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Chapter 9: Understanding and Creating User Interfaces

TRUE/FALSE

1. The UIKit framework classes manage the application object, event handling, windows, views, and all
the controls that help create an interactive touch screen user interface.

ANS: T PTS: 1 REF: 236

2. When you have a large number of views displayed at one time, the Xcode window can get crowded;
therefore, it’s helpful to use a large monitor when working with storyboards.

ANS: T PTS: 1 REF: 236

3. Each view in a storyboard has an individual .xib file.

ANS: F PTS: 1 REF: 238

4. An arrow on the right side of a view controller in a storyboard file indicates that this is the project’s
initial view.

ANS: F PTS: 1 REF: 240

5. To open the Object Library in Xcode, click View > Utilities > Show Object Library.

ANS: T PTS: 1 REF: 241

6. In a storyboard file, control-dragging a button from one view to another brings up an options menu for
creating a segue.

ANS: T PTS: 1 REF: 244

7. To embed a navigation controller in a view controller that is being displayed in Interface Builder, first
select the view controller and then, on the Xcode window menu along the top, click Editor >
Embed In > View Controller.

ANS: F PTS: 1 REF: 247

8. When a new navigation controller is added to a project, that navigation controller must be used as the
initial view controller.

ANS: F PTS: 1 REF: 247

9. In Interface Builder, a view controller is graphically connected to its embedded navigation controller
with an arrow that points from the view controller to the navigation controller.

ANS: F PTS: 1 REF: 248

10. To add a title to a navigation bar in Interface Builder, double-click in the center of the navigation bar
and then type the desired title.

ANS: T PTS: 1 REF: 249

11. When a navigation controller is embedded in a view controller on a storyboard, the connections
between the navigation and view controllers are automatically generated.

ANS: T PTS: 1 REF: 249

12. When creating a segue from a view controller to a second view controller using a navigation bar
button, you should use the modal segue option.

ANS: F PTS: 1 REF: 251

13. When a navigation bar is used to transition to a new view, it is important to create a button on the
second view that will return to the original view.

ANS: F PTS: 1 REF: 253

14. When transitioning from one view to another through a storyboard segue, it is possible to pass data
from the first view to the second view.

ANS: T PTS: 1 REF: 254

15. When two views share a storyboard, they can also share the related View Controller.h and
ViewController.m files.

ANS: F PTS: 1 REF: 255

16. UIViewController is an Objective-C class.

ANS: T PTS: 1 REF: 257

17. To select a view controller in Interface Builder, you should click in its top blue bar, near the battery
icon.

ANS: T PTS: 1 REF: 258

18. When writing code involving segues, you can ensure that you are referring to the correct one in your
code by checking that the identifier attribute of the segue is the expected string.

ANS: T PTS: 1 REF: 262

19. When working with numbers that are entered into textfields, the numbers will be read as strings and
must be explicitly converted to numeric form before performing numeric operations.

ANS: T PTS: 1 REF: 262

20. The createASegue method is automatically generated when a segue is created using the
control-drag method.

ANS: F PTS: 1 REF: 263

MULTIPLE CHOICE

1. The ____ framework is the most important framework in the design and building of an interactive
interface.
a. UIKit c. NavController
b. Storyboard d. DemoKit
ANS: A PTS: 1 REF: 236

2. ____ is a feature that allows the developer to work with all the view controllers in an app at one time.
a. Segueing c. Storyboarding
b. Transitioning d. Modal Building
ANS: C PTS: 1 REF: 236

3. In the Xcode environment, a ____ is a transition between views.

a. canvas c. board
b. segment d. segue
ANS: D PTS: 1 REF: 236

4. The Xcode editor pane that contains a graphic representation of a view is called the ____ canvas.
a. Storyboard c. Assistant Editor
b. Interface Builder d. Segue
ANS: B PTS: 1 REF: 236

5. The accompanying figure shows a portion of the ____ area of the Xcode editor.
a. Object Library c. Identity Inspector
b. Attributes Inspector d. Assistant Editor
ANS: A PTS: 1 REF: 237

6. When creating a project using storyboards, you must select the ____ option in the “Choose options for
your new project” window.
a. Create Automatic Storyboards c. Include Storyboards
b. Use Storyboards d. Generate Storyboards
ANS: B PTS: 1 REF: 239-240

7. To see the graphical view of a project in the Xcode Interface Builder window, click on the ____ file in
the navigation area on the left-hand side of the screen.
a. Main.h c. Main.xib
b. Project.m d. MainStoryboard.storyboard
 ANS: D PTS: 1 REF: 240

8. The file extension for a storyboard file is ____.

a. .nib c. .storyboard
b. .xib d. .s
ANS: C PTS: 1 REF: 240

9. The controls that can be dragged into Interface Builder to create a user interface are found in the
Xcode ____.
a. ViewController Library c. Storyboard Library
b. Object Library d. GUI Library
ANS: B PTS: 1 REF: 241

