Republic of the Philippines

DEPARTMENT OF EDUCATION
Region I
Schools Division of Ilocos Norte
PAOAY NATIONAL HIGH SCHOOL
Science, Technology and Engineering

ICT II
Information and
Communications
Technology
QUARTER IV
Module 1
 Module 1
WORKING WITH AUDIO

Learning Competencies:
• Insert audio file and apply effects in video presentation as follows:
 Working with audio  Applying effects to audio
 Recording audio  Editing audio
 Adjusting volume levels

In Adobe Premiere Pro, you can edit audio, add effects to it, and mix as
many tracks of audio in a sequence as your computer system can handle.
Tracks can contain mono or 5.1 surround channels. In addition, there are
standard tracks and adaptive tracks.
The Standard audio track can cope with both mono and stereo in the
same track. That is, if you set your audio track to Standard, you can use
footage with different types of audio tracks on the same audio track.
You can choose different kinds of tracks for different kinds of media.
For example, you could choose for mono clips to be edited only onto mono
tracks. You can choose for multichannel mono audio be directed to an
Adaptive track by default.
FIND YOUR AUDIO
Start out in the Audio workspace by selecting Audio at the top of the
screen or choosing Window > Workspaces > Audio. Choose Window >
Media Browser to reveal the Media Browser panel.
Within the Media Browser, navigate to your audio file, right-click
(Windows) or Control-click (macOS) it, and select Import to add it to the
Project panel. Make sure the Ingest box is selected if you want to
simultaneously copy the audio file to your project folder.
AUDIO TRACKS IN A SEQUENCE
A sequence can contain any combination of the following audio
tracks:
1. Standard - The standard track replaces the previous stereo track type.
It can accommodate both mono and stereo audio clips.
2. Mono - A mono track contains one audio channel. A mono track will
either reproduce the channel so that the left and right channels are
playing the same, homogenized recording, or will play through only one of
the left or right channels. If a stereo clip is added to a mono track, the
stereo clip channels are summed to mono by the mono track.
3. Stereo track - A stereo track is dual channel audio. A stereo track is
audio that is recorded in two channels, one left, one right.
4. Adaptive track - The adaptive track can contain mono, stereo, and
adaptive clips. With adaptive tracks, you can map source audio to output
audio channels in the way that works best for your workflow. This track
type is useful for working with audio from cameras that record multiple
audio tracks. Adaptive tracks can also be used when working with merged
clips, or Multicam sequences.
5.1 - Contains the following:
Three front audio channels (left, center, and right)
Two rear or surround audio channels (left and right)
A low-frequency effects (LFE) audio channel routed to a subwoofer
speaker.
5.1 tracks can only contain 5.1 clips.

Note: For advanced editing using Adobe Audition, select Edit > Edit in Audition.

ADD THE AUDIO TO YOUR SEQUENCE

Choose Window > Project to reveal the Project panel. The audio file
you just imported will be selected. Double-click it to open it in the Source
panel; notice the waveform. You can play the audio file here if you wish to
listen to it. Drag the audio
clip to the sequence in the
Timeline panel. You can
drop it on any audio track
below the video tracks.
Trim the audio clip as you
would a video clip.
CHANNELS IN AUDIO CLIPS
Clips can contain one audio channel (mono), two audio channels—
left and right (stereo), or five audio surround channels with a low-
frequency effect audio channel (5.1 surround). A sequence can
accommodate any combination of clips. However, all the audio is mixed to
the track format (mono, stereo, or 5.1 surround) of the Mix track
(previously known as the master track).
You can determine whether a stereo clip is placed on one or two
tracks. Right-click a clip in the Project panel, and select Modify > Audio
Channels. If you choose to place a stereo clip across two tracks, the Clip
Panners use their default behavior (left to left, right to right). For more
information on Audio Channels, see Audio channel mapping in Premiere
Pro.
Premiere Pro lets you change the track format (the grouping of
audio channels) in an audio clip. For example, you can apply audio effects
differently to the individual channels in a stereo or 5.1 surround clip. You
can change the track format in stereo or 5.1 surround clips. In such cases,
the audio is placed on separate mono tracks when the clips are added to a
sequence.
Premiere Pro also lets you remap the output channels or tracks for a
clip’s audio channels. For example, you can remap the left channel audio
in a stereo clip so that it is output to the right channel.
MIXING AUDIO TRACKS AND CLIPS
Mixing is blending and adjusting the audio tracks in a sequence.
Sequence audio tracks can contain many audio clips, and the audio tracks
of video clips. Actions you perform when mixing audio can be applied at
various levels within a sequence. For example, you can apply one audio
level value to a clip and another value to the track that contains the clip. A
track containing the audio for a nested sequence can contain volume
changes and effects previously applied to the tracks in the source
sequence. Values applied at all of these levels are combined for the final
mix.
You can modify an audio clip by applying an effect to the clip or to
the track that contains the clip. Consider applying effects in a planned,
systematic way to avoid redundant or conflicting settings on the same
clip.
ADJUST THE AUDIO TRACK VOLUME
Press the spacebar to play the sequence in the Program panel
(upper right panel). Pressing the spacebar again stops playback. Drag the
blue playhead to wherever you want playback to start.
 If your audio clip is too loud or too soft compared to the rest of your
sequence, you can change the volume of each audio track independently.
Choose Window > Audio Track Mixer > [sequence name] to reveal the
track mixer for your sequence. The playback controls at the bottom of the
Audio Track Mixer panel allow you to play, stop, and even loop sequence
playback. As your sequence plays or loops, move the sliders up and down
to increase or decrease the volume of each individual audio track in your
sequence. Slide the Master control to adjust the overall audio level.
Note: While sliding the controls, try to keep the audio levels in the –6 to –3 dB
range to be level with most audio projects.

