The Complete Guide to Learning the Basics

manga drawing from @zesensei_draws

Draw and animate

YOUR CHARACTERS IN
STYLE

But Amrabet
 Translation: Zhneff
Translation version: 1.0

Draw and
animateYOU
R
CHARACTE
RS
Ïðåäèñëîâèå ïåðåâîä÷èêà
Not so long ago on YouTube, in the recommendations they published amazing videos
from @zesensei_draws, where he draws anime characters on paper, both classic and
recent (Chainsaw Man, Demon Slayer, That Porcelain Doll Fell in Love, Shadow Rising,
etc.).
A distinctive feature of this author is the use of auxiliary lines: step by step you
can see how a masterpiece is created, and with this technique, even a beginner in
drawing will be able to produce a good result. But the videos do not reveal all the
nuances of the technique; they are displayed in this book, which also appeared in his
videos - for example, when drawing Hymeno ("Chainsaw Man")
Unfortunately, there is no “official” Russian version of the book yet, and it is unknown
when there will be one. And the already existing French and English versions cannot be
bought in Russia due to sanctions, and, accordingly, cannot be read.
Let's fix this annoying problem. I don’t want the desires of some completely left-wing
guys to prevent artists and anime lovers from Russia and all Russian-speaking countries
from comprehending “reasonable, good, eternal.” Therefore, having received the French
version, I translated it for my personal use and am sharing my translation with you.
Of course, I consider it necessary to support the author. If possible, buy the original
book (no matter what language), and if not, support by subscribing, liking, reposting his
social networks (@zesensei_draws - link is clickable).
Of course, this book does not cover absolutely all aspects of drawing (especially color),
but it provides a very powerful basis on line drawing in manga style and the initial level of
animation. Naturally, it can and should be combined with other books/courses. One of
these, by the way, is also posted on my Boosty (https://boosty.to/zhneff). You can also
support me there if you find it possible. However, these materials are produced not for
profit, but at the call of the heart. And, if translating this book helps at least one person
become a cool artist/mangaka, etc. – I’ll be very, very happy.
 I also want to say thank you to all those who help watch and develop anime in Russian -
dubbers, artists, activists, TG channels, etc. This translation is my small contribution to
this matter. Thanks guys!

Sincerely yours,
Zhneff
© Editions Gallimard, Hoëbeke
collection, 2022. ISBN:
978-2-07-298544-7
Legal deposit: May 2022
Completed in print May 2022 by GPS,
Slovenia. Publication number: 441445.

Draw and
animateYO
UR
CHARACTE
RS

Ali Amrabet
@ZESENSEI_DRAWS
ÑÎÄÅÐÆÀÍÈÅ
Ââåäåíèå ...................................................................with8
Ïðàêòè÷åñêèå ñîâåòû & ìàòåðèàëû.....with12

Part No. 1

ÍÀÓ×ÈÒÅÑÜ
ÐÈÑÎÂÀÒÜ
ÏÅÐÑÎÎÍÀÆ
Oh ÌÀÍÈÈ

4
Chapter 01
Ðèñîâàíèå ÷àñòåé ëèöà............with 17

01 Ãëàçà
....................................................... with 18
How to Place Your Eyes 04
...................................c. 18 Drawing the Yes.......................................................
shape of the eyes, front view. .............c. 19 .... with 44 Mouth shape
Drawing the shape of the eyes, side view ...................................................p. 44
...................c. 22 Draw the shape of the Drawing a closed mouth from the front
eyes, view /4 ........................p. 23 Draw the .................. s. 46 Drawing an open
3

iris and pupil ......................... p. 24 Pupil mouth from the front ................... p. 48
and iris size ..........................p. 27 Some examples of mouths
Eyes/scars ..............................................p. ....................... 50
28 Eyes/dark circles ....................................
30 Eyes/tattoo 05 Oh yes
.....................................................c. 31 ..........................................................
Eyes/accessories with 52 Ear shape
........................................c. 32 .................................................c. 52
Draw ears in profile .............................
02 Áðîâè p. 54
.......................................................with 34 Chapter 02
How to place it correctly Ðèñîâàíèå òåëà ïåðñîíàæà ....with 9 1
eyebrows on the face
......................................... p. 34 Eyebrow 01 Àíàòîìèÿ òåëà ....................................
movements ........................................p.37 with 92 Composition bodies
........................................c.92 Arm
03 ............................................................ joints
with 38 Shape of the nose ...................................................p. 94
...................................................p.38 Shapes
Drawing a nose in profile ..............................................................
................................c. 39 Draw the nose p. 95
from the front ....................................... p.
40 Types of Noses 02Ôîðìû òåëà
...................................................p. 41 Draw ..........................................with..... .96
3
the nose, view /4 ..................................... p. Head shape
42 ............................................c. 96
Ear details .........p. 56 different angles
....................................... Drawing a face from ...................p. 97
Drawing ears from the front 08 Âîëîñû
......................................c. 56 ...................................................
Draw the back of the ears with 74 How to place it correctly
......................p. 57 hair growth zones?
...................................p.74 Hair
06 Ëèöî àíôàñ behavior
.....................................p.75
..........................................with 58 Drawing hair from the front
................................c. 76
07 Ëèöî â ïðîôèëü Examples of hairstyles
.................................... p. 78
............................... with 66 Drawing hair in profile
.......................80 Hairstyle
 Examples .....................................................
in profile ... p. 113 Analysis of hand
................................................. movements ..........................c.
84 Draw hair from the back 114 Thumb movements
...................................c. 86 .................. s. 116 Let's start the
Neck practical exercise... with 118 Leg
shape............................................ shapes
..... p. 100 Mistakes to ................................................. s.
Avoid........c. 101 Bust and pelvis 121 Foot shapes
shapes ...................................c. ..........................................c. 122
102 Women's
breasts.......................................... 03 åñåì òåëî
. p. 104 Hand Shapes ....................................... with
...................................................p 126 Body Poses
. 106 Palm shapes ....................................................
........................................c. 110 c. 128 Stages of drawing the
Structure of the body ..............................p. 129
hand................................... p. 112
Fingers 5
Ñîäåðæàíèå

ÑÎÄÅÐÆÀÍÈÅ

Part No. 2

ÍÀÓ×ÈÒÅÑÜ
ÀÍÈÌÈÐÎÂÀÒÜ
ÂÀØÅÃÎ
ÏÅÐÑÎÍÀÆA 6

Chapter 01
The office of the office ........................ with 1 35

01 .......... with 136 Materials .................................................c. 137 Preparation