10. In the accompanying figure, the arrow to the left of the blue view signifies that this is the ____ view.
a. modal c. initial
b. child d. segue
ANS: C PTS: 1 REF: 241

11. The button on the blue view of the accompanying figure is an example of a(n) ____.
a. Navigation button c. Information button
b. Oval button d. Round Rect button
ANS: D PTS: 1 REF: 242

12. Control-dragging the “Go to next view” button onto the right view controller in the accompanying
figure will bring up an option menu for choosing a type of ____.
a. view controller c. IBAction
b. IBOutlet d. segue
ANS: D PTS: 1 REF: 243

13. In the accompanying figure, the arrow between the two views shown represents a ____.
a. mode c. shift
 b. segue d. method call
ANS: B PTS: 1 REF: 245

14. A ____ segue is typically used for presenting a new view controller without a navigation controller.
a. push c. hierarchical
b. custom d. modal
ANS: D PTS: 1 REF: 244

15. A(n) ____ bar is a horizontal bar with buttons that the user can click to move among view controllers.
a. navigation c. controller
b. action d. title
ANS: A PTS: 1 REF: 247

16. Embedding a(n) ____ adds a navigation bar at the top of a view controller.
a. segue controller c. action controller
b. title controller d. navigation controller
ANS: D PTS: 1 REF: 247

17. The object in a navigation bar that is used to initiate a transition to a new view is called a ____.
a. Nav Button c. Bar Button Item
b. Round Rect Button d. Fixed Button Item
ANS: C PTS: 1 REF: 251

18. The type of segue associated with a navigation controller is a ____ segue.
a. push c. transition
b. modal d. custom
ANS: A PTS: 1 REF: 251

19. When looking for a specific control in the Object Library of Xcode, you can type at least part of the
name of the control in the ____ of the library to display matching controls.
a. object finder c. finder
b. control search d. search field
ANS: D PTS: 1 REF: 251
20. If the accompanying figure shows the main storyboard for an app , what is the first thing displayed
when running the app?
a. A view with the label “Navigation Controller”
b. An empty black view with a navigation bar
c. An empty white view with a navigation bar
d. A view with the label “Navigation Controller - View”
ANS: B PTS: 1 REF: 252-253

21. In the accompanying figure, the arrow to the left of the View Controller with the label “View 1” in the
navigation bar represents a(n) ____.
a. modal segue c. initial view
b. embedded navigation controller d. push segue
ANS: B PTS: 1 REF: 252

22. In the accompanying figure, the object labelled “Next” is an example of a ____ item.
a. segue button c. bar button
b. controller button d. nav button
ANS: C PTS: 1 REF: 251

23. The accompanying figure shows an example of a(n) ____ bar.

a. navigation c. controller
b. view d. action
 ANS: A PTS: 1 REF: 253

24. To create a new set of .h and .m files, you can choose File > New > ____ from the Xcode menu bar.
a. View Controller c. Class
b. File d. Open
ANS: B PTS: 1 REF: 255

25. When creating a file that is to contain a view controller, you should select the ____ template from the
template menu.
a. Objective-C class extension c. Objective-C class
b. Objective-C category d. Objective-C protocol
ANS: C PTS: 1 REF: 256

26. When creating a new view controller file, you would normally choose ____ from the Subclass of
dropdown list in the “Choose options for your new file” menu.
a. UIView c. UIController
b. UIViewController d. UINavigationController
ANS: B PTS: 1 REF: 257

27. Which of the following icons represents the Identity Inspector in the Xcode editor?
a. c.
b. d.

ANS: C PTS: 1 REF: 258

28. The accompanying figure shows the ____, which allows you to change the class of a selected view
controller in a storyboard.
a. Identity Inspector c. Assistant Editor
b. Object Library d. Organizer
ANS: A PTS: 1 REF: 258

29. To see a graphic representation of a view controller alongside its associated code in Xcode, you can
first select the storyboard file in the navigation area and then open the ____ pane.
a. Identity Inspector c. Object Library
b. Organizer d. Assistant Editor
ANS: D PTS: 1 REF: 258
30. You can create an IBOutlet for a label control by control-dragging the label from Interface Builder
to its associated ____ file.
a. .xib c. .m
b. .h d. .storyboard
ANS: B PTS: 1 REF: 259

31. The code statement, @synthesize total;, would appear in a ____ file.
a. .xib c. .m
b. .h d. .storyboard
ANS: C PTS: 1 REF: 260

32. You can name a segue by selecting the segue and typing the desired name in the ____ field of the
Attributes Inspector.
a. Title c. Name
b. Label d. Identifier
ANS: D PTS: 1 REF: 261-262

33. The name of the method used to pass data between two views via a segue is ____.
a. loadNewSegue c. prepareForSegue
b. transitionToSegue d. startSegue
ANS: C PTS: 1 REF: 262

1 -(void) prepareForSegue:(UIStoryboardSegue *)segue

2 sender:(id)sender
3 {
4 if ([segue.identifier isEqualToString:@"sum"])
5 {...}
6 }

