Shrek Partituras Acto 1-Comprimido
Shrek Partituras Acto 1-Comprimido
DREAMWORKS
ek
THE
MUSICAL
Based on the Dream Works Animation Motion Picture
and the Book by William Steig
M
MusIc THEATREINTERNATIONAL
421 West 54th Street
New York, NY 10019
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MTI MUSIC LIBRARY
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Title, Synopsis, Artwork & Photos TM and © DreamWorks Theatricals LLC. All rights reserved.
Book by David Lindsay-Abaire Copyright © 2008 DreamWorks Theatricals LLC
Lyrics by David Lindsay-Abaire and Music by Jeanine Tesori
Copyright o 2008 DWA Songs (ASCAP) and That's Music To My Ears (ASCAP)
5. What's Up Duloc?. 66
8. Forever 131
Kbd.i
Tpt.
ff
Hn
Kbd. 2
(Hpschd)
G/B
G(no3rd) C(no3rd)
Celli,
Tbn. +Gtr's (rhythm)
Bs. -
(elecja.Timp.
-1-
add Cl.
f
Tuttti
EEE
Stg
.>
Gently (= 126) 11
12 13
Gtr.
(steel)
Gtr2
(acous)
mp, dolce
G/D c2/E G/D G2/C G/D C2/E G/D G2/C
Kbd. I
16
Bs.
acous) Segue As One
-2-
VIns.
Kbă.1/
P Tri.
Kbd. 2
Safety
VIn..2, Vc.
Crotale Gtr. I
Gtr. 2
-3-
MAMA:
6
Kbd. I
Gtr. 1 .,
A/C D2 AIC# D2 A/C# D2
Gtr, 2
Gtrs. cont..
A/C D2/B A/C# D2 AIC# D2
4-
12
day.
PAPA:
Al
mf
G2 E
, Hn., Tbn.Kbd. 2
H13 14 15 16
though we want you herethe rules are ver -y clear (Now you're se - ven)
Gtr. I
DMaj7 cm B9
+Gtr. 2, Vc.
+BS
5-
H17 18 19 20
it'e time to a
go way
Picc.
mp "childtike
+Glock, Cym. scrape
--7
De
Vins. mp
DMaj9 D2/E
Ve., Bs.
H21 2 2%
Kbd.2 dolce
Sleigh Bells
HGtrs.
Vlns.e
D2 A/C# D2
Ve.
-6-
26
-
need to know When you are gro- tesque life is Kaf - ka-esque
3
When you are_ gro - tesque life is Kaf - ka-esque
mp mf
A/C# D2 Cm
28
Gtr. 1 &2
Vin. 1
Gtr. 1
BO DMaj9
Bs.
-7-
+Mark Tree
G2 E
0
RA
35
+Vc. (8vb)
FL
Hn.
mp
+Stgs.
Vlns.
+CI.
mf A Bm7
A/c#
+Full Rhythm +V
8-
37 3E
all a- round It's peach-es and cream and ey' - ry dream comes
all a round It's peach-es and cream and ev'-ry dream comes
FL
CL.
Cmf
np
Vlns.
+Vlns.
B7D D A/C#
39
-
true.
true
D2/E
9.
41 42
Gtr.. 1&2
D2/E
Bs.
FL
a
Kbd, 1 mp
mp
+Vlns., Kbd. 2
Vns.
mf
A Bm7
+Vc. Alc#
+Bs.
-10-
47 48 49
mf.espressivo
Bs.
(to 78)
50 51
T
mp
mp
D2/B D2/E
Bs. Cl.
-11-
70 80
Hn.
+Rds.,,Tpt
A mf Bm7
VoC.
82
Gtrs
Rds., ,Hn.
f B7D# Dsus2
Tbn.
B°
-12-
mp
Hn solo
-
mp
Kbd.,
03D O
Ste
"Welcometo
mf> Fiona The Musical!"
Hnlastx
f:
-13-
Vins., Kbd. 2
Marcato
83G 83H 84 85
C.
Fls. Vlns
Hn.,
Tbn.,
Vc.e mụ
87 89
+Tn.
Your
mp
Kbd..2, Vc.
-14-
QUEEN
LILLIAN:
Your
mf +Tbn.
97
Pa-pa packed your boots and bub-ble - gum. Darl-ing don't be sad. a to - wer's not so bad!
Vlns.
-15-
98 99 100 101
Just keep wait - ing And some day your prince will
Just keep wait - ing- And some day your prince will
Fl.,C!
J sub.p
Timp.
0 mp
T0 103 108
come
"Isn't that the saddest thing you've ever heard
come.
Tp
sub.j f espressivo
Hn., Vc, mf
> O
Tbn., Kbd. 1, Bs.
F
CL.
106 07 108
mpdolce
-16-
+Glock
109 110– 111-
Kbd. 2
sub.
Fl
Faster ENSEMBLE:
114
(Swing 8's)
116 18
big bright beaut-i-ful world So come al-ong my friend, and join the fun! We
Vln.,Sop., Xylo
Tpt., Hn., Tbn.
-17-
saved you a spot and we've got a lot "to do Doo doo doo! It's a
Tutti
Tpt.(lead)
big bright beaut-i-ful world. Where ev'-ry - bo-dy sings Kum - ba - ya While
C So
Tpt., Hn, Tbn.
-3¬ 3-
play -ing a gui - tar As we bar - be- que You You You!
Vins., Fl., Sop, Glock
+CI.
gftsfs fs
-18-
Gr. I
+Bs
•• •
144)
(to 147)
4 146 146A
Keep your
Tutti Hns.,
Stgs.
-
sf
VIns.
gliss.
Elp G/p
fcello.
Bs.
-19-
148
147 149
Kbd. 1
Eb Bb
C7 Eb BbD
154
fp
Eb F
-20-
157
3
big, bright beau - ti - ful world par - ty on my own,
Hn.,A,, Sax
Bb Bb
Eb
159 b0
E
șf , Ve.
C7 C Eb
162
F F7/Eb
-21-
beau - ti - ful world is all ted - dy bears, and u - ni-coms. Take your uf - fy fun and
Kbd. I (B3)
Kbd..2
+Vlns.
Eb Gm Eb
Vc., Bs.
+Bari.
167 168
Dm F7
Ve., Bs. (8vb)
172
169 170 171
pre-fer a life like this it's not that comp li - ca- ted Sure, Tm
Gtr.:
sün
Rhythm continues...
Kbd. 2, VIns.
0
J Am Gadd11 FMaj7 Gadd11
Vc.
174 175
fa - ted to be lone - ly and Im des- tined to be ha ted, if you read the books they say it'
Am C/G FMaj7
176 177 78
Kbd. 1 (B3)
gliss.
