Season 3 - Episode 3 Transcript
Season 3 - Episode 3 Transcript
SCENE 1
CHRISTINE: God. Damnit. That really, really sucks. It’s like having to shit out something from
your throat.
CHRISTINE: Yeah, well… this better not be some sort of deal you struck with the goddamn
payphone or whatever. Because it really sucks that I’m the only one doing this. And you’re going
to have to clean up the goddamn seawater!
(A beat)
NICHOLAS: Of course. And… I could possibly get you some ice cream for you throat? Or… I
could check father’s records, see if there was some ritual to… heal it, perhaps?
CHRISTINE: Yeah, sacrifice three bunnies on the stump of an oak tree to stop moderate to
severe throat irritation. Ugh, whatever, let’s just listen to the tape.
CHRISTINE: Yeah
NICHOLAS: I… believe so
Episode 3 Page 2
CHRISTINE: Ugh ‘you must be purified’? That’s some zodiac killer bullshit!
NICHOLAS: that you vomit out - is part of the ritual. That it purifies us. Like the water. Perhaps
it’s part of the… added difficulty, due to your...
CHRISTINE: Drowning. [sighs] Fine. Do you know when we’re going to get our totally normal
Amazon packages?
TAPE BREAK 1
ANNOUNCER: And by the Iris and Jan Vos foundation. Devoted to creating a richer, more
connected world.
SCENE 2
SFX: Shuffling
NICHOLAS: There.
Episode 3 Page 3
CHRISTINE: Fine. So… are we going to open… whatever weird bullshit we got through the
United States Postal system?
CHRISTINE: Sure.
(A beat)
NICHOLAS: Well...
CHRISTINE: Drugs.
CHRISTINE: I mean… it’s not actually that hard to get drugs through the mail, dude. Like, long
as you seal them properly.
NICHOLAS: Oh.
CHRISTINE: Yeah, those drug sniffing dogs ain’t shit. They’re cute, but they’re bad at their jobs.
NICHOLAS: I was not aware of that. Wait… why exactly do we have a package full of drugs?
NICHOLAS: If you can’t trust a handwritten note in a package full of drugs, what can you trust?
COLLAGE: (Series of janky clips) Deliver the drugs to the addresses they are labeled with. As
payment, you may take the substance in the gold foil package. That will be necessary in the
completion of your ritual. If you attempt to open the gold foil package without delivering the
drugs, there will be consequences. Goodbye.
NICHOLAS: Damnit!
NICHOLAS: Yeah… yeah… it’s turning back on. So… perhaps we could go back to the
Payphone? Or we could-
CHRISTINE: What?
CHRISTINE: Uhhhh… I’m totally fine with “becoming” a drug mule. Don’t worry about it.
NICHOLAS: Oh.
CHRISTINE: Just the recorder. Shit, I hope they’ll be cool with me recording them… they…
probably won’t be.
CHRISTINE: Nah, nah, I’ll just explain that it’s magical BS. They’ll be fine with it.
NICHOLAS: How… do you know this isn’t an… ordinary drug… event.
Episode 3 Page 5
CHRISTINE: Well, it’s not a drug event, because nothing’s a drug event, that’s not a phrase
anyone uses you goddamn square, and I know this isn’t an ordinary drug event because no one
would go through this must trouble to transport regular drugs. Plus, pot doesn’t have little flakes
of living darkness in it. See?
CHRISTINE: I’ll be fine. Names and addresses are on the packages, I’ve already got a
messenger bag. I’m good. Don’t open the golden pouch while I’m gone.
NICHOLAS: Understood.
TAPE BREAK 2
SCENE 3
SUSPICIOUS LIBRARIAN: Hmmm… because not many students are interested in our wax
cylinder collection, and I’m certain I remember most of them.
PENELOPE: Oh, there you are! Mrs. Mortimer, I was just looking for…
CHRISTINE: Christine
PENELOPE: Yes, she’s bringing some important preservation materials for my research.
Episode 3 Page 6
PENELOPE: [laughs nervously] What a great joke… Christine. So funny, follow me!