34. When working with a view controller named ViewController,in which of the following files
would the accompanying code segment appear?
a. ViewController.h c. ViewController.storyboard
b. ViewController.m d. MainStoryboard.storyboard
ANS: B PTS: 1 REF: 262

35. In the accompanying code segment, segue on line 4 refers to a(n) ____.
a. class c. IBOutlet
b. method parameter d. IBAction
ANS: B PTS: 1 REF: 262

36. To reference the view controller being transitioned to during a segue, you can use the method call
____.
a. [segue ToNewViewController];
b. [beginSegueTransition destination]
c. [segue destinationViewController];
d. [segue getViewController2];
ANS: C PTS: 1 REF: 262
37. An integer can be converted to a string using a(n) ____
a. IntegerConverter c. StringFormatter
b. StringCast d. NSNumberFormatter
ANS: D PTS: 1 REF: 263

38. In the following code segment, myInt is an integer.What is the type of the result returned?

NSNumberFormatter *format=[[NSNumberFormatter alloc] init];

[format stringFromNumber:[NSNumber numberWithInt:myInt]];

a. int c. string
b. NSNumber d. float
ANS: C PTS: 1 REF: 263

39. Which of the following statements could be used to return an integer value from a textfield called
myField?
a. [myField.text intValue];
b. myfield.text;
c. [myField.value stringToInt];
d. [myField.value toInt];
ANS: A PTS: 1 REF: 263

40. The ____ method is generated when a segue is created using the control-drag method.
a. createSegue c. pushSegue
b. prepareForSegue d. startSegue
ANS: B PTS: 1 REF: 263
Another Random Scribd Document
with Unrelated Content
 "I was found and brought up by gypsies," said Mrs. Gilroy,
indifferently, "although I am not of Romany blood. But I learned a
few secrets from the Romany," added Mrs. Gilroy, her eyes flashing,
"and one of them relating to drabbing—if you know what that means
—may come in useful this day."

"What does drabbing mean?"

"It has to do with drows," said Mrs. Gilroy, laughing and rocking.
"I daresay you'll know the meaning of both words before the end of
this day." And she began to sing softly:—
 "'The Romany cha,

And the Romany chal,

Shall jaw tasulor,

To drab the bawlor,

And dook the gry.'"

Durham thought that her illness had affected her head. He did
not say anything, but resolved to get her examination over as
quickly as possible. A clerk entered at the moment, carrying a
typewriting machine, which he set down on a small table near at
hand.

"I think it will be best that your words should be taken down by
the machine," said Durham, turning to Mrs. Gilroy, "as the writer can
keep up with your speech."

"As you please," said Mrs. Gilroy, coolly. "I have to sign my
statement in the presence of witnesses, you and this young man."

"But why do you——"

"There, there," said the woman, impatiently, "don't I tell you I

have very little strength left. Are you ready?"

"Yes, madam," said the clerk, who was addressed.

"Then don't interrupt. I am about to tell you strange things," and

she began forthwith, the clerk taking down all she said as quickly as
she spoke. Durham, pencil in hand, made a note occasionally.

"I am a foundling," said Mrs. Gilroy, smoothly and swiftly. "I was
picked up by some gypsies called Lovel, in the New Forest. I was
with them till I came of age. I was then a pretty girl. In our
wanderings we came to Hurseton. There I saw Walter Gore at a fair.
I did not know he was married, as we stopped at Hurseton only a
short time. We went away. Walter followed and said he loved me. He
married me at last. We went abroad—then came back to London.
When my child, Michael, was born, I learned the truth, for Walter
had deserted me. I went down to Hurseton to see Sir Simon. He
sent me to the States with Michael, my son. Walter sent me money."

"This is slightly different to what Michael said," remarked Durham.

"I understood that you never saw Sir Simon till you returned from
the States."

"Michael doesn't know everything," said Mrs. Gilroy, impatiently. "I

tell my own story in my own way. Do not interrupt. I remained in the
States for a long time. Then Walter died, and his true wife also. I
came to see Sir Simon again. He was sorry for me, and offered to
make me the housekeeper at Gore Hall, which should have been my
home, but he insisted that Michael should return to the States. My
boy did so, in charge of some friends. Sir Simon promised to give me
five hundred a year when he died, so that I could help my boy. He
only left me one hundred, the mean villain! I supported my son out
of my wages. He grew weary of the States and came to England. Sir
Simon was angry, but he got him a situation in London, on condition
that the boy never came to Hurseton. That was why no one knew
there was any one resembling Sir Bernard so closely. Well, in London
Michael fell in with Julius Beryl——"

"I know all that," said Durham, quickly. "Michael told me. I know
he was employed by Beryl to impersonate Bernard so that Sir
Simon's anger should be aroused."

"Well, then, you know a good deal," said Mrs. Gilroy, "but not all.
No, indeed," she added, smiling strangely, "not all."