Gadd11 D
180
be in liked. Is gross
-23-
182 183
T.Sax |
Tbrn
185 186
big bright beau - ti - ful world, I've got my own lit - tle patch of the world
Rds., Brass, Vlns.
Hn.,Tbn.
Kbd. 1 (B3)
C
F Am
Bs
188
Hn.,;,Tbn.
F7 Dm Gsus
-24-
Tpt.
Kbd. 2 Vins.
C
> Hn.,Tbn. Dlc
94
D
Flc
197 A adlibriff
198 199
All mine!
$ Applause Segue
-25-
2A
After Big Bright Beautiful World
Orchestrations by DANNY TR0OB
AssociateOrchestrator JOHN CLANCY
Tbn.
Kbd. 2
+Full Rkythm
DIC
-26-
mp mf Bs.CL.(15
Stgs., Kbd. 2
mp
Bs.
+Bs. Cl. (8va)
mf
subj
+Kbd. 1,
Gtrs
subf
Em(Maj7)
-27-
3
Story Of My Life
Orchestrations by DANNY TROOB
AssociateOrchestrator JOHN CLANCY
CUE: "Step forward."
MahlerMarch = 118 to 5
(
CI, Tpt., Hn.
mp
Vc., Kbd..2
Bs.Cl. Bs
CUE QUT:
Faster PINOCCIO: "Dumped "Man, I tell ya, sometimes being a fairytale creature sucks pine-sap!
Vamp (3xs) on a swamp!"
13 14
ete Tbn.
Kbd. I(Accordion)
+CL., Bs. CL, Mand. +Vlns.
Rs
-28-
PINOCCHIO: 1: 17 1
( E
Vins
mp
Cl., Tpt,, Hn.
Kbd. 2 (Cel.)
22
H
fo poor Pi - no - cchi
Tutti
f
sf
-29-
E
+S4gs. (pizz.), Xylo.
mf(litely) Bs. Cl.
Bs.
27 2
CI.
6
+CL., Hn.
(off-beats cont,)
D7 G7
Eb Bb
Fsus
+Bs. Cl.
30
Vlns.
Eb7 B
t
-30-
32 33
Snare Drum
+Bs.
Woodblock RS.
+Tutti
sfs
Gm Am Bm Bm Gm
Brass
Kbd. I
+Gtr. 2
mf Am
Bs. +BC.
-3-
town. They dragged me from the pond. They broke my mag-ic wand.
Cl, Tpt.,Hn.
Kbd. 2, Glock
+Vlns.
3 PIGS:
A44 45 46 GUARD: "Big Bad Wolf!"
Tutti
+Timp.
+VIns.
mp
CI., Vc.
Bs
-32-
3 PIGS: WOLF:
52 53
ri-di-culed my hat. Zey said zat vee vere tat. They tore my cott'n gran-ny dress and
şfz
m
+Brass
Vc., Kbd. 2
+Bs. Cl.
f
GUARD: "Humpty Dumpty!"
55
f +Hn.
mf
+Kbd.2(Hp.)
HUMPTY DUMPTY:
ALL: 57
Sto - ry of my life Boot - ed from the ball. The par - ty's off the hook but
+Vlns., Cl., Tpt.
2
mf
Bm Fm Bm Fm A7 D
Ve.
-33-
Brass
+Cl.,Xylo.
CL , Hn.
Stgs
mf
3
Tbn., Bs. CL. D Esus A F7
+Tpt.,Hn.
Thn
mp
D Esus A c#7
ALL: to 74
fp
A
E
A
+Timp.
A
-34-
+Mand.
Sgs,Hn,
nf ctz
b
Fm7 Fm
easier
76WITCH:
mf
c# Fm
ALL:
7 70 80
Vins. >
ba
D be
sf
Eb7
AbmAy +Tbn. (8va)
Eb7
be
(b
-35-
80A 89
I blows, It blows
Tutti
ba
Sto - ry of my life Al- ways dou - ble crossed, Al- ways in the woods,
Rds.,Brass,Gtr., Xylo
ft VIns., Rds., Brass
Stgs.
mj
CL., Mand.
Kbd. I
Kbd. 2
mf Bb7
mf Fm7 EbMaj7 A7
91
mf
-36-
(ALL):
94
That's the sto-ry of my life Yes sir That's the sto-ry of my life
Gtr. 1
Tutti
Eb F Bb G7 Eb F
-37-
B G7
101 102
103
life.
life.
VIns.. „ Picc.
Vlns., Rds., Tpt., Hn.
3 3
L3 3J 3 f3
V
V sf:
-38-
3A
Story Of My Life - Tag
Orchestrations by DANNY TR00B
Associate Orchestrator JOHN CLANCY
Colla Voce
ELF:
A1 Eftugs
Gtr. 2:Mandolinsolo
I al - ways dreamed_ I'd get a hap Py en -ding
Kbd, 1 (Accordian)
mp D7 Gm
Bs.Cl.
Ac. Bs.
(Stgs.) (Mand,)
m
Kbd. 2 (Celeste)
+Crotales Kbd. I (Accordian)
mf D7 Gm G7 EID Am/C
(
-39
Tango
ALL: 10
Mark Tree
Kbd. 1 (Accordian)
Cl., +
Stg's
mf
Am Dm
+Hn., Tbn
A11 12 13 14
WOLF:
Hope Hope
mp
Dm6 Am6 mf Dm6
Segue
-40-
3B
The Goodbye Song
..
Orchestrations by DANNY TROOB
Associate Orchestrator JOHN CLANC
Kbd. 1 A
+Rhythm
fAm7/D D G6
+Kbd. 2, Vc.
+B
Am7 D7
41-
Gosh, I'm gon-na cry. Time to say good-bye. Time to say va-moose.
A. Sax, Stgs.
Tpt., Tb.
+Mark iTree Gtr. I & 2(featured)
G
E7 Am7 D9 G6 E7 Am D7
+Alto, Ve., Kbd.2
sfa
Kbd.1,
+Alto, Hn., Tpt.
+Xylo.
GE E+7 Am7
V
D9 G6
+Tbn. (8va)
G6/F f
E9
( +Bari.
15
Tuti A A
A CMaj7/D
A
D13
A
42-
18 BABY BEAR: 19
Vlns.
Xylo Tpt., VIns.
V
Alto, Brass
sfa
G6 D7+5
G(n.c.)
+Bari.
43-
Moderato Hrn
m
delay semi-distortion
1 Gtr.I
Vln's
mp
Gtr2 semi-distortion
E. Bs.
-44-
4
Don't Let Me Go
Orchestrations by DANNY TROOB
Associate Orchestrator JOHN CLANCY
DONKEY: "I respect that, Shrek. You're all right."