.................................................c. 138 Animation Basics
.....................................p. 139 Deformation .............................................. p. 140
Preparation for action ........................... p. 1 40
Timing ........................................................c. 141 Secondary Animations
.............................. p. 142 Composition .............................................. p. 143

02 Âåêòîðíàÿ àíèìàöèÿ..................... with 144 TOomposition of a vector

drawing ......... c. 144 Benefits ........................................... p. 145 After Affects®
Features ... with 146 What is a key frame? ........................c. 147 Transforming
a paper drawing
to digital vector ......................... p. 148

Chapter 02
Èíòåðđåéñ ïðîãðàììû
After Effects® ................................. with 151

01 Îñíîâû After Effects® .................. s. 152 After Effects® Interface

..........................c. 152
Ñîäåðæàíèå
Chapter 03
Ïðàêòè÷åñêèå óïðàæíåíèÿ: 173 Hair/wind effect
òåõíèêè ............................... p. 174 Head
................................................. movement in 2D
............................. c. 177 Head
with 159
movement in
3D...............................c. 178
01 Òåõíèêè Ñýíñýÿ
...............................with 160 03 Äðóãèå ÷àñòè òåëà
Drawingis.................................... .........................with 180 Hands
...............p. 160 Preparation in 2D
................................................p. ...................................................
160 Ideal for animation p. 180 Hands in 3D
vector file................................... ....................................................
p. 164 c. 182 Hands
Coloring....................................... ...................................................
..p. 165 p. 184 Clothes
.....................................................
02 Àíèìàöèÿ ãîëîâû ...c. 185
..........................with 166 Ïðîöåññ àíèìàöèè õîäüáû
Eyes/blinking â ïðîôèëü
........................................c. 166 ........................................with 186
Eye/iris movements
........................c. 169 Mouth/smile
04 Ioåêòû
.................................................c.
..............................................with
170 Open mouth
188 Diffused
.............................................. p.
glow...................................c. 188
171
Shadow
Mouth/laugh..................................
.....................................................
.....................c. 173
.........p. 188 Saber plugin
Mouth/dialogue
...............................................c.
................................................p.
189 Fire and Electricity
 ..............................p. 189 Ñäåëàéòå ñâîå èñêóññòâî
ïðîôåññèåé

........................................with.

190 7

Äâèãàéòåñü äàëüøå!

ÂÂÅÄÅÍÈÅ
Ñòàíü õóäîæíèêîì
Ìîè ïåðâûå øàãè â ðèñîâàíèè
« Ó ìåíÿ íèêîãäà íå ïîëó÷èòñÿ, ýòî òàê ñëîæíî... Ê ñîæàëåíèþ, ïðèðîäà íå
íàãðàäèëà ýòèì òàëàíòîì... »

You may have heard or even thought about these phrases yourself.
Isn't it? Well, I assure you, I was the same! These phrases me too
have been persecuted for many years.

The story I'm about to tell you may seem

a real shonen, but she is real. He traces my path to
of how I became the artist I am today.

I hope this gives you

necessary motivation,
to learn to draw
and will allow you to improve
your art!

Ñ ​ñàìîãî ðàííåãî
âîçðàñòà ÿ âñåãäà
óâëåêàëñÿ ìàíãîé and
oh yeah...
 Âñå ýòè êðàñèâûå è
iîöèîíàëüíûå
çàíèìàëè âñå áîëüøåå
ìåñòî â ìîåé æèçíè. ß
áûë ïîðdaæåí èñòîðèÿìè,
êîòîðûå îíè ìîãëè
ðàññêàçàòü.

8
Draw the parts of the face — 01 Eyes

Ìîåé ìå÷òîé áûëî ñäåëàòü

ðèñóíêè òàêèìè æå
êðàñèâûìè, êàê is the year
ëþáèìûõ õóäîæíèêîâ!

Ïðîáëåìà?
I had no talent
Oh ìåíÿ íå áûëî íè
òàëàíòà, íè òåõíèêè.

So I decided
learn to draw what
come what may!

×åðåç äâà äíÿ ïîñëå ìîåãî äàííîãî ðåøåíèÿ...

Ìîé î÷åâèäíûé íåäîñòàòîê òàëàíòà ïðîÿâëÿåòñÿ
âñå áîëüøå is Ìîüøå, âûâîäÿ is ñòðîÿ... Ìîÿ
ìîòèâàöèÿ óëåòàåò and ïîêèäàåò ìåíÿ.
This is mine
motivation
runs away.

Fortunately,
the story doesn't end here...

9
Ââåäåíèå

The ðåìåíåì is ñòðàñòü and

ðèñîâàíèþ ñòàëè ñèëüíåå, è ìíå
óäàëîñü âîññòàíîâèòü
ìîþ ìîòèâàöèþ.

This strong union

helped me overcome
difficulties.
 It makes me
happy and helps
me find mine
again
motivation.

10
Ââåäåíèå

Òàê ÿ íà÷àë òðåíèðîâàòüñÿ

êàæäûé äåíü, áåç îñòàíîâêè.

ß âîñïðîèçâåë îñíîâíûå
ôîðìû, òàêèå êàê ïðÿìûå
ëèíèè èëè êðóãè.

Èíà÷å ãîâîðÿ - âñå òî, ÷òî âû

óçíàåòå èç ýòîé êíèãè!

òðè ãîäà ìîèõ èíòåíñèâíûõ

òðåíèðîâîê and íåóñòàííîãî ðèñîâàíèÿ
ÿ çàìåòèë, ÷òî ìîÿ òåõíèêà
óëó÷øèëàñü.
 There are two types
artists: those who have
natural talent, and such as
I, who have a lot
work to be on
height.

Which category do you think?

do you relate?

Êàêîâà ìîðàëü ìîåé èñòîðèè?

When you have a goal and you absolutely want something, you should
never give up. Because before you reach your goal, you will definitely
encounter difficulties. Obstacles are part of the journey, and the only
weapon to overcome them is patience.

11

ÏÐÀÊÒÈ×ÅÑÊÈÅ ÑÎÂÅÒÛ &

ÌÀÒÅÐÈÀËÛ

Óïðdaæíåíèÿ äëÿ ðdaçìèíê

As in sports activities, before starting serious
physical effort, you must first warm up. The artist who started
or who resumed drawing after a long break, loses the habit
draw and do not use 100% of their artistic abilities.

So you can try the following first

exercise: try to draw these figures as
can be more precise.
Take advantage of the advice № 3 on next page.
 This exercise is very important if you are just starting out.
I recommend 1 hour of drawing time for each shape.