PROCESSING ORDER FOR AUDIO

 As you edit sequences, Premiere Pro processes audio in the
following order, from first to last:
 Gain adjustments applied to clips by using the Clip > Audio Options
> Audio Gain command.
 Effects applied to clips.
 Track settings, which are processed in the following order: Pre-fader
effects, pre-fader sends, mute, fader, meter, post-fader effects,
post-fader sends, and then pan/balance position.
 Track output volume from left to right in the Audio Track Mixer, from
audio tracks to submix tracks, ending at the Mix track.
Note: You can modify the default signal path with sends or by changing a track’s output setting.

MAKING QUICK AUDIO ADJUSTMENTS

Although Premiere Pro includes a full-featured Audio Track Mixer,
there are times when many of these options are not required. For
example, when creating a rough cut from video and audio captured
together from DV footage, output to stereo tracks, follow these guidelines:
 Start with the Audiometers and volume fader in the Audio Track
Mixer. If the audio is too far below 0 dB or too high (the red clipping
indicator appears), adjust the level of clips or tracks as needed.
  To temporarily silence a track, use the Mute Track button in the
Audio Track Mixer or the Toggle Track Output icon in the Timeline
panel. To temporarily silence all other tracks, use the Solo button in
the Audio Track Mixer.
 When making audio adjustments of any kind, determine whether the
change is applied to the entire track or to individual clips. Audio
tracks and clips are edited in different ways.
 Use the Show/Hide Tracks command in the Audio Track Mixer menu
to display only the information you want to see and save screen
space. If you aren’t using Effects and Sends, you can hide them by
clicking the triangle at the left edge of the Audio Track Mixer.
VIEW AUDIO DATA
To help you view and edit the audio settings of any clip or track,
Premiere Pro provides multiple views of the same audio data. You can
view and edit volume or effect values for either tracks or clips in the Audio
Track Mixer or in a Timeline panel. Make sure that the track display is set
to Show Track Keyframes or Show Track Volume.
In addition, audio tracks in a Timeline panel contain waveforms,
which are visual representations of a clip’s audio over time. The height of
the waveform shows the amplitude (loudness or quietness) of the audio—
the larger the waveform, the louder the audio. Viewing the waveforms in
an audio track is helpful for locating specific audio in a clip.
To view a waveform, use the mouse wheel or double-click on the
empty area of the track header.
VIEW AUDIO CLIPS
You can view an audio clip’s Volume, Mute, or Pan time graphs and
its waveform in a Timeline panel. You can also view an audio clip in the
Source Monitor, which is useful for setting precise In and Out points. You
can also view sequence time in audio units instead of frames. This setting
is useful for editing audio at smaller increments than frames.

