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Fly Me To The Moon Big Band Arrangement-Alto Sax 1

The document is a musical score for the piece 'Fly Me To the Moon' written by Bart Howard and arranged by Griffin Gillen for Alto Saxophone 1. It includes various musical notations and instructions for performance, indicating a swing style and a tempo of 154 beats per minute. The score features sections for solos, backgrounds, and sax soli, along with specific measures and markings for musicians.

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trombon29041988
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© © All Rights Reserved
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12 views3 pages

Fly Me To The Moon Big Band Arrangement-Alto Sax 1

The document is a musical score for the piece 'Fly Me To the Moon' written by Bart Howard and arranged by Griffin Gillen for Alto Saxophone 1. It includes various musical notations and instructions for performance, indicating a swing style and a tempo of 154 beats per minute. The score features sections for solos, backgrounds, and sax soli, along with specific measures and markings for musicians.

Uploaded by

trombon29041988
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Alto Sax 1 Fly Me To the Moon Written by Bart Howard

              
Arranged by Griffin Gillen
 = 154


            
Swing

                   


       
9

25  
                   
 


             

                       


          

           
41

  
            
Trombone/Bass Soli

                       


                  
57

                         
        
71

 95
Solo with backgrounds

                   
79

              
Solo

                            


  

                           
111

  
Sax Soli

                                         

 

                   
   
        

                     
3

 

                      
     
127

  

                           
3 3 3

 

                              
3 3 3 3

   

               

         
3 3 3 3


  

          
                  
3 3

      
143

 

                      
 

 

              
               
3

    
3 3 3 3 3 3 3 3 3

2
                           
     

                    
        
159



               
   
         
3

                     
                  
173



      
                                
181

 
 

      189                            
       
 

    
                 
        
199

 

 
              
    
                
   

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