Ïî÷åìó âàæíî çíàòü, êàê ðèñîâàòü ýòè ôèãóðû?

This will help you build a real drawing. Every
a drawing, even the most complex one, actually consists of
simple figures. The exercises you will find in this book are
will help you identify these forms and thus correctly
and easy to draw.
12
Draw the parts of the face — 01 Eyes

Ïððêòè÷åñêå ñîàåòû
I'll share some tips with you. Some may seem funny, but I assure you they are worth
reading because they truly had an impact on my development.

Ñîâåò № 1: âçãëÿä õóäîæíèêà

When I started drawing, I had a pretty crazy habit. Every time I met people (friends, teachers,
strangers, etc.), I tried to picture them in my head. I did the same with buildings, trees and
everyday objects. The exercise consisted of following all the contours with the eyes. So this
would be my first piece of advice: train your eyes. You don't need to go outside, you can do
the exercise in your room. Select an object or part of your body (arms, legs) and redraw the
contours in your head.
 Ñîâåò № 2: èçó÷àéòå ñåáÿ
Before you can draw an object, person or other, you need to know the subject. For example,
to draw a body, it is important to know its anatomy. The muscles of the body, its behavior
under gravity, etc... Always ask about the subject you want to draw.

Ñîâåò № 3: îæèäàíèå
This tip will be more of an exercise that I suggest you master and use regularly. When you
draw, you usually move from point A to point B. If you are a beginner, your paths should
constantly deviate.

Point A Point B
Let's try to fix this. Here we will try to draw a nice straight line. Step 1. Mark the initial

and

end point. distance between the points

and be more accurate. Point A
Point B Point B Point B
Step 2. Draw the beginning of
the line Step 4. Connect the strokes
and its end. together. If you think you won't
be precise, draw different lines.
Point A Point A Point A Point B
Step 3. Draw the middle of the
line. By drawing these different
lines, you will reduce the

13
Ïðàêòè÷åñêèå ñîâåòû & ìàòåðèàëû

Êàêîé ìàòåðèàë
èñïîëüçîâàòü? Êîìïëåêò äëÿ íà÷èíàþùèõ
×òîáû íà÷àòü ðèñîâàòü, âàì íå íóæíû êàêèå-ëèáî ñïåöèàëüíûå ìàòåðèàëû.
Ìèíèìóì áóäåò áîëåå ÷åì äîñòàòî÷íî.

These materials will allow you to practice without worrying too much about the
details. The advantage is a small budget: it remains affordable for everyone.
You can make beautiful drawings with this kit, but use it only for practice.

HB

White sheet of Rubber band

paper Black drawing pen
Pencil
 Êîìïëåêò äëÿ ïðîäâèíóòûõ
ÂÂÂå äàâíî ðèñóåòå, oàê ÷òî Âðèîáðåëè íåêîòîðûå íàâûêè. Âû
õîòåëè ÂÂÂëóáèòüñÿ Âååòàëè and ñaåëàòü ðèñóíîê ÂÂÂÂååå
ÂÂ÷÷åñòâà.

A mechanical pencil will allow you to be more precise with your lines. This will
save you time because you don't have to sharpen it like a regular pencil. When it
becomes less accurate due to wear, the tip will break and it will look like new.

Artistic cardboard will highlight your drawings. Thanks to its thickness and
durability, you can draw with ink without worrying about tearing the sheet.

An electric eraser allows you to be precise in your erasing when you want to
erase a line without touching what surrounds it.

The kneading eraser is great for making ink painting easier. This allows you to
blur the intensity of the pencil. This way you can easily visualize the ink strokes.

0.5

marker with ink

Mechanical pencil from 0.5 mm to 0.7 mm.
Sheet of white cardboard 120-180 g. Black

Standard eraser Electric eraser Kneaded eraser

14
Ïðàêòè÷åñêèå ñîâåòû & ìàòåðèàëû

Êîìïëåêò ïðîôåññèîíàëà
Ó ðèñîâàíèÿ áîüøå íåò ñåêðåòÿ äëÿ âàñ. ÂÂååðåòå êðàñèâûå èëiþñòðàöèè è õîòèòå
ñaåëàoü ñeåäóþùëé øàã: ïåððåéòè îò ÷êåîðèå ÿðêèì öâåòàì.

If you want to add beautiful colors to your drawings, arm yourself with professional alcohol markers.
This type of marker has two types of tips on each end (a wide one for shading large areas and a fine
one for detailing). There are several brands, some better than others. Keep in mind that a good
marker should blend easily with colors to create beautiful gradients.

There are professional colored pencils that will give you a nice intensity. You can also combine
colored pencils and alcohol markers. Use pencils on the character's skin or on a textured part.
Markers are used on smooth surfaces such as armor.

Pen and ink is another way to make a drawing. Drawing with a pen allows you to control line width in
real time. It takes some practice to get used to it. Manga is mostly drawn using this tool. A little trick:
once you've drawn a few lines, instead of waiting for the drawing to dry, use a roll of toilet paper and
lightly roll the lines forward to remove excess ink and get dry lines. Don't forget to remove the paper if
you want to reproduce the manipulation.

Charcoal allows you to create a pattern with great intensity. You can use it in two ways. Dry charcoal
will not have the same intensity as soft charcoal.
 Pastel is used in the same way as charcoal. Oil based ones will give you a richer color than dry ones.

Whether it's charcoal or pastel, both tools need to be shaded to distribute their
colors evenly. There is a shading tool for this, available in several sizes. You
can also use it
on a pencil.

You can also use a movable puppet to serve as a reference for your character's pose.

Ó õóäîæíèêîâ åñòü is äðóãèå èíñòðóìåíòû.

In this list, I'm just introducing you to some tools that you can test out to add more
effects to your drawings. Buying good materials above all will allow you to draw
comfortably.
They don't have to be expensive. Indeed, I had already bought a very expensive
high-end pencil and was disappointed in using it. A simple pencil for 1 euro gave me
more pleasure. I invite you to watch test videos on Youtube before purchasing
materials. Personally, I buy the most expensive and the cheapest at the same time.
This allows me to check both. If the cheapest one suits me, then I know what my next
order will be. Yes, we must not forget that, although
the material is not used indefinitely, it can represent a large budget in the long run.

15

×ÀÑÒÜ №1
part 1

ÍÀÓ×ÈÒÅÑÜ

ÐÈÑÎÂÀÒÜ

ÏÅÐÑÎÍÀÆÅÉ ÌÀÍÃÈ
It's 01
 Ðèñîâàíèå
÷àñòåé
ëèöà
01
ÃËÀÇÀ
Êàê ðàçìåñòèòü ãëàçà?
To place the eyes correctly, there is a very
simple trick. This three eyes rule.