Do any of the following:

 To view the audio waveform of a clip in a Timeline panel, click the
audio track and click Settings > Show Waveform.
 To view an audio clip in the Source Monitor when the clip is in a
Timeline panel, double-click the clip.
 To view an audio clip in the Source Monitor when the clip is in the
Project panel, double-click the clip, or drag the clip to the Source
Monitor. If a clip contains video and audio, you can view its audio in
the Source Monitor by clicking the Settings button and selecting
 Audio Waveform or by clicking on the Drag Audio Only icon near the
time bar in the source monitor.
VIEW TIME IN AUDIO TIME UNITS
In the Audio Track Mixer, Program Monitor, Source Monitor, or
Timeline panel, choose Show Audio Time Units from the panel menu.
Note:

To see more volume detail when viewing an audio waveform in a Timeline panel,
increase the track height. To see more time detail, view time in audio units.

RECORDING AUDIO
You can record to an audio track in a new sequence or record to a
new audio track in an existing sequence. Premiere Pro saves the recording
as an audio clip and adds it to your project.
Before recording audio, make sure that your computer has sound
inputs. Premiere Pro supports ASIO (Audio Stream Input Output) devices
(Windows) and Core Audio devices (Mac OS). Many devices have
connectors for connecting speaker, microphone cables, and breakout
boxes.
If your computer has an ASIO or Core Audio device for connecting
sound input devices, make sure that the sound device settings and input
volume level options are properly set. Refer to your operating system’s
Help for details.
In Premiere Pro, set the default device options in the Audio
Hardware Preferences for specifying the input channel used when
recording.
After you connect input devices and make all preliminary settings,
you can use the Audio Track Mixer in Premiere Pro to record audio. Use
controls in the Audio Track Mixer to adjust the monitoring levels.
You can also record voiceovers on audio tracks directly from the
Timeline without using the Audio Track Mixer workflow.
An audio clip is created from the recording and is added to both the
Timeline and Project panels.
Follow these step-by-step instructions to learn how you can record audio
in Premiere Pro using the Track Mixer, or directly record a voice-over in
the Timeline. https://youtu.be/3wJNLgxUc04
CAPTURE ANALOG AUDIO
If you want to use audio that isn’t yet in digital form (for example,
from an analog cassette or a live microphone), you need to digitize it
through an audio or audio/video digitizer/capture card.
Important points
1. The quality of digitized audio and the size of the audio file depend
on the sample rate (the number of samples per second) and bit
depth (the number of bits per sample) of the digitized audio. Also,
stereo audio requires twice as much disk space as mono audio.
2. These parameters, controlled in the Capture section of the Project
Settings dialog box, determine how precisely the analog audio
signal is represented in digital form. Higher sample rates and bit
depths reproduce sound at higher levels of quality, but with
correspondingly larger file sizes.
3. Capture audio at the highest quality settings your computer can
handle, even if those settings are higher than the settings you’ll
specify for final export or playback. This provides headroom, or
extra data, that helps preserve quality when you adjust audio gain
or apply audio effects such as equalization or dynamic range
compression/expansion.
4. Although the DV format can record two independent stereo audio
pairs, Premiere Pro can capture only one stereo pair. It may be
possible to select either stereo pair 1, stereo pair 2, or a mix of
both, depending on the DV hardware you use. For details, see the
documentation for the DV hardware.
SET THE LOCATION FOR CAPTURED AUDIO
1. Choose Project > Project Settings> Scratch Disks.
2. For Captured Audio, select a location and click OK.

PREPARE THE AUDIO INPUT CHANNEL FOR RECORDING

When you enable recording for a track, the track can record from
the Default Device channel specified in the Audio Hardware section of the
Preferences dialog box. This dialog box includes the ASIO Settings button
(Windows only), which you use to enable audio inputs connected to the
computer. Submix and master tracks always receive audio from tracks
within the sequence, so recording and track input options are unavailable
for them.

RECORD AUDIO FROM A MICROPHONE OR ANOTHER ANALOG

SOURCE
1. Make sure that you have specified the Input audio device. For more
information, see Specify the default audio device.
2. Make sure that the input device (microphone or other audio device)
is connected properly to the computer or sound card.
Note:
If recording from a microphone, check the documentation for your computer or
sound card to determine whether the microphone jack is for a monaural or
stereo microphone. Use the appropriate microphone for the jack. Noise, the loss
of a channel, intermittent sound, and no sound all can result from plugging a
mono microphone into a stereo jack or a stereo microphone into a mono jack.

3. If recording from a microphone, turn off your computer speakers to

prevent feedback and echo.
You can record audio using the Audio Track Mixer, or you can record
a voice-over directly from the Timeline on to an audio track.