"Tell me the events of that night, and how Beryl killed Sir Simon."
 Mrs. Gilroy laughed again. "I am coming to that. You will be much
surprised when I tell you all. Bernard was in town as a soldier; Beryl
got Michael to masquerade. I never knew it was my own son who
courted Jane Riordan. Had I known, I should have put a stop to the
business. I really thought from the description given, that Jane's
lover was Bernard. I wanted Sir Simon, whom I told, to throw over
Bernard and let my son have the property. He would have done so,
but that Michael had forged a check——"

"I know about that also."

"Very good. We will pass that," said the woman. "Well, Sir Simon
was angry. I saw there was no chance for my boy, and cast about
how else to get the money for him. Beryl informed me that he
intended by means of the Red Window and Jerry to lure Bernard to
the Square, in the hope that when he saw the red light he would
come up and have a quarrel with his grandfather."

"What about?" asked Durham.

"About Bernard's supposed courting of the housemaid. That was

why Beryl employed my son to masquerade. He knew that Sir Simon
was a proud man, and would not readily forgive such a thing. He
knew Sir Simon was regretting his quarrel with Bernard, and wished
to give it renewed life. Well, then, Beryl arranged to go to the
theatre. He said he would come round after ten or near eleven to
see if the old man had quarrelled with Bernard. He hoped that he
would be able to get the order to turn Bernard out. He did not know,
though, at what time Bernard would arrive. But when he did, I was
to open the door to him."

"Jerry's whistle was to be the signal," said the lawyer.

"Yes. Then I was to show Bernard up, and the quarrel would then
take place."

"Beryl did not really intend murder, then?"

 "Mr. Durham, you will harp on that," said Mrs. Gilroy, impatiently.
"Wait till I speak out. You see how matters were arranged for that
night. Miss Randolph and Beryl went to the theatre so that they
should not be mixed up in the quarrel."

"But Miss Randolph knew nothing?"

"Of course not. Beryl knew she was friendly to Bernard, and
wished her out of the way. For that reason, he took her to the
theatre. I then suggested to Sir Simon that probably Bernard knew
of the house from you, and might come back. Sir Simon had sent for
him to the kitchen, but my son, being afraid, ran away. Sir Simon
laughed at the idea of the red lamp, but he did not forbid my
arranging it. I got a lamp and placed it before the window. Then I
placed across the window a red bandana of Sir Simon's. From the
outside the signal could be plainly seen."

"What happened next?" asked Durham, while the typewriter

clicked in a most cheerful manner.

"Various things," retorted Mrs. Gilroy, "and not those you expect
to hear. I sat downstairs, waiting and working. Sir Simon was in the
room with the red light showing through the window. The trap was
laid. It only remained for Jerry to bring Bernard to fall into it. Shortly
before ten an Italian called."

"Bernard's uncle, Signor Tolomeo?"

"Yes. I knew him, and took him up to Sir Simon, thinking his
presence might make the quarrel worse. All Beryl and I wished to do
was to prevent Bernard and Sir Simon from becoming reconciled.
Well, Tolomeo saw Sir Simon, and while he was with him, my son
arrived. I asked him what he was doing there. He told me then that
he had been masquerading as Bernard, and informed me about the
check. He was afraid of trouble in connection with it, as by means of
it, Beryl held him in his power. He came to make a clean breast of it
to Sir Simon. I tried to stop him going up——"
 "But why?" interrupted the lawyer, quickly.

"I had my own plans, with which Michael's presence interfered,"

said Mrs. Gilroy, coolly. "However, he would not be overruled, and
went up to see Sir Simon. The old man concealed Tolomeo behind a
curtain, and then quarrelled with Michael about the check. There
was a great row, as Sir Simon threatened to have Michael arrested.
In the middle of the quarrel Tolomeo came out. Michael took him for
a detective, and fled. He ran out before I could stop him. Then
Tolomeo departed also. I went up the stairs and implored Sir Simon
not to arrest my son. Then Beryl arrived nearly at the half hour."

"How did he enter?"

"Tolomeo, running after Michael, left the door open. Beryl tried to
pacify the old man. I remained in the room all the time——"

"Then you saw the murder."

"Wait a moment," said Mrs. Gilroy, rising in the excitement of her

tale. "Beryl and the old man quarrelled. Then Sir Simon told him to
go back to the theatre. Beryl, thinking he had offended Sir Simon
past recall, wept. Yes," said Mrs. Gilroy, with a sneer, "he cried like a
child. Sir Simon was disgusted. He snatched his handkerchief from
him, and threw it on the floor. Beryl was ordered out of the house
again. He left and went back to the theatre. The interview took only
a few minutes."

"But the murder?"

"I committed it," said Mrs. Gilroy, simply.

Durham and the clerk both jumped and stared.

"You?" said the lawyer.

"Yes," said Mrs. Gilroy, coolly. "You have been on the wrong tack
all along. You thought that Bernard killed Sir Simon—that my son did
so—that Tolomeo did so—that Beryl was guilty. But you were all
wrong. I, and none other, killed Sir Simon."