Typically the distance between the two eyes is equal to the width of the third eye. It is very
important to know this rule so as not to place the eyes randomly (too far apart or too close
to each other).

ÂÍÈÌÀÍÈÅ!
This distance can be aggressive look pitiful look
reduced if you want to
exaggerate character traits.

Íàïðèìåð, ïðèäàòü
àãðåññèâíûé èëè,
íàïðîòèâ,
æàëîñòëèâûé âèä.

The eyes are the most important part of the face, because they reflect the
character and emotions of the character.
 For this reason, I advise you to devote the first part of your training to the eyes
before moving on to the next stage.

18

Ðèñóåì ôîðìó ãëàç, âèä ñïåðåäè

It's time to get down to business. Now that you know the basics
rules, I'll show you how to draw the shape of the eyes. The first step
is to define the drawing area.

Øàã 1
Materials: pencil 0.5 / 0.7 / or 2B

Draw a fairly large rectangle.

Øàã 2
Materials: pencil 0.5 / 0.7 / or 2B
Divide this rectangle into three equal parts.

123

The height of the rectangle is important depending on the type of eyes you want. It
will be quite tall if you want big eyes and, conversely, a rectangle will be less tall for
stretched eyes.

Øàã 3
Materials: pencil 0.5 / 0.7 / or 2B
Once the rectangle is drawn, draw an arc in the first box. Then draw the same arc in
the third rectangle symmetrically to the first.

In the beginning it is very important to work symmetrically. If you draw the entire eye at
once, you will have trouble rendering the second eye identically due to the change in
direction. This is possible, of course, but it is much more difficult.

To make things easier for yourself, draw the lines of both eyes at the same time.

19
Drawing parts of the face—01 Ãëàçà
Øàã 5
Materials: pencil 0.5 / 0.7 / or 2B
Draw a second arc on each side,
to get the basic shape of your eyes.

Øàã 6
Materials: pencil 0.5 / 0.7 / or 2B
You should place two pupils to complete the shape of your eyes. Form a

circle on each side.

Congratulations! You have just drawn the base of the eyes. This
means you've done the bulk of the work and now you just need to
work out the details.

Øàã 7
Materials: pencil 0.5 / 0.7 / or 2B
To complete the eyes, add thickness to the contours of the top of
the eye to give it definition.

If you want, you can add some eyelashes.

20
Drawing parts of the face -01 Ãëàçà
Øàã 8
Materials: pencil 0.5 / 0.7 / or 2B
Add the iris and
a little glare on the eye.

Øàã 9
Materials: pencil 0.5 / 0.7 / or 2B
When you're done, simply mark the important lines with a black marker and
erase the supporting lines.

ÏÐÈÌÅ×ÀÍÈÅ
This is just one example, but the possibilities
limitless! Invent your own
style.
Íà ñàìîì äåëå âñå íà÷èíàåòñÿ ñ áàçû. Ïåðâàÿ
ôîðìà (äî øàãà 6) îïðåäåëèò îêîí÷àòåëüíûé âèä
òâîèõ ãëàç. Âû ñàìè âûáèðàåòå ñâîé äèçàéí.

21
Drawing parts of the face - 01 Ãëàçà
 this line.

Ðèñóåì ôîðìó
ãëàç, âèä
ñáîêó In profile, the eyes

take on a triangular shape.

Øàã 1: ôîðìà ãëàçà

3
These two lines form
a slightly rounded V shape.
1
When you turn your head to the
right, the eye occupies
position as in the figure below. Øàã 2: çðà÷îê and
Ðîãîâèöà
ðàäóæêà äóæêà (color flat

This line is almost parallel to the

ground.

2
The eyebrow also follows the Íèêîãäà íå
position
 (always black)
1 ðèñóéòå çðà÷îê ñ
âíåøíåé
Äåéñòâèòåëüíî,
ñòîðîíû.
çðà÷îê íàõîäèòñÿ
surface)
âíóðè.

2 Çðà÷îê
Draw
the inner side of the iris. top line of the eye shape. Then a little
along the bottom line.

Finally, add highlights on the pupil.

Øàã 3: äåòàëè
Ñíàðóæè îí ïîêðûò
ïðîçðà÷íîé âûïóêëîé
ôîðìîé (ðîãîâèöåé).

Add as many eyelashes as possible to the

22
Drawing parts of the face - 01 Ãëàçà

Ðèñóåì ôîðìó ãëàç, âèä 3/4

The 3/4 view is done in the same way as the front view, but with a little
changing parameters at the level of the second eye.

Øàã 1: ìåòêè
Draw the same marks as in the view
front.
Divide the third (right) part in two.
Draw the shape of the eyes in the
The eye, which is in the foreground, special cells. The second eye takes
should be arched in this part of the the shape of a rugby ball. You may
rectangle. notice that
This eye needs to be a little lower
because it's in the background. Øàã 2: ôîðìà ãëàç
Case 1 Case 2
he reaches up.

Øàã 4: áðîâè and íîñ

Øàã 3: äåòàëè ãëàç Draw your eyebrows with markers. Place the nose
The pupil and iris in the background should be (red line) after this. Be careful not to draw it in the
slightly smaller. You will also notice that they are center - it should be as close to the eye in the
also extended upward to match the shape of the background as possible. After all, the more the
eye. head turns, the more the nose will hide this eye.
 Finally add eyelashes and highlights. You can also
add lines at the eyebrow level to highlight your
facial expression.
Øàã 5: äåòàëè

23
Drawing parts of the face - 01 Ãëàçà
the pupil is located.

Ðèñóåì ðàäóæêó
and çðà÷îê First, we will look

at the anatomy of the eye together.

Cornea

Iris

The iris is a round colored Ophthalmic

part of the eye. Represents apple
plate coated with transparent
cornea. Cornea in profile
has a spherical shape,
emanating from the eyeball.

At the center of the iris

This is an opening that constantly widens to focus - similar to

a camera lens that adjusts focus.

In the manga and anime universe, it is the iris and pupil that
change size to emphasize facial expressions, emotions, etc.
 Normal view Reaction to action

24
Drawing parts of the face - 01 Ãëàçà

Åñòü íåñêîëüêî ôîðì

(÷òî çàâèñèò îò òèïà ïåðñîíàæà).
Ñïåöèàëüíûå ohîðìû
Based on the existing base, you can create your own style. Create
your own composition by playing with
geometric shapes.