SCENE 4
PENELOPE: Alright, basically no one comes to the wax department, so we should be ok to talk.
CHRISTINE: Cool
CHRISTINE: What?
Episode 3 Page 7
PENELOPE: Well, this is a little bit… (stage whisper) outside my comfort zone, and the website
said that this would be supervised by, and this is an exact quote, an expert in matters of the
occult.
PENELOPE: Well, you’re involved in this (stage whisper) super secret magical thingy, that’s
why you’re recording everything, right? It said you would be recording everything.
CHRISTINE: It said that? I mean… of course it said that. Yes. That’s accurate.
PENELOPE: Is it the philosopher’s stone? Like Harry Potter? Wait, you don’t have to tell me.
(A beat)
PENELOPE: But you’ll stay here and just… watch after me, right? The other deliverywoman just
left and… (stage whisper) sometimes they get mean.
(A beat)
CHRISTINE: Cool.
(A beat)
CHRISTINE: I’m guessing the cylinders don’t, like, warp like that.
SFX: Penelope walks over to the cylinders and pulls one out
PENELOPE: There, ”Humans for Scale”. All the other cylinders around it get minds of their own,
and when I move “Humans for Scale”, the same thing happens!
PENELOPE: Oh, this whole (stage whisper) service is easy to google. Not easy easy, most
everyone thinks it’s kind of a joke… but I thought what’s the harm and submitted a request. And
it sort of worked last time… though the deliverywoman wasn’t nearly as nice as you. I think I got
the measurement wrong, the cylinder, it kind of screamed at me.
PENELOPE: Over a century! Now just to… it’s a bit complicated to set up.
CHRISTINE: Sure...
MUSIC: Song begins to play, it’s weird and creepy and disconcerting
Episode 3 Page 9
CHRISTINE: [laughs] Don’t know how I helped but… sure. Yea us.
PENELOPE: Oh, it’s important to have someone to talk to. Sometimes I think the songs act out
because they’re lonely, you know. A whole century cooped up, having to sing the same song…
it would get to anything.
CHRISTINE: Yeah, that sounds about right. Well, I’ve got to get going...
PENELOPE: Oh, oh sure, uhm, if you’re ever in the area and want to hear some weird sounds,
well… you know my name
SCENE 5
JEROME: What?
CHRISTINE: Christine!
JEROME: Oh yeah, the, with the stuff. Do you have it, the stuff I mean?
JEROME: Oh man, this is perfect! Just what the doctor ordered. Hey, yo, uh, Christine, are you
cool?
JEROME: What?
JEROME: Fog Machine! A special fog machine. Yeah, if you’re not cool, you should probably
get going!
CHRISTINE: Goddamnit
SOUND DESIGN WEIRDNESS: So, for this instance, I’m thinking the music gets weird, dancers
heartbeats get louder, breath gets louder, in the distance, animal noises are heard. We hear
Christine’s footsteps, she goes
SOUND DESIGN WEIRDNESS: faintly, but for the most part, this is just a short, weird, aural
soundscape. Full free to go full audio magic, point isn’t to do anything specific, it’s just to have a
weird little interlude, until
SCENE 6
CHRISTINE: Hey-
BRO 3: Baller!
BRO 1: You’re a lifesaver, bro. Yo, if you want to chill with us, we’re always open to having a
beautiful-
SCENE 7
JEANETTE: Oh wait, oh my god, are you the witch? You’re the witch, right?
SFX: They go to the back room of the coffee shop, should be mechanical grinding sounds
JEANETTE: No, no, this is a… personal interest. I was hoping… alright, ever since I read Harry
Potter-
JEANETTE: Just listen, ever since I read Harry Potter, I have waited for some sort of sign. A
letter from Hogwarts, a real spell, something, anything that would-
Episode 3 Page 13
JEANETTE: Yes?
CHRISTINE: I get it. I really do. Whatever you’re thinking this is… it’s not that, OK? Jeanette,
why’d you order… whatever you ordered?
JEANETTE: I wanted to… you know… see things. How things really are.
JEANETTE: How?
