irony – the difference between appearance and reality.
a. Verbal irony – when someone says something, but they really mean something else. Sarcasm. b. Dramatic irony – when the audience or reader knows something about what’s happening in a story, but the character or characters do not know it. c. Situational Irony – when you as a reader come to expect something out of a story or situation, but you do not get it. In fact, you get the opposite of what you expect.
10. Symbol – anything that stands for or represents
something else beyond what it actually is. For example, the bird in the short story “The Scarlet Ibis” was clearly a symbol for the narrator’s physically challenged brother, Doodle. Both the bird and Doodle found difficulties in adapting to their unfamiliar environments.
11. Flashback – when some of the events of a story are
related at a point in the narrative after later story events have already been recounted. Flashbacks enable the storyteller to fill in background information about characters and events. “A Christmas Memory” serves as a complete flashback as the narrator recounts earlier events as himself as a young boy growing up in Alabama. 12. Point-of-View – The vantage point or perspective from which the events of a story seem to be observed and presented to the reader. The first person point-of-view is when the story is told by the character that experienced the event. Someone who was not directly involved with the experience tells the third-person point-of-view, but they have either limited (knowledge of only one character’s thoughts) or omniscient (all-knowing to all character’s thoughts) knowledge about what occurred. 13. Simile – when you make a comparison between two unlike objects using the words like, as, resembles, or than. For example – The turtle runs as slow as molasses. The boys trudged unwillingly to school like snails on a stone.
14. Metaphor / Extended Metaphor – When a thing, idea,
or action is referred to by a word or expression normally denoting another thing, idea, or action, to suggest some common quality shared by the two. In other words, it’s when two unlike things are compared to each other without the use of words such as like, as, resembles, or than. An extended metaphor is a longer comparison, such as the one found in Romeo and Juliet when Lady Capulet compares Count Paris to a book, or when Romeo compares Juliet to the sun.
15. Plot – A story’s plot is the sequence of events that make
up the story. In a typical plot, an exposition introduces the characters and establishes the main conflict. Conflicts experienced by the characters can be either internal (inside their minds) or external (with someone or something other than themselves). In the rising action, complications arise as the characters try to resolve the main conflict. Eventually, the plot builds toward a climax, the point of greatest interest or suspense. Essentially, this is called the high mark, or peak, of the story. Small conflicts are resolved in the falling action of plot. And finally, in the resolution – the final stage of the plot – loose ends are tied up and the story is brought to a close. 16. Allusion – An allusion is an indirect reference to a famous person, place, event, or literary work. Shakespeare’s characters often allude to Greek and Roman mythology in their dialogue. For example, in the Hunger Games series, Katniss and Peeta are referred to as the star-crossed lovers, which is an allusion to Romeo and Juliet. In the opening prologue, the chorus says, “From forth the fatal loins of these two foes, a pair of star-crossed lovers take their life.” Edgar Allen Poe alludes to the Bust of Pallas, or Athena in his poem “The Raven”. 17. Theme – a theme is an underlying message about life or human nature that a writer wants the reader to understand. Themes are often not stated but rather inferred. A theme may imply how a person should live and it emerges through the actions and experiences of the characters in a given work. A theme is usually expressed as a complete thought, not just in one word. In many of our short stories this year, a repeating theme was that excessive pride in oneself can often be a destructive, and perhaps even a deadly force in one’s life. Themes are meant to provide a lesson for the reader on how to live one’s life.
18. Tone – Tone is the attitude a writer takes toward a
subject. Unlike mood, which is intended to shape the reader’s emotional response, tone reflects the feelings of the writer. A writer communicates tone through choice of words and details. Tone may often be described by a single word, such as serious, humorous, formal, informal, somber, sarcastic, playful, ironic, bitter, or objective.
19. Hyperbole – Hyperbole is a figure of speech in which the
truth is exaggerated for emphasis or humorous effect. Juliet expresses many hyperboles throughout Romeo and Juliet, as she expresses her love for Romeo and what she would rather do than marry Count Paris. They are also known as overstatements.
20. Understatement – a technique of creating emphasis by
saying less than is actually or literally true. It is the opposite of hyperbole, or exaggeration. It is a form of verbal irony. When Mercutio says that his fatal wound “Tis a scratch, tis a scratch, man”, he is minimizing how serious a wound he actually has. It was enough to take his life. 21. Pun – A pun is a joke that comes from a play on words. It can make use of a word’s multiple meanings or of a word’s sound. In Romeo and Juliet, characters punned in many scenes. It often, but not always, serves as a humorous purpose.
22. Sonnet – A sonnet is a lyric poem of 14 lines, commonly
written in iambic pentameter (a metrical pattern of five feet, or units, each which is made up of two syllables, the first unstressed and the second stressed). The Shakespearean sonnet consists of three quatrains (a four-line stanza in poetry) and a final couplet (two lines that rhyme). The typical rhyme scheme of a sonnet is abab cdcd efef gg.
23. Soliloquy – a speech in which a character speaks his or
her thoughts aloud. Generally, the character is on stage alone, not speaking to other characters and perhaps not even consciously addressing an audience. At the beginning of Act 2, Scene 3, of Romeo and Juliet, Friar Laurence has a long soliloquy about the benefits and evils of herbs.
24. Oxymoron – a special kind of concise paradox that brings
together two contradictory terms. In Romeo and Juliet, each of the phrases “brawling love,” “loving hate,” “bright smoke,” and “feather of lead” is an oxymoron used to express some of the characters’ conflicting feelings and emotions.
25. Protagonist – the main character in a work of literature –
the character who is involved in the central conflict of the story. The protagonist often display their dynamics after the central conflict reaches a climax.
26. Antagonist – the principal character or force in opposition
to a protagonist. It is usually in the form of another character, but can be a force of nature, a set of circumstances, some aspect of society, or a force within the protagonist. In “The Most Dangerous Game,” General Zaroff is the antagonist.
27. Figurative Language – language that communicates
meanings beyond the literal meanings of words. In figurative language, words are often used to symbolize ideas and concepts they would not otherwise be associated with. Idioms, similes, metaphors, hyperboles, and personification are all examples of figurative language. 28. Genre – The term genre refers to a category in which a work of literature is classified. The major genres in literature are fiction, nonfiction, poetry, and drama. Subgenres include short story, novel, plays, and poems.
29. Rhyme Scheme – a pattern of end rhymes in lines of
poetry. A rhyme scheme is noted by assigning a letter of the alphabet, beginning with a, to each line. End lines that rhyme are given the same letter. Look at the sample below: Two roads diverged in a yellow wood a And sorry I could not travel both b And be one traveler, long I stood a And looked down as far as I could a To where it bent in the undergrowth b
30. Sound Devices – Sound devices, or uses of words for their
auditory effect, can convey meaning and mood or unify a work. Some common sound devices are alliteration (see #1), onomatopoeia (words associated with sounds), repetition (repeating of a sound, word, or phrase for emphasis), rhyme (similar or identical sounds at the end of two or more words), and rhythm (a pattern of stressed and unstressed syllables in a poem). These sound devices were in full effect when we examined Poe’s poem “The Raven”. These are common techniques used by most authors of fiction and poetry.