Indeed, the iris does not have to be round - it can be square, hexagonal or
elliptical. The inner part (pupil) can also have several shapes. What's good
about drawing manga? ýòî áåçãðàíè÷íîå êîëè÷åñòâî âîçìîæíûõ
âàðèàíòîâ! Åäèíñòâåííûì îãðàíè÷åíèåì ÿâëÿåòñÿ âàøå âîîáðàæåíèå.
 25
Drawing parts of the face—01 Ãëàçà
++

++

+ + +
+ + +
 +
+++

+++

26
Drawing parts of the face -01 Ãëàçà

Ðàçìåð çðà÷êà and ðàäóæêèè

The size of the iris is very important for design, as the space it
takes up can completely change the appearance of the eye.

Íàïðèìåð, ãëàç áåç çðà÷êà èëè ðàäóæíîé

îáîëî÷êè ìîæåò âûðàæàòü ðàçëè÷íûå ÷óâñòâà.
 Rage, transformation or emotional shock.

And in the same way a small pupil can express

anger, surprise or fear.

27
Drawing parts of the face - 01 Ãëàçà

Ãëàçà / øðàìû
There are several types of scars
(from the easiest to the most monstrous!)

The scar is primarily the result of a blow.

To correctly place the scar, you must first determine the responsible To
 correctly place the scar, you must first determine the object To correctly
place the scar, you must first determine the responsible To correctly place
the scar, you must first determine the object
To correctly place the scar, you must first determine the object r
and
To properly place a scar, you must first
of this brand. A claw, a sword, or something? To t ideal object of this brand. A
claw, a sword, or something? It's up to you to choose the one from this brand.
A claw, a sword, or something? To t ideal object of this brand. A claw, a sword,
or something? It's up to you to choose
of this brand. A claw, a sword, or something? It's up to you to choose
determine the object responsible for its appearance. Claw, sword or
something else? You yourself choose the ideal option according to
the plot invented for your character.

A light scar gives the character a certain cockiness and a certain charm
(making him beautiful or, on the contrary, scary).

28
Drawing parts of the face -01 Ãëàçà
The scar, which I call monstrous, is larger and more pronounced.
Unlike a light scar, the damage done to the pupil is more significant.

The size of the scar varies depending on the treatment you choose to
apply. For example, it can be done on the entire face or just on a small
area.

29
Drawing parts of the face—01 Ãëàçà
Ãëàçà / òåìíûå êðóãè
This item can be used
differently.

Dark circles can be synonymous with fatigue, exhaustion or illness.

Òîìíûé/åõèäíûé âçãëÿä
The special shape of the eyes helps give the character a languid or malicious
expression. For example, when the eyelid hides the upper part of the iris,
relaxation and "disdain" are expressed. To draw a languid or sarcastic character,
dark circles will be your allies.

30
Drawing parts of the face -01 Ãëàçà
Ãëàçà / òòòó
For a 100% unique style

Whether it is a female or male character, a tattoo can give it a unique and stylish
effect.

Color, simple lines, or a particular shape all obviously depend on your character's
history.

Âîò íåñêîëüêî ïðèìåðîâ, ÷òîáû äàòü ïèùó âàøåìó âîîáðàæåíèþ.

31
Drawing parts of the face—01 Ãëàçà
Ãëàçà / àêñåññóàðû
Accessories will add a special touch to your character.

Î÷êè
Round or square glasses offer a wide
choice to create a unique image.

Ïîâÿçêè íà ãëàç
To make a character mysterious and create intrigue, an eye patch is an
ideal option.

32
Drawing parts of the face -01 Ãëàçà
Ïèðñíã
There is nothing like a piercing to give your character a rebellious or
gothic effect, as well as to add elegance.

Ñîçäàíèå
You can create your own accessory to make your character even
more unique!

33
 02
02 ÁÐÎÂÈ Drawing

parts of the face—01

Ãëàçà

Êàê ïðàâèëüíî
ðàçìåñòèòü áðîâè íà
ëèöå
Now that you have learned how to draw eyes, I will show you how
to correctly place eyebrows - indicators of emotion.
 34
Draw the parts of the face — 01 Eyes

Øàã 1: íàïðàâëÿþùèå ëèíèè

We will build on the pattern used in the previous
exercises.
As you can see in the picture, the central rectangle is divided
by the axis into two squares. Also draw this axis because it is
very important for further actions!
 square 1 square 2

Central axis

Øàã 2 : íà÷àëî áðîâåé

Now we need to draw the first marks to limit the length of the
eyebrows. Again, draw an axis in the center of each square.

today

1/4 1/4 1/4 1/4

These axes limit

internal border
eyebrows shown
blue dotted
lines.

35
Drawing parts of the face - 02 Áðîâè

Øàã 3 : ãðàíèöû áðîâåé

Then draw some more two outer marks to define the outer
boundaries of the eyebrows.
Several options are possible depending on the desired length. Eyebrow

border
 These axes limit
outer ends of eyebrows,
shown blue
dotted lines.

Øàã 4: äåòàëè
Now that the landmarks are marked,
draw eyebrow shapes along them, starting from the axis A to the wasp B BA

AB

In this example, we will draw furrowed eyebrows to express anger, because

the structure of the eyes allows it. Indeed, the eyes are slightly tilted. Always
consider the tilt of your eyes when you want to convey any emotion.

36
Drawing parts of the face - 02 Áðîâè

Äâèæåíèÿ áðîâåé
ÍÅ ÇÀÁÓÄÜ
Áóäü òî â ïðîôèëü, â àíôàñ èëè ïîä äðóãèì
óãëîì,áðîâè âñåãäà ïîâòîðÿþò ôîðìó ãëàçà.

37
 03
ÎÎÑ
Draw the parts of the face —
01 Eyes
Ôîðìà íîñà

Whether big or small, thin or

thick, the nose has a universal shape,
to indicate which is actually quite
Just.

Its shape represents

is pyramidal
structure with triangular
basis.

Lower part of the nose

slightly tilted.

Full face View 3/4 Profile

In profile, full face

or 3/4 parts
noses are drawn by
this blue line.
 38
Draw the parts of the face — 01 Eyes
The circle must
touch
two lines -
blue And green.

Ðèñóåì íîñ â ïðîôèëü The diameter of the circle is

Let's move on to a practical exercise. half the length of the blue line

1/2 1/2
Øàã 2
Draw another right triangle
Øàã 1 under the first, but this time
Draw smaller
right triangle. the size.