SHREK: "Good.Goodbye."
Colla Voce
DONKEY:
Hey, hey, hey, ya gota let me with you.- You don't know what its like to be considered a
Vlns
Bs. CL,Cello
Bs.
mp
Kbd. I (B3)
mp
Am F7 Am
freak. Well, may-be you do, but that's why we got-ta stick to - ge ther
F7 Am F6
+Bs
45-
+
Tri.
Cl's
mf
Iust hear me out, I might sur- prise you. III bea friend. when
Gtr.I
-3-
C/Ğ G
D Em7 Dip# D Em7 Di#
13
o - thers de - spise you. Don't roll yõur eyes, Stop with the mo-pin',
C/G G
D Em7 D# G7
Cello
-46-
VIn's. +Bongos
T
A7
Gtr.l
B (strat) 3
+Dr. sim.
18 Gtr2
(A Litle More)
19
III bring - you soup when you feel_con- ges-ted, Ill bail you out, when
mp
+Stg's
21 22 23
ClG G D Em7 G7
+ Bs.
(elec)
47-
24 25 2
And Ill shave it, when it gets hai - ry. Don't let me
Hn.
Stg!
Bb7 A7
mp
(A Little More)
-3
3 -3
ba
3
-48-
30
-
You need. me You need me.
(+Gtr's)
33
3
III treat.- - you right and ne - ver act shod- dy. If you kill a man,
+Stg's
Gtr.
sim.
-49-
+Stg's
Fill sim.
41
Gtrl
+Tpr.
+Bongo roll Sx's.>
+Sig's
A7
+Tbn.
-50-
42
-
E Fm7 E/G Fm7 E/G A Gm7 cm
L 3
Vlns.
(+8va)
El Gtr2
-51-
You 'n me, ve. be-long to-ge - ther. Like but-ter and grits, Like
Tpts. >
Saxes, Tbn. 1
+Dumbek
Kbd.I(Clav.) 3
+Gtrs..Dr.| m
BE A G
3 ?-
u H50 3 51
kibble and bits, like yin and yang, sturm and drang. like Eng. and Chang, attached at the hip.
sim.
A D E
A
G DiF# Avct
-52-
Bm7 B7
E
51
58
Like Cu - pid and Psy - che, like pop rocks and Mik ey Well stick to -
+ Full Rhythm
C BD F G
59
geth er like. that Vel - cro stuff, I'm the fuz - zy side, yóu'l be the spi - ky.
sim.
C B F G
-53-
(Spoken)
A 61
Like lit-tle kids and the pa-ja - mas with those fun -ny things at the bot-tom. You. know, feet - ies!
C Bb F
63 64 -3- 3 31
(Rif)
10
mp
mp
gliss
Sx's.
Dm7 Brass
G7
mp
-54-
67
70
2be
Tpr.,Tbn.
+Bs.
72
-3 3
need you
he
-55-
A74 75
need you, I need you, I need you, I need you, I need you, I need you, I need you, I need you, I
mp cresc
need you, I need you, I need you, I need you, I need you, I need you, I need you, I need you...
add Tpt.
Am G/B C D7
-56-
Sts
bn.
G7 F7
Rit.
82
go!_
Tot
Tutti
-57-
i
Regiment #1
Orchestrations by DANNY TROOB
DONKEY: "Shrek and Donkey, two stalwart friends Associate Orchestrator JOHN CLANCY
n whirlwindbig-city
adventüre!
OPTIONAL CUT
2x
Gtr. I
2
mp
Kbd. I
mp
+Dr.,,Perc.
F
+Bs.
Bari.Br.
Kbd2
sub.ff Eb7
Gm6 F7p Gm6 FD Gm6 FHo/p Gm6 Cello
D
GUARDS:
Comedic
Kbd.l
+Picc., Glock
-58-
f
Kbd. 2 A
Cm Gm D D7 Gm Timp., Bs
+Bs., Bari.
B
13
-
He is near -ly here He's down the hall, get- ting close, he is just out - side.
Stes Tpt., Kbd. 1
mf mf
Tutti
# m
Am6 Fo/E Am6 Dm Am/E
-59-
A19 0
way. Here he 1S
+Picc.
3 Tutti
Tpt, Picc,Kbd. I
A
Am Dm/B Am/C Dm Am Am
(door creak)
24 25
Right here.
E Am
Timp.
Segue
10 steps then
60-
4B
Farquaads Chamber
Orchestrations by DANNY TROOB
Associate Orchestrator JOHN CLANCY
+Cym. Cr.
Dm Bbm Fem Dm Bm Fm Dm Bbm Fm Dm Bbm Fm
f
Kbd.I,. +Cello
CLÁN., +Tbn.
+Timp.
Vlns
b
+Bs
--
-61-
+Gtr's.
mf Gm
Gm D7 Eb Cm/A Gm/gb C
D Gm
+cello,
Bs. .
(stace.)
+Stg's.I
Am FZ Am F7 Am E7 Am
-62-
Tot.
+Stg's.
Picc.
F D E Am E7 Am Dm
11
plan be
mf
Am/e E
-63-
has! It can't
Tutti
A
-Tin
Lmp.
Piatti
17 18
Am E Am
A
64
4D
Holiday For Duloc
Orchestrations by DANNY TROOB
SHREK: "Compensating for something? Ah, forget it." Associate Orchestrator JOHN CLANCY
4Thn.
Kbd. 1 (Pizz Stgs.),
Kbd. 2 (Celeste) A A
+Gtr. I, Drums
F6 F7 E7 Eb7 Gm7
Stgs., Kbd.2 Co
mf
Xylo
F6 F7
Vc.. Kbd. 2 , Gm Kbd.I C7 cf7
mp
CLs . only
mf +Vlns.
Hp.gliss.
Dm Dm(Maj7) Dm7/G G7
Gm7 C7 C1ab9
Ve
Repeattill Cutof
-65-
5
What's Up, Duloc?
Orchestrations by DANNY TROOB
Associate Orchestrator JOHN CLANCY
PERFORMERS:
Wel-come
Rd's, Br, Xylo
Hn.
m
Kbds, Rd's, Stg's
+Tpt.
D7
|+Gtr's, Dr's
to Du - loc such a per - fect town. Here we have some rules. Let us lay them down, don't make
Tr
sim.
Wd RIk
Picc.,Fl.,
VIn's
Kbd.l
G D7 D7 G
Ve. Bs.
-66-
waves, stay in line and we'll get a - long ne. Du - loc is a fect
pe
D7 G D7
10
place. Please keep off of the grass, shine your shoes, wipe your face.
+Hn.,Tbn. f
G (mutes)
D7
1 4
7
G D7 G D7
-67-
place.