RECORD AUDIO USING THE AUDIO TRACK MIXER

1. (Optional) If necessary, add an audio track to a Timeline appropriate
for the number of channels you will record. For example, if you’re
recording voice with a single monaural microphone, record to a
mono audio track. See Work with tracks. A track appears in the
Audio Track Mixer for each track you add to a Timeline.
You will need to repeat this step if you’re recording to multiple
tracks.

2. In the Audio Track Mixer, click the Enable Track For Recording icon
(“R” icon) for the track you added for your audio device.
3. Choose the recording input channel from the Track Input Channel
menu.
Note: The Track Input Channel menu appears after you click the Enable Track For
Recording icon.

4. (Optional) Create a new sequence.

Note: It’s also possible to record to an existing sequence. Doing so is useful for
recording voiceovers. You can record your voice while watching the playback of
the sequence. When you record voiceovers to an existing sequence, it’s good
practice to click the Solo Track icon (“S” icon) in the Audio Track Mixer for the
track that you’re recording to. Clicking the icon mutes the other audio tracks.

5. (Optional) Select the audio track that you want to record to.
6. (Optional) Adjust the levels on the input device to achieve the
proper recording level.
7. Select Meter Input(s) Only in the Audio Track Mixer panel menu to
meter only the sound card’s inputs.
8. Click the Record button at the bottom of the Audio Track Mixer to
enter Record mode.
9. Test the input levels by playing a selection from the analog source,
or by having the narrator speak into the microphone. Watch the
 Audio Track Mixer level meters to ensure that the input levels for
record-enabled tracks are high but not clipping.
10. (Optional) When you finish testing, deselect Meter Input(s)
Only in the Audio Track Mixer panel menu to meter the project’s
audio tracks also.
11. Click the Play-Stop toggle button to start recording.
12. If necessary, adjust the track volume slider up (louder) or
down (quieter) as you record to maintain the monitor level you
want.
The red indicators at the top of the VU meters light up if the
audio is clipped. Make sure that the audio level isn’t loud enough to
cause clipping. Generally, loud audio registers near 0 dB, and quiet
audio registers around -18 dB.
13. Click the Stop icon to stop recording.
The recorded audio appears as a clip in the audio track and as a
master clip in the Project panel. You can always select the clip in the
Project panel and rename or delete it.

RECORD A VOICE-OVER ON AN AUDIO TRACK FROM THE TIMELINE

Colin Smith
You can record a voice-over on an audio track directly in the
Timeline by following these steps:
1. Display the Voice-over Record button
The voice-over Record button lets you record a voice-over directly from
the Timeline on to an audio track. To display the voice-over Record button
in the Timeline header, do the following:

1. Select the track in the Timeline to which you want to add the voice-
over.
2. Click the Settings button in the Timeline and select Customize Audio
Header.
3. From the Button Editor dialog box that appears, drag-and-drop the
Microphone button to the required audio track, and click OK.
2. Start the voice-over recording workflow
Start a voice-over recording workflow by doing one of the following:
 Mark a specific In/Out range to insert the audio recording.
 Position the playhead at the starting point of inserting the voice-
over.
3. Display pre-roll countdown
 As soon as you mark the In/Out range or position the playhead, the
voice-over recording workflow starts. A pre-roll countdown appears as an
overlay on the Program Monitor.
The pre-roll countdown is a visual cue to give you time to prepare
and begin the recording. Recording begins after the countdown reaches
zero. You can specify the duration of the pre-roll countdown in the Voice-
Over Record Settings dialog box.
You can access voice-over record settings directly from the Timeline
by selecting Voice-Over Record Settings from the context menu.

Access Voice-Over settings from Timeline

You can specify the duration of the pre-roll and post-roll countdown.
Select the Countdown Sound Cues check box to play an audible beep to
indicate the status of recording. These beeps are not recorded in the
voice-over.
4. Begin recording
Click the Voice-over Record button in the audio track's header to
begin recording. A status message "Recording..." appears in the Program
Monitor to indicate that recording is on.
When using a predefined In/Out range, you don't have to click the
Voice-over Record button. Recording automatically starts when the
playhead reaches the In point in the Timeline.
5. Finish Recording
When using a predefined In/Out range, recording ends when the
playhead reaches the Out point in the Timeline. The status message on
the Program Monitor then changes to "Finishing...". If you're not using a
predefined In/Out range, stop the recording manually by clicking the
Voice-over Record button; again, or by pressing the Spacebar key.
Once recording is complete, an audio file of the recording is created.
The audio file is imported as a new project item into the Project panel.
MUTE INPUT DURING RECORDING
Muting input can prevent feedback or echo when the computer is
connected to speakers.
1. Choose Edit > Preferences > Audio (Windows) or Premiere Pro >
Preferences > Audio (Mac OS).
2. Select Mute Input During Timeline Recording.
Monitor volume level from Timeline, or Program Monitor
You can monitor audio levels for clips while capturing footage, in the
Timeline panel and in the Program Monitor.