Øàã 4
Draw the shape of the nose
using all these marks. Øàã 5
 Draw Finally, using a liner (ink
nostril, starting from the tip of Marker) draw the shape of
the nose. the nose using the previously
Øàã 3 marked lines and shapes.
Draw circle
inside two
triangles.

Øàã 6

39
Drawing parts of the face - 03 be a little smaller than a circle.

Ðèñóåì íîñ àíôàñ A

We will take similar steps to draw the nose from the

front.

1/2 1/2

Spaces A And B should

 circle. left corners of the
Draw a curved V triangle.
underneath the circle to Øàã 3
represent the tip of the Draw circle
Øàã 1 nose. inside two
Draw Øàã 2 triangles.
isosceles triangle Draw second
and isosceles triangle
divide it into two under the first one.
equal parts. Divide it into two
equal parts.

Øàã 6
Finally, carry
Øàã 4 Øàã 5 out
Draw a line starting To form the volume of pencil along key
from a point Athat's the nostrils, draw lines.
going down in a blue arcs in the right and

40
Drawing parts of the face -03

Òèïû íîñîâ
Ñòèëü
The manga character's nose is very minimalist. You can either give it a lot
of detail or depict it with just two strokes. Sometimes even one line is
enough.
Ïðîñòîé, íî ýôôåêòíûé íîñ!
 41
Drawing parts of the face -03

ñóåì íîñ, âèä 3/4

The artist's main tool is his imagination.
You should be able to visualize shapes in 3D on white
leaf. If you can't do this yet, don't worry,
this will become possible with practice and time.
 Now you know how to draw the basic shape of the nose.

Bottom view Front view 3/4 view Profile view

Now imagine that you are holding this figure in your hand and trying
visualize each face to redraw it.

Front view

42
Drawing parts of the face -03

A good artist is able to visualize these shapes even

before drawing them on the sheet.
43
 04
ÐÎÒ
Draw the parts of the face —
01 Eyes
Ôîðìà ðòà

The mouth is the most expressive area of ​the face after the eyes;
there are different forms and expressions.

Åãî îáúåì
The mouth has
cylindrical shape.
View 3/4 Top view

The teeth are also cylindrical in shape. To avoid misalignment of teeth when
drawing a mouth, always imagine their shape in perspective, inside the mouth,
even if the mouth is closed.

Çóáû

Mouth shape

To draw a mouth correctly, there is

some auxiliary lines,
who can help you.

Ïîëîæåíèå íà ëèöå
Place your mouth in a normal position
(no movement) draw the letter V from
corners of the eyes to the chin.

44
Draw the parts of the face — 01 Eyes

The mouth should not be too far from the nostrils or the chin. The head
is divided into four equal parts.

1/4

1/4

1/4

1/8 1/16
1/16

1/8

In this area of ​the face

fits the mouth.

ÏÐÈÌÅ×ÀÍÈÅ
Before drawing a line, you need to analyze each part of the face.
So there are a few questions to ask: Should this line be larger
than the top or bottom line? Are other sizes available?

You have to consider the overall look when you draw.

You should also imagine other lines you haven't drawn yet! And
only when you are confident in yourself can you move on to the
 next step by drawing your first line.

45
Drawing parts of the face - 04 Yes mouth - slightly curved lines.

Ðèñóåì çàêðûòûé
ðîò àíôàñ Let's move on to a practical

exercise.

Øàã 2
Draw here V
Øàã 1 the center of these boundaries.
Set boundaries
mouth They are in frontal view
are determined V
figurative mark.

Øàã 4
Draw small arc for the upper lip and big arc for the
Øàã 3 lower lip (this lip is thicker).
Draw the initial shape
 46
Drawing parts of the face - 04 Yes

Øàã 5
Form the final look by tracing lines (for example,
with ink).

Do not draw the line of the mouth continuously - leave a space in the middle.

ÏÐÈÌÅ×ÀÍÈÅ
While maintaining this base, you can play
with the shape to make the mouth more
lively.
 47
Drawing parts of the face - 04 Yes

Ðèñóåì îòêðûòûé ðîò àíôàñ When

drawing an open mouth, we will act in the same way as a closed one.
space between these
two lines will be the
mouth
cavity. The greater the
distance, the more the
mouth will be open.
Øàã 2
Draw here V
the center of these boundaries.
Øàã 1
We designate
borders of the mouth.

Øàã 4
Draw two slanted lines. An
open mouth will have
V-shaped form
Øàã 3
Draw two lines. The
 48
Drawing parts of the face - 04 Yes

Øàã 9

Øàã 5
Draw two lines,
marking the height
teeth.

Øàã 7 Øàã 6
You can draw two Draw in the center of the mouth a long
V, denoting fangs. one, indicating language.
This will give your
the character has a sinister look.
 Add two slightly curved strokes for lip
thickness.

Øàã 8

Finally, secure the result using a

black marker.

49
Drawing parts of the face -04 Yes

Íåêîòîðûå ïðèìåðû ðòîâ

 50
Drawing parts of the face -04 Yes
51
 05
ÓØÈ
Drawing parts of the
face—01 Ãëàçà
Today's
news

Before we move on to practice, we will analyze together the different shapes that make up the ears.

Åñëè ìû âíèìàòåëüíî ïîñìîòðèì íà óõî è ñâÿæåì åãî ôîðìó ñ

èçâåñòíûìè íàì ñòðóêòóðàìè, ìû ñìîæåì ðàçëè÷èòü ÷åòûðå
îñíîâíûå ôîðìû.

?
and +
+

+
 52
Draw the parts of the face — 01 Eyes

Question mark forms the outline of Heart depicts

the ear. It is usually called a curl. the inside of the ear.
Letter "U" forms
the inner shape of the ear, which is
also called the antihelix.
 is the basis
for the earlobe.

Finally, circle

53
Drawing parts of the face - 05 Oh yes

Ðèñóåì óøè â ïðîôèëü

Let's move on to a practical exercise.

3 1/2
1/2

Øàã 1
Draw a rectangle and divide
it into three equal parts.
 question mark. (This
form may
vary in
depending on traits
character's character.)

1/4 1/4

Øàã 3
Let's draw second curve Øàã 4
to create thickness. The drawn “U” is perfect for
Øàã 2 indicating the inner shape of
Draw the first shape similar the ear.
to

54
Drawing parts of the face - 05 Oh the inside of the ear.
yes

Øàã 7
At the final stage,
1/4 1/4 using liner (black
pen), move it across
key lines.

Øàã 5
Draw lying on
side heart for
 Draw circle , forming the earlobe (the shape
here can also vary depending on the
character of your character).