"You say this to save your son?"

"No. Tolomeo can prove that Sir Simon was alive when Michael
fled from the house. Beryl can prove that I was alone with Sir
Simon. I was late—the servants were in bed. I determined to kill the
old man."

"Why, in Heaven's name?"

"Because I saw that when Bernard came he would be arrested,

and there would be a chance for my son getting the money. Then Sir
Simon intended to have Michael arrested—I wished to stop that.
Then, again, for years Sir Simon had insulted and humiliated me. I
hated him fervently. Oh, I had plenty of reasons to kill the old brute.
I went downstairs and got the chloroform."

"Had you that ready?" asked Durham, horrified at this recital.

"Yes and no. I didn't buy it then. I always thought that Sir Simon
kept his will at the Hall, and I bought the chloroform months before,
hoping one night to make him insensible, so that I could look at the
will. But the chloroform was not wasted," said Mrs. Gilroy, with a
pale smile. "I brought it with me to town—always ready to watch for
my chance of rendering my master insensible and of reading the
will. I wanted to see if he left Michael anything, and if he had really
left me the five hundred he promised. Besides, in his death, I saw a
chance of getting rid of Bernard by hanging, and of having my son
acknowledged as the heir."

"But Beryl? You reckoned without Beryl?"

"No," said Mrs. Gilroy, calmly. "You forget the handkerchief. I took
that down with me, and soaked it with chloroform. I guessed that
the handkerchief would condemn Beryl, should it be necessary to
accuse any one. I did not foresee what would happen," added the
woman, impatiently. "I only acted as I saw things then. I came
upstairs, and while pretending to arrange Sir Simon's cushions, I
clapped the handkerchief over his mouth. He struggled for a long
time. It is not easy to chloroform people," said the woman,
pensively. "I thought they went off at once, but Sir Simon was some
time struggling."

"Go on—go on," said Durham in disgust. "Get this over."

Mrs. Gilroy laughed and drew her shawl tightly about her spare
figure.

"After he was insensible," she continued, "I strangled him with his
own handkerchief, after tying Beryl's handkerchief across his mouth.
I then went down and took my work up again while waiting for
Bernard."

Durham made a gesture of abhorrence. "You could work?"

"Why not?" said Mrs. Gilroy. "There was nothing else to do—the
old man was dead—the trap was set. All I had to do was to wait till
Bernard walked into it."

"Had you no regrets for that?"

"None. Bernard Gore robbed my boy of his birthright."

"Bernard was the eldest son, even though Michael had been born
in——"

"I know all about that," said Mrs. Gilroy, waving her hand, "spare
me your preaching. Is there anything more you wish to know?"

"About this plot to get the false will signed?"

"I knew little of that. I accused Bernard, and he escaped. Beryl

guessed I murdered the old man, but for his own sake he held his
tongue. I heard Bernard's whistle, or rather Jerry's, and went out
crying murder. The rest you know. Then I played my part. I left the
diary at the Hall for Miss Randolph to find, as I thought Tolomeo
might be accused. I fancied, as things turned out, it would be better
to have Bernard back, and get him to do something for Michael.
That was why I prepared the diary."

"It was a false entry?" said Durham, looking at her.

Mrs. Gilroy yawned. "Yes, it was. I prepared it, as I say. I am

getting very tired," she added. "Let me sign the paper and go."

"You must sign the paper, and you must be arrested," said
Durham.

"As you please," said Mrs. Gilroy, perfectly calmly. Then Durham
sent for Inspector Groom, and, pending his arrival, Mrs. Gilroy
signed the paper, with Durham and the clerk as witnesses. She then
fell asleep, and Durham went out to receive Groom. They talked
together for some time, then entered the room. Mrs. Gilroy was lying
on the floor in convulsions, and laughed when she saw them.

"Good Heavens!" cried Groom. "She has poisoned herself!"

"I have taken drows," gasped Mrs. Gilroy. "That's my dukkerin!"

and died hard.
 CHAPTER XXIII
A YEAR LATER
It was midsummer, and Miss Berengaria's garden was a sight.
Such splendid colors, such magnificent blossoms, such triumphs of
the floricultural art, had never been seen outside the walls of a
flower show. The weather was exceedingly warm, and on this
particular day there was not a cloud in the sky. Miss Plantagenet
pottered about her garden, clipping and arranging as usual, and
seemed to be in the very best of spirits. And well she might be, for
this was a red-letter day with her.

Under the shade of a large elm-tree sat Durham, in the most

unprofessional tweed suit, and beside him, Alice, radiant in a white
dress. She looked particularly pretty, and her face was a most
becoming color. Every now and then she would glance at the watch
on her wrist, and Durham laughed as he saw how frequently she
referred to it.

"The train won't be here for another hour," he said, smiling. "You
will see Bernard soon enough, Miss Malleson."

