raz_lz117_reluctantdragonpart1_clr
raz_lz117_reluctantdragonpart1_clr
The
The
eluctant
Lexile 1000L Fiction • Classic
Photo Credits:
Title page: © Hulton-Deutsch Collection/CORBIS/Getty Images; page 3: © Victoria Ryabinina/iStock/Thinkstock
Adapted from
the Writings of Kenneth Grahame
For more great books visit Illustrated by Juan Manuel Moreno
www.learninga-z.com
© Learning A–Z, all rights reserved.
The
eluctant
Focus Question
How are the boy and the dragon alike?
Dragon
How are they different?
Part 1
Words to Know
Kenneth Grahame
agitation monotonous
(1859–1932) armistice placidly
Kenneth Grahame was bashfully ramping
Scottish, but he spent complacently scouring
most of his life in England. eerie skirmishing
He worked as a banker intrude sonnets
and wrote stories, poems,
and essays in his free time.
The Reluctant Dragon, first Connections
published in 1898, is his
Writing
most famous short story.
How does the author develop humor in this story?
What effect does the humor have on the plot and
characterization? Use evidence from the text to
support your answer.
Art
Adapted from the Writings of Kenneth Grahame Draw a picture of the dragon on top of the hill using the
Illustrated by Juan Manuel Moreno description on page 14. Discuss with a partner how the
author uses detailed imagery to help readers visualize
the scene.
Footprints in the snow have been When dinner-time came we had to be dragged
unfailing provokers of sentiment in by the scruff of our necks. The short armistice
ever since snow was first a white wonder over, the combat was resumed; but presently
in this drab-coloured world of ours. In Charlotte and I, a little weary of contests and of
a poetry-book presented to one of us by missiles that ran shudderingly down inside one’s
an aunt, there was a poem by one Wordsworth clothes, forsook the trampled battle-field of the
in which they stood out strongly with a picture lawn and went exploring the blank virgin spaces
all to themselves, too—but we didn’t think very of the white world that lay beyond.
highly either of the poem or the sentiment.
It stretched away unbroken on every side of us,
Footprints in the sand, now, were quite another this mysterious soft garment under which our
matter, and we grasped Crusoe’s attitude of mind familiar world had so suddenly hidden itself. Faint
much more easily than Wordsworth’s. Excitement imprints showed where a casual bird had alighted,
and mystery, curiosity and suspense—these were but of other traffic there was next to no sign; which
the only sentiments that tracks, whether in sand made these strange tracks all the more puzzling.
or in snow, were able to arouse in us.
We came across them first at the corner of the
We had awakened early that winter morning, shrubbery, and pored over them long, our hands
puzzled at first by the added light that filled the on our knees. Experienced trappers that we knew
room. Then, when the truth at last fully dawned ourselves to be, it was annoying to be brought up
on us and we knew that snow-balling was no suddenly by a beast we could not at once identify.
longer a wistful dream, but a solid certainty
“Don’t you know?” said Charlotte, rather
waiting for us outside, it was a mere brute fight
scornfully. “Thought you knew all the beasts
for the necessary clothes, and the lacing of boots
that ever was.”
seemed a clumsy invention, and the buttoning
of coats an unduly tedious form of fastening, This put me on my mettle, and I hastily rattled
with all that snow going to waste at our very door. off a string of animal names embracing both the
arctic and the tropic zones, but without much real
confidence.
“Oh, no trouble at all,” said the circus-man, Our spirits rose to their wonted level again.
cheerfully. “I should be only too pleased. But of The way had seemed so long, the outside world
course, as you say, it may be a mistake. And it’s so dark and eerie, after the bright warm room and
getting dark, and he seems to have got away for the highly-coloured beast-book. But a walk with
the present, whatever he is. a real Man—why, that was a treat in itself! We set
off briskly, the Man in the middle. Charlotte made
“You’d better come in and have some tea. I’m
herself heard from the other side.
quite alone, and we’ll make a roaring fire, and
I’ve got the biggest Book of Beasts you ever saw. “Now, then,” she said, “tell us a story, please,
It’s got every beast in the world, and all of ’em won’t you?”
coloured; and we’ll try and find your beast in it!”
“Saw who?” said his wife, beginning to share “Only a dragon?” cried his father. “What do
in her husband’s nervous terror. you mean, sitting there, you and your dragons?
Only a dragon indeed! And what do you know
“Why him, I’m a-telling you!” said the
about it?”
shepherd. “He was sticking half-way out of the
cave, and seemed to be enjoying of the cool of the “’Cos it is, and ’cos I do know,” replied the Boy,
evening in a poetical sort of way. He was as big quietly. “Look here, father, you know we’ve each
as four cart-horses, and all covered with shiny of us got our line. You know about sheep, and
scales—deep-blue scales at the top of him, shading weather, and things; I know about dragons.
off to a tender sort o’ green below.
“Oh, if you won’t be sensible,” cried the Boy, intrude (v.) page 18
to enter a place uninvited and unwelcome
getting up, “I’m going off home. No, I can’t stop
for sonnets; my mother’s sitting up. I’ll look you monotonous (adj.) page 15
up to-morrow, sometime or other, and do for boringly unchanging or repetitive
goodness’ sake try and realize that you’re a placidly (adv.) page 6
pestilential scourge, or you’ll find yourself in in a calm and peaceful manner
a most awful fix. Good-night!” ramping (v.) page 12
getting up on the hind legs in a threatening pose