Splash Sg's
litle, liteRimsbots
a
+Picc.
Vo
BS Thn. Timp solo
B
Broad 4! Swing
18 19 20
Stg's
J Bells
+Alto Sx
+Tbn.
23 FARQUAAD:
22
J CueToContinue(FAQUAAD):
"Oh, it's you!
Once up-on a time. this place was in - fest ed..
What a teri c surprise!" [GO]
Ste's
MkT
+Br. A A
Sx's
Solo Kbd.l 'easy listening"
-68-
26
7
Freaks on ev'-ry cor-ner (I had them all arres-ted) Hey nonny nonny nonny no.
Tri.
Dr MK.Tr.
FL,CL,
Stg's.•
Kbd. 1, Kbd. 2,
Stes. CL
myp mp
Em5 A7 Tbn.
CMaj7 A7 Dm7 Gzt5
30 31
|Hn.
CMaj7 B7 șf Tbn.
Tbn. mp Emys
CL. mp Dm7 G A7
ten.
32 33 30 3
mf mp
Br.
D7 Dm7 G7 D7 G7 Stg's,
WdBIk. Gtr
F#7
Tbn's.,
Bs.
-69-
QuG--
t
Kbd.:
+Tpt
mf fa
4Tbn. -
Timp.
c Bs.
40 41 42 13
+Picc.,
Xylo.,
Vln's
Cl,Celloa
Gr's."Tony OrlandoMeets Tiny Tim
mf
B6 Bb7 B6
m
46
He likes to cook!
+Picc.,
Xylo.
Vin's
+Hn
cm7
mf
B6
-70-
50 61
pt
mp eca +Kbd. 2
E6 Em® G#7
H. 52 WOMEN:
Bum.
+Picc •
CI.
Tutti
GH7
56
54 FARQUAAD:
They're
Kbd. 1 +Picc.
(Hp.) Xylo.
Vin's.
Tbn.. Kbd. 2.
Stg's
CL,CelloP
CHm7
F B6
-71-
Ir Du loc the
) look-k-ing up
Picc.,V
Vin's
tHn.
B
"IG7IA G7
cm7 FÅ7
60 51 62 63
WOMEN: MEN:
Ah, Ah
mfcMa? B7 Dm7 GE
-72-
A64 65 66 br
thanks to my new dress code The fash - ion's nev- er clash- - ing.
ALL:
Pioc Pa
Cl.
A
CI, Br
Stg's
Em7 A7 A7/G
70 71
+Picc.,
Vin's.
foating"
Kbd. 2
JHn..
Cello
(sub. p)
mp CMaj7 A7 Dm7
-73-
73 74
cas tle I had built 1S tal - ler than the clif -tops
(2
Hn.
+Stg's A
A A A
A
CMaj7 B7 Dm7
79
76 78
cit -y like a post - card with a mon - 0-rail and gift shops. And
A A
A +Br
A7
Ems A
-74-
81 82
3
SO And SC And SO
And so And So
Stg's
sft
+Bells
Kbd. 1 solo
G7
(Hp)
Ft7
E B4 FARQUAAD: 85 RA
B6 Bb B6 cüm7
-75-
mp
B Bb7 cm7 F7
92
ALL:
f
Tbn, solot.
EE Em6
er#
(
-76-
96 FARQUAAD: 97 98
WOMEN:
E
MEN:
- F
Things are look - ing
u Things are look - ing up
Picc.
Stg's.
Thn. Hn.
cm7 C#myPs
101 102
103
up here
Up
Pice
Stg's.
o
Tutti
f Br# F#7
-77-
Du - loc
Stg's (addAlto)
Swing
+Kbd.:
c°7 cem7 Fe
FO7/C Gm7 C7
f08
F6 E7 F6 C13
be
112
+Bells
F6 E7 F6
Cm7
-78-
Stg's
116 17 118 119
Tutti
Tutti Sx's., Tbn., Hn
Sx's.,
(
120 Br. 121 122
124
23 125
D79 D7 Gm7
DA Gm7/Bb cz°9 Dbg
sf:
| FARQUAAD LIFT
126 Kbd.I be
1271
Kbd. 2,
Stg's,Bells be
D
-
-79-
D Tbn.
Fm7
A Fm7 B13
H
(Still Swinging)
131 132 133 134
There's no sign of slow - ing we're grow -ing we're grow-1 ing
ALL:
Look. he's
Br
sf
Kbd. 2.
Stg's
F6 A B/F Gt
Sx's.
Gm GmF Fm(Maj7)
-80-
grow!
Swingin'
FAROUAAD:
141 (solo) 142 143
Stg's
Sr's.Tp., Hn.
Eb6 D9
m
Eb6 D7
+Tbn. leggiero
-3- -3
-81-
145 3 1 146
3
make one mis-take and we get the rack. He
pizz
Stg's
b
+Belļs
Sx's.Tpt., Hn.
mf
Eb6 D7 D9
+Tbn.
147 148
taught us to dance with razz - a - ma-tazz. He's trainedin bal-let, a-men-co and jazz.
-3-
-3 Vibrato.
0
HC.
EDBD
mf Ab6 Abm6
-82- V V
153 154
so much big-ger
Celeste
Tutti
t
C7
A
>>> >>>>
Fast 4
156 157
ALL:
Hn. Cl.
Tba.
brillente
J Ab6 Abm6
-83-
FARQUAAD:
158 159 60
Piçe.,
o
f
+Stg's
8-
FC
1
112
ALL:
Ah Ah
Kbd. 1 o
(Hp.)
Hp
gliss) Hp
gliss Hp
gliss) Hp
gliss)
Eb EbD EDIC mj E»B>
-84-
WOMEN:
165 166 168
up up up up
MEN
Up up up u ip!
+Pice-
C.
Tutti
sfs
D
Ab Fb
fp
-85-
5A
The Raf e
Orchestrations by DANNY TR00B
Associate Orchestrator JOHN CLANCY
+Timp.
fsp
"Fiery keepof the dragon" "Spin that barrel" "Excuse me"
(music out)
-86-
5B
What's Up, Duloc? (Reprise)
Orchestrations by DANNY TROOB
CUE: FARQUAAD: "The dossier on Associate Orchestrator JOHN CLANCY
her royal highness."
Vise, xo.
fbrillante
c6/G
sim.
+Perc.
Cello,
FARQUAAD:
-
Things are look ing up.
Kbd. 1
Xylo
Hn.
dd
Kbd. )
(Hp), Tpt.
khd2,4
Tbn.
+Bari. B
-87-
Hn.
b
Hhaon.,
be
Fm6 Gtrs. cont..
D9
Cello
Bs
11 12
up here n Du - loc.
