PHOTOJOURNALISM
PHOTOJOURNALISM
Before photographing your subject, take time to think about where you will shoot it from. Our viewpoint has a massive
impact on the composition of our photo, and as a result it can greatly affect the message that the shot conveys. Rather than
just shooting from eye level, consider photographing from high above, down at ground level, from the side, from the back,
from a long way away, from very close up, and so on.
Distance
Balancing Elements
Placing your main subject off-centre, as with the rule of thirds, creates a more interesting photo, but it can leave a
void in the scene which can make it feel empty. You should balance the "weight" of your subject by including
another object of lesser importance to fill the space.
Framing
The world is full of objects which make perfect natural frames, such as trees, archways and holes. By placing
these around the edge of the composition you help to isolate the main subject from the outside world. The result is
a more focused image which draws your eye naturally to the main point of interest.
Background
How many times have you taken what you thought would be a great shot, only to find that the final image lacks impact
because the subject blends into a busy background? This problem is usually easy to overcome at the time of shooting -
look around for a plain and unobtrusive background and compose your shot so that it doesn't distract or detract from the
subject.
Depth
Because photography is a two-dimensional medium, we have to choose our composition carefully to convey the sense of
depth that was present in the actual scene. You can create depth in a photo by including objects in the foreground, middle
ground and background. Another useful composition technique is overlapping, where you deliberately partially obscure
one object with another. The human eye naturally recognises these layers and mentally separates them out, creating an
image with more depth.
Lines
are a key compositional tool in photojournalism that can create balance, movement, and drama. They can also guide the
viewer's eye, emphasize the subject, and create a sense of depth.
Lights creates shadows, highlights, and contrast which can add depth and ambience to your photographs. One of the key
things to keep in mind when playing with light in your photographs is the direction of the light. Side lighting can create
dramatic shadows, while backlighting can create a soft and ethereal glow.
Other Elements of Photography
>Shape >Color >Value >Form
>Texture >Space >Contrast >Emphasis
>Movement >Rhythm >Unity
Required information
Who is that?
Why is the picture in the paper?
What is going on?
When and where was this/
Why do/es he/she/it/they look that way?
How did this occur?
Parts of a caption
Catchline- title
Body- 5w’s and H
Credit- Pen name
Caption guide:
• Avoid using terms like "is shown, is pictured, and looks on.
• A photograph captures a moment in time. Whenever possible, use present tense. This will create a sense of immediacy
and impact.
• Quotes can be an effective device, be willing to use them when they work.
• Don't assume. Ask questions in your effort to inform and be specific. Be willing to contact and include the visual
reporter.
• Make the photographer accountable for their work.
ACTIVITY
Take 5 photos with different subjects applying various elements, techniques, views and angles in photojournalism. Paste
your photos on long size bond papers and write captions for each one.