MONITOR VOLUME LEVEL WHILE CAPTURING

You can monitor audio levels while capturing DV or HDV footage.
1. To open the Audio Meters panel, select Window > Audio Meters.
2. Capture video from a DV or HDV source.

The Audio Meters panel displays the audio level for the captured
footage. For more information, see Capturing and digitizing footage.
Monitor volume level from Timeline or Program Monitor
You can monitor audio levels for clips in the Timeline panel.
1. To open the Audio Meters Panel, select Window > Audio Meters.
2. Select the clip in the Program Monitor or the Timeline panel.
3. Do one of the following to play the clip:
 Press the spacebar
 In the Program Monitor, click the Play Stop Toggle button
The Audio Meters panel displays the audio level for the captured
footage.
ADJUST GAIN AND VOLUME
Gain refers to the input level or volume in clips. You use the Audio
Gain command to adjust the gain level for one or more selected clips. The
Audio Gain command is independent of the output level settings in the
Audio Track Mixer and Timeline panels. Its value is combined with the
track level for the final mix. You can adjust the gain for an entire
sequence with the Normalize Mix Track (previously known as Normalize
Master Track) command.
Volume refers to the output level or the volume in sequence clips or
tracks. You can adjust the volume for a sequence clip in the Effect
Controls or Timeline panels. In the Effect Controls panel, you use the same
methods to adjust the volume that you use to set other effect options. It’s
often simpler to adjust the Volume effect in the Timeline panel.
You can set gain or volume levels to make levels consistent among
tracks, or to change the volume of a track. However, if the level of an
audio clip was set too low when it was digitized, increasing the gain or
volume amplifies noise. For best results, follow the standard practice of
recording or digitizing source audio at the optimum level. This practice
allows you to concentrate on adjusting track levels.
NORMALIZE ONE OR MORE CLIPS
1. Do one of the following:
 Select the source clip (previously known as master clip) in the
Project panel. You can adjust the gain of a source clip so that
all instances of the clip added to the Timeline panel have the
same gain level.
 Select the clip in the Timeline panel. You can adjust the gain
of just one instance of a source clip already in a sequence.
 In a sequence, Shift-click the clips to select them. To adjust
the gain of more than one source clip or clip instance, select
the clips in a Project panel or sequence. In a Project panel,
Shift-click to select contiguous clips. To select non-contiguous
clips, click Ctrl-click (Windows) or Command-click (Mac OS).
2. Choose Clip > Audio Options > Audio Gain or keyboard shortcut G.
The Audio Gain dialog box opens. Premiere Pro automatically
calculates the peak amplitude of the selected clips. This value is displayed
in the Peak Amplitude field. Once calculated, this value is stored for the
selection. You can use this value as a guide to adjust gain.

3. Select one of the following, set its value:

Set Gain to
 The default value is 0.0 dB. This option allows the user to set gain to
a specific value. This value is always updated to the current gain, even
when the option is not selected, and the value appears dimmed.
Adjust Gain by
The default value is 0.0 dB. This option allows the user to adjust
gain by + or - dB. Entering a value other than zero in this field
automatically updates the Set Gain To dB value to reflect the actual gain
value applied to the clip.
Normalize Max Peak to
The default value is 0.0 dB. Users can set this value to any value
below 0.0 dB. It option adjusts the maximum peak amplitude in the
selected clips to the user-specified value.
Normalize All Peaks to
The default value is 0.0 dB. Users can set this value to anything
below 0.0 dB. This normalization option adjusts the peak amplitude in the
selected clips to the user-specified value.
ADJUST TRACK VOLUME WITH KEYFRAMES
You can add keyframes in the Timeline or the Effect Controls panel
at the current time. Keyframes allow you to manipulate the volume of a
clip.
Adjust track volume on the timeline panel
You can adjust the volume level of a track or have the volume
change over time using the rubber band in an audio track of a Timeline
panel
1. Expand the audio track by double clicking on it.
2. In the audio track header, click the Show Keyframes button, and
choose one of the following from the menu:

Keyframes on Timeline:
  Clip Keyframes: You can animate audio effects for a clip, including
Volume Level. These keyframes only apply to the selected clip.
 Track Keyframes: You can animate audio track effects like Volume
and Mute. These keyframes apply to the entire track.
 Track Panner: You can change a track’s volume level. For more
information, see Panning and balancing.
3. Create keyframes by using Ctrl-click (Windows) or Command-click (Mac
OS). You can also create keyframes using the Pen tool.
4. Use either the Selection tool or the Pen tool to move the Volume level
rubber band up (increase volume) or down (decrease volume).
Note:

If you want the Volume effect to change over time, place the current-time indicator at
the location for each change, click the Add/Remove Keyframe button in the audio track
header, and drag the keyframe up (louder) or down (quieter).

APPLY A VOLUME LEVEL TO SEVERAL CLIPS

To apply the same effect to multiple clips, do the following:
1. In the Timeline panel, adjust the volume of a single clip to the
desired level.
2. Choose Edit > Copy.
3. Drag a marquee over the other clips you want to change. You can
also use Shift-click to select multiple clips.
4. Choose Edit > Paste Attributes.
5. Choose the fields and click OK.

Note: This procedure pastes all effects and attributes of the first clip selected, not just its
volume settings.

ADJUST VOLUME IN EFFECT CONTROLS

To adjust the volume of a single clip in the Effects Controls panel, do the
following:
1. Select an audio clip in a sequence.
2. In the Effect Controls panel, click the triangle next to Volume to
expand the effect.
 3. Do one of the following:
 Enter a value for the Level. A negative value decreases the volume
level and a positive value increases the volume level. A value of 0.0
represents the original clip’s volume level without adjustment.
 Click the triangle next to Level to expand the effect options. Use the
slider to adjust the volume level.
A keyframe is automatically created at the position of the current-time
indicator in the Effect Controls panel.
4. (Optional) To change the Volume effect over time, move the
current-time indicator and adjust the volume level graph in the Effect
Controls panel.
Adjust volumes in effect controls

Each time you move the

current-time indicator and make
an adjustment, a new keyframe
is created. You can also adjust
the interpolation between
keyframes by editing the
keyframe graph. Repeat as
needed.

References:
1. https://helpx.adobe.com/premiere-pro/using/applying-effects-audio.html
2. https://helpx.adobe.com/premiere-pro/using/recording-audio.html
3. https://helpx.adobe.com/premiere-pro/using/adjusting-volume-
levels.html
 Republic of the Philippines
Department of Education
Region I
SCHOOLS DIVISION OF ILOCOS NORTE
PAOAY NATIONAL HIGH SCHOOL

Working with Audio

WOR KSHEET
Module 1:
Quarter 4

NAME: ___________________________________________ Section: 8 Charles

I. ASSESSMENT: Modified TRUE or False. Write TRUE if the statement is

correct, and if it is incorrect, write false then change the underlined word
to make the statement correct. (2 points each)

1. In Adobe Premiere Pro, you can edit audio, add effects to it, and mix as
many tracks of audio in a sequence as your computer system can handle.
2. To navigate your audio file, you need to access the media browser.
3. With adaptive tracks, you can map source audio to output audio
channels in the way that works best for your workflow.
4. Mono track contains one audio channel.
5. Stereo track is dual-channel audio that is recorded in two channels, one
left, and one right.
6. Clips can contain mono track and stereo track with a high-frequency
effect audio channel.
7. To play the sequence in the program panel you need to press Ctrl-Tab.
8. To increase volume up and down as your sequence plays or loops, you
can press the spacebar.
9. Audio track mixer is used for editing clips in a sequence.
10. You can view the audio clip’s volume, mute or pan time graphs in the
media browser.

II. ASSESSMENT: Using the Adobe Premiere Pro software (if not
available, you may use ANY video editor app) do the ff. tasks.

1. Capture a video showing how you do the activity. (1-minute video

without audio)
2. Import an audio (record your own voice) describing how you did the
activity.
3. Import appropriate background music for your video.
4. Send your output in this google drive link: (https://tinyurl.com/Q4-Mod1-
Audio)
5. Filename should be your COMPLETE NAME.
Note: Don’t forget to include the final video at the end of your output.