Here
i
Bells
PKbd 2 Gliss
Tpt.
espress.
G9
C Cig
-88-
14
And
loc
C7/gb CIA
b8
Ab7 G7
Abt
Bari.,
Bs. be +Timp.
-89-
1 19
down! Ah ah åh ah ah!.
Vlns.. .Picc.
be:
sf:
C Ab C
Kbd. 1
(Hp
b
b
-90-
On Cue-reely,
NotIn Time'=138)
Stgs., Kbd. 2
In Tempo-Con Moto
FL.
-
Kbd. 1 (Hp)
EEE
mf Gtr. I
+Mark Tree, Sus. Cym.
Bs.
+Glock
(Cl. only)
CL.,VIn, J
+Vln.2 +Vc.
mf VIns.
+Hn. Tbn.
A/ct
CL.
Tp.
Bm D(n03rd)
Hn.
+Tbn.
Segue As One
-91-
6
I Know It's Today
Orchestrations by DANNY TROOB
Associate Orchestrator JOHN CLANCY
Hn.
Kbd. 1-
(Hp)
solo
E Fn/
Fn/
-92-
but the witch won't set her free. She pas - ses time by sing-ing" (like
Fl,CI.
11 12
Some-one else I know) "As years go by she sits and waits" (As years go by? uh... oh) "A
14
A/C Dm B/D Em
+Cello
-93-
Poco Accel.
1
f C/E Fm
9 17 A Tempo 18
in the end, Ra-pun - zel nds a mill-ion-aire. The prince is good at climb - ing
Hn
dolce
mP ch G(no3rd) c#a#
tSgs,
Kbd28 +Cello
21
Fsus/G G
-94-
he'll ap-pear. cause there are rules and there. are strict ures.
SSTACOUS)
Kbd.
(pno.)
+Gtr2
E (acous) B/DE A/C# B/D# E B/D# A/C# B/D
+Bs.
(shaker)
27 30
(Gtr's cont.)
Bell Tr(Perc)
34
31
knight and his steed will look just like these pic tures. It
Hn.
+Stg's
E cm
B/D# A/C# B/D E B/D#
-95-
3E
Hn
Kbd.
(Hp)
1 af
KbdS,
Gtr's
c#7 D Gtr's
38 39 40
Kbd.I +Gtr2
(pno.) (acous)
43
Hn.
-96-
rBels 47
OrchBells
FE G +Celld
Asus4
Kbd.2
f
D 48
Vamp (vocallastX)
TEEN FIONA: 49 50 5
"There's a prin - cess, in a co- ma." (Glad it's her in - stead of me)
Hn. sub.p
(Vocal last X)
sub/mp
D
Em A
5%
2,Tri.,
D Em A/D/
-97-
57
does she pee?) Blah-blah. Blah-blah poi - son ap-ple Bor-ing Bor-ing e- vil queen. Fil-ler
Vin's.
Poco Accel.
59 60
l-er, been there read that, sev - en short - jes on the scene. (Skip-a - head, skip a-head) But
FL
Ca.
poco accel.
G/B A/C# F#A Bm
A Tempo 6 6%
n the end, the prin - cesS wakes up with a start. The prince is good at kiss - ing
VIń.
Hn.solo
-98-
66
Cl.
Esus/F# F#
+Bs. (pizz)
c
- 68 b9 70
Hn.
mp mp
mp
+Gtr's.
A G A D A G A
73 74
As shin - ing as his per fect teeth and man -ly hOse. He'l propose
autando
D G
-99
75 7 77 78
D A G A D A/C# Bm
80
B7 C
+Vln2
82 34
Kbd.l +Gtr2
GIA D A
+Bs.
-100-
R6 87
G A D A G
88 (TEEN FIONA) 90 a1
day.
ADULT FIONA:
(ay).
Tpt
. mp cresc.
D G C
+Tinp
-101-
Brass
(0)
b8
mf
F
Gm/F CIF F
97 9 99
Not ex-act - ly. I'm still wait - ing, they're out liv - ing hap pi ly Ev- -er
add Orch.Bells
Hn.
Gm/F CIE
F
101
Gm C A/C# Dm
+Cello
-102-
102 103
No one needs these mid-dle bits. Whoops, did do that? Cut the
+Stg's
(piz)
Gm/Bb C A/C# Dm
104
A Tempo Cresc. Poco A Poco 05
vil-]-lains Cut the vamp - ing, cut this fair- y tale, cut the
Fl.
Kbdı
mp
G7B cresc. poco a poco C A/C# Dm
Kbdl,VC-
Bs(piz) 1
106 107
per - il and the pit falls, cut the Du - pe i the whale. Cu the
Hn,
f f
Bb7/D Et C7E Fm
-103-
mon sters - cut the curs - es - keep the 1n tro cut the Vers- es and the
VIn's (arco)
mp
Kbd.l
+Tpt.,Cl,
Hn. slightly detached
FHmc#
CH7 Fm/c# ct7
+Tbn.,
Celli (arco)
Re
111
wait ing the wait - ing, the wait ing, the wait ing,
FLCITP..
Kbd2
Fmc#
# c7
p12 113
Kbd.l
-104-
But I know
Sf
loco
E
116 118 119
D A G A D A G A
+Bs.
and I'm a van dal now. as well.. Hope he won't mind.. I'm a nd.
Hn. O Timp.
J +Gr's,
Stg's
D G2(n03rd) A
-105
Tbn. solo
mp
G A A/C#
Shaker. D Bm
Tri. cont, sim.
Kbd2 -
u (Hp)
Solo
+Chime
B7
G
mp
4Vin'se
Kbdt.#o
Hn.
CI.
F
E},0b,
mp mf
mp
CMaj7 Bm7
a little assertive
-106-
na!
TEEN FIONA:
na!
ADULT FIONA:
na!.
Bell Tr.(Perc.)
Hn.1
+EBs.
N.C.
140
Now. I know
Now,
I know
I T
Now, I know
Tbn.
+Gtr's, +Brass A
Stg's
Kbd2 Hp.Gis
Cymroll
şf
-107-
he'll ap-pear. cause there are rules and there.are strict tures
he'll ap-pear. cause there are rules and there _are strict - tures
he'll ap-pear. cause there are rules and there are strict- tures
(trem),
Brass
+Timp
145 146 47
A2
-108-
150
Brass
f
Bsus B E A
C#7
Brass Hn. P
E B/D# Cm c7
+Cello
,Thn.
+Bs. CLC
-109-
155 156
ct7 c Keepitpresent!
+Bs.Cl,
mp Cello
157 158 59
Rall.
160
twen-ty-three._
+Stg's
(pizz)
D
tFl.