CHRISTINE: Shrooms. You don’t need to get messed up in weird shit to have a magical
experience OK? I’m going to give you a phone number… you got a pen?
CHRISTINE: OK. Text Rachel, she’ll hook you up. Don’t flirt with… actually flirt with her if you
want to, up to you. Take some shrooms, have an awesome experience, throw whatever you
ordered into the trash, OK?
(A beat)
CHRISTINE: Don’t get involved in this shit unless you have a very specific goal, do you
understand?
JEANETTE: Fine.
CHRISTINE: Good. And don’t let Rachel rip you off, ok? An eighth is fifty bucks at most.
SFX: Footsteps
JEANETTE: I…
SCENE 8
SFX: Crash
KATHY: Wait. Who are you? Stay right there, don’t move
SFX: Footsteps
SFX: Crash
KATHY: Stupid! Building! It’s always the architecture that turns against you.
KATHY: I’m fine, I’m fine. Wait, do you think I’m not fine? Do I not look fine to you?
KATHY: It’s the hair isn’t it? Got tired of waiting for rain in order to wash it, easier to just chop it
off.
KATHY: Awwwww, you’re sweet… what’s your name by the way, you look like a… Victoria?
KATHY: Got it in one. And… oooooooh… you’re recording, aren’t you? Aren’t you? Are you
really going for it? The big one? I mean, you could be recording a stupid little podcast, but that
would be so boring.
(A beat)
KATHY: [laughs] You’re braver than I am. So, what brings you to my humble abode? (stage
whisper) I’m guessing it’s to do with the mic you’re holding.
CHRISTINE: Nah, I got the package you ordered. You did, you know, order a package?
CHRISTINE: You can actually, you know, have it. Since you ordered it. So… anyway… I’m
SFX: Footsteps
KATHY: That wasn’t the only reason you came here, was it?
KATHY: You’re the woman who opened the door, aren’t you?
CHRISTINE: I…
KATHY: Don’t worry, my lips are sealed. And I think it’s exciting. Everyone fascinated by you.
Following your movements with interest.
SFX: Footsteps
CHRISTINE: Uh...
KATHY: Watch out for the metal, most of it’s rusty. And don’t worry, I’m going to help you! Why
do you think you’re here?
CHRISTINE: I…
CHRISTINE: O… k.
KATHY: Oh, just a fun little warehouse. Bit of a 70s throwback. Back when New York was real
and dangerous. Everyone had a lot of fun back then, eating each other’s hearts, or so I hear.
SFX: Footsteps
KATHY: I know, I know, it’s nothing compared to your father’s, he was really something. Still, so
many tapes!
(A beat)
CHRISTINE: Uhm, I
SFX: Rummaging
KATHY: And here… we… are. Don’t worry, it’s related to your current predicament. Do you
want to do the honors? Just put the tape in the big boxlike thing. I had to convert it to a tape
format, it makes it easier to listen to.
SCENE 9
TAPE starts
MICHELLE: The following podcast contains descriptions of death and violence. This show may
not be suitable for young listeners.
MUSIC: Opening montage music starts, think Stranglers opening, quick cuts
COWORKER: -came into the office, like normal, but he never left-
LOCAL: -there was this… fear over the town, like a mist-
OTHER LOCAL: -you hear stories about the caves, growing up in the town-
SCIENTIST: -we’re at a dead end, we can’t wrap our minds around it-
SFX: The “no one knows what happened” is repeated a few times until it transitions to…
MICHELLE: From RLR productions in Brooklyn, this is No One Knows What Happened. I’m
your host, Michelle Hardvan. Five years ago, Clementine Energy was drilling in the Ohio
foothills, looking for natural gas. Greg Gearson has supervised digs for more than fifteen years.
And for him, the day started like any other.
DRILLER: (in an interview) Yeah, it was just, a normal job, the suits had already done an
inspection, we cleared the area, it was normal, you know.
MICHELLE: (in an interview) Can you tell me… what you found?