"Oh, dear me," sighed Alice, "can I ever see him soon enough? It
seems like eleven years instead of eleven months since he went
away. I wish he hadn't gone."

"Well," said Durham, following with his eyes the spare little figure
of Miss Berengaria flitting about amongst the flowers, "I didn't
approve of it at the time, and I told Conniston so. But now I think it
was just as well Bernard did keep to his original intention and go to
the Front. It is advisable there should be an interval between the
new life and the old."
 "The new life?" asked Alice, flushing.

"He is coming home to be married to you," said Durham.

"And with a bullet in his arm," sighed Alice. "I shall have to nurse
him back to health before we can marry."

"Miss Randolph will be occupied in the same pleasing task with

Conniston," replied Durham, lazily, "and I envy both my friends."

"You needn't," laughed Miss Malleson, opening her sunshade

which cast a delicate pink hue on her cheeks. "Poor Bernard has
been wounded and Lord Conniston has been down with enteric
fever."

"I am glad they have got off so easily. Bernard might have been
shot, you know."

Alice shuddered and grew pale. "Don't, Mr. Durham!"

"That was why I feared about his going out," said he. "I thought
it would be a pity, after all he passed through, that he should be
killed by a Boer bullet. But he has only temporarily lost the use of his
arm; he has been mentioned for gallantry in the despatches; and he
is coming home to marry the most charming girl in the world—I
quote from his own letter," finished Durham, smiling.

"And Lord Conniston?"

"He is coming also to marry Miss Randolph. Both weddings will

take place on the same day, and Conniston has escaped the dangers
of the war with a slight touch of fever. But why tell you all this—you
know it as well as I do."

"What's that?" asked Miss Berengaria, coming up to the pair.

"I was only discussing Miss Malleson's future life," said Durham.
 "Ah," sighed the old lady, sitting down. "What I shall do without
her I don't know."

"Dear aunt," said Alice, kissing the faded cheek, "I shall not be far
away. The Hall is within visiting distance."

"That's all very well," said Miss Berengaria. "But Bernard will want
you all to himself, and small blame to him. What is the time?"

Alice glanced at her watch. "It's nearly three, and the train arrives
at half-past," she said. "Oh, I wish we could meet them."

"Not at all," rejoined Miss Berengaria, brusquely, "better wait here

with Lucy. She will be over soon. I don't want a scene of kissing and
weeping on the platform. But, I must say, I am glad both those boys
are back."

"You will have them as near neighbors, Miss Berengaria," said the
lawyer. "Bernard at Gore Hall and Conniston at the castle."

"I hope he and Lucy won't live there," said the old lady, rubbing
her nose. "A dreadfully damp place. I went over there the other day
to tell Mrs. Moon about Jerry."

"Have you had good reports of him?"

"So, so. The reformatory he was put into seems to be a good one,
and the boys are well looked after. But Jerry is a tree which will grow
crooked. He seems to have been giving a lot of trouble."

"Yet he was lucky to get off as he did," said Durham. "The judge
might have sent him to jail instead of into a reformatory."

"And he'll land in jail some day," said Alice, shaking her head. "At
least, Bernard seems to think so."

"I fancy Bernard is about right," replied Durham. "The lad is a

born criminal. I wonder how he inherited such a tainted nature."
 Miss Berengaria sat up briskly. "I can tell you," she said. "Mrs.
Moon informed me that her son—Jerry's father—was a desperate
scamp, and also that several of her husband's people had come to
bad ends."

"To rope ends, I suppose, as Jerry will come," said Durham.

"However, he is safe for the next three years in his reformatory.
When he comes out, we will see what will happen. What about your
other protégé, Miss Berengaria."

"Michael Gilroy?"

"Yes. Has he taken that name for good?"

"He has. It's the only name he is entitled to. How glad I am that
the poor creature was acquitted after that dreadful trial. I am sure
there is good in him."

"So Bernard thought, and that was why he assisted him," said
Alice.

"I think you put in a good word for him, Miss Malleson."

Alice assented. "I was sorry for the poor fellow. While I nursed
him I saw much good in him. And, remember, that he had intended
to tell me who he was when he arrived, only he was so ill."

"And when he saw that you fancied he was Bernard, he accepted

the situation," said Durham, ironically. "I wonder he could have
thought you so easily taken in, knowing that you knew Bernard so
intimately."

"Well, I don't think he was quite himself during that illness," said
Alice, pensively. "Had he been better, he would certainly have
doubted the fact of aunty's and my beliefs. A few questions from
me, and he would have been exposed, even had I truly believed he
was Bernard."
 "And he must have wondered how you never put the questions."

"Perhaps. But he thought I was considering his health. However,

he spoke up well at the trial, and quite explained Bernard's
innocence."

Durham shrugged his shoulders. "The serpent in the bamboo. He

was forced to be honest at the trial for his own sake."

"Don't be hard on him," said Miss Berengaria, suddenly. "I

received a letter from him yesterday. He is doing very well in
America, and with the money Bernard gave him he has bought a
farm. Also, he hopes to marry."