B
+Bs. Cl.,
Kbd. 1
-110-
-
I know it's. to day. (00.
know it's to da
Gtr's
m VIn's
E B A E B
j+Tamb.
EBs.. +Cym.
+Celli,Bs.
166
R E B
-111-
I know it's- to
- day..
Kbd.2
Tutti
E
Kbd.l solo l
A Gtr's
(Hp) E Maj scale
-112-
6A
I Know It's Today-Playoff
Orchestrations by DANNY TR00B
Associate Orchestrator JOHN CLANCY
Kbd.i
+Gtr.
f
+Hn.,Tbn.
E B
+Ve.
Bass Timp.
E B A B E B A B
Bass cont...
Hn. solo
+Brass,,Cl
A
DMaj7
-113-
Travel Song 7
CUE: SHREK:"..ongest day of my entire life." Orchestrations by DANNY TROOB
Associate Orchestrator JOHN CLANCY
J=163)
Gtr. I (Uke.),
Gtr. 2 (Ac.)
mf
A6 E7*5
+Perc.
Bs. (acous)
3 DONKEY:
Sing a song Yes, a tra-vel song when ya got - ta go some - where. 'cause the
jaz violinsolo
mf
Cls.&
A6 E
AA
must con
F7
A6
-114-
Straight
H 10 12 13
fess I love road trip) Sing a song. Hi the trail. For-get the maps for-
Cs:g-
ET
14 16
get the guides. Be-fore ya know it you've made strides with me..
n. solo
T6n.,
A6 G7
-115-
And I know,- all I need, all a -long,_ is a path and a pal. and a song. So I'm
mp
C6 Ab9
23
mp
Kbd. 1
easily
|mf
D9 G13 +Tbn.
C6
27
SHREK:
Why
Tpt.
Ste's..
RPass
Cm7 F#7
-116-
SHREK: 30 31
mf
+Xylo,, Kbd.2
Gtr. I (Uke.)out,
Gtr. 2 continues B6
33
F#7 Khd 1.
+Bari., Tbn.
-117-
DONKEY:
34 35
Hey look, cat who's wear - in' boots! That's cra zy!
Why
Sr's..
Brass
mf
36
37
B6
• •
-118–
41 2
+Tbn.
B6
+Bari, •
Brs
Bb6 B6 Em7 A7
-119-
45
47
What
Stg's.
did
I do to de - serve - this? Hon est
ly-
mf
Brass
+Kbd. 2
D6 Bbg
48 50
E7 A7
-120–
52 53 54
me?
Loco 1 loco
solo
+Cowbelu,
+Stg's. Bs
55 57 +Vlo)
(jaz:
Bs.cont. sim.
51
Wa W: Wa Wa
-121-
Kbd.l
(solo)
+Xylo
67 68 60 70
D6 Agc# D D7
Stg's +Gtr2
pizz)
(+Xylo)
73 74
E7
75
) SHREK:
Why
Stg's.
cresc.
D Dic
E7gb Bb,5
+Tbn
Em7ig
h
b
-122-
77
DONKEY: 78 8
Sing a song. Hit the road.. It's the way to get a-round.
SHREK:
Vin.
Tutti
A6 E7
Gtr's. Gtr's. . cont.
81 82
E7 A6 G7
+Tbn.,
Vc. Bs.
-123-
RA
mf
Tbn,
88 89
and a song. So Im
Sing in' Low dee doh and I'm
mf
solo
(Swing 8ths)
b DS t: -124-
92
Sx's.
Tpt.
G9 c6 C/G D7 G7/D
Underscore
95 97
Gtr. I (Uke),
Gtr.r.2 (Ac.)
C6 C6 B7 C6
sub.p
Bs.
-125-
98 100 101
b
102
+Stg's.
C6 C6 B7 C6
-126–
Hn., Tbn.,
0
mf
0
be
DONKEY:
115 116
b
Don't let me go Don't le me go SHREK:
Hn,
(sweetly)
Bs. solo
-127-
accel.
-A F7
Gtr. I (Uke.),
Bs(solo) Gtr, 2 (Ac.), Dr's.
Tempo 1:
H 123
l24 125
Stg
Tbn.
Bm7 E7
m
H 126 127
Why
+Brass
A
f
+Rhythm
F#7
+Bari.
-128-
137 DONKEY:
139 140
- i Brass,
Bari Sx.
mf
B7 E9
()e
you.
SHREK: "That'l do Donkey
thatll đo."
you.
+Kbd. 2
+bells
Tpt.
A
+Tbn.,
Bari.,
Bs.
-129-
|7A
Before "Forever"
Orchestrations by DANNY TROOB
Associate Orchestrator JOHN CLANCY
CUE: SHREK:"It's brimstone."
SHREK:"Back in a bit."
DONKEY: "..from no stone neither."
Drums (Random FIX w/ bow)
mp
Cue
Kbd. 1
(Waterphone FIX)
mp
Kbd, I+2
+Bs. Cl, Hn., Tb.,
Ve.,Bs
mp
mf
-130-
CUE: KNIGHTS:
"..because we sing backup."
KNIGHTS:
KNIGHTS:
Tempo (= 132)
"That's what "That's what KNIGHTS:
we thought." (GO) "That's what we said!" (GO)
we did." (GO)
DRAGON:
A- no-ther
Sr's,Ipt.
OHnltr.)
mp
+Tbn.
mm Kbd. 2, Ve., Bs(trem.) molto CA Hi Hat
+Kbd. I
Gtr's.
A EGtr. (tr.) m (leslie)
Kbd. 2
mf Db Ab Db Ab
Fm Fm
Dr's. cant.
-131-
Fm Db Cm Bbm C7
15
shades and_ lock my doors. Still youcome for what ain't yours
Gtr.l(Groove) >
Gtr.2 cont-sim.
(B3 cont.sparsecomp)
Fm Db Ab Fm Db Ab
+Bongos
Fm Db Cm
-132-
SxTpt.,
fp
(B 3)
Bbm C C7
DA
You're gon-na stay You're gon-na stay You're gon - n stay For-ev-
Sx's
Kbd. 1(B 3)
Gm7 F/A
Gmpb
-133-
er For-ev - er A - D0 - ther
STpt,
) Stg's.,
Gtr's.
F DeadCowbell FEb Bb/D Bm/Db mf Gliss
m Kbd.I
bo
|32
knight a - nother name But all in all -you're all the same Fool- ish
KNIGHTS
+OFFSTAGE SINGERS:
Kbd. 2
+Rhythm
Fm Db Ab C7 Db Ab C
Fm
+Bs.
-134-
27 R8 30
Ha!
Tot
Sares
+Tbn.