DRILLER: (in the interview) Yeah, so… we were drilling, and we hit an air pocket, pretty normal,
but we decided to stop for lunch. And, well, there are these little cameras on the drill, they help
us tell what type of minerals we’re actually digging through. And, well, I just glance on the
camera…
(A beat)
Episode 3 Page 18
MICHELLE: When it was all over, four separate bodies would be excavated. Four separate
bodies. They were all found in a small cave hundreds of feet belowground. And there’s another
thing, the cave? There didn’t appear to be any way in… or out.
COWORKER: Reggie was… he was passionate about the company. That’s the first thing that
stood out to me.
MICHELLE: The first body police were able to positively ID was Reginald Banner. An IT
specialist from Atlanta, he oversaw cyber security for Kemli Dynamics, a Fortune 500 company
from...
SCENE 8a
KATHY: Here we go
SCENE 9 (continued)
MICHELLE: because police didn’t just find bodies in that cave… they also found a radio.
Episode 3 Page 19
MICHELLE: I’m Michelle Hardvan, and this is No One Knows What Happened, an RLR
production. If you like the podcast, I’d really appreciate it if you could leave a review on iTunes,
it helps get the word out.
MICHELLE: -Use promo code LATESTAGECAPITALISM, all one weird, for 75% off. We’re also
supported by Stamp.com. Stamp.com, for when you only need one stamp. No one Knows What
Happened is executive produced by Regis P. Winthrop III, our sound designer is Lindsay
Wallace, and our production assistant is Gina Henderson. Our interns are: Alice Wilcox, Anita
Dunn, Willie Burt, Debra Hebert, Matthew Adkins, Landon Flynn, Lisa Hoffman, Addison
Hutchinson, and Jacob Stark. Remember No One Knows What Happened… but we’re going to
find out.
(A beat)
SCENE 10
(A beat)
KATHY: Do I? I know that he’s… grown… since the cave. He’s started to build something
beautiful. Something it would be wondrous to behold. Are you… interested in seeing it?
CHRISTINE: No.
KATHY: A wise choice. Most likely. But I know more things, Christine. For a while I thought that
it was all about a radio station, but it’s so much bigger than that! So much more… complex. But
you probably want to know more, don’t you? About the ritual, about how to protect yourself,
about your father. Wanting to know more. It’s like a disease. Don’t worry, I have it too.
KATHY: The answers don’t exist within my brain, they exist within your father’s house. His
domain.
(A beat)
CHRISTINE: Kathy...
KATHY: I know, I know, you’ve looked in your dad’s archive, but you haven’t looked with me. I’m
really good when it comes to this stuff, and all I’d ask for in return are just a couple of your dad’s
tapes. Three at the very most.
(A beat)
(A beat)
KATHY: Well… let me know if you change your mind, ok. I’ll be here. Waiting.
(A beat)
SCENE 11
CHRISTINE: Turned the recorder on, yeah, just in case there’s anything important.
NICHOLAS: Not… an extraordinary amount. But she was in an episode of ‘Real Life
Reimagined’,
NICHOLAS: Yes. I don’t exactly like it, but I’ve listened to every episode. Anyway, during the
segment, she was obsessed with searching for this lost radio signal. She heard it once and
devoted her life to trying to hear it again.
Episode 3 Page 21
NICHOLAS: No, at least not that I know of. She doesn’t have much of an internet presence,
aside from the podcast episode.
CHRISTINE: I mean, I wasn’t expecting her to have an Instagram. Didn’t seem like the type.
Check out my creepy abandoned warehouse, hashtag blessed. How about the drugs?
CHRISTINE: Yeah, I’ve never seen anything like them. So… what do we do now?
(A beat)
CHRISTINE: Kathy’s weird as hell, but she’s an option? And there’s always the payphone. I’d
be down to take a personality quiz.
NICHOLAS: I don’t...
CHRISTINE: Nick?
NICHOLAS: How… committed are you to seeing this through? Now that we know… what our
opposition is.
(A beat)
CHRISTINE: I goddamn drowned! I just spent the day delivering product! For free. What the hell
kind of a question is that?
NICHOLAS: I apologize.
(A beat)
NICHOLAS: Yes. It’s… been a bit more difficult than I expected… but yes. I’m still… curious.
CHRISTINE: What?