"I wonder will he tell his future wife anything of his past life."

"Not if he is wise," said Durham, looking at Alice, who had

spoken. "By the way, Miss Berengaria, does he mention his mother?"

"No," replied the old lady, promptly. "Drat you, Durham! why
should the boy mention his mother at this point? She has been dead
all these months. Poor soul! her end was a sad one. I never heard,
though, of what poison she died."

"A Romany poison they call drows," explained Durham, quickly.

"The gipsies use it to poison pigs."

"Why do they wish to poison pigs?"

"Because, if they kill a pig in that way, the farmer to whom it

belongs, thinking the animal has died a natural death, gives it to the
gipsies and they eat it."

"Ugh!" Miss Berengaria shuddered. "I'll look well after my own

pigs. So the poor creature killed herself with that drug?"

"I don't know that it is a drug," said Durham. "I can't explain
what it is. She hinted that I would know what drows meant before
the end of the day, and I did. While I was telling Inspector Groom
about her confession, she poisoned herself in my office. I thought
she was asleep, but she evidently was watching for her opportunity
to make away with herself."

"Ugh!" said Miss Berengaria, again. "I wonder you can bear to sit
in that office after such an occurrence."

"How lucky it was that she signed that confession before she
died," was the remark made by Alice.

"My dear young lady, she came especially to confess, so as to

save her son. She would not have died until she did confess."

"And if she had not suffered from that incurable disease, I doubt
if she would have committed suicide," said Miss Plantagenet.

"Oh, I think so," said Durham, reflectively. "After all, her

confession meant hanging to her. She wished to escape the
gallows."

"I am glad Bernard did," said Miss Berengaria, emphatically;

"even at the risk of all that scandal."

"It couldn't be kept out of the papers," said Durham, with a

shrug. "After all, Bernard's character had to be fully cleansed. It was
therefore necessary to tell the whole of Beryl's plot, to produce
Michael as an example of what Nature can do in the way of
resemblances, and to supplement the whole with Mrs. Gilroy's
confession."

"And a nice trouble there was over it," said the old lady, annoyed.
"I believe Bernard had a man calling on him who wished to write a
play about the affair—a new kind of 'Corsican Brothers.'"

"Or a new 'Comedy of Errors,'" said Alice, smiling. "Well, the

public learned everything and were sorry for Bernard. They cheered
him when he left the court."
 "And would have been quite as ready to hiss him had things
turned out otherwise," snapped Miss Berengaria. "The man who
should have suffered was that wretch Beryl."

"We couldn't catch him," said Durham. "Victoria reached him on

that very night, and he cleared without loss of time. Of course, he
was afraid of being accused of the crime, although he knew he was
innocent, but, besides that, there was the conspiracy to get the
estate by means of the false will. By the way, did Mrs. Moon say
what had become of Victoria?"

Miss Berengaria nodded. "Victoria is down in Devonshire with an

aunt, and is being kept hard at work to take the bad out of her. I
understand she still believes in Jerry and will marry him when he
comes out of the reformatory. He will then be of a marriageable age,
the brat! But, regarding Beryl, what became of him?"

"I never could find out," confessed Durham.

"Then I can tell you, Durham. Michael saw him in New York."

"Where?"

"In some low slum, very ragged and poor. He didn't see Michael,
or he might have troubled him. He has taken to drink, I believe—
Beryl I mean—so some day he will die, and a nice fate awaits him
where he will go," said Miss Berengaria, grimly.

Durham rose and removed his straw hat. "Well," said he, looking
down on the two ladies, "the whole case is over and ended. I don't
see why we should revive such very unpleasant memories. The past
is past, so let it rest. Bernard has the title and the money and——"

"Here's Lucy," said Alice, rising. "Dear girl, how sweet she looks!"

It was indeed Lucy tripping across the lawn in the lightest of

summer frocks. She looked charming, and greeted Alice with a kiss.
"I am so anxious," she whispered. "The train will be in soon."
 "You are anxious to see Conniston?" said Miss Berengaria.

"Yes. And I am also anxious to hand the Hall over to Bernard. I

have had a lot of trouble looking after it. Haven't I, Mr. Durham?"

Durham bowed. "You have been an admirable Lady of the Manor,"

he said. "But soon you will be Lady Conniston."

"And Alice will be Lady of the Manor," laughed Lucy. "Oh, by the
way, Mr. Durham, I forgot to tell you that Signor Tolomeo called at
the Hall yesterday. He thought Bernard was back, and came to thank
him for his allowing him an income."

"I thought he had gone back to Italy," said Durham.

"He is going next week, and talks of marriage."

"I don't envy his wife," said Miss Berengaria, rising. "Girls, come
into the house to see that everything is prepared for our heroes."

The girls laughed and tripped away. Durham left the garden and
drove to the station to fetch back Conniston and Bernard. They did
not come by that train, however, much to the disappointment of
those at the Bower. It was seven before they arrived, and then the
three ladies came out to meet them on the lawn.