Fm Db Cm7 Bm C7
41
-
calls you_from her beach Thatpret - ty girl,. that per-fect peach. She is
-WOMEN: KNIGHTS ONLY: + WOMEN:
Spt
Gtr. I
Fm D Ab C7 Fm D Ab C7
-135-
No!
+Stgs. >
Fm Db Cm Bbm
47
STpl,
Dn.
C7
-136-
50 51
mp
You're gon-na stay Kbd.1(B 3) You're gon - na stay You're gon - na stay
- 1
+Gtr2
Gm7 FIA
+Tamb,
stay. For- ev -
mf
Ooo la la la la
Sx's
b
Gm?pb
bo b
-137-
54 55 56 51
e1 For-ev - e.
+ WOMEN:
For-ev - er For-ev- er
Kbd. 2, "The Doors
Ste's..
Gtr's
Dead Cowbell Figb Bb/D
Bm/pb
m
Bs.
58
KNIGHTS& WOMEN:
5 6 61
You think I likee this job I'm a glor i- ed ba - by sit ter Baby baby sitah
Gtr.]
m
Kbd. i
mf
D7 Gm D7 Gm
-138-
D7 Gm F7 B
6
G
prin - cess, no great beau -ty. No-one e ver, e -ver, ver, e. Ver
ALL:
8
Oo0, Ooo,
Hn,
mp
Gtr2
+Stg's.
-
Dm Fb CHP7e
mp
-139-
70 71
wants me;
Tbn.
Hn.
0
Vin's.
+Gtrl
72|
74
KNIGHTS ONLY:
Fm Db C7IG Fm Ab
-140-
CTIG Fm Db Cm
77
A 79
+ WOMEN:
Ctele
DIgS L
Gtr.l
Cm Bbm Cm7
Bs
-141-
run a round
Dbm Eb7
Mk.Tr.
HH witb Tamb.
sub.p
Kbd. 2
sub.p Em DiFt
Gtr.2
-142-
And if you don't know that, then you need to get your eyeschecked!
Secondly, that princess is not even my type!. You know why?
R6 87
sub.p cont.
Em E Bm7Ip E7 Am7 D7
G
Gtr.2)
gub- loco
88
DONKEY:
80
Bari. solo
mf
Am/c G Am/c
-143-
93 Q
And
KNIGHTS:
G Am/c G G Amic
E
97
as for you, think you're bluf- n'. Stom - pin' a-round. all
Solo
Bari.
Gtr.l
LV. clean
arp.
mp
Bm Am/c Bm
•
-144-
100 101
huf- n and puff - n', You want true love? with the ha
Stop - tin'!
Am/C Bm
-145-
03 104
mp
Alto
Thn.
+Gtr's.
Em
sub.p
t
-146–
RAlo.,
A Bm/p A A Dm
Bm/p
109 ".now if you'llexcuseme, CUE TO CONTINUE: Donkey: "What's the matter with you?
L Il beonmyway."
(CUT
OFF) DRAGON's eyes utter You got something in your eye?"
110 111 ADRAGON:
Im DO
+Kbd..
(music
B o
-147-
12
Ad Lib
113 114 115
) prin-cess, but he wants me. No great beau - ty, but he wants. me No one e-
+Stg's. Fm Em Fm
117 118
Tempo I 119
Hn.
mp Ten. S.
mf
Kbd. 2
+Gtfs., Bm/A
mp G E7/ct
EE
Bs.
121
me! So
Kbd. 1(B 3)
A +Tamb,
A
+Cello
-148-
122
You're gon-na stay, you're gon-na stay, you're gon - na stay. for-e -
Kbd. 1(BB3)
- Gtr.l
+Gr2-
130
128
Kbd. 2
Sto's.
Gtr's.
B/D Bmypb
mf
F Dead Cowbell
E
J
RS.
b
-149-
132 133
Stg's.
F FEb BbD
135
with for
Bm/nb
-150-
+Stg's.,
Gtr.l
G9 Bbm7
+Timp.
Dictated
140
me!
-
Brass
Tutti
Bbm7/Db Eb9
-
bn.
-151-
8A
Forever Playoff
Orchestrations by DANNY TROOB
Associate Orchestrator JOHN CLANCY
2A
Kbd. 2
+Kbd. I (B3) slide +Stgs.
>>>>? y
ff Saxes
Vins
V
Bb G9/g Flc Fsus/c
+Tbn.
-152-
9
This Is How a Dream Comes True
Orchestrations by DANNY TR0OB
Associate Orchestrator JOHN CLANCY
E
Con Moto
Kbd. 2, Gtr.
3
m mf
Vlns.
mp
Bbadd2 Bbadd2
Vc.
be be
Bs
Kbd. 2 Bs.
ATemp0
FIONA:
This is how a dream comes .true. This is how I pic - tured you.
+Hn.
DZF# Gm
Bbadd2
+Hn.
-153-
Poco Rall.
12 13
C. my
Kbd. 1
Hn
BbF F7
+Gtr. 1, ,Stgs. Ebm6/G
+Vc.
+Timp., Bs.
14 A Tempo
CL. 15
mp
+Mark Tree
Kbd.2
16
17
1
This is how the scene must go you stand - ing there the
Rds., „ Sigs.
-
+Hn.. Kbd. 2,Stgs.
) Bb
-154-
24
FI.
CI
my
mp
Vlns.
+Flugel, Hn.
+Vlns.
DZE# Gm BbF
+Gtr. +Vc.
+Tbrn-
+B.
SHREK: "Ow!"
27 FIONA: "Sorry."
Tbn., Bs.
Rall.
30 4
Hn.
p'
mp
+FL (8va), Vlns. +Sus. Cym.
Vlns.
Kbd..
-155–
Tutti
be
36
true.
Hn.
CL.
m
+Stgs
b
+Tbn.
Bs
t
Accel p0c0 a poco --
Stgs, Kbd. 2
38
+FI,1Tpt
-156-
Brave Sir Knight slow down a bit, shut - in girls are del - i - cate. I've
FI
CL
(+8vb)
+Glock.
sfz mf
B F#7IA# B B D÷ZIEX Gm
Ve. (pizz.)
A5 46 47 48
longed for this mny whole life long. Now you're do - ing it all wrong!
+Fl., Vins., Cl.
Khd. 2
Gem BF# Eb7 E/G# B/F# B/D
F#7E
49
A Bit Faster
5 57
Brass
+Ve. Bs.
-157-
64 55
Tpt.t.,Tbn.
mf
Am C/G Fmzs FMaj7 C/G
) you
Kbd. 2
have slain. You have slain. You have slain?
.,Bs.
Dramatically (J=1o)
59 Rds., Tpt., Vns.
be
59A 60A
Abm Bbm
+Vc.
+Tbn. Bs.