Øàã 6

55

óøåé
Drawing parts of the face

Äåòàëè -05 Oh yes

You can add some accessories to
make the character's ears more impressive.

Play with shapes and create your own style to make your character unique.

It's the future

When viewed from the front, the shapes that make up
ear, "ñïëþùèâàþòñÿ" ïî ãîðèçîíòàëè.
head
Type of goals full
face
The more your
head turns, the
more
deformation
(“flattening”).

Profile view of the

56
Drawing parts of the face -05 Oh yes
÷àñòü çàäíþþ ÷àñòü óøåé
The rear view of the ears is somewhat similar to a hat.

Indeed, the back of the ear is similar

on the hat when the head turns,
to get into profile. This "hat" too
will rotate until the bottom appears.
Knowing this, you will know when to draw
internal details of the ear: they are drawn in
the bottom of the "hat".

Leave blank
place to
create a feeling
"glued" ear.

Even if it's
unnoticed, ear
retains its shape
question mark,
when viewed from behind.

Another form property

ears appears,
when you look down.
Indeed, it is possible
notice that the ears
slightly tilted
forward like little ones
horns.
57
 06
ËÈÖÎ ÀÍÔÀÑ
Ðèñóåì ëèöî àíôàñ
You learned how to draw eyes, a nose, as well as ears and a mouth.
You know the "ingredients", now let's get started
drawing the head completely.

Øàã 1: áààà
Draw a circle and divide
it into four equal parts.
The circle should be fine
drawn, you can help yourself
circular.

Øàã 2: ãëàçà
Draw line,to
form a rectangle,
denoting area
around the eyes.

58
 Draw the parts of the face — 01 Eyes

Draw both eyes line by line

simultaneously for ease.

123
A
equal to half the Note: See chapters
Borders border of the eye 18 to 33 for more
eyes details.
information about
the eyes.
Øàã 3: ãëàçà
Borders of the eye
Note: space A Øàã 4: ãëàçà
technique learned on
pageAprostrate 18-21.

Region
Eyebrow height
drawing
Divide the area around the
brows
eyes into three equal parts.
Don't forget to leave
place on each side.

Øàã 5: áðîâè
Draw marking, which will help
you position your eyebrows. Øàã 6: áðîâè
Repeat the learned technique Draw your eyebrows
mozno on p. 35-37. using previously received
Draw two eyes using the recommendations.

59
 face - 06 Ëèöî àíôàñ

region
1/2 nose drawing

Lower border of the nose

1/2
Drawing parts of the
the pupils to set the width of
the mouth.

Øàã 7 : íîñ
Divide the bottom half of the
circle into two equal parts.
The nose is placed in the red
zone. See pages 38-43 for
more information on drawing
the nose.

1/2 1/2

Øàã 8 : íîñ Øàã 10: ðîò

Draw the nose using auxiliary Draw the mouth in the area
lines. limited by the guides.

Note: See pages 44 to 51 for

more details on drawing the
mouth. Øàã 9: ðîò
Draw two lines, starting from

60
Drawing parts of the face - 06 Ëèöî àíôàñ
 The cheeks have the same
the same height as the nose
Draw the final shape of the
jaw. Its curves (lines) begin
at the level of the red
crosses.

1/2 1/2

BC

Note: See pages 52 to 57 for

more information on ears.

Øàã 13: óøè

Ear height is limited two
lines. The ears are the same
A height as the nose.

Note: This shape is flexible

and can vary depending on
the style of character you
want to create. Øàã 14: óøè
Draw two ears
Øàã 11: ïîäáîðîäîê using for this auxiliary lines.
Draw the line first A Then
draw the lines B And C
through red crosses.

The width of the ears is

half of the eye. Øàã 12: ïîäáîðîäîê

61
Drawing parts of the face - 06 Ëèöî àíôàñ

This height may vary depending

from the character you want
draw. The forehead may be higher.

1/2
 1/2
Draw the outline of the skull
using auxiliary lines.
Øàã 16: ëîá
Draw the outline of the forehead,
starting from the ears and passing
through red crosses.

Øàã 15: ëîá

The height of the forehead is equal to the
height of the nose.

1/2

Each strand of hair comes from the

location indicated red cross.
1/2

Øàã 18: âîëîñû

Draw a red cross on the skull. Then
To draw the skull, divide the draw guides each strand. See pages
face into two equal parts. 74-89 for more information on hair.
Generally, eyes are in the middle of the face.

Øàã 17 : ÷åðåï
62
Drawing parts of the face - 06 Ëèöî àíôàñ
 Erase the pencil (guide) lines
so that only the ink (finish
outline) remains.
Øàã 20: îáâîäêà
Carefully trace the lines with
black ink (felt-tip pen or
fountain pen).

Øàã 19: âîëîñû

Draw strands of hair, starting
with the red cross placed
earlier.

Øàã 22 : ÷èñòêà
After erasing, the ink may lose
saturation. In this case, apply the
finishing contour again.

Øàã 21 : ÷èñòêà

63
Drawing parts of the face - 06 Ëèöî àíôàñ
 Øàã 23: äåòàëè
Add some details
to complete the drawing.

SOMEHOW THERE'S A LOT HERE

STEPS, DON'T YOU THINK?!

Twenty-three steps is a long time, but with time and skill

everything will soon become automatic.

Remember, the quality of the drawing depends on the time spent.

If you spend a lot of time on your drawing, you will get
elaborate and detailed result. On the contrary, if
you decide to act quickly, you will get rude and
unfinished result.

64
Drawing parts of the face - 06 Ëèöî àíôàñ
ÏÐÈÌÅ×ÀÍÈÅ
Èãðàéòå ñ ýëåìåíòàìè ëèöà, ÷òîáû ñîçäàòü ñâîåãî ñîáñòâåííîãî ïåðñîíàæà.

Ïðèìåð: ÷åëþñòü

65
 07
ËÈÖÎ Â ÏÐÎÔÈËÜ
Ðèñóåì ëèöî
â ïðîôèëü
Character's face in profile
looks a little different
revealing the volume of forms,
which look full face
flat (as in 2D).

1/2
1/3
1/2 1/3
1/3

Øàã 1: áààà Øàã 2: áààà

Draw a circle and divide it into two Divide the second
equal parts. The circle should be (lower) half of the circle into
well drawn, you can help yourself three equal parts.
with a compass.
 66
Draw the parts of the face — 01 Eyes

Note: this line

should be slightly tilted.
Note 1: The distance between the tip of the
nose and the tangent will be equal to the
distance C.