"Dear Alice," said Bernard, who had his arm in a sling, but
otherwise looked what Conniston called "fit!", "how glad I am to see
you!"

"And you, Lucy," said Conniston, taking his sweetheart in his

arms.

"Really," cried Miss Berengaria, while Durham stood by laughing,

"it is most perplexing to assist at the meeting of a quartette of
lovers. Gore, how are you? Conniston, your fever has pulled you
down. I hope you have both sown your wild oats and have come
back to settle for good."
 "With the most charming of wives," said Dick, bowing. "We have."

Miss Berengaria took Durham's arm. "I must look out a wife for
you, sir," she said, leading him to the house. "Come away and let the
turtle-doves coo alone. I expect dinner will be late."

And dinner was late. Conniston, with Lucy on his arm, strolled
away in the twilight, but Bernard and Alice remained under the elm.
When it grew quite dusk a red light was seen shining from the
window of the drawing-room. Gore pointed it out.

"That is the signal Lucy used to set in the window at the Hall to
show that all was well," he said, putting his unwounded arm round
the girl, "and now it gleams as a sign that there is a happy future for
you and I, dearest."

"A red light is a danger signal," said Alice, laughing.

"This is the exception that proves the rule," said Gore. "It once
led me into trouble, but now it shines upon me with my arms around
you. Thank Heaven that, after all our trouble, we are at last in
smooth waters. There's the gong for dinner."

Alice laughed. "A prosaic ending to a pretty speech," she said.

 Transcriber Notes:
Throughout the dialogues, there were words used to mimic
accents of the speakers. Those words were retained as-is.

Errors in punctuation and inconsistent hyphenation were not

corrected unless otherwise noted.

On page 32, a quotation mark was added after "So as to

keep Bernard away,".

On page 37, "Good-by" was replaced with "Good-bye".

On page 39, "trees,and" was replaced with "trees, and".

On page 44, a quotation mark was added before "Mr.

Durham, we will see now".

On page 47, a quotation mark was added before "No! not at

present."

On page 48, "learnd" was replaced with "learned".

On page 61, the single quotation mark was deleted in "'What

do you mean?".

On page 65, "remembred" was replaced with "remembered".

On page 65, "prespiration" was replaced with "perspiration".

On page 71, "touhcing" was replaced with "touching".

On page 73, an extraneous quotation mark was removed

after "said Lucy."

On page 79, "appeared it" was replaced with "appeared in".

On page 95, "ten oclock" was replaced with "ten o'clock".

On page 99, "I will recive" was replaced with "I will receive".

On page 100, a quotation mark was added before "I go

down to-night".
 On page 103, a period was removed after "BERNARD'S
ENEMIES".

On page 104, "that would sem" was replaced with "that

would seem".

On page 105, "in her spech" was replaced with "in her
speech".

On page 105, "behind him to tak" was replaced with "behind

him to take".

On page 106, "nohting" was replaced with "nothing".

On page 109, "alloted" was replaced with "allotted".

On page 112, a quotation mark was added before "With

regard to the commission".

On page 112, "beenfit" was replaced with "benefit".

On page 112, "innocnce" was replaced with "innocence".

On page 116, "brought" was replaced with "bought".

On page 119, a quotation mark was removed before "Where

is he now?".

On page 123, "Bit" was replaced with "Bite".

On page 147, "rougish" was replaced with "roguish".

On page 149, "rigns" was replaced with "rings".

On page 152, the double quotation marks around "to my

grandson." were replaced with single quotation marks, and a
double quotation mark was added after the second single
quotation mark.

On page 156, "cheerful companion would do you good." was

replaced with "A cheerful companion would do you good."

On page 160, a quotation mark was added after "Mrs.

Moon."

On page 163, "shouldres" was replaced with "shoulders".

 On page 166, "nieghborhood" was replaced with
"neighborhood".

On page 169, "Good Bye" was replaced with "Good-bye".

On page 201, "michief" was replaced with "mischief".

On page 224, a quotation mark was added before "What do

you wish me to do?".

On page 233, a quotation mark was added before "I did not
catch him myself".

On page 242, "The" was replaced with "Then".

On page 249, "sadlly" was replaced with "sadly".

On page 252, "woudln't" was replaced with "wouldn't".

On page 253, "Berangaria" was replaced with "Berengaria".

On page 263, "Hs" was replaced with "He".

On page 264, "accesory" was replaced with "accessory".

On page 266, a quotation mark was added before "I will

confess".

On page 268, a quotation mark was added after

"administered".

On page 269, a quotation mark was removed before "When

the wire was written".

On page 285, a question mark was added after "my lord".

On page 290, "sursender" was replaced with "surrender".

On page 297, a quotation mark was added after "He has a

right to his father's name."

On page 306, "I was late" was replaced with "It was late".

On page 311, a period was added after "Mrs".

On page 317, a comma was added before "how glad I am to

see you!".
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