-158-
61 D 61A F EVERYONE:
sft F
Play ifrequested_
to
+Stgs., Hn. 64
F
+Mark Tree
Tpl.
Tbn.
65
FIONA: 58
Just Te lay and take breath; hope he doe- sn't burn to death.
Kbd
sub. m
+Bs.
-159-
70 71 72
mf easily
HH. cont.sim.
7A
Rit.
A73 75 76 77
Tra-la-la-la la, what's past is past. Tra la la la la, I'm free a last. n the
Picc., Fl.
Rds., Stgs., Kbd. 2
+Brass
mj
Gtr. "Dramatic cresc."
F G C B7
78
Regal, in 4
80
end the prin - cess al-ways gets her man and un-der-neath the hel-met, I bet he has a tan. M
Rds.,Stgs. >
be
+Brass
mf
bo be.
-160-
83 RA RE
cham-pion, my savior, my da-shing Ro-me-o. He has a talking Donkey, (that part I di-dn't know)
87 88
Wait a min-ute, look; it just like in the book. They're gh-ting 0-ver me, like it's meant to be.
Pic.,Fl.T
Hn., +Tpt.
4Stgs. (piz)
1 92
Molto Rit.
No mọre to - wer in the sky. slay the dra-gon and good-bye. Oh my God, we're gon- na die!
Rds..Vlns.
+Dr. roll
-161-
be
Vns. >
Brass, Gtr. 2, Kbd. 2 3
3
P
bz
sfz
SHREK:
A"Get back
Gm Dm(no3rd)
Colla Voce
DRAGON: 98
J Organpedaltones(ifavailable...)
-162-
ver
Hn
m
Kbd. I
Tutt
58
f DBIAD Db/Gb
Bbm7
mf
Ab7sus
bo bo
4€
FIONA:
147 148
m
Vins.
Ve.
0
Bs., Kbd. 2
m dolce
+Stgs., Kbd. 2
-163-
knew this day would come and you would nd your way At
Rds.,,Vlns.
mp
mp F
+Vc.
+Gtr. 1
+Tbn.
Stgs.
mf
Tutti
+Timp.
It would be to day
-164-
In 4
16€ 167 168
Tutti
-165-
Misterioso
Kbd. 2 (Hp.)
Kbd. 1
mp (or myf)
Fm Gm Bm Dm
+Vc., Tbn., Hn.
Vc.c.á
+Bs. CL
Bs.
Stgs... Gtrs.
nf
Kbds.
mf
Crotales
-166-
10
Who I'd Be
Orchestrations by DANNY TROOB
Associate Orchestrator JOHN CLANCY
CUE: DONKEY:
"So there's really no
one else you'd rather be?"
B
Rall.
add Kbd.2
Stg's
CL.I- ntly
mp
Kbd.l
(Pno.)
Kbd.2
(Hp.)
gently
mp
mp
Colla Voce
4 SHREK: conversational
Pp
-167-
ppp
AbC Db
- ing and live a life of der-ring, while smel-ling like a her-ring. Up-on a Vi king
) Ss.Cym.
Mk.Tr.
Gb DE Ebm
Gieb Abic
A A Tempo
(more sung)
ship, I'd sail a - way. Td see the world. Id reach the far - thest reach - es.
Vn's +F.
Hn
+EIB..
-168-
Id feel the wind, I'd taste the sali and sea and mav -
(+Vln's)
Cello
Bs.
3 14 15
Tp.
mp
(Vin's)
Bbm2 Bm abMai Ab/C
Gb2
Cello
Cello
B A Temp0 17
be. Or I could be a po et and write a diff - 'rent stor-y. One that tells of
Kbd. i
Gtr2
(acous)
mp
DE Dbe Gb DE Ebm7 Gbgb
-169-
19 20 21
and wipes a-way the lies In - to the skies Id throw it. The stars would do the
glor-y
FL
+Hn. Gbe
AiC p Db/F Db/F
+Tbn.
22
tel - ling, the moon would help with spel- ling, and night would dot the "I's"
Fl
Vin's?
Cello Hn.
-170-
Id write a verse, re - cite a joke with wit and per - fect tim - ing
+Fl.,
Vln's
+Hn.
Gb2 Db2/F Gb2 Fm7
2 26
I'd share my heart, con-fess the things I yearn, and do it al! while
FL.
Sig.
+Bs.cl.
30 31
+FL.,
Stg's
-171-
Ste's
Kbd2 (Hp)
mp
Bs.cl,
36
+1kbd.l
Hn
>
mf Bbsus4 Bbsus4 Bb
+Bs.cl.
Tbn.Bs.
D
FL,Stg's
Dit G D/F#
-172-
grant - ed life would be. en chant - ed., or SO the stor - 1es say
-
m
E
Em7
GlB A/C#
GB
D
Dt DIA Die#
tow. -er to save a hot - house ow -er and car - ry her a - way.
Em7
G/B Ac
-173-
But stand - ing guard. would be a beast. I'd some - how o - ver whelm it.
CI
Hn.
mp
Gadd2 Dadd2/F# Gadd2 Fm7
Cello
lighter
48 5
I'd get the girl, Id take a breath and I'd re-move my hel - met.
+Stg's (trem)
cresc.
mp; cresc.,pocoapoco D2/F G2
G2
+Tbn.
E
52
4 51
We'd stand and stare. We'd speak. of love. We'd feel_ the stars as- cen - ding.
Vin's
Tpt. y
Kbd. 2 (glock)
mf
-174-
54
Cello
Brass
mp
u 55
f CL. Brass
f f marcato
+Stg's (trem)
Bm Aadd2 A G
-175-
6R 59
fmarcato
mf
Bm Aadd2
D Maj. scale
Kbd. 2
PaddTpt. Cello
63E
me.
Vln's
soli
Kbd.I
Kbd. 2,
Cello
dolce
-176-
64 FIONA: 66
SHREK:
+Bs
67 68 69
TD
DONKEY:
- Vln's
mf>
CL., Tpt.,
-177-
Kbd. 2
E EDJG AP Eb/G
All lone.
-178-
75
E
You need a pal, my cal er dar's pen
Vin's
Eb Eb/G Ab EbIG
77
F
76
Ya need
Bb
Fm7
-179-
Hn.
c{&va)
(Kbd. 2)
Absus2 Cm BbrD
Tbn...F
Hn, Cello, ,Tbn.
A
8 82
Kbd..
Picc,Stg's
Kbd.1.2,
Hn.
Absus2 Cm/G Fm7
>>
Bbsus2 B
-180-
85 86 87
be.
ta
be
he
Hr
fp
Tutti
Eb Eb/G Ab Eb/G Eb
+Timp:
-181-