Øàã 5 : ãóáû
Draw straight line, which slightly intersects
bottom horizontal line and starts at the tip of
the nose.
Øàã 4 : íîñ
Draw the nose from a dot A V
C point B. Its shape looks like
like a slightly curved letter L.

Note 2: Point B is not touching

line tangent to the circle.

Øàã 3: áààà
Draw a tangent to the circle.

Note: The separation of the lips is done

approximately in the center of the two
horizontal lines.

Øàã 6 : ãóáû
Draw the lips, making sure
 so as not to marry straight line. The upper lip protrudes forward than the lower one.
is always larger

67

1/2 1/2

Øàã 7: ãëàç Chapter 8: ãëàç

Drawing parts of the face -
07 Ëèöî â ïðîôèëü
Swipe vertical
line through the center of the circle.

Eyebrow border Note: This space is equal to the width of the

and eye eye. When viewed in profile, the eye will
appear V-shaped..

Øàã 9: ãëàç
The eye area should “accommodate” two
eyes - in other words, divide this
area into two equal parts, before drawing
the eye and eyebrow, and draw them in the
part that is closer to the ears; It is very
important to leave this space between the
nose and eye.
Divide the eye area (the limited part of the
circle on the side of the nose) into two equal
parts.

A
 horizontal line at a distance equal to A.

Øàã 10: ïîäáîðîäîê Draw direct

68
Drawing parts of the

A
B
 face - 07 Ëèöî â ïðîôèëü C

Øàã 11: ïîäáîðîäîê the bottom of the chin, draw an

Draw the chin, drawing its arc to the point C.
line from the point A to the
point B.

1/2 1/2

Chapter 14: of course

Draw an ear between
Øàã 13 : ôî two vertical lines. Use
Divide the second
ear drawing technique
(right) half of the circle on
learned earlier.
two equal parts.
Day 12: ïîäáîðîäîê At

69
Drawing parts of the face - 07 Ëèöî â ïðîôèëü
 Note: Start bending the line at the height of the bottom
lips. The auxiliary line (orange) will help here.
Draw auxiliary
line from the corner of the eye to
Øàã 15 : ÷åëþñòü chin. Thus,
Draw a curved line from the
you will know where
bottom of the ear to the chin.
is the edge of the mouth.

A The arc ends

at the level of the nose,
designated
red line.

Øàã 18 : ÷åðåï
To add volume
Øàã 17 : ÷åðåï skull, draw a long one, Not
Draw line on going beyond tangent And
distance equal to A. horizontal line.
Øàã 16: ðîò
70
Drawing parts of the face - 07 Ëèöî â ïðîôèëü
 1/2

1/2

Note: This will help you better

arrange hair
Before drawing the
Øàã 19 : øåÿ hairstyle, mark hair
The neck is connected to the head growth zone.
through points A And B. Draw two
curves, tilting them slightly.

Øàã 22: îáâîäêà

Using a black marker, trace
Øàã 21: âîëîñû the lines of the design. Be
Draw strands of hairto shape the careful not to go beyond the
hairstyle. contours.

Øàã 20: âîëîñû

71
Drawing parts of the face - 07 Ëèöî â ïðîôèëü
 The axis of the open jaw changes. So be sure to
adjust all the guides when drawing this position.

72
Drawing parts of the face -07 Ëèöî â ïðîôèëü
ÏÔÔ... ÑÍÎÂÀ
ÊÓ×À ØÀÃÎÂ!

ÄËß ÌÅÍß ÝÒÎ

ÑËÈØÊÎì
ÑËÎÆÍÎ!

ÏÐÈÌÅ×ÀÍÈÅ
Âû, íàâåðíîå, ãîâîðèòå ñåáå, ÷òî ýòèõ øàãîâ and âñïîìîãàòåëüíûõ ëèíèé
ñëèøêîì ìíîãî and ÷òî âñå ýòî ñëèøêîì ñëîæíî çàïîìíèòü...

Äà, íî ýòè øàãè âàæíû, îñîáåííî äëÿ íîâè÷êà. Îíè ïîçâîëÿò âàì óçíàòü
ïðàâèëüíûå ïðîïîðöèè.

Ñî âðåìåíåì ó âàñ ïîëó÷èòñÿ ïðåäñòàâëÿòü ýòè îðèåíòèðû â âîîáðàæåíèè

áûñòðåå, ÷åì èõ ðèñîâàòü.  êîíöå êîíöîâ, âû ñîçäàäèòå ñâîé ñîáñòâåííûé
ñòèëü ðèñîâàíèÿ.

Íàêîíåö, åæåäíåâíûå òðåíèðîâêè íåîáõîäèìû äëÿ äîñòèæåíèÿ õîðîøåãî

ðåçóëüòàòà.

73
 08
ÂÎËÎÑÛ
Êàê ïðàâèëüíî ðàçìåñòèòü çîíû ðîñòà âîëîñ?
Drawing hair may seem difficult for a beginner.
But in fact, by simplifying the forms using a few guidelines, it becomes easier. First, let's look at this

haircut together..

The haircut consists of 4 zones.

11 2
2 33

4
4

Every haircut has a starting point or line.

The placement of this line or point determines the section model.

74
Drawing parts of the face -01 Ãëàçà
 Ïîâåäåíèå âîëîñ
Hair shape changes depending on the environment
around the character (wind, rain, etc.).

Âåòåð Äîæäü

It also depends on the character's movements.

Ñèëà òÿæåñòè Íàêëîí ãîëîâû

75
Drawing parts of the face -08 Âîëîñû
ñóåì âîëîñû àíôàñ
There are hundreds of hairstyles. However, each of
them follows the same rules, which I will show you
below. In this example we
We assume that you have already drawn the face,
and all that is missing to complete the drawing is
the hair.

Øàã 1: áààà Øàã 2 : îáúåì

Draw a red cross in Draw a long one, to
as a starting point. indicate the volume of hair.

Note: This shape varies depending on the

hairstyle you choose.

76
Drawing parts of the face - 08
Âîëîñû
Øàã 3: áààà
Designate directions Øàã 4: ïðÿäè
every strand of hair, Draw strands of hair. Be careful not to go
starting with red beyond the arc that creates the volume of
cross. the hairstyle.

Øàã 5: îáâîäêà
 To finish, draw a stroke (finishing outline) and add
additional strokes for more detail.

77
Drawing parts of the face -08 Âîëîñû

Ïðèìåðû ïðè÷åñîê
 78
Drawing parts of the face -08 Âîëîñû
79