Unit 1 - FAIRY TALES
Unit 1 - FAIRY TALES
The fairy tale is a classic literary genre that has endured over time due to its ability to
convey values, teach lessons, and captivate with its imaginary world. Let’s study the main
characteristics of the fairy tale, its structure, themes, style, and narrative resources.
1. Introduction:
○ The main characters and the context of the story are introduced. Often, the
beginning includes typical phrases such as "Once upon a time..." or "In a
distant kingdom...", establishing the fantastical tone of the narrative.
2. Conflict Presentation:
○ The protagonist faces a problem or challenge, generally related to a curse, an
evil enemy, or a special mission they must complete.
3. Development:
○ The protagonist embarks on a journey or a series of trials to resolve the
conflict. During this time, they may receive help from magical characters or
overcome difficulties.
4. Climax:
○ The moment of highest tension in the story, where the protagonist must face
the final adversity (the witch, the monster, the magical test) to resolve the
conflict.
5. Conclusion:
○ The conflict is resolved, usually in a positive way, and order and justice are
restored. The protagonist receives a reward or achieves the "happy ending"
(getting married, obtaining riches, or simply finding peace).
1. Personification:
○ Non-human elements, such as animals, trees, or natural elements, often have
human characteristics. For example, a wolf may talk, or a tree may offer
advice to the protagonist.
2. Hyperbole:
○ Exaggerations are used to make the story more impactful, such as describing
the beauty of a princess or the evilness of a villain in extreme terms.
3. Symbolism:
○ Many objects or events carry symbolic meaning. For example, crystal may
symbolize purity, poison may represent evil, and magical objects often have
deep power.
4. Metaphors:
○ Metaphors are used to enrich the narrative. For example, the "dark forest" is
not only a physical place but also symbolizes danger and uncertainty.
5. Direct Dialogue:
○ Characters often have direct dialogues with each other that help advance the
plot and characterize their personalities, such as the demands of the villain or
the advice of the wise old man.
Shrek (2001), the animated film directed by Andrew Adamson and Vicky
Jenson, is a clear subversion of the traditional fairy tale genre. This film not
only plays with classic fairy tale elements but also subverts and presents them
in a humorous and critical way. Below is a detailed analysis of how Shrek
breaks away from the conventional elements of a fairy tale:
● Shrek, the protagonist, is an ugly and grumpy ogre who breaks the mold of the
"ideal" and attractive hero. Instead of being the perfect prince, he is a character who
is rejected by society due to his appearance.
● Fiona, the princess, is the complete opposite of the delicate, traditional princess.
While she starts as a fairy tale princess who seems to need rescuing, she is revealed
to be a strong, determined woman. Moreover, her transformation into an ogre at the
end of the movie challenges the norm that princesses must always be beautiful and
perfect.
● The charming prince in Shrek, rather than being an idealized hero, is in fact a
secondary, shallow, and selfish character (Lord Farquaad), who seeks to marry Fiona
not out of true love but out of a desire for power and to meet external expectations.
Traditional fairy tales often present traditional values such as purity, goodness, and
superficial beauty. In Shrek, these values are questioned and subverted:
● External beauty does not hold the same value it does in traditional fairy tales. Fiona,
despite being a princess, is not beautiful according to conventional standards, and
she is shown to be a strong woman who has her own insecurities.
● Superficial goodness is also questioned. Characters like Lord Farquaad, who
represents the typical charming prince (and in fact is the closest to the "ideal"
physical prince in fairy tales), is the villain of the story, showing that appearance is
not what defines a person.
Shrek is an explicit parody of fairy tales and plays with several of their common elements:
● The film begins with Shrek breaking the fourth wall and mocking the concept of the
traditional fairy tale. Instead of having a perfect and magical story, Shrek lives a
solitary life in his swamp, far from the conventions of classic tales.
● Popular songs and references to other fairy tales (like the princess, the dragon, and
the wizard) are filled with ironic and subversive humor. This turns Shrek into a fun
and modern critique of traditional narratives.
While traditional fairy tales focus primarily on romantic love, Shrek places greater emphasis
on the value of friendship and family:
● The friendship between Shrek and Donkey is one of the most important relationships
in the movie, and it highlights a genuine and heartwarming bond that goes beyond
romantic love.
● The relationship between Shrek and Fiona also reflects a non-traditional family,
showing that human (or ogre) connections can be much more meaningful than
societal expectations about perfect love.
In traditional fairy tales, "bad guys" are clearly identifiable and always meet a tragic end. In
Shrek, the villain, Lord Farquaad, is portrayed in a caricatured and satirical manner, which
reduces the threat that villains typically pose in these stories. At the same time, it becomes
clear that true evil does not come from external monstrosity (like the ogre), but from
prejudice, superficiality, and